Tin Dog Podcast
- Description:
- tin-dog@hotmail.co.uk The Tin Dog welcomes you to sit back and listen to his rants and ramblings about all that is best in modern SF and Television. Via the gift of the new fangled Podcast over the tinterweb. As you can probably guess Tin Dog mostly talks about Doctor Who, Torchwood and Sarah Jane Smith but that wont stop him talking about any other subject you suggest. Hailing from a non specific part of the northeast of England, Tin Dog is male and in his mid 30s. A life long fan of almost all TV SF. His semi-autistic tendencies combined with his total lack of social skills have helped him find a place in the heart of British SF Fandom. Even as a child the Tin Dogs mother told him that she can trace his love of SF TV back to his rhythmic kicking, while still in the womb, along to the beat of the Avengers theme music. From Gabriel Chase to Totters Lane, from the Bad Wolf Satellite to the back streets of the Cardiff, Tin Dog will give you his thoughts on the wonderful Whoniverse. Daleks and Cybermen and TARDIS ES Oh My If you enjoy these Tin Dog Podcasts please remember to tell your friends and leave an email tin-dog@hotmail.co.uk
Homepage: http://tin-dog.co.uk
RSS Feed: http://www.tin-dog.co.uk/rss
- Episodes:
- 2855
- Average Episode Duration:
- 0:0:10:03
- Longest Episode Duration:
- 0:2:09:15
- Total Duration of all Episodes:
- 19 days, 22 hours, 5 minutes and 0 seconds
- Earliest Episode:
- 1 May 2007 (6:54pm GMT)
- Latest Episode:
- 29 October 2024 (3:25pm GMT)
- Average Time Between Episodes:
- 2 days, 5 hours, 43 minutes and 24 seconds
Tin Dog Podcast Episodes
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TDP 093: Big Finish Roundup Enemy of Daleks and Season 3 of 8th Doctor
Episode Duration: 0 days, 0 hours, 21 minutes and 12 secondsinfo to follow
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TDP 092: Delta and the Bannermen
Episode Duration: 0 days, 0 hours, 19 minutes and 7 secondsSynopsis On an alien planet the genocide of the Chimeron by the merciless Bannermen led by Gavrok is almost complete. The last survivor, Chimeron Queen Delta, escapes by the skin of her teeth clutching her egg, the future for her species. She makes it to a space tollport where the Navarinos, a race of shape changing tourist aliens, are planning a visit to the planet Earth in 1959 in a spaceship disguised as an old holiday bus. She stows aboard, as does Mel, while the Doctor follows them in the TARDIS. The Doctor and Mel have won the trip as a prize for arriving in the Navarino spaceport at the right time to be declared the ten billionth customers. No sooner has the tourist vehicle blasted away than the Bannermen turn up, ruthlessly hunting down the fugitive, and they kill the Tollmaster when he refuses to co-operate. The holiday vehicle from Nostalgia Tours meets an unfortunate collision with an American space satellite and is diverted off track, landing at a holiday camp in South Wales rather than Disneyland. However, the basic but cheerful Shangri-La holiday camp is happy to accommodate the visitors led by the ebullient Burton, who assures the travellers of a warm welcome while they wait for the driver, Murray, to repair their innocuous seeming transport. Mel gets close to Delta and uncovers the truth of her situation, including the hatching of the egg into a bright green baby that starts to grow at a startling rate. The Chimeron Queen supports this development with the equivalent of royal jelly given to bees. Delta tries to take her mind off the situation and goes to the Shangri-La dance, instantly capturing the heart of Billy, the camp's mechanic - and making an enemy of the smitten Rachel (or Ray), who loves Billy herself. Ray confides her situation to the Doctor, and they both stumble across a bounty hunter making contact with the Bannermen to tell them of the Chimeron's whereabouts. It is only a matter of time before Gavrok and his troops arrive. Delta and Billy head off on a romantic countryside ramble the following morning, but the Doctor wastes no time in persuading Burton to evacuate the camp, helping Murray repair the ship, and then heading off to find the young lovers while there is still time. Once they are found, everyone returns to the camp but the situation has become dire. The Bannermen have destroyed the Navarino bus with all its official passengers inside, taking Mel as a hostage, as Gavrok tries to work out how to capture the Chimeron. The Doctor's early attempts to intercede are futile, but he does rescue Burton and Mel from the Bannermen. Two Bannermen are holding prisoner two aging American agents, Hawk and Weismuller, who were tracking the missing satellite when they first arrived. The Bannermen were instructed by Gavrok to wait for the Doctor, Burton and Mel on the side of the road. Just before they left the Americans, they place a joined head lock device to prevent them from escaping. While the two Bannerman were placing a tracker on the Doctor, riding Billy's motorbike with Burton and Mel, in an attempt to disguise an ambush attempt, Ray manages to rescue Hawk and Weismuller head locks with an Allen key. They all make contact with the mysterious beekeeper Goronwy, who hides them for a while in his house. As the two Bannerman find that the Americans have been set free, they track the Doctor's party to Goronwy House. As they were closing in to the house, the Chimeron child Princess made a high pitched scream of warning which traumatised the ears of the two Bannermen, allowing Delta was able to shoot one of them, while the other escaped to inform Gavrok of the location of Delta and the Princess. At Shangri-La, before leaving to attack Goronwy House, Gavrok booby-trapped the outside of the TARDIS in an attempt to kill the Doctor. As Gavrok and his Bannermen approached Goronwy House shooting, and crashing into the rock-and-roll-music-filled house, only to have honey broken over them in the process. This then set Goronwy's bees on the honey-covered Bannermen. In the meanwhile, the Doctor and his party made it to Shangri-La to set up a defence. Billy rigged up the Shangri-La sound system to amplify the perfectly pitched scream of the Chimeron child Princess - a sound which is excruciatingly painful to Bannermen. Goronwy explains to Billy the purpose of royal jelly in the lifecycle of the honeybee, provoking the mechanic to consume Delta's equivalent that she has been feeding her daughter, in the hope of metamorphosing into a Chimeron. As Gavrok and his band of Bannermen attack Shangri-La, the amplified scream of the Chimeron princess traumatised the attackers, including Gavrok, who becomes so stunned that he falls into the beam of the booby-trap he placed on the TARDIS and is incinerated. Other Bannermen are so traumatised that they are easily rounded up. Delta and Billy leave together with the child and the prisoners, heading for an intergalactic war crimes tribunal. To their delight, The Doctor shows Hawk and Weismuller the missing satellite nearby. All is well and the next bus of holidaymakers, this time human, arrive at Shangri-La as the Doctor and Mel slip away. [edit] Continuity The Seventh Doctor's question mark handle umbrella makes its first appearance in this story.Sylvester McCoy can be seen wearing his glasses in certain long shots of him riding a motorcycle (consequently, the only time the Seventh Doctor is seen wearing spectacles, though he does produce a pair for use as an aid to hypnosis in the extended version of Silver Nemesis).The Navarinos are also featured in the novel Return of the Living Dad by Kate Orman. Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part One" 2 November 1987 24:47 5.3 "Part Two" 9 November 1987 24:23 5.1 "Part Three" 16 November 1987 24:22 5.4 [2][3][4] Preproduction This was the first three-part story since Planet of Giants (1964), not counting the 3 x 45 minute episodes of The Two Doctors, which had been broadcast 2 years previously, and the first intended to be this length (Giants had been recorded as a four-parter and cut).Working titles for this story included The Flight of the Chimeron[5]. The eventual title is a reference to the British band Echo and the Bunnymen. The story title makes a single substitution using the phonetic alphabet and a slight change in the final word of the title.The character of Ray was originally created as a new companion for the Doctor as Bonnie Langford had announced she would be leaving the series at the end of the season. The serial, with the working title, The Flight Of The Chimeron, was originally scheduled to end the season. However, as the serial neared production, Langford had not yet decided whether she would leave at the end of Season 24 or during Season 25; that, plus the rescheduling of Delta and the Bannermen to earlier in the season and the decision by script editor Andrew Cartmel to create another replacement companion named Alf (later renamed 'Ace'), led to the idea of Ray as a new companion being abandoned[5]. Casting Features guest appearance by Ken Dodd, Don Henderson, Hugh Lloyd, Richard Davies, and American stage and screen actor Stubby Kaye. See also Celebrity appearances in Doctor Who. Production The scenes at the Shangri-La holiday camp were shot on location at the Butlins Holiday camp on Barry Island, Wales. The holiday camp is no longer there, but the island was used again, this time as a stand-in for a bomb site in 1941 London, in the 2005 series episodes "The Empty Child" and "The Doctor Dances".[6]The soundtrack of this serial contained a higher-than-usual number of recognizable pop songs, although due to licensing costs all were re-recorded by "The Lovells", a fictional group created by the show's incidental music composer Keff McCullough. The songs featured in the serial were: "Rock Around the Clock", "Singing the Blues", "Why Do Fools Fall in Love", "Mr. Sandman", "Goodnight, Sweetheart", "That'll Be the Day", "Only You", "Lollipop", "Who's Sorry Now?" and "Happy Days Are Here Again".The motorbike ridden by Billy in this story is a Vincent, made by British manufacturer Vincent Motorcycles.The guitar the Doctor is seen hugging at the end of the story is a Fender Stratocaster, although the model is not one available at the time the story was set. Commercial releases The story was released on VHS in March 2001 in the UK and June 2002 in North America, but music clearance issues prevented the release of the serial in Australia. A commentary by Sylvester McCoy, Sara Griffiths, Chris Clough and Andrew Cartmel has been recorded for the DVD release. The DVD will be released on June 22 2009. In print Doctor Who book Delta and the Bannermen Series Target novelisations Release number 131 Writer Malcolm Kohll Publisher Target Books Cover artist Alister Pearson ISBN 0-426-20333-X Release date 19 January 1989 Preceded by Paradise Towers Followed by The War Machines A novelisation of this serial, written by Malcolm Kohll, was published by Target Books in January 1989.
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TDP 091: Planet of the Dead and Fab Whostrology
Episode Duration: 0 days, 0 hours, 19 minutes and 3 seconds"Planet of the Dead" is an episode of the British science fiction television series Doctor Who that was simultaneously broadcast on BBC One and BBC HD on 11 April 2009. It is the first of four special episodes to be broadcast throughout 2009 and early 2010, which serve as lead actor David Tennant's denouement as the Tenth Doctor. He is joined in the episode by actress Michelle Ryan, who plays one-off companion to the Doctor Lady Christina de Souza. The episode was co-written by Russell T Davies and Gareth Roberts: the first writing partnership since the show's revival in 2005. The episode depicts Christina fleeing the police from a museum robbery by boarding a bus that accidentally travels from London to the desert planet of San Helios, trapping her, the Doctor, and several passengers on board a damaged bus. After the bus driver dies trying to return to Earth, the Unified Intelligence Taskforce, headed by Captain Erisa Magambo (Noma Dumezweni) and scientific advisor Malcolm Taylor (Lee Evans), attempt to return the bus to Earth while preventing a race of metallic stingray aliens from posing a threat to Earth. At the end of the episode, one of the passengers delivers a warning to the Doctor which foreshadows the remaining three specials. "Planet of the Dead" is the first Doctor Who episode to be filmed in high definition, after a positive reaction to the visual quality of spin-off series Torchwood and the financial viability of HDTV convinced the production team to switch formats. To ensure that the desert scenes looked as realistic as possible, the production team filmed in Dubai for three days, sending several props--most notably, a 1980 double-decker Bristol VR bus--to the United Arab Emirates for filming. After the bus was unintentionally damaged in Dubai by a shipping container, Davies rewrote the script to explain the damage in the narrative. Reaction to the episode was mixed: the audience gave the episode an Appreciation Index of 88[3]--considered excellent--but critics gave average reviews to the episode. The consensus among critics was that it was enjoyable as a whole but that it was only an average script. The main point of praise was Evans' performance alongside Dumezweni in scenes set on Earth, which countered their criticism of the events on San Helios as being relatively boring. //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Plot The episode begins with a young thrill-seeking burglar, Lady Christina de Souza (Ryan), stealing a gold chalice once belonging to King Athelstan from a museum. She then narrowly evades the police by riding on a London bus on which the Doctor (Tennant) is also travelling, shortly before the bus suddenly passes through a wormhole and arrives on the desert planet of San Helios. The Doctor and the other passengers find that the wormhole is still present, but deduce that the bus had protected them like a Faraday cage after the bus driver is killed trying to cross back on foot, evaporating to a skeleton instantly. Seeing the driver's skeleton coming out on the other side of the portal, the police call in UNIT, commanded by Captain Erisa Magambo (Dumezweni) and aided by scientific advisor Malcolm Taylor (Evans), to close the wormhole. Trapped on a heavily damaged bus, the other passengers introduce themselves: Angela (Victoria Alcock) is a middle-aged mother travelling home to her family; Lou (Reginald Tsiboe) and Carmen (Ellen Thomas) are an elderly couple who win PS10 each time they play the National Lottery due to Carmen's low-level psychic abilities; Barclay (Daniel Kaluuya) was travelling to a friend's house to ask her on a date; and Nathan (David Ames) was travelling home to watch television. The Doctor and Christina decide to scout the planet, spotting an approaching storm, while Nathan and Barclay try to fix the bus. As they travel, the Doctor learns of Christina's troubled history, and appreciates her callousness and aptitude to the alien situation. The Doctor and Christina encounter the Tritovore, an anthropomorphic fly species, who take them to their wrecked spaceship. The Tritovore explain that they were making a routine goods collection from the planet but crashed in an unfamiliar environment; a year previously, the planet housed a hundred billion inhabitants and a thriving ecosystem. The Tritovore send out a probe to investigate the cause, and discover a large swarm of metallic stingray-like aliens who routinely create wormholes and destroy ecospheres as their biological imperatives. To rescue the Tritovore and the bus passengers, Christina uses her burglary skills to retrieve a crystal which powers the spaceship (together with the pedestal it is located on), unintentionally awakening a stingray that kills the two Tritovore. The Doctor attaches parts of the pedestal to the bus and uses the chalice of Athelstan as an interface to the technology. This allows the bus to fly through the wormhole, with the stingrays in hot pursuit. Taylor quickly closes the wormhole but not before three of the stingrays pass through it. After UNIT has shot down the stingrays and the passengers have been debriefed, Christina asks the Doctor to let her travel with him; he rejects her because he does not want to lose another companion. The characters part ways. The Doctor recommends that UNIT hire Barclay and Nathan, Christina is arrested by the police for the theft and Carmen has a premonition that visibly unnerves the Doctor: You be careful, because your song is ending, sir. It is returning, it is returning through the dark. And then Doctor... oh, but then... he will knock four times. --Carmen, "Planet of the Dead"[4] As a final act of kindness, the Doctor uses his sonic screwdriver to release Christina from her handcuffs. The pair part on good terms as she flies away in the bus as the Doctor enters his TARDIS and dematerialises. Production Writing and casting Ryan and Tennant reviewing the script before filming in Butetown on 28 January 2009. Russell T Davies co-wrote the episode with Gareth Roberts, the first writing partnership for the show since its 2005 revival.[5] "Planet of the Dead" was a departure from Roberts' usual stories--Roberts had previously only written pseudo-historical stories--and instead consisted of "wild" science fiction elements from his literary career and teenage imagination. The episode had no clear concept--such as Shakespeare and witches in "The Shakespeare Code" or Agatha Christie and a murder mystery in "The Unicorn and the Wasp"--and instead was a deliberate "clash [of concepts] with many disparate elements". Roberts explained he was cautious to ensure that each element had to "feel precise and defined ... like we meant that", citing the serial Arc of Infinity as an example where such control was not enforced.[6] The episode includes a common feature of Davies' writing in that there is no clear antagonist: the Tritovore are eventually sympathetic to the protagonists and the stingrays are only following their biological imperative.[7][8] Unlike the Christmas specials, the theme of Easter was not emphasised in the story; the episode only contained a "fleeting mention" of the holiday instead of "robot bunnies carrying baskets full of deadly egg bombs". The episode's tone word--"joyous"--was influenced by Davies' realisation that "every story since "The Fires of Pompeii" [had] a bittersweet quality" and subsequent desire to avoid the recurring theme.[5] The starting point for the story was Roberts' first novel The Highest Science. Davies liked the image of a London Underground train on a desert planet and rewrote it to contain a bus. Davies nevertheless emphasised it was not an "adaptation as such" because tangential elements were constantly being conceived and added.[5] Michelle Ryan portrays Lady Christina de Souza, the daughter of a recently impoverished aristocrat and adrenaline junkie. Christina is a "typical" Doctor Who companion, Davies electing to draw parallels from the Time Lady Romana rather than new series companion Rose Tyler. Roberts described her as an "adventuress" who is "upper class and glam, suited and booted, and extremely intelligent" which the Doctor could relate to because they both rejected their heritages. The episode's director James Strong described the character as reverting to a traditional romantic-based companionship--rather than the platonic companionship of Donna Noble (Catherine Tate) in the fourth series--while still being a unique companion:[9] It's back to basics: she's probably more of a traditional, romantic kind of Thomas Crown Affair kind of heroine, if you like. [...] It echoes to me of Rose, in that there may be a good old fashioned romantic connection between them. She's young, she's beautiful, she's sexy, but whereas Rose was a very ordinary, normal girl, Lady Christina is a lady, she comes from a very privileged, very elite background. She's different to any of the companions we've ever had in that she doesn't particularly want to get caught up with the Doctor. She's got her own thing going on, so she's very much a match for the Doctor and very much an equal. Often in an adventure the Doctor will take control and everyone will do what he says. She's very much in control - the two of them are in a sparring way, battling against each other to get through this adventure. --James Strong, Digital Spy interview.[9] Comedian Lee Evans plays Professor Malcolm Taylor, a UNIT scientist devoted to his predecessor, the Doctor. Davies created Evans' character to serve as a foil for Noma Dumezweni's pragmatic character Captain Erisa Magambo, who previously appeared in the episode "Turn Left".[5] Roberts noted after writing the episode that Evans' character had unintentionally become a "loving" caricature of Doctor Who fandom.[6][10] The episode was influenced by several works: Davies described "Planet of the Dead" as "a great big adventure, a little bit Indiana Jones, a little bit Flight of the Phoenix, a little bit Pitch Black.";[11] the relationship between the Doctor and Christina was influenced by 1960s films such as Charade and Topkapi, which included Cary Grant and Audrey Hepburn "being witty and sophisticated together, and then running for their lives";[5] and the Tritovore were influenced by 1950s and 1970s science fiction B-movies such as The Fly and Davies' habit of including aliens that were recognisable to the audience as animals from Earth, such as the Judoon.[7] Carmen's warning evoked memories of the Ood's warning to the Doctor and Donna in the fourth series episode "Planet of the Ood".[7] Tennant explained the prophecy meant that the Doctor's "card [had become] marked" and the three specials would thus be darker--characterising "Planet of the Dead" as the "last time the Doctor gets to have any fun"--and that the subject of the prophecy was not the obvious answer: David TennantReally, from this moment on, the Doctor's card is marked. Because when we come back in "The Waters of Mars", it's all become a little bit darker.Julie GardnerAnd as we know, David, he really does knock four times.TennantYeah, absolutely, and if you think you've figured out what that means, you're wrong!GardnerBut when you do figure it out, it's a sad day. --David Tennant and Julie Gardner, Doctor Who: The Commentaries, "Planet of the Dead"[8] Filming The two major filming locations of the episode: the desert of Dubai was used for scenes on the "planet of the dead"; and the Queen's Gate Tunnel in Butetown, Cardiff was used for the majority of Earth-bound scenes. Pre-production on the four specials started on 20 November 2008--four days before scheduled--because the episode's overseas filming in Dubai required the extra planning time.[12] Two weeks later, the production team was on a recce for the special and the final draft of the script was completed.[13] The production team examined overseas locations to film the episode because they wanted the scenery to feel "real" and thought that they would be unable to film on a Welsh beach in winter. After examining countries such as Morocco and Tunisia, the production team decided to film in Dubai because the area was more amicable to the filming industry and viable filming locations were nearer to urban areas than other locations.[14] Production began on 19 January in Wales.[2][10] The special was the first Doctor Who episode to be filmed in high-definition television resolution.[15] The move to HD had previously been resisted for two major reasons: when the show was revived in 2005, high-definition television was not adopted by an adequate portion of the audience to be financially viable; and special effects were considerably more expensive to create in high-definition than in standard-definition. "Planet of the Dead" was used to switch to HD because of the show's reduced schedule in 2009 and because the filming crew had become experienced with the equipment while they were filming Torchwood.[8] Filming began at the National Museum Cardiff,[location 1] which doubled for the history museum depicted in the episode's first scene. To portray the tunnel the bus travelled into, the Queen's Gate Tunnel of the A4232 road in Butetown[location 2] was closed for four nights to accommodate filming. The last major piece of filming in Wales took place in the closed Mir (formerly Alphasteel) steelworks in Newport,[location 3] which doubled almost unaltered for the Tritovore spaceship. Filming took place at the peak of the February 2009 Great Britain snowfall, where the sub-zero temperatures slowed filming and had a visible effect on the cast. To accommodate for the adverse conditions, Davies included a line in the script that specified that the Tritovore spaceship cooled as external temperatures increase.[8] The 200 bus--so named after the episode's landmark--in dock at Dubai City Port, after a container was accidentally dropped on it. Filming in Dubai[location 4] took place in mid-February 2009. Two weeks previously, one of the two 1980 Bristol VR double-decker buses bought for filming had been substantially damaged when a crane accidentally dropped a container in Dubai City Port.[7][16]After an emergency discussion by the production team, they agreed that the damage was unintentionally artistic and decided to include the damaged bus in the episode;[7] instead of shipping the spare bus from Cardiff--which would have delayed the already hurried filming schedule--the production team decided to partially reconstruct the bus in Dubai, damage the spare bus in Cardiff to match the bus in Dubai, and rewrite part of the script to accommodate and mention the damage to the bus.[7][8][17][18] James Strong recalled the reaction of the production team to the damage to the bus in an issue of Doctor Who Magazine: One morning in the first week of February, I was leaving my flat when Julie Gardner phoned. She said, "there's been a little accident with the bus [...] it's a disaster; the bus is fucked." When I got into the office, I was handed a photograph--and my initial reaction was absolute horror. We called an emergency meeting. Russell came in [...] and we discussed our options. We had bought an identical London bus to film on in Cardiff, so could we send that out to Dubai? We could have got it out in time if it'd left Cardiff, literally, the next day, but we'd have had to find a third bus, an exact replica, to film on in Cardiff a week later. It had taken us a month to find the one we had. It was even mooted that we'd have to forget Dubai and opt for a beach in the UK. But Russell's response was "Okay, let's embrace it. Let's say that the bus was damaged on its way to the alien planet. [...] He wove it into the narrative. We're not trying to hide the damage at all. In fact, we show it off, enhancing it with special effects, smoke and sparks. It works rather marvellously. That London bus, damaged and smoking, in the middle of the desert--yeah, it looks incredible, especially in gorgeous hi-def. --James Strong, Doctor Who Magazine issue 407.[14] A notable use of lens flares being used in the episode for artistic effect. Strong sought to maximise--rather than minimise--effects such as these because it disguised the fact it was filmed in a studio and allowed the viewer to suspend their disbelief more easily; this specific shot was highlighted by Strong and Tennant as an example of how it was correctly utilised.[8] The damaged bus was not the only problem to filming in Dubai: the first of the three days was afflicted by a sandstorm which left most of the footage shot unusable.[14] The production team then struggled to complete three days of filming in two days; the last day was compared to "filming Lawrence of Arabia".[7] To complete the episode's filming, interior scenes in the bus were filmed in a studio in Wales. To disguise the fact they were using a translite--a 360-degree background image--, Strong utilised often-avoided techniques such as muddied windows and lens flares; the latter also served to create a warmer environment for the viewer.[8] After filming ended, editing and post-processing took place until two days before transmission, leaving the BBC to resort to using an unfinished copy to market the episode.[7][8] 200th story "Planet of the Dead" was advertised as Doctor Who's 200th story. Writer Russell T Davies admitted that the designation was arbitrary and debatable, based upon how fans counted the unfinished serial Shada, the season-long fourteen-part serial The Trial of a Time Lord, and the third series finale consisting of "Utopia", "The Sound of Drums" and "Last of the Time Lords".[19] Davies personally disagreed about counting The Trial of a Time Lord as one serial--arguing that it "felt like four stories" to him--and grouping "Utopia" with its following episodes, but agreed that it was only an opinion which did not override any others.[19] Gareth Roberts inserted a reference to the landmark--specifically, the bus number is 200[20]--and Davies emailed the show's publicity team to advertise the special as such.[19] Doctor Who Magazine's editor Tom Spilsbury aknowledged the controversy in the magazine's 407th issue, which ran a reader survey of all 200 stories.[21] EUBroadcast and reception Overnight figures estimated that the special was watched by 8.41 million people, a 39.6% share of the audience. An additional 184,000 watched the programme on BBC HD, the channel's highest rating so far. The initial showing had an Appreciation Index of 88: considered excellent.[22][23] A BBC One repeat, two days later, gained an overnight figure of 1.8 million viewers.[22] The special was therefore the second most watched programme of the day, being beaten by the premiere of the new series of Britain's Got Talent.[23] The final viewing figure for the initial broadcast was 9.54 million viewers on BBC One and 200,000 viewers on BBC HD, making it the fifth most watched programme of the week and the most watched programme ever aired on BBC HD.[24] Including repeats in the following week and viewings on the BBC iPlayer, 13.89 million viewers watched the episode in total.[25] The episode received average critical reviews. Simon Brew of science fiction blog Den of Geek said the episode was "by turns ambitious and predictable" but "still quite entertaining". The first part of the review mentioned an objection from his wife that the bus trapped in the sand "[looked] really fake", despite the episode being actually filmed in Dubai, and then mentioned Brew's appreciation of the concept of people stranded in the desert and concluded that "made a fair fist of it". Brew positively reviewed Michelle Ryan's performance--comparing her performance to be on par to her role in Bionic Woman rather than her role as Zoe Slater in Eastenders--and Lee Evans' performance as Malcolm Taylor, calling him the highlight of the episode because of his dialogue. He closed his review by saying that ""Planet of the Dead" was passable enough": he thought it "never really gelled" for him; but he thought it was overall entertaining and was excited for the remaining three specials as a result of Carmen's prophecy.[26] Charlie Jane Anders of io9 "mostly loved "Planet Of The Dead"", commenting that it was a standard Russell T Davies script that had the "elements of a cracking good story": POTD was pretty much everything you've come to expect from Russell T. Davies' Who: crazy adventures, slightly cartoony characters, clever dialogue, moments of sheer silly fun, a childlike solemnity, a miraculous save, bombastic music, and one woman who's held up as being the most special person ever. It didn't hurt that POTD had all the elements of a cracking good story: The Doctor and friends trapped on an alien planet, on the other side of the universe, with no easy way to get home. Alien creatures who might be hostile. A deadly swarm coming to tear our heroes apart. And UNIT on the other side of the wormhole, trying to come to grips with this almost unimaginable threat. --Charlie Jane Anders, io9[27] She compared it to two previous episodes, "The Impossible Planet" and "Midnight", both of which she enjoyed. She criticised three aspects of the episode: Lady Christina, who was the "first RTD heroine who actually filled [her] with revulsion", leaving her hoping that the character would be killed off-screen, Malcolm's reluctance to close the wormhole and the implausibility of only three stingrays travelling through it. She thought that the episode was "a pretty solid adventure with a cool set of monsters".[27] Ben Rawson-Jones of entertainment website Digital Spy gave the episode two stars out of five. He characterised the episode as being "as hollow as a big chocolate Easter egg" because it was "lacking in the enthralling drama and compelling characterisation that has been the lynchpin of the Russell T Davies era". His main criticism was towards Ryan's character, describing the romantic tension between Christina and the Doctor as "feeling forced" and arguing that Ryan was "utterly unconvincing" as Christina. Conversely, he was appreciative of Strong's direction and the UNIT subplot. Specifically, he approved of Evans' performance, noting that "the fact that Malcolm names a unit of measurement after himself is both inspired and hilarious". His review ended by describing the episode as "lifeless for much of the hour" and expressing his hope that the ambiguous entity from Carmen's premonition would "hurry up".[28] Orlando Parfitt of IGN gave the episode a 7.1 (Good) rating out of ten. Parfitt called it a "straightforward story" that did not elevate to the level of excitement typically seen in Doctor Who until the episode's climax, instead describing the majority of the story as being "taken up with Tennant and Ryan standing in the desert, swapping flirtatious banter in between proclaiming how dire their situation in between", and criticised the writing of the part of the episode where the bus was on San Helios, claiming that plot devices such as the Tritovore or Taylor being held at gunpoint and ordered to close the wormhole as "feel[ing] forced and unnaturally shoe-horned into the script". His praise of the episode went to Ryan and Evans: although he thought of Christina as a "shameless Lara Croft ripoff", he said that the character "still proves a sexy and wise-cracking counterpart to the Doctor"; and Evans' acting alongside Dumezweni highlighted his "undeniably great comic acting" as opposed to his "love-it-or-hate-it" stand-up comedy. The last paragraph of his review focused on the climax, which he thought was "a cracker [that] just-about makes up for the previously plodding plot", and described the entire episode as having "enough enjoyable moments" to entertain fans before the transmission of "The Waters of Mars".[29] DVD and Blu-Ray release "Planet of the Dead" will be released on DVD on 15 June 2009,[30] and on Blu-Ray on 29 June 2009.[31]
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TDP 89: The Deadly Assassin
Episode Duration: 0 days, 0 hours, 10 minutes and 54 secondsSynopsis The Doctor answers a summons and finally returns to his homeworld, Gallifrey, seat of the Time Lords. However, when the President of the High Council is assassinated, he becomes the prime suspect, while an old enemy lurks in the shadows, pulling the strings. [edit] Plot The Fourth Doctor has arrived on Gallifrey after receiving a mysterious summons from the Time Lords. Along the way, he has a precognitive vision about the President of the Time Lords being murdered. As soon as the TARDIS materialises within the Gallifreyan Citadel, an alarm sounds and it is surrounded by soldiers. Their leader, Commander Hildred, reports to Castellan Spandrell. Both note that the TARDIS is a Type 40, which is no longer in service. Since the arrival is unauthorised, the soldiers are ordered to impound the TARDIS and arrest the occupant. The Doctor overhears this, and realises that the Time Lords did not summon him. Someone has gone to great lengths to set him up. Spandrell goes to see Coordinator Engin in the Archives Section, leaving Hildred in charge. Hildred and his troops enter the TARDIS, but the Doctor manages to sneak out and make his way to a service lift that leads to the main tower. A soldier is present, and threatens to place the Doctor under arrest. However, the soldier is quickly killed by a phantom-like figure who disappears before the Doctor can get a good look at him. The Doctor sends the lift on its way, in an attempt to fool the soldiers into thinking he has fled deeper into the Citadel. All of this has been observed by the Doctor's old adversary, the Master, who is wearing a black hood that conceals his features. "Predictable as ever, Doctor," he snorts, before returning to the shadows. Chancellor Goth arrives outside the TARDIS to see the situation for himself. Inside the TARDIS, the Doctor is watching a news broadcast by a reporter he recognises as Runcible (whom the Doctor nicknames "the Fatuous"), a classmate from his days at the Academy. It is revealed that the President is set to retire, and he is to name a successor before he does. Runcible is talking to Cardinal Borusa, one of the Doctor's former teachers. He asks Borusa who the Presidential successor will be, but Borusa brushes him off. The TARDIS is transmatted to the museum, and the Doctor takes the opportunity to steal a set of traditional Gallifreyan robes to mingle with the crowds. Meanwhile, deep within the archive tower, the Master, revealed to be horribly emaciated, confers with an unseen accomplice. He says that the trap has been set, and they must make sure the Doctor dies quickly. At the Panopticon, the disguised Doctor briefly converses with Runcible before the outgoing President makes his entrance. The Doctor scans the area and notes a camera stationed on an unguarded catwalk. He also spots a sniper rifle next to the camera. The Doctor fights his way to the catwalk, warning that the President is about to be killed. Unfortunately, for the Doctor, the assassin is actually among the delegates. He pulls out a pistol and shoots the President dead. The crowd sees the Doctor on the catwalk with the rifle and assume he is the assassin. The captured Doctor insists that he is innocent. Eventually, Spandrell starts to believe him and orders Engin to assist him in an independent investigation. Meanwhile, Goth and Borusa debate over the Doctor's impending trial. Goth notes that the election for a new President will occur in forty-eight hours, and he is eager to see the Doctor executed before then. Borusa, however, wants to ensure that the Doctor receives a fair trial, according to law. The Doctor surprises everyone by invoking Article 17: he will run for President, which will mean he can only be tried if he loses the election. The Master and his assassin are not pleased with this turn of events. The Doctor returns to the scene of the crime with Spandrell. They discover that the sight on the Doctor's rifle was fixed, making it impossible for this weapon to have killed the President. They conclude that the real assassin would have been caught on tape by a nearby video camera, but when they inspect the camera, they find the shrunken body of the technician inside. The Doctor then realises that the Master is behind this. Runcible attempts to take the tape from the camera to the archives for review, but he is killed by a spear to the back. The Doctor realises that the Master sent the Doctor the premonition of the assassination through the Matrix, a vast computer which turns thought patterns into virtual reality. He decides to enter the Matrix as a means of tracking the Master. Engin warns him that if he dies in the virtual world, he will die in the real world as well. The Doctor enters the Matrix and finds himself in a forbidding landscape of crumbling white cliffs and sparse vegetation. The disembodied laughter of some unknown presence echoes off the canyon walls. The Doctor is then engaged in a series of surrealistic sequences. First he nearly walks into the open jaws of a hungry crocodile, which simply disappears into thin air. He is then attacked by a masked samurai warrior and falls from a cliff into unconsciousness. He revives upon an outdoor operating table with a masked surgeon standing over him. The surgeon tries to inject him with a substance from an extremely large hypodermic needle. The Doctor pushes the surgeon away and runs off to find himself in the midst of a World War I battle. Shell and machine gun fire is heard and gas canisters explode all around. A soldier and his horse stumble out of the smoke wearing gas masks. The Doctor runs bewildered until he comes upon a train track, the rail of which closes upon one of his boots and traps him. A group of three masked men appear and one attempts to run him down with a mine train. The train disappears before hitting the Doctor and he works his foot free. The Doctor realizes that his surroundings are but an illusion and tries to deny their existence, but passes out from the strain. Recovering consciousness he becomes aware of the two large black eyes of his unknown adversary in the side of a cliff, telling him that he is the creator of this world and that there is no escape. The Doctor, dehydrated and thirsty, hears the sound of running water, but when he attempts to dig into the ground to locate its source he is greeted by a red-nosed clown peering through a window, laughing at him. He is then strafed by machine gun fire by a masked pilot in a biplane, eventually receiving a bullet wound in the leg. The Doctor tries to deny the existence of the wound, and it disappears. However, the disembodied voice of the assassin reminds him that this is his reality, and his rules, and the wound reappears. The Doctor declares that he will then fight the assassin in his reality. In the real world, Engin tells Spandrell that the Doctor's adversary is using a lot of energy to maintain the virtual environment, so the Doctor can defeat him if he provides an adequate distraction. Inside the Matrix, the dry barren virtual environment merges into a thick, sticky jungle, and the assassin soon appears dressed as a big game hunter, a mesh veil obscuring his face. The assassin concludes that the Doctor will need water, and, leaving his backpack behind him, goes off to contaminate the local supply with poison from a small bottle. The Doctor finds the assassin's backpack and takes a grenade and some twine, setting up a makeshift booby trap. The assassin returns and trips it, setting off an explosion which wounds him in the abdomen. Fearing that his protege might lose, the Master sends a hypnotised guard to kill the Doctor's physical form. Back inside the Matrix, the Doctor continues to be hunted through the virtual jungle. Coming to the pool of water, he finds dead, floating fish and the empty bottle and realises that the water has been poisoned. He finds a small amount of uncontaminated water and drinks it through a reed, then uses the reed and some thorns off of a nearby tree to make a blowgun, dipping the ends of the darts into the remnants of the poison from the bottle. The Doctor climbs up into a tree and shoots the assassin in the leg with a dart. The assassin fires his rifle and hits the Doctor in the arm, causing him to fall out of the tree. Ripping his pants leg open to reveal a potentially fatal wound, the assassin injects himself with an antidote while the Doctor again escapes. In the real world, the hypnotised guard makes his way to the Matrix chamber, but Spandrell manages to shoot him before he can sabotage the Matrix link. Back in the Matrix, the Doctor has made it to a gas-filled marsh, where the assassin reveals his true identity: Chancellor Goth. Goth tries to shoot the Doctor but ignites the marsh gas, setting himself on fire. Goth falls into the water to extinguish the spreading flames. The Doctor comes out of hiding to confront him, but is caught by surprise by Goth and tackled. Intense hand-to-hand combat ensues, with Goth seeming to gain the upper hand. He attempts to drown the Doctor. However, the strain of fighting and keeping up the virtual reality overcomes Goth. The Doctor breaks free and hits Goth over the head with a large stick. The Master, realising that Goth has been effectively defeated, decides to hedge his bets and tries to trap the Doctor in the Matrix by overloading the neuron fields, even though this will also kill Goth. Engin manages to get the Doctor out, but Goth is not so lucky. The Master then injects himself with a hypodermic needle. The Doctor and Spandrell, accompanied by soldiers, manage to make their way to the chamber where the Master and Goth were accessing the Matrix. They find the Master slumped in a chair without a pulse and Goth dying. Goth reveals that he found the Master, near death, on Tersurus. The Master was nearing the end of his twelfth and final regeneration. Goth went along with his schemes mainly for power: he knew the President had no intention of naming him as a successor, but if a new election was held, he would be the front runner. Before he dies, Goth warns that the Master has a doomsday plan. When Spandrell relates the story to Borusa, the Cardinal orders that a cover story be created to maintain confidence in the Time Lords and their leadership. The official story will be that the Master arrived in secret to assassinate the President, and Goth heroically tracked him down and killed him but perished in the attempt. The charge against the Doctor will be dropped on condition that he leave Gallifrey. Attempting to piece together what the Master and Goth were planning, the Doctor inquires as to what becoming the President entails. He is told that the President has access to the symbols of office: the Sash and Great Key of Rassilon. As Engin plays the records of the Old Time, which describes how Rassilon found the Eye of Harmony within the "black void", the Doctor realises these objects are not ceremonial. The Doctor inspects the hypodermic needle, and realises that it contained a neural inhibitor. The Master is still alive. The Doctor, Spandrell, and Engin arrive at the morgue, to find that the Master has revived and killed Hildred. Armed with Hildred's staser pistol, the Master seizes the Sash from the President's corpse and traps the three in the morgue. The Doctor explains what he has deduced: that the Eye is actually the nucleus of a black hole, an inexhaustible energy source that Rassilon captured to power Gallifrey, and the Sash and Key are its control devices. The Doctor deduces that the Master was planning to steal this energy to gain a new cycle of regenerations. However, if the Eye is disrupted, Gallifrey will be destroyed and a hundred other worlds will be consumed in a chain reaction. Inside the Panopticon, the Master makes his way to the obelisk containing the Eye. He unhooks the coils that connect it to Gallifrey, and is prepared to access the energy. The Doctor makes his way to the Panopticon via a service shaft. The Citadel begins to quake, and cracks appear in the floor. The Doctor and the Master fight, until the Master loses his footing and falls into a chasm. The Doctor reconnects the coils and saves Gallifrey, although half the city is in ruins and many lives have been lost. The Doctor is now free to return to his TARDIS. He bids farewell to Borusa, Spandrell, and Engin, but also warns that the Master may not be dead. He had harvested some energy from the obelisk before he was stopped, and may have been able to channel it. As the Doctor's TARDIS dematerialises, Spandrell and Engin witness the Master sneak into his own TARDIS - disguised as a grandfather clock - and make his escape. Spandrell concludes that it is only a matter of time before the two enemies cross paths again. [edit] Cast notes Bernard Horsfall guest stars as Chancellor Goth. He had previously appeared as an unnamed Time Lord (credited as 'Time Lord 1') in the serial The War Games prompting some speculation that they were the same character. Other parts played by Horsfall in Doctor Who were Gulliver in The Mind Robber and Taron in Planet of the Daleks. [edit] Continuity This is the only serial of the original Doctor Who series in which the Doctor does not have a companion. This was reportedly at Tom Baker's request as he wanted to try a solo adventure. In addition, some have suggested that the production team hoped to discourage Baker's interest in solo serials, but his enthusiastic reaction to the scripts seems to have belied this.Although this story was well-received, the experiment of the Doctor without his companions was not repeated until the revived series episode "Midnight" in the 2008 series. Robert Holmes later stated how difficult it was to write a script without anyone for the Doctor to share his thoughts and plans with (the character is seen to talk to himself more than usual).The planet Tersurus, where Goth says he found the Master, is seen in the 1999 charity spoof Doctor Who and the Curse of Fatal Death. How the Master arrived there in an emaciated state is described in the Eighth Doctor Adventures novel Legacy of the Daleks by John Peel.The character of Borusa reappears in The Invasion of Time, Arc of Infinity and The Five Doctors. In each subsequent story, the character is played by a different actor, Borusa having regenerated. He has also been promoted in each interim, a cardinal here, Chancellor, President, and Lord High President in the later serials, respectively.Earth is referred to as Sol 3; this name is again used in "Last of the Time Lords".[1] The Factfile for that episode on the official BBC Doctor Who website, compiled by fan Rob Francis, refers to the term as Earth's Gallifreyan name.[2] It is used as such again in "Voyage of the Damned".The Doctor's trial and subsequent exile to Earth by the Time Lords and the later lifting of that sentence are mentioned. [edit] Notable additions This is the first story to state that there is a limited number of times that a Time Lord can regenerate, and that this number is twelve. None of the Time Lords who are killed in this story are seen to regenerate, and the Doctor does qualify (in The War Games) that his people can live forever "barring accidents." In The Brain of Morbius, the fourth Doctor states that his people chose to not live forever because "death is the price of progress."This episode is one of the very few where we see the written Galifreyan language by way of a note to the authorities the Doctor leaves in the Tardis. The handwriting, done with a quill pen, resembles random stylized penstrokes shaped like the upside down capital letter L.The source of the Time Lords' power and that of the TARDIS is the Eye of Harmony, the nucleus of a black hole that lies beneath the citadel on Gallifrey. The Eye (or a link to it) is seen inside the TARDIS in the 1996 television movie. Whether the Eye survived the destruction of Gallifrey mentioned in the 2005 series is not clear, though the TARDIS is seen twice ("Boom Town", "Utopia") drawing its power from the time rift in Cardiff.This story introduces Rassilon who, along with Omega (introduced in The Three Doctors) would become the central figure in Time Lord mythology. When Rassilon's name is first mentioned, the Doctor inquires who he is.One of the artefacts that controls the Eye of Harmony is the Great Key of Rassilon, a large ebonite rod. Confusingly, there are two other Keys of Rassilon mentioned later in the series. One, also known as the Great Key, whose location is known only to the Chancellor, resembles an ordinary key and is a vital component of the demat gun (The Invasion of Time). The other, simply called the Key of Rassilon, gives access to the Matrix (The Ultimate Foe). [edit] Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part One" 30 October 1976 21:13 11.8 "Part Two" 6 November 1976 24:44 12.1 "Part Three" 13 November 1976 24:20 13 "Part Four" 20 November 1976 24:30 11.8 [3][4][5] Working titles for this story included The Dangerous Assassin (which Holmes changed to "deadly" because he thought it "didn't sound right"). The final title is a tautology: a successful assassin must, by definition, be deadly. However, since Time Lords can in general survive death, and the assassin's victims do not, he is perhaps "deadly" in that sense.The story drew considerable hostile commentary from Mary Whitehouse, who particularly objected to the extended freeze frame of Goth drowning the Doctor at the end of episode 3. [edit] Outside references The story was largely inspired by the film and book The Manchurian Candidate, down to the inclusion of a CIA.The serial begins with Tom Baker doing a voiceover introduction referring to Time Lords in the third person, over a text crawl similar to that seen in the opening of Star Wars (although The Deadly Assassin predates the premiere of Star Wars by six months). The 1996 television movie, "Father's Day", "Army of Ghosts" and "Doomsday" are the only other stories so far that begin with a voiceover.See also: Simulated reality [edit] In print Doctor Who book Doctor Who and the Deadly Assassin Series Target novelisations Release number 19 Writer Terrance Dicks Publisher Target Books Cover artist Mike Little ISBN 0-426-11965-7 Release date 20 October 1977 Preceded by Doctor Who and the Mutants Followed by Doctor Who and the Talons of Weng-Chiang A novelisation of this serial, written by Terrance Dicks, was published by Target Books in October 1977, entitled Doctor Who and The Deadly Assassin. [edit] Broadcast This serial was repeated on BBC One in August 1977 (04/08/77) to (25/08/77) on Thursdays at 6.20pm. The cliffhanger to Episode 3 -- where Goth holds the Doctor's head underwater in an attempt to drown him -- came in for heavy criticism, particularly from television decency campaigner Mary Whitehouse. She often cited it in interviews as one of the most frightening scenes in Doctor Who, her reasoning being that children would not know if the Doctor survived until the following week and that they would have this strong image in their minds during all that time. After the episode's initial broadcast, the master tape of the episode was edited to remove the original ending. However, off-air U-matic recordings of the original broadcast exist with the ending intact, and have been used to restore the ending on the VHS and subsequent DVD release. [edit] VHS and DVD release This story was released in March 1989 in edited omnibus format in the US only.It was released in episodic format in the UK in October 1991. It was also re-released & remastered for the W H Smith exclusive Time Lord Collection in 2002 with a better quality freeze frame cliffhanger for Episode 3.DWM 404 confirmed this story for 2009 DVD release. Play.com has it listed for 11th May and Amazon.co.uk have this listed for a 4th May release.
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TDP 88: Red Dwarf and Season Six B
Episode Duration: 0 days, 0 hours, 20 minutes and 48 secondsSeason 6B From Wikipedia, the free encyclopedia Jump to: navigation, search Patrick Troughton as the Second Doctor in The Two Doctors Season 6B or Season 6 (b) is a popular fan theory related to the long-running British science fiction television series Doctor Who. An example of fanon, it is a hypothetical series of adventures of the Doctor that takes place between the last serial of Season 6, The War Games (first broadcast in 1969), and the first serial of Season 7, Spearhead from Space (first broadcast in 1970). This unconfirmed piece of continuity was first used by fans, notably Paul Cornell, to explain away certain continuity problems in the programme. Although the majority of stories in the series were constructed to leave short gaps (or no gaps at all) between episodes, the Season 6B hypothesis inserted a sizeable gap in which untold stories and previously unknown companions could be inserted into series continuity, in a number of novels and other productions. Other potential gaps in the eras of other Doctors have been identified, and utilised in the same way. Season 6B is not to be confused with 6B, the production code for the Doctor Who serial Earthshock (1982). Contents [hide] 1 Continuity problems2 Season 6B3 Adoption in tie-in fiction 3.1 BBC website 4 Footnotes5 References6 External links //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> [edit] Continuity problems The conclusion of The War Games sees the capture of the Second Doctor by his people, the Time Lords, who put him on trial for interfering with the universe contrary to Time Lord policy. This was the first time the Time Lords had appeared in the programme, and also the first time the Doctor had revealed he was one of them (prior to this the other members of the Doctor's race to appear on television, the Doctor's granddaughter, Susan, and the Meddling Monk, were not explicitly identified as Time Lords). The Time Lords return his companions Jamie and Zoe to their own times and wipe their memories of their experiences with the Doctor bar their first adventure with him. They then sentence the Doctor to exile on Earth, as well as forcing him to regenerate. The first part of Spearhead from Space follows on from this, introducing the Third Doctor, who does not actually appear on screen at the end of The War Games, one of only two occasions (the other being the regeneration of the Eighth Doctor into the Ninth) that a regeneration has not been shown to completion on screen in one form or another. Patrick Troughton reprised his role as the Second Doctor in the anniversary stories The Three Doctors (1973) and The Five Doctors (1983). In the latter story, illusions of Jamie and Zoe are dismissed because the Second Doctor knows that the Time Lords wiped their memories and therefore Jamie should not have recognised Brigadier Lethbridge-Stewart. However, it is not explained how the Second Doctor could know of Jamie and Zoe's memory wipe, since he was told of it only just before his forced regeneration and exile, and consequently there does not seem to be any time to fit in the events of The Five Doctors between his trial and Spearhead from Space. Conversely, if this Second Doctor came from a time before The War Games he would have had no knowledge of the memory wipe because, from his perspective it had yet to happen.[1] Troughton once again returned to the series in the 1985 serial The Two Doctors, where the Second Doctor and Jamie are on a mission for the Time Lords. This caused confusion among fans, since Jamie did not find out about the Time Lords until just before he was sent back to his own time. Robert Holmes, who wrote The Two Doctors, stated on occasion that he believed the Doctor had long been a discreet agent of the Time Lords, undertaking missions for them despite his autonomous status. However, this was still at odds with what had been seen on-screen in The War Games. (Holmes felt that the Second Doctor had lost half a life due to the events of The War Games and came up with an idea to extend his life span). Coupled with this were other, more minor problems - the visibly aged appearance of the now grey-haired Troughton and Frazer Hines (who played Jamie) and the second Doctor's confidence in his ability to control his TARDIS time machine, which would hardly have been justified given what was seen on-screen during his own era. [edit] Season 6B To account for these apparent discrepancies, the "Season 6B" theory was proposed. It was first published in the 1995 book The Discontinuity Guide, by Paul Cornell, Martin Day and Keith Topping.[2] The hypothetical "Season 6B" takes place off-camera between The War Games and Spearhead from Space, and has Troughton's Doctor working as an agent of the Time Lords, specifically their covert organization the Celestial Intervention Agency, who grant him increased control over his TARDIS at the cost of his freedom. The Second Doctor who shows up in The Five Doctors comes from this period, and is therefore aware of Jamie and Zoe's mindwipe. The plausibility of the theory is aided by the fact that we never actually see Troughton regenerate into Pertwee. The end of The War Games merely sees Troughton vanish into darkness and the opening of Spearhead from Space sees the Pertwee Doctor stumbling out of the TARDIS already transformed. The Third Doctor also carried a ring, a bracelet, and a watch which homed in on the TARDIS, none of which he had at the close of The War Games. During this time, the Second Doctor apparently regains Jamie and Victoria Waterfield (who is mentioned as being away studying graphology in The Two Doctors) as companions, acquires a Stattenheim remote control device to summon the TARDIS, and undertakes the mission which was related in The Two Doctors. Eventually, either the Time Lords tire of keeping the Doctor on a leash, or, as is more likely, the Doctor rebels and attempts to escape once more. This results in the exile which begins in Spearhead from Space. To explain why the Sixth Doctor does not remember his own past in The Two Doctors, it is also suggested that the Time Lords wiped the Second Doctor's memory of the events of Season 6B -- the Third Doctor did claim significant memory loss in Spearhead. (The Discontinuity Guide acknowledged that alternatively, this could be due to the fact that the Doctor is injected during The Two Doctors with "siralanomode"; a fictitious drug that the Doctor states can affect one's memory.[2]) Although the specifics of Season 6B were first laid out in The Discontinuity Guide, the idea of a post-The War Games Second Doctor had already been introduced in the TV Comic comic strip in 1969. Action in Exile (TVC #916-#920) sees the Doctor arrive in London without his TARDIS, and he checks into the luxurious Carlton Grange Hotel. From this base, he proceeds to have five Earth-bound adventures, culminating in The Night Walkers (TVC #934-#936). In this story, the Doctor investigates tales of scarecrows walking. He discovers that the scarecrows have been animated by the Time Lords to capture him, and we learn that the Doctor escaped from the Time Lords before they could complete his sentence of a forced change of appearance. The scarecrows take him into the TARDIS and proceed to trigger his regeneration, leading directly into Spearhead from Space. [edit] Adoption in tie-in fiction Some parts of the Past Doctor Adventures novel Players are set in this period, as is the whole of World Game. Both books are written by former Doctor Who series writer and script editor Terrance Dicks. Dicks co-wrote The War Games and his adoption of the Season 6B hypothesis is seen by some as lending authorial legitimacy to the idea. In World Game, it is revealed that at the conclusion of the Second Doctor's trial, he was actually sentenced to death. However, the Celestial Intervention Agency required an operative who could discreetly investigate temporal disturbances but could also be disavowed. The CIA approaches the Doctor and the Time Lord High Council, proposing that the Doctor's sentence be commuted if he becomes their agent. To test this arrangement, the Doctor is first sent via time ring to 1915 France (Players) and subsequently given a Type 97 TARDIS and a supervisor/companion in the politically ambitious Time Lady Serena (World Game). Although the relationship between the two was more antagonistic, over the course of the mission they begin to appreciate each other's talents. At the conclusion of World Game, Serena sacrifices herself for the Doctor's principles, while the Doctor uses what he learned of Gallifreyan politics from her to negotiate with the CIA, agreeing to their terms, but demanding the return of his TARDIS and Jamie. The CIA also agree, giving him a Stattenheim remote control and fitting the TARDIS with an override to give them ultimate control. They alter Jamie's memories so that he believes Victoria is away studying graphology, and the novel leads into the events of The Two Doctors. [edit] BBC website The BBC Doctor Who website uses excerpts both from The Discontinuity Guide and The Television Companion by David J. Howe and Stephen James Walker. The mention of Season 6B on the site could be taken as the BBC lending legitimacy to the theory. However, the BBC has never made a clear statement on canonicity, and the site also contains material which is explicitly non-canonical. The exact position remains unclear. [edit] Footnotes ^ The actual explanation is because the scene was a hasty re-write. The phantom companions were originally supposed to be Zoe and Victoria, and the illusion of Victoria would have given the game away by addressing Lethbridge-Stewart as "Brigadier", because in the television series she encountered him on only one occasion, when he was but a Colonel. However, actress Deborah Watling was unable to schedule time for an appearance, and Frazer Hines as Jamie was written in when Hines became available. See The Five Doctors at Doctor Who: A Brief History Of Time (Travel).^ a b Cornell, Paul; Day, Martin; Topping, Keith (1995). "Season 6 (b)" (reprinted on BBC Doctor Who website). The Discontinuity Guide. London: Virgin Books. pp. 105-107. ISBN 0-426-20442-5. [edit] References Cornell, Paul, Day, Martin & Topping, Keith (1995). The Discontinuity Guide. London: Virgin Publishing, ISBN 0-426-20442-5. [edit] External links Discontinuity Guide entry at the BBC websiteThe WHOniverse's timelineDoctor Who - The Complete Adventures timelineOutpost Gallifrey timeline (not current with World Game)
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TDP 86: Cyberman Histroy 101
Episode Duration: 0 days, 0 hours, 17 minutes and 47 secondsP The Cybermen are a fictional race of cyborgs who are amongst the most persistent enemies of the Doctor in the British science fiction television series, Doctor Who. Cybermen were originally a wholly organic species of humanoids originating on Earth's twin planet Mondas that began to implant more and more artificial parts into their bodies as a means of self-preservation. This led to the race becoming coldly logical and calculating, with emotions usually only shown when naked aggression was called for. They were created by Dr. Kit Pedler (the unofficial scientific advisor to the programme) and Gerry Davis in 1966, first appearing in the serial, The Tenth Planet, the last to feature William Hartnell as the First Doctor. They have since been featured numerous times in their extreme attempts to survive through conquest. A parallel universe version of the Cybermen appeared in the 2006 series' two-part story, "Rise of the Cybermen" and "The Age of Steel". These Cybermen also appeared in the two-part 2006 season finale, "Army of Ghosts" and "Doomsday". This then carried through to the spin-off Torchwood in the episode "Cyberwoman". They would later return to the revived series in the 2008 Christmas Special "The Next Doctor", introducing two new variants of the race; the Cyber-Shades and the Cyber-King. Contents [hide] 1 Physical characteristics 1.1 Costume details1.2 Voice 2 Cybermen variants3 Technology4 Cybermats5 History 5.1 Conceptual history5.2 History within the show 5.2.1 Origins5.2.2 The Earth invasions5.2.3 The Cyber-Wars5.2.4 Parallel Earth and the Battle of Canary Wharf5.2.5 Torchwood Three Incident5.2.6 The CyberKing 6 Other appearances 6.1 Spin-offs 7 Major appearances 7.1 Television7.2 Stage plays7.3 Audio plays7.4 Novels7.5 Games 8 References9 Footnotes //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> [edit] Physical characteristics An original Cyberman from The Tenth Planet While the Doctor's other old enemies the Daleks were on the whole unchanged during the original series' twenty-six season run, the Cybermen were seen to change with almost every encounter. The Cybermen are humanoid, but have been cybernetically augmented to the point where they have few remaining organic parts. In their first appearance in the series, the only portions of their bodies that still seemed human were their hands, but by their next appearance in The Moonbase (1967), their bodies were entirely covered up in their metallic suits, with their hands replaced by two finger claws, but changed back to regular five-fingered hands in The Invasion (1968). As they are relatively few in number, the Cybermen tend towards covert activity, scheming from hiding and using human pawns or robots to act in their place until they need to appear. They also seek to increase their numbers by converting others into Cybermen (a process known as "cyber-conversion"). It is presumed (and often implied) that there are still organic components beneath their suits, meaning they are actually cyborgs, not robots: in The Tenth Planet, a Cyberman tells a group of humans that "our brains are just like yours", although by the time of Attack of the Cybermen, their brains seem to have been replaced with electronics. Also in this same story, two human slave-prisoners of the Cybermen on the planet Telos, named Bates and Stratton, reveal that their organic arms and legs have been removed by the Cybermen, and replaced by Cyber-substitutes. In Earthshock (1982), the actors' chins were vaguely visible through a clear perspex area on the helmet to suggest some kind of organic matter. In The Tomb of the Cybermen (1967), veins and brains were visible through the domed head of the Cyberman Controller and similarly, in Attack of the Cybermen (1985) and "The Age of Steel" (2006), the Cyber-Controller's brain is visible through the dome. The first is a Mondas Cyber Controller, while the second involves alternative Earth's John Lumic. However, in Revenge of the Cybermen (1975), the Doctor says they are "total machine creatures". The audio play Real Time implies that the converted victim's face remains beneath the Cyberman faceplate, although the audio plays, like all non-televised spin-off media, are of uncertain canonicity with regards to the television series. The Virgin New Adventures novel Iceberg by David Banks states that some Cybermen experience rare flashes of emotional memory from the time before they were converted, which are then usually suppressed. The parallel Earth Cybermen in the 2006 series are usually constructed from human brains bonded to a Cyberman exoskeletal shell with an artificially grown nervous system threaded throughout ("The Age of Steel"), although direct grafting of cyber-components is another method of conversion ("Cyberwoman"). Although the Cybermen often claim that they have done away with human emotion, they have exhibited emotions ranging from anger to smug satisfaction in their confrontations with the Doctor (although this is only clearly present during their appearances in the 1980s). Some Cybermen in the early stories were even given individual names such as "Krang". Some parallel Earth Cybermen did retain some memories of their pre-conversion lives, although their emotional response varied. In "Cyberwoman", the partial conversion led to a degree of insanity in Lisa Hallett, which was retained even after she transferred her brain into a cyberman body. In "Doomsday", Yvonne Hartman is able to retain at least some elements of her personality in order to prevent the advance of a group of other Cybermen, and is last seen weeping what appears to be either an oil-like substance or blood. In the same episode, the Cyber-Leader expresses clear frustration at the humans' refusing to surrender, although in a later scene he criticizes the Doctor for showing emotion. In "The Age of Steel", the Doctor is able to defeat the Cybermen by shutting down their emotional inhibitors, enabling them to "see" what had become of them. Their realization of what they had become led them to either simply shut down out of sheer horror, or partially explode. Lastly, when the first Cyber Leader is killed, his head explodes with some white liquid leaking down his body; there are references in that episode to a patented Cybus Industries mixture of chemicals used to preserve the brain. The Virgin Missing Adventures novel Killing Ground by Steve Lyons suggests that some Cybermen imitate emotions to intimidate and unnerve their victims. The Big Finish Productions audio play Spare Parts (set on Mondas in the early days of cyber-conversion) suggests that the Cybermen deliberately remove their emotions as part of the conversion process to stifle the physical and emotional trauma of becoming a Cyberman. The conversion process in the parallel Earth is termed "upgrading". This motive behind the removal of emotions is made more explicit in "The Age of Steel" where it is done by means of an emotional inhibitor. In that episode, the deactivation of their emotional inhibitors drives the converted Cybermen insane when they realise what they have become, killing them. This motive may also be applicable to Mondas Cybermen, given their forcible conversion of other lifeforms to Cybermen to maintain their numbers, despite the fact the Mondasians appear to have originally willingly converted themselves as a survival mechanism.[citation needed] Cybermen have a number of weaknesses over the years. The most notable weakness is the element gold. Their aversion to gold was not mentioned until their attempt to destroy the planetoid Voga (the so-called "Planet of Gold") in Revenge of the Cybermen (1975). Initially, it was explained that, due to its non-corrodible nature, gold essentially chokes their respiratory systems. For example, the glittergun, a weapon used during the Cyber-Wars in the future, fired gold dust at its targets. However, in later serials, gold appeared to affect them rather like silver affects werewolves, with gold coins or gold-tipped bullets fired at them having the same effect. The revived series' Cybermen have no such weakness, though the tie-in website for the episode makes mention of it.[1] Cybermen are also rather efficiently killed when shot with their own guns. Other weaknesses from early stories include solvents, gravity based technology, and excessive levels of radiation. In "The Age of Steel" an EMP grenade is shown to disable a Cyberman and shut down its emotional inhibitor. Their armour is often depicted as flexible and resistant to bullets, but can be penetrated by gold arrows and projectiles made of gold. The Parallel Earth Cybermen are bullet-proof and are very resilient, but are not indestructible -- they are vulnerable to heavy explosives, electromagnetic pulses and specialised weaponry, as well as Dalek weapons. [edit] Costume details The design of the Cybermen acted almost as a guide to prevailing fashion at the time of transmission. Nearly all were silver in colour and included items and material such as cloth, rubber diving suits, PVC, chest units, tubing, practice golf balls, cricketers' gloves, and silver-painted Doc Martens boots.[2] A BBC Cyberman costume from the black & white era of TV has recently been discovered.[3] The 1980s design used converted flight suits painted silver. Unlike the Doctor's other foes, the Cybermen have changed substantially in appearance over the years, looking more and more modern, although retaining certain commonalities of design, the most iconic being the "handle bars" attached to Cybermen heads, that were supposed to aid with their hearing, their round eyeholes and their chest units. Completely black-coloured Cybermen were seen briefly in "Attack of the Cybermen". A Cyberman head from the 1975 serial Revenge of the Cybermen, seen here in a display case in "Dalek" (2005). Aside from these changes, variations in design between rank-and-file Cybermen and their leaders have been seen. In The Wheel in Space and The Invasion (both 1968), the Cyber Director was depicted as an immobile mechanism. In The Tomb of the Cybermen and Attack of the Cybermen, the Cyber Controller was a larger Cyberman with a high domed head instead of the "handle bar" helmet design. In Revenge of the Cybermen, the Cyber Leader had a completely black helmet except for his face. From Earthshock (1982) onwards he could be distinguished from his troops by the black handle bars on his helmet. The Cyber-Leader in "Army of Ghosts" also had black handles. Because the Doctor is a time traveller, he meets the Cybermen at various points in their history out of sequence from the order the serials were made. This can be confusing since Cybermen from serials set in "earlier" periods of history can sometimes look more sophisticated than those from "later" periods. Lawrence Miles suggests in his reference work About Time 5 that the anachronistically designed Cybermen of Earthshock and Silver Nemesis are time travellers, like those in Attack of the Cybermen. A Cyberman head was seen in the 2005 episode, "Dalek", kept in a display case. The text on the info card states that the head was found in a sewer, suggesting that the head was from The Invasion. However, the enlarged Cyber-Handles suggest that the head is from Revenge of the Cybermen. The info card states the head was found in 1975, the year in which The Invasion was set and the year in which Revenge of the Cybermen was broadcast. The Cybermen returned in episodes 5 and 6 of the 2006 season of the new series, in a two-part story set on an alternate Earth. The new Cybermen were designed by production designer Edward Thomas's team and Neill Gorton at Millennium FX. The new Cyberman design is physically imposing, being about 6 feet 7 inches (2.0 m) tall. The general design is made to resemble modern consumer electronics, such as the iPod. To this extent, they are made from burnished steel instead of silver, feature the Cybus Corporation symbol on its chest, and have a general art deco design. The other distinct Cyberman design is that of the Cyber-Controller, which had glowing eyes, a transparent forehead revealing the brain, and sockets on its chest-plate providing connectors to other systems. The Torchwood episode "Cyberwoman" features a partially cyber-converted woman who lacks the outer plating of a fully converted Cyberman. Her body is encased in metal structures but much of her flesh, including her face, is visible. She also has clearly visible metallic breasts, though it is not clear how much of her own flesh has been replaced and how much is merely covered. Another character speculates she could be 40-45% human, and 55-60% Cyberman. [edit] Voice Early Cybermen had an unsettling, sing-song voice, constructed by placing the inflections of words on the wrong syllables. In their first appearance, the effect of this was augmented by the special effect of having a Cyberman abruptly open his mouth wide and keep it open, without moving his tongue or lips, while the separately recorded voice would be playing, and then shut it quickly when the line was finished. Although the cloth-like masks of the first Cybermen were soon replaced by a full helmet, a similar physical effect involving the mouth "hatch" opening and then shutting when the line was finished was used until The Wheel in Space (1968). Later, the production team used special effects from its Radiophonic Workshop by adding first a mechanical larynx, then a vocoder, to modify speech to make it sound more alien and computer-like. In later stories of the original series and in the audio plays, two copies of the voice track were sampled and pitch-shifted downwards by differing amounts and layered to produce the effect, sometimes with the addition of a small amount of flanging. From Revenge of the Cybermen to Silver Nemesis (1988) the actors provided the voices themselves, using microphones and transmitters in the chest units. The voices for the 2006 return of the Cybermen are similar to the buzzing electronic monotone voices of the Cybermen used in The Invasion. They were provided by Nicholas Briggs (who performed the voices for the Cybermen in Big Finish audio stories as well as the Daleks in both the new series and the audio stories). As shown in the season 2 DVD special feature "Confidential Cut Downs," the timbre was created by processing Brigg's voice through a Moog moogerfooger ring modulator. Unusually, in "The Age of Steel", the Cyber-Controller (John Lumic, played by Roger Lloyd Pack) retains his voice after being upgraded, but it is still electronic. In "Doomsday", a Cyberman which contains the brain of Torchwood Institute director Yvonne Hartman retains a female-sounding though still electronic voice, as does the partially converted Lisa Hallett in "Cyberwoman" when her Cyberman personality is dominant. The reason for this is that their minds are taking control of the suit into which their brain has been placed, thus allowing the Cyber-suit's design to be exploited through sheer mental power. In an effect reminiscent of the earliest Cybermen's mouths snapping open while speaking, the new Cybermen have a blue light in their "mouths" which blinks in synchronisation with their speech. [edit] Cybermen variants Some Cybermen are given titles, being credited as "Cyber Leader" (or variants thereof), "Cyber Lieutenant", "Cyber Scout" or the "Cyber Controller". The Cyber Controller in particular has appeared in multiple forms, both humanoid and as an immobile computer, and has also been referred to as the "Cyber Planner" or "Cyber Director". The Controller seen (and destroyed) in various serials also may or may not be the same consciousness in different bodies; it appears to recognize and remember the Doctor from previous encounters. In Iceberg, the first Cyber Controller is created by implanting a Cyber Director into the skull of a recently converted Cyberman. The Cyber-Controller in "The Age of Steel" used the brain of John Lumic, the creator of the Cybermen in that parallel reality. In "Doomsday", a Cyber-Leader appears, and when he is destroyed, mention is made of downloading his data files into another Cyberman unit, which is then upgraded to Cyber-Leader. The 2008 Christmas special, "The Next Doctor", featured a new variant called a Cybershade.[4], The Doctor theorises that it is a more primitive version of a Cyberman, using the brain of a cat or a dog. In the same story a "Cyber-King" appears; according to the Doctor, it is a "Dreadnought-class" ship resembling a Cyberman hundreds of feet tall, and contains a Cyber-factory in its chest. It is controlled from within its mouth. Its right arm can be converted into a cannon, and its left into a laser. [edit] Technology Cybermen technology is almost completely oriented towards weaponry, apart from their own bodies. When originally seen in The Tenth Planet they had large energy weapons that attached to their chests. In The Moonbase, the Cybermen had two types of weaponry: an electrical discharge from their hands, which stunned the target, and a type of gun. They also made use of a large laser cannon with which they attempted to attack the base itself. The hand discharge was also present in The Tomb of the Cybermen, which featured a smaller, hand-held cyber-weapon shaped like a pistol that was described as an X-ray laser. In The Wheel in Space the Cybermen could use the discharge to also operate machinery, and had death rays built into their chest units. They displayed the same units in The Invasion as well as carrying large rifles for medium distance combat. In Revenge of the Cybermen and Real Time their weapons were built into their helmets. Killing Ground indicates that this type of Cybermen also have more powerful hand weapons. Subsequent appearances have shown them armed almost exclusively with hand-held cyberguns. The Cybermen have access to weapons of mass destruction known as cobalt bombs, which are also sometimes known as Cyber-bombs, which were banned by the galactic Armageddon Convention (Revenge of the Cybermen). A "Cyber-megatron bomb" was mentioned in The Invasion, supposedly powerful enough to destroy all life on Earth. In Earthshock, the Cybermen also used androids as part of their plans to invade Earth. The parallel Earth Cybermen electrocute their victims by touching them and at first carried no other weaponry. In "Army of Ghosts" and "Doomsday", the Cybermen are equipped with retractable energy weapons housed within their forearms (these were actually first shown in "The Age of Steel", but only very briefly and were not used during that episode), but also use modified human weapons to battle the Daleks. The arm mounted guns prove effective against humans but are unable to penetrate Dalek shields. Two Cybermen sent to parley with Dalek Thay at the Battle of Canary Wharf shot the Dalek but were promptly exterminated. In the Torchwood episode "Cyberwoman" the partially converted Lisa Hallett used her electrical touch against the Torchwood team, as well as an energy beam fired from her arm which could only stun the part of the body at which it was aimed. [edit] Cybermats The Cybermen also use smaller, cybernetic creatures called "cybermats" as weapons of attack. In their first appearance in The Tomb of the Cybermen, they resembled oversized metallic silverfish and had segmented bodies with hair-like tactile sensor probes along the base of their heads, which were topped with crystalline eyes. The Second Doctor described them as a "form of metallic life," implying that they may be semi-organic like the Cybermen, and that they attacked by feeding off brain waves. The second model of cybermat seen in The Wheel in Space was used for sabotage, able to tune in on human brainwaves. They were carried to the "Wheel" in small but high-density sacs that sank through the hull of the space station, causing drops in air pressure. These cybermats had solid photoreceptors for eyes instead of crystals. The Second Doctor used an audio frequency to jam them, causing them to spin, crash and disintegrate. The third model, seen in Revenge of the Cybermen, was a much larger, snake-like cybermat that could be remotely controlled and could inject poison into its victims. It had no visible eyes or other features, and was as vulnerable to gold dust as the Cybermen were. In Spare Parts, "mats" are cybernetically augmented creatures, sometimes kept as pets. Cybermats of a different design are used for surveillance by Mondas' Central Committee. The creatures occasionally go wild, chewing on power sources, and must be rounded up by a "mat-catcher." In the Past Doctor Adventures novel Illegal Alien by Mike Tucker and Robert Perry, set in the 1940s, the Cybermen create cybermats by cyber-converting local animals like cats or birds, possibly because of lack of technological resources. In the Bernice Summerfield audio adventure The Crystal of Cantus, a Cyberman reveals that the organs of children who are too small to be fully cyber-converted are used in the creation of cybermats. [edit] History [edit] Conceptual history The name "Cyberman" comes from cybernetics, a term coined in Norbert Wiener's book Cybernetics or Control and Communication in the Animal and the Machine (MIT Press, 1948). Wiener used the term in reference to the control of complex systems in the animal world and in mechanical networks, in particular self-regulating control systems. By 1960, doctors were performing research into surgically or mechanically augmenting humans or animals to operate machinery in space, leading to the coining of the term "cyborg", for "cybernetic organism". In the 1960s, "spare-part" surgery was starting out, with the first, gigantic heart-lung machines being developed. There were also serious suggestions of wiring the nerve endings of amputees directly into machines for quicker response.[5] In 1963, Kit Pedler had a conversation with his wife (who was also a doctor) about what would happen if a person had so many prostheses that they could no longer distinguish themselves between man and machine. He got the opportunity to develop this idea when, in 1966, after an appearance on the BBC science programmes Tomorrow's World and Horizon, the BBC hired him to help on the Doctor Who serial The War Machines. That eventually led to him writing, with Gerry Davis's help, The Tenth Planet for Doctor Who. Pedler, influenced by the logic-driven Treens from the Dan Dare comic strip, originally envisaged the Cybermen as "space monks", but was persuaded by Davis to concentrate on his fears about the direction of spare-part surgery. The original Cybermen were imagined as human, but with plastic and metal prostheses. The Cybermen of The Tenth Planet still have human hands, and their facial structures are visible beneath the masks they wear. However, over time, they evolved into metallic, more robot-like designs. The Cybermen attracted controversy when parents complained after a scene in The Tomb of the Cybermen in which a dying Cyberman spurted white foam from its innards. Another incident was initiated by Pedler himself, who took a man in a Cyberman costume into a busy shopping area of St. Pancras. The reaction of the public was predictable, and the crowd almost blocked the street and the police were called in. Pedler said that he "wanted to know how people would react to something quite unusual," but also admitted that he "wanted to be a nuisance."[6] Pedler wrote his last Cyberman story, The Invasion, in 1968, and left Doctor Who with Gerry Davis to develop the scientific thriller series Doomwatch. [edit] History within the show [edit] Origins Millennia ago, during prehistoric times, Mondas was knocked out of solar orbit and drifted into deep space. The Mondasians, already far in advance of Earth's technology and fearful for their race's survival, sent out spacecraft to colonise other worlds, including Telos, where they pushed the native Cryons aside and used the planet to house vast tombs where they could take refuge in suspended animation when necessary. On Mondas, the Mondasians were dying out, and therefore, in order to survive and continue the race, they replaced most of their bodies with Cybernetic parts. Having eventually removed all emotion from their brains, to maintain their sanity, the natives installed a drive propulsion system so they could pilot the planet itself through space. As the original race was limited in numbers and were continually being depleted, the Mondasians -- now Cybermen -- became a race of conquerors who reproduced by taking other organic beings and forcibly changing them into Cybermen. The origins of the Cybermen were further elaborated upon in Spare Parts. The move to "cybernise" Mondasians must have commenced on Mondas before they conquered Telos. Otherwise, there must have been some ongoing contact between Mondas and Telos after it was conquered, or the move to develop into Cybermen must have been paralleled after that point. [edit] The Earth invasions The Cybermen's first attempt at invading Earth, around 1970, was chronicled in The Invasion. A group of Cybermen from "Planet 14" had allied themselves with industrialist Tobias Vaughn, who installed mind control circuits in electrical appliances manufactured by his International Electromatics company, paving the way for a ground invasion. This was uncovered by the newly formed United Nations Intelligence Taskforce, led by Brigadier Lethbridge-Stewart, who repelled the invasion with the help of the Second Doctor, Jamie and Zoe. In The Tenth Planet, the First Doctor and his companions Ben and Polly, met an advance force of Cybermen that landed near an Antarctic space tracking station in the year 1986. This advance force was to prepare for the return of Mondas to the solar system. As Mondas approached, it began to drain Earth's energy for the Cybermen's use, but in the process absorbed too much energy and disintegrated. The Cybermen on Earth also fell apart as their homeworld was destroyed. In 1988 a fleet of Cyber warships was assembled to convert Earth into a New Mondas. A scouting party was sent to Earth in search of the legendary Nemesis statue, a Time Lord artifact of immense power, made of the "living metal" validium. Due to the machinations of the Seventh Doctor and his companion Ace, however, the Nemesis destroyed the entire Cyber-fleet instead. (Silver Nemesis). In 2012, the inert head of a Cyberman was part of the Vault, a collection of alien artefacts belonging to American billionaire Henry van Statten ("Dalek", 2005). According to its label, it was recovered from the London sewers in 1975[7] and presumably came from the 1970 invasion attempt, although it is of a design only seen in Revenge of the Cybermen, which took place in the late 29th century (in a metafictional sense, the label is accurate, as Revenge was broadcast in 1975). By the mid-21st century, mankind had reached beyond its planet and set up space stations in deep space. One of these, Space Station W3, known as "The Wheel," was the site of a takeover by Cybermen who wanted to use it as a staging point for yet another invasion of Earth. The Second Doctor, Jamie and Zoe prevented this in The Wheel in Space. The Cybermen returned in The Moonbase. By the year 2070, Earth's weather was being controlled by the Gravitron installation on the Moon. The Cybermen planned to use the Gravitron to disrupt the planet's weather patterns and destroy all life on it, eliminating a threat to their survival. This attempt was also stopped by the Second Doctor, Ben, Polly, Jamie and the surviving crew of the moonbase. [edit] The Cyber-Wars Five centuries after the destruction of Mondas, the Cybermen had all but passed into legend when an archaeological expedition to the planet Telos uncovered their resting place in The Tomb of the Cybermen. However, those Cybermen were not dead but merely in hibernation, and were briefly revived before the Second Doctor returned them to their eternal sleep, with help from some of the archaeologists, Jamie and Victoria. This was short-lived, however. By the beginning of the 26th century, the Cybermen were back in force, and the galactic situation was grave enough that Earth hosted a conference in 2526 that would unite the forces of several planets in a war against the Cybermen. A force of Cybermen tried to disrupt this conference, first by trying to infiltrate Earth in a freighter and when that was discovered by the Fifth Doctor, to crash the freighter into Earth and cause an ecological disaster. Although the attempt failed, the freighter was catapulted back in time to become the asteroid that wiped out the dinosaurs (Earthshock). Unfortunately, the Doctor's Companion Adric was trapped aboard the freighter, and died in the crash; leaving the Fifth Doctor, Tegan and Nyssa to mourn him. The Cybermen faced complete defeat now that humanity was united against them in the Cyber-Wars. The glittergun had been developed as a weapon against them, with Voga, the legendary "Planet of Gold", being a major supplier of gold dust ammunition. Meanwhile, the native Cryons on the planet Telos rose up and sabotaged the Cybermens' hibernation tombs. Using a captured time travel machine, a group of Cybermen travelled back to Earth in 1985 to try to prevent the destruction of Mondas, but were stopped by the Sixth Doctor and his companion Peri (Attack of the Cybermen). The Cryons also finally succeeded in taking back Telos. The Cybermen did survive, but by the late 29th century they had been reduced to small remnant groups wandering throughout space. The Fourth Doctor, Sarah Jane Smith and Harry Sullivan encountered one such group during this time; and the Doctor very sarcastically pointed out their diminished state, noting that they had "no home planet, no influence, nothing!", and were "just a bunch of pathetic tin soldiers, skulking about the galaxy in an ancient spaceship." These Cybermen had discovered that Voga had drifted through space and wandered into the solar system, being pulled into orbit around Jupiter as a new moon. They planned to restore their race's power with a plan of revenge against Voga by destroying it with Cyber-bombs. They hoped that this would disrupt their enemies' supply of gold, but their plot was stopped by the Doctor. This was their last chronological appearance to date, with the Cybermen seemingly vanishing from history after this point (Revenge of the Cybermen). A Cyberman (of the type seen in The Invasion) also appeared in the Miniscope exhibit in Carnival of Monsters (1973). Three squads of Cybermen of the Earthshock variety, each led by a Cyber-Leader, appeared in The Five Doctors (1983) in a slightly larger role. [edit] Parallel Earth and the Battle of Canary Wharf In the "Rise of the Cybermen"/"The Age of Steel" two-part story, the Tenth Doctor, Rose Tyler, and Mickey Smith crash down into a parallel London in a parallel universe, where the Cybermen are being created on modern-day Earth. These alternate Cybermen were created as an "upgrade" to humanity and the ultimate move into cyberspace, allowing the brain to survive in an ageless steel body. These Cybermen also referred to themselves as "Human Point 2 (Human.2)" and "deleted" all those deemed incompatible with the upgrade. They could electrocute humans with a touch. These Cybermen were created by John Lumic, a terminally ill and insane genius whose company, Cybus Industries, had advanced humanity considerably. To find a way to survive, he perfected a method to sustain the human brain indefinitely in a cradle of chemicals, bonding the synaptic impulses to a metal exoskeleton. The Cybermen "handle bars" were part of a high-tech communications device called an EarPod. Also created by Lumic, the EarPods were used extensively in the place of MP3 players and mobile phones, allowing information to be directly downloaded into people's heads. Lumic began to trick and abduct homeless people and convert them into Cybermen, and assassinated the President of Great Britain after the President rejected his plans. Using the EarPods, Lumic took mental control of London, marching thousands to be cyber-converted. He was betrayed by an old friend who damaged his wheelchair's life-support systems. He had told the Cybermen that he would upgrade 'only with my last breath' and since that moment was at hand he was involuntarily upgraded into the Cyber-Controller, a superior model of Cyberman. However, the Doctor and his companions, having accidentally landed on the parallel Earth, managed to foil his plans. They freed London from mental control and disabled the Cybermen's emotional inhibitors, causing them to go insane and in some cases explode. Lumic himself fell to his apparent death into the burning remains of his factory. A human resistance group, the Preachers, then set about to clean up the remainder of Lumic's factories around the world. These Cybermen reappeared in the 2006 season finale "Army of Ghosts" and "Doomsday". It is to be noted that these Cybermen also use energy weapons built into their right arms. However, in "The Age of Steel" after the conversion sequence, the newly created Cybermen can be seen to have the retractable weapons in place after exiting the conversion chambers. Having infiltrated that world's version of the Torchwood Institute and discovering a breach between universes caused by the passage of an interdimensional void ship, the Cybermen used it to invade the Doctor's universe. However, the void ship's users, the Daleks, also revealed themselves, leading to all-out war across London with mankind caught in the crossfire. Eventually, the Doctor re-opened the breach, causing the Cybermen and Daleks (who had been saturated with background radiation from the Void) to be sucked back into it. The breach then sealed itself, leaving the Cybermen and Daleks (except the Cult of Skaro, who used their emergency temporal shift function to escape) seemingly trapped in the Void forever. [edit] Torchwood Three Incident Lisa the "Cyberwoman" In "Cyberwoman" it was revealed that at the height of the "Battle of Canary Wharf" the Cybermen had begun to directly convert whole bodies using regular Earth technology, rather than transplant their brains into parallel earth Cyberman shells. One of their victims, a woman called Lisa Hallett, was only partially converted when the power was shut off and she was rescued by her boyfriend, Ianto Jones. Jones took her to Torchwood Three in Cardiff along with a cyber-conversion unit which he made into a life support system for her under her directions. He tried to find a cure for her condition, calling on cybernetics expert Dr Tanizaki. Unfortunately Hallett's Cyberman personality asserted itself, leading to her killing Tanizaki and trying to take over Torchwood Three as a staging area for a new Cyberman army. She eventually transplanted her own brain into the body of a pizza delivery girl whom she let into the base, and was shot to death by the other members of the Torchwood team. [edit] The CyberKing A small handful of the Cybermen t
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TDP 85; Attack of the Cybermen
Episode Duration: 0 days, 0 hours, 11 minutes and 50 secondsSynopsis The Sixth Doctor and Peri encounter the mercenary Lytton, stranded on planet Earth and in the employ of the Cybermen. A plot is being hatched that aims to change the history of Earth in favour of the Cyber-race, and the Doctor finds himself on an alien planet he has visited before as he tries to defeat his enemies and work out who he can trust to help him. [edit] Plot In the London sewer system, a worker vanishes and another is beaten to death. The Doctor is repairing the chameleon circuitry in the TARDIS's roundels, using his new sonic lance. He ponders why he has not worked on this before. Peri questions his new energy levels; he reassures her he is stable and would never hurt her. Lytton is organising what he claims is a PS10 million diamond heist on the Bank of England. He explains the plan: his merry band of four shall go into the sewers, and use plastic explosives to blow a hole in the wall of the vault, escaping with the diamonds, and no one (in theory) should get hurt. Down they go into the sewers, with Payne agreeing to stand on lookout by the manhole. As the others move away, no one notices the tall, black figure silently advancing behind Payne... The Doctor says he is taking Peri somewhere nice and peaceful, to treat her after the awful time they both had on Jaconda. After a very difficult trip through the Time Vortex, he shows Halley's Comet to her, inadvertently revealing that he plans to take her to Earth. It is soon clear that being so close to the comet upsets her (as does, undoubtedly, the fact that they nearly crash into it), so he steers away from it. The TARDIS then picks up a distress signal coming from London, in 1985; they both agree that they have to investigate this. The TARDIS lands in 76 Totter's Lane, London, a scrapyard that the Doctor finds oddly familiar. As he and Peri begin to leave the scrapyard the chameleon circuit turns the time machine into a stove with an attractive (or cloying) floral pattern (much to Peri's mirth). The Doctor, slightly defensive, says that the TARDIS is slightly out of practice when it comes to choosing new forms. (They both fail to notice two policemen, who are walking past them.) As the pair move through the streets, the Doctor scanning for this signal, Peri reveals how worried she is for him: his memory is in pieces, and he keeps calling her the names of his previous companions. He assures her he is fine. After tracing the signal to an abandoned warehouse that does not contain anyone; he remarks how foolish he was for not realising what has happened. After dashing back to the scrapyard, they eventually find a door in the TARDIS's new form and take off. Meanwhile, Lytton's group are not faring well in the sewer: Russell has cold feet, and Griffith is doing all of the wall-demolishing single-handedly (much to his annoyance). Lytton does not seem to be noticing these things, and seems almost to be waiting for someone. Onboard the TARDIS, the Doctor explains that the alien has put relays around the city, making it hard for them to trace his signal (and thus help him). Peri points out a vital clue: such an extraterrestrial would surely leave a time trace; the Doctor starts tracking down that very thing. The TARDIS then lands, disguised as a pipe organ, in the garage containing the manhole Lytton's crew have descended. There, the two policemen seen earlier accost them, but the Doctor (unseen) knocks one of them out in the sewer, and Peri handcuffs the other to a railing and takes his gun. They then descend the manhole. In the sewer, Lytton's trio discover a tall, black figure advancing towards them. Although Lytton insists that all is fine, Griffith panics and shoots his (previously unseen) gun at the tall figure; prompting Lytton to take out his own firearm and threaten Griffith, in order to stop him firing at the figure. Suddenly, the wall behind them slides open and an entire army of silver giants is revealed. Then Lytton offers their Leader his weapon, saying that he offers his life to the Cybermen. The Cyber Leader effortlessly crushes Lytton's gun, eliciting a scream from Griffith... Lytton's two policemen comrades - as well as the two sewer workers we saw at the beginning - are being converted into Cybermen. Lytton manages to talk his way out of the same procedure, explaining that he detected the Cybermen's transmissions and deliberately contacted them, bringing along humans for them to convert as a sign of goodwill. He identifies himself as a warrior mercenary from Riften V and points out that he could easily have alerted Earth authorities to the Cybermen's presence but chose not to. The Cyber Leader accepts the logic of his argument and decides to report to the Controller on Telos. On Telos, a work party of slaves plants explosives in the ground. Three of them make a break for it, but one is killed and the decapitated Cyber-head, which they require for the next stage of the escape, is destroyed. The two survivors, Bates and Stratton, hide nearby, but without a third pilot and a Cyber-head, they're still as good as prisoners. The other slaves' spirits have been completely crushed; nobody else has tried to escape. In Cyber Control, the Controller receives a report of the escape attempt, and decides to analyse Bates and Stratton's behaviour as they attempt to survive and escape. The Doctor and Peri are captured by Russell, who frisks the Doctor and finds Payne's gun. The Doctor manages to surprise and overpower Russell, who eventually admits that he's an undercover policeman who infiltrated Lytton's gang to find out who he was. After a raid on an electronics warehouse -- which the Doctor and Peri realise supplied Lytton with the parts he needed for his intergalactic transmitter -- the police heard Lytton's name whispered on the streets, but could find no records of his existence at all. It was as if he'd just arrived from another planet. The Doctor warns Russell that this is exactly what he did -- and he's a ruthless, professional killer... Bates and Stratton use their mining tools to destroy and decapitate a Cyberman sent out to recapture them. Bates intends to clean out the head so Stratton can use it as a disguise; as prisoner and escort they stand a better chance of getting into Cyber Control. But the destruction of the scout is detected, and the Controller decides that Bates and Stratton are too resourceful and must be destroyed. Back on Earth, the Cybermen detect temporal distortion nearby, and send scouts to investigate. The Doctor, Peri and Russell encounter one, and the Doctor destroys it by plunging his sonic lance into its chest unit. The Cybermen detect this, and the Leader decides to close down this base and send the partially converted humans to their mothership. The Leader himself takes a squad out to investigate the scout's destruction, and when they find an alien artefact was responsible Lytton soon guesses who the "alien" is. He's surprised to learn that the Cybermen already know of the Doctor. The Cyber Leader decides to alter his plans and capture the Doctor and his TARDIS. The Doctor, Peri and Russell emerge from the sewers, closely followed by the Cybermen. But the Doctor has accidentally left the TARDIS doors open and Cybermen have already entered the ship. Russell destroys one by shooting it through the weak point in its mouth panel, and shoots another with the first Cyberman's gun. But before Peri can shut the doors the Cyber Leader and his patrol arrive, and while Russell is distracted a third Cyberman emerges from the corridors and strikes him upon his neck, killing him instantly. Peri approaches Russell and the Cybermen then close in on Peri... The Doctor threatens to destroy the TARDIS unless the Cyber Leader agrees to spare Peri's life. He does so, giving the word of the Cyber Controller that she will not be harmed -- and the Doctor realises that, by implication, not only did the Controller survive their last meeting but these Cybermen have somehow travelled through Time. He sets the coordinates for Telos, and he, Peri, Griffiths and Lytton are locked up in a nearby storeroom. Lytton returns the Doctor's sonic lance so he can sabotage the navigational controls and shift the TARDIS slightly off course, and reveals that the Cybermen haven't developed their own theories of Time travel; they simply stole a ship which was forced down on Telos for repairs. The Doctor, attempting to explain the history of the Cybermen to Griffiths and Peri, is forced to admit that their home world Mondas was destroyed while attacking Earth -- in 1986, which in their terms is next year. The Doctor assures them that Earth survived with minimal damage; the surviving Cybermen evacuated to Telos, wiped out the indigenous Cryons and transformed their refrigerated cities into cryogenic tombs in which to hibernate and recover their strength. Bates and Stratton continue to approach Cyber Control despite Stratton's conviction that the plan will never work. The reactivation of dormant Cybermen is halted when too many are found damaged or dead; some are going rogue in the tombs and destroying everything they encounter. The Doctor is forced to switch off the distress call he'd surreptitiously activated, but thanks to his earlier sabotage the TARDIS (in the form of a set of iron gates) materialises in the tombs rather than in Cyber Control. While the Cyber Leader reports for further instructions, the Doctor notices a stench of decay in the air -- and realises that Lytton knows more about it than he's saying. A rogue Cyberman suddenly bursts out of a tomb and attacks them, and in the confusion Peri, Lytton and Griffiths escape. Peri, separated from the others, is attacked by yet another rogue Cyberman -- and is rescued by two Cryons... Griffiths and Lytton hide in the tunnels outside the tombs, where they are contacted by a Cryon named Threst -- who welcomes Lytton by name. Lytton admits that he's been working for the Cryons all along; it was they who picked up his distress call from Earth, and on their behalf he intends to steal the Cybermen's time machine. Since the Cryons can only survive in sub-zero temperatures they will be unable to help, and Lytton thus brought Griffiths along to act as his bodyguard, in return for which the Cryons will pay him the equivalent of two million British pounds in uncut diamonds. Griffiths is reluctant to risk his life, but Lytton points out that his only two alternatives if captured are death -- or conversion into a Cyberman. The Doctor is locked up in a storeroom with a Cryon prisoner, Flast, and upon learning that some Cryons survived the Cybermen's attempt at genocide he also realises that they must be responsible for the damage to the Cybermen in the tombs. He's less pleased by Flast's revelation of the Cybermen's plans -- since they stole their time machine they don't fully understand the principles of Time, and intend to change history by preventing Mondas from being destroyed... Lytton and Griffiths emerge onto the surface of Telos, where Bates and Stratton confront them. Griffiths is shocked to learn that Bates and Stratton are partially cybernetic; they were sent to the work parties when the conversion process failed. Lytton points out that the time vessel requires a crew of three and suggests that they join forces. Meanwhile, Peri is held in the Cryon base by Rost and Varne, who are unable to help her rescue the Doctor, as they would perish in the heat of Cyber Control. They admit that Lytton is working for them to prevent the Cybermen from leaving Telos -- upon abandoning the planet the Cybermen intend to destroy it to observe the effect on its atmosphere. Flast explains to the Doctor that the Cybermen intend to divert the course of Halley's Comet, causing it to collide with Earth. The Doctor suddenly realises that the Time Lords have once again manipulated him into this situation so he can clean it up for them. Flast points out a potential weapon; the storeroom contains canisters of vastial, an unstable mineral which explodes upon reaching fifteen degrees above zero, and she's managed to open one. The Doctor uses his sonic lance to pick the lock of the storeroom door, and uses a small amount of vastial to destroy the guard outside. Flast takes the sonic lance, turns it on and buries it in the open canister of vastial, hoping to spark an explosion, which will destroy Cyber Control. She is unable to leave the sub-zero storeroom but urges the Doctor to escape without her. Lytton and his companions enter Cyber Control, but as Lytton is guarding their backs he is attacked and overpowered by Cybermen and the others have no choice but to carry on without him. Lytton is taken back to the control room and tortured, and when he refuses to speak he is taken to be converted into a Cyberman. Rost and Varne learn of Lytton's capture while taking Peri back to the TARDIS. The Doctor returns to the TARDIS, where he finds two Cybermen on guard and is reunited with Peri. Rost and Varne help him break into a tomb, which they have already sabotaged, and the Doctor activates the distress call in the dead Cyberman inside, luring the two guards away from the TARDIS and into a trap. In the ensuing battle, Varne is killed but both Cybermen are destroyed. As the Doctor prepares to leave, Peri insists that they rescue Lytton first, and the Doctor, who was fully prepared to leave Lytton to his fate, is startled to learn that he was working for the Cryons all along. He agrees to see what he can do. Bates, Griffiths and Stratton finally reach the landing pad, but just as they're within sight of their goal Bates is killed by an electrified door -- which opens to reveal a Cyberman who guns down Griffiths and Stratton. Meanwhile, the Cybermen detect the Doctor's escape and question Flast; when she refuses to speak they fling her into the corridor, where her body boils away in the heat. As the Cybermen begin checking the vastial stores, the Cyber Controller learns that the TARDIS has been moved and returns to the control room. The sabotaged vastial container, hidden in the back of the storeroom, has begun to steam... The TARDIS, once again in the form of a police box, materialises in the control room. The Doctor emerges to find Lytton partially converted, and as he tries to free him from the processing machine Lytton, drugged and partially converted, begs the Doctor to kill him. The Cyber Controller arrives, having guessed that the Doctor's emotional weaknesses would draw him back to rescue his friend. As the Controller approaches, however, Lytton attacks him, puncturing his hydraulic valves with the knife the Doctor was using to pry him free from the processing machines. The Controller strikes back, snapping Lytton's neck and killing him, while the Doctor grabs the Controller's gun and shoots the Cyber Leader, who staggers back into his Lieutenant, causing him to accidentally fire his gun at point-blank range, killing them both. The Doctor then shoots the Cyber Controller, destroying him once and for all. Peri emerges from the TARDIS and practically drags the Doctor away from Lytton's body. As the TARDIS dematerialises, the sonic lance finally heats the vastial to ignition point, and the resulting chain reaction destroys all Cyber Control and the stolen time machine as well. The Earth is safe and the web of Time has been preserved... but at a great personal cost, as the Doctor blames himself for misjudging and failing to save Lytton Continuity This story takes place immediately after The Twin Dilemma. Peri is still worried about the Doctor's problem regenerating, and the Doctor says they need a rest after Jocanda. This story has been criticised for relying heavily on elements from Doctor Who's past, confusing all but hardcore fans of the series.[1]
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TDP 84: Orbis and Chaos Pool Key 2 Time Part 2
Episode Duration: 0 days, 0 hours, 16 minutes and 24 secondsORBISStarring Paul McGann and Sheridan Smith with Andrew Sachs and Laura Solon (Duration: 60' approx) CAST: Paul McGann (The Doctor), Sheridan Smith (Lucie Miller), Andrew Sachs (Crassostrea), Laura Solon (Selta), Katarina Olsson (Headhunter), Beth Chalmers (Saccostrea), Barry McCarthy (Yanos) SYNOPSIS: The Doctor has fallen to his death. His companion, Lucie Miller, has returned to her life on Earth, grief-stricken. Then, one night, an alien visitor arrives at her front door and shoots her.Could it be that Lucie's days with the Doctor are not over? She will only find the answer on the planet Orbis. A planet where all forms of life are facing violent extinction. AUTHOR: Alan Barnes andNicholas BriggsDIRECTOR: Nicholas BriggsSOUND DESIGN: Andy Hardwick MUSIC: Andy Hardwick COVER ART: Simon Holub NUMBER OF DISCS: 1 CD RECORDED DATE: 2nd October 2008RELEASE DATE: 31st March 2009 PRODUCTION CODE: 8Y/FISBN:978-1-84435-393-4 Starring PETER DAVISON Featuring BEN JONES and LALLA WARDWith CIARA JANSON as AMY(Duration: 120' Approx)CAST: Peter Davison (The Doctor), Ciara Janson (Amy), Laura Doddington (Zara), Lalla Ward (Madam President), David Troughton (The Black Guardian), Ben Jones (Captain Pargrave), Toby Longworth (Commander Hectocot), Cate Hamer (The Voice)SYNOPSIS:The ageless leader of a dying race believes that salvation lies within The Chaos Pool, a place that even the Guardians of Time have been unable to locate. Meanwhile Commander Hectocot and his Teuthoidian followers move in for the kill - again and again and again...Two different races from opposite ends of Time - so how can they co-exist?In their search for the final segment of the Key to Time, the Doctor and Amy become caught in the crossfire. As the end of everything approaches, old friends and enemies reveal themselves and the final battle between the forces of Chaos and Order ignites...AUTHOR: Peter AnghelidesDIRECTOR:Lisa BowermanSOUND DESIGN:Simon RobinsonMUSIC:Jamie RobertsonCOVER ART:Alex MallinsonNUMBER OF DISCS:2RECORDED DATE:22 & 23 April 2008RELEASE DATE:30 March 2009PRODUCTION CODE:6R/C ISBN:978-1-84435-365-1 CHRONOLOGICAL PLACEMENT:Between Planet of Fire and The Caves of Androzani and after Key 2 Time - Destroyer of Delights << 118. Doctor Who: Key 2 Time - Destroyer of Delights | 120. Doctor Who - The Magic Mousetrap >>
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TDP 83: The Destroyer of Delights Key 2 Time Part 2
Episode Duration: 0 days, 0 hours, 6 minutes and 44 seconds118. Doctor Who: Key 2 Time - Destroyer of Delights Starring PETER DAVISON Featuring DAVID TROUGHTON and JASON WATKINSWith CIARA JANSON as AMY (Duration: 120' Approx) CAST: Peter Davison (The Doctor), Ciara Janson (Amy), David Troughton (The Black Guardian), Jason Watkins (Legate of the Caliph), Jess Robinson (Nisrin), Bryan Pilkington (Prince Omar), Paul Chahidi (Hason), Will Barton (The Djinni), David Peart (The Vizier) SYNOPSIS: "You will be always looking in the wrong place. I have searched through all of Time and I cannot find it."The search for the Key to Time has stalled: the next segment does not appear to exist anywhere in the Universe. Forced into a temporary alliance with one of his greatest enemies, the Doctor suggests a course of action that is a validation of chaos itself.Thrown at random across Space and Time, the Doctor and Amy arrive in 9th Century Sudan, where the greedy Lord Cassim is hoarding gold from the Legate of the Caliph. But why does Cassim look so familiar? What is the mysterious Djinni that lives out in the desert? And why does it need so much treasure? AUTHOR: Jonathan Clements DIRECTOR: Lisa Bowerman SOUND DESIGN: Simon Robinson MUSIC: Simon Robinson COVER ART: Alex Mallinson NUMBER OF DISCS: 2 RECORDED DATE: 21 & 22 April 2008 RELEASE DATE: 28 February 2009 PRODUCTION CODE: 6R/B ISBN: 978-1-84435-364-4 CHRONOLOGICAL PLACEMENT: Between Planet of Fire and The Caves of Androzani and after Key 2 Time - The Judgement of Isskar << 117. Doctor Who: Key 2 Time - The Judgement of Isskar | 119. Doctor Who: Key 2 Time - The Chaos Pool >>
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TDP 82: The Romans - sorry about the sound quality
Episode Duration: 0 days, 0 hours, 11 minutes and 43 secondsSynopsis With the TARDIS stuck at the bottom of a cliff, the four time travellers have ingratiated themselves into an unoccupied Roman villa. The owner, Flavius Giscard is away campaigning in Gaul. As the Doctor and Ian recline, Barbara and Vicki walk to the nearby Roman village. At the market they are spotted by two slave traders, Didius and Sevcheria. When they return to the villa the Doctor announces that he is off to Rome, some miles away, and will travel there with Vicki. Later that evening Barbara and Ian, now alone, are relaxing when the two slavers burst in upon them. They are soon overpowered and taken prisoner. Ian is sold to one slave owner, while Barbara is to be traded with another and sent to Rome. The Doctor and Vicki are en route for Rome when they find the murdered body of a lyre player named Maximus Pettulian. The Doctor is holding the man's lyre when a Centurion arrives and mistakes him for the dead man who is late for an engagement in Rome. The Centurion thus accompanies them to Assysium. Once stationed at an inn there, the Centurion makes contact with the mute assassin Ascaris, who killed the real Pettulian, and instructs him to kill the Doctor. The assassin draws his sword and heads off to the Doctor's chambers. The Doctor overpowers the assassin and, along with Vicki, drives him away through an open window. It seems the Centurion has fled, and the Doctor concludes the soldier was in league with the assassin. He decides to maintain his alias as Pettulian and head onward to the city of Rome. Barbara is meanwhile already in the city and is soon sold in open auction for 10,000 sesterces to a man named Tavius, who is highly placed in the court of the Emperor Nero. She is to be a handmaiden to Nero's wife, Poppaea. Tavius is a kindly man but warns that if she tries to escape her slavery that she will be killed. The Doctor and Vicki arrive at Nero's court too and encounter Tavius, who seems to imply to the Doctor that Pettulian is part of a secret network in which he is also a player. Further discussion is interrupted by the arrival of Nero himself, a laughable excuse for a leader who seems arrogant, vain and selfish. The Doctor cleverly avoids an extended lyre concert and then have the freedom of the court. On one walk around they find the body of the Centurion who imperilled them earlier. Ian has been confined to a galley in the Mediterranean but the craft soon runs into rough seas and is broken up. He is washed to the nearby shore and there is found by another survivor of the galley, Delos, who has saved his life and removes the last of his chains. They agree to head for Rome in search of Barbara. When they reach there, however, they are captured by some centurions. Taken to the arena they are set to be trained as gladiators - and their first opponents will be the lions. It becomes apparent to the Doctor that Tavius had the Centurion murdered and that he too is expected to fulfil some sort of action. Nero decides the Doctor must fulfil an obligation too, and organises a banquet in his honour at which he must play the lyre. He also takes a shine to Barbara and starts to pursue her romantically - and literally - much to the anger of Empress Poppea, who decides to have her poisoned at the Pettulian banquet. Barbara has just left the banquet chamber when the Doctor arrives there, warning the Emperor that he has learnt his wine could be poisoned. It has been, as part of Poppea's plan. The Doctor is soon put to perform centre stage and picks up his lyre with the warning that only those with the most sensitive and perceptive hearing will be able to discern its subtle melody. He then creates absolutely no sound but has created a climate in which no-one wishes to make themselves out to be philistines by not appreciating the music. Nero is not convinced, however, and in private fumes against the deception. He decides to have Pettulian fed to the lions. Meanwhile, at the arena itself Ian and Delos have been trained as gladiators and are set to fight each other. With Nero watching them they are told to battle to the death. Delos and Ian decide to fight their way out of the arena instead, and Ian is able to shout to the watching Barbara that he will be back to rescue her before he and Delos flee. The Emperor calls off his soldiers when it becomes clear they cannot be caught, planning to have him killed when he returns to rescue Barbara. A crowd of soldiers are arranged at the palace. The Doctor has meanwhile found the architectural plans for Nero's new Rome, and deduces that since the year is 64 AD that the Emperor is planning to destroy the city. Tavius arrives and warns the Doctor that the Emperor is planning to kill him too, advising him to fulfil his mission and kill Nero soon. It seems that Pettulian was an assassin all along. The Doctor and Vicki decide to leave quickly but before departing accidentally set fire to Nero's architectural plans. The Emperor notices this and decides to burn down the city, thanking the Doctor and deciding after all to spare his life. A rabble are bribed into starting the blaze and while anarchy rages Ian is helped into the palace by Tavius, who reunites him with Barbara. Under Tavius' eye the two are allowed to escape and make their way from Rome and back to the villa. Delos helps them get clear of the palace, parting from his friend Ian. The Doctor and Vicki also escape the city, watching it burn from a nearby hill. By the time the Doctor and Vicki return to the villa, Ian and Barbara have spruced themselves up, and the Doctor mistakenly assumes that they have not even left the villa. All four leave in the TARDIS but have barely begun to travel when a strange force starts dragging the ship to an unknown location.
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TDP 81: The Rescue and Transit of Venus
Episode Duration: 0 days, 0 hours, 14 minutes and 0 secondsSynopsis The TARDIS crew is still missing Susan Foreman when the ship lands on a planet the Doctor eventually recognises as Dido, a world he has visited before. The trio soon encounter two survivors of a space crash, Vicki and Bennett, who are awaiting a rescue ship, due to arrive in three days time. Vicki and Bennett live in fear of Koquillion, a bipedal inhabitant of Dido which is stalking the area. Koquillion encounters the time travellers and attacks, pushing Barbara over a cliff and temporarily trapping Ian and the Doctor. Vicki finds Barbara injured and rescues her from Koquillion, and they share reminiscences. Vicki's father was amongst those who died when the survivors of the crash, save Bennett and Vicki, were lured to their deaths by the natives of Dido. She is evidently very lonely, having befriended an indigenous Sand Beast for company. However, when Ian and the Doctor reach the ship tempers are fraught because Barbara mistook the Sand Beast for a threat and killed it. The Doctor enters Bennett's room, and finds things are not as they seem. The supposedly crippled Bennett is missing, and a tape recorder hides his absence. He finds a trap door in the floor of the cabin and follows it to a temple carved from rock where he unmasks Koquillion as Bennett. Bennett reveals he killed a crewmember on board the ship and was arrested, but the ship crashed before the crime could be radioed to Earth. It was he who killed the crash survivors and the natives of Dido to cover his crime. He has been using the Koquillion alias so that Vicki would back up his story. Just as Bennett is about to kill the Doctor, two surviving native Didonians arrive and force Bennett to his death over a ledge. With no living family and nothing left for her on Dido, Vicki is welcomed aboard the TARDIS. Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) Archive "The Powerful Enemy" 2 January 1965 26:15 12.0 16mm t/r "Desperate Measures" 9 January 1965 24:36 13.0 16mm t/r [1][2][3] The series would not feature another two-part serial until a decade later with The Sontaran Experiment, although the format would become a regular feature in the Fifth Doctor era of the 1980s. Alternative titles The story had the working title Doctor Who and Tanni, which was the original name for Vicki.The 1973 Radio Times 10th anniversary special called the story The Powerful Enemy, as it titled all the early stories by the title of the first episode. Some subsequent listings repeated this error, as did the story's broadcast on some American PBS stations. Cast notes To preserve the mystery of its true identity, Koquillion was originally credited as being played by "Sydney Wilson" -- a name made up by the production team in tribute to two of the creators of Doctor Who, Sydney Newman and Donald Wilson. This was the first instance of an alias being used, in the credits, for a cast member in order to conceal a plot twist in Doctor Who. Doctor Who book The Rescue Series Target novelisations Release number 124 Writer Ian Marter Publisher Target Books Cover artist Tony Clark ISBN 0 426 20309 7 Release date August 1987 (Hardback) 21st January 1988 (Paperback) Preceded by The Macra Terror Followed by Terror of the Vervoids Commercial releases This story was released in 1994, on a double VHS With The Romans. It has also been anounced by the BBFC website that 'The Rescue' along with The Romans will be released on DVD on 23 February 2009. The DVD will have a commentary track featuring star William Russell, designer Ray Cusik & director Christopher Barry. In print A novelisation of this serial, written by Ian Marter (the actor who played companion Harry Sullivan during the Fourth Doctor era), was published by Target Books in August 1987, nearly a year after his death. Marter died soon after completing the manuscript, which was subsequently edited (with some new material added) by Nigel Robinson, editor of the Target Books line. According to Robinson, he did not have to do too many changes to Marter's manuscript, although he did have to remove an apparent reference to fellatio in an early chapter. TRANSIT OF VENUS Performed by William Russell as Ian Chesterton with Ian Hallard as Joseph Banks(Duration: 60' Approx)CAST: William Russell (Ian Chesterton), Ian Hallard (Joseph Banks)SYNOPSIS:The year is 1770, and daring explorer Captain James Cook and his crew on the Endeavour are navigating the Pacific Ocean.Into their midst come strangers: the Doctor and Ian Chesterton, who are believed to have come from Venus. But the TARDIS is lost to them - along with both Susan and Barbara - and Ian makes an enemy of the ship's chief scientist, Joseph Banks.Why is Banks acting strangely? Could it be that the travellers are not the only visitors from the stars?AUTHOR: Jacqueline RaynerDIRECTOR:Nigel FairsSOUND DESIGN:David DarlingtonMUSIC:David DarlingtonCOVER ART:Simon HolubNUMBER OF DISCS:1 CDRECORDED DATE:3 November 2008RELEASE DATE:31 January 2009PRODUCTION CODE:BFPDWCC16ISBN:978-1-84435-356-9
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TDP 80: Warriors Gate and The Key 2 Time Part 0 and 1
Episode Duration: 0 days, 0 hours, 26 minutes and 7 secondsWarriors' Gate is a serial in the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from January 3 to January 24, 1981. The serial is the last of three loosely connected serials known as the E-Space trilogy and the last to feature Romana and K-9 as companions. Contents [hide] 1 Plot 1.1 Synopsis1.2 Continuity 1.2.1 Departures 2 Production3 Commercial releases 3.1 In print 4 References5 External links 5.1 Reviews5.2 Target novelisation //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> [edit] Plot [edit] Synopsis At a null point in space and time on the interface between our universe (n-space) and E-space (exo-space), a slaver cargo vessel becomes trapped. It manoeuvres the timelines using members of the leonine Tharil race as navigators - and they too are the cargo of the grim vessel, held in cryogenic storage in its hold. A Tharil named Biroc flees the craft on the time winds, leaving it moored and trapped, and ventures to the TARDIS, which has also become trapped in a time rift in this strange dimension. The creature manifests itself in the TARDIS console room and imparts to the occupants the warning that he is a shadow of his own past -- and of their future; and that the others that are following him should not be trusted. The Tharil then disappears, with the Doctor in pursuit. Romana, and Adric are left worried about K-9, whose memory wafers have been shredded by the time winds. The commander of the slave ship, Rorvik, is increasingly angry about their entrapment in the void and the general apathy of his crew toward their condition. When the ship picks up another object in the void, he and two of his crew members use a portable mass detector to track down the TARDIS. Romana steps outside to confront them and is persuaded to return to their ship with them to examine the damaged warp drive of their ship. Rorvik has, however, worked out she may be a time sensitive like the Tharils and is interested in her for potential profit. Adric and K9 both venture separately into the void in her pursuit. The Doctor has meanwhile reached a vast stone archway in the void, containing an abandoned banqueting hall, decaying skeletons and partially functioning robot knights known as Gundans. They were built by slaves as part of a revolt against a previous tyranny that ended in a massacre at the feast in the same hall. The slavers used the time winds to descend on worlds and enslave the populations. K9 arrives at the Gateway too and begins to help the Doctor repair the Gundan, which has worn itself out. However, before they can obtain any more information Rorvik arrives with some of his crew and seizes control at the point of a gun. Romana has been taken back to the slaver ship for use as a navigator, while Rorvik has used the portable mass detector to isolate the Gateway. He becomes angry when a Gundan comes to life and walks out of the room straight through a solid mirror, and challenges the Doctor to explain the situation. His response is to walk through the mirror: a step the human slavers behind him cannot take. Back on the slave ship, a Tharil called Lazlo, who had been left for dead by the slavers when his revivification process seemingly failed, frees Romana from certain death in the navigator's chair. She hides in the hull of the ship and there finds Adric, and together they work out the slave ship is made of the incredibly dense dwarf star alloy, the remnants of a collapsed star. This heavy metal is the only thing that can hold the Tharils trapped in a single timeline. When they meet K9, the badly damaged robot informs them of dimensional instability and the imminent collapse of the void, which is contracting upon itself. The sheer weight of the slave ship is damaging the delicate balance holding the dimension together. Romana is shortly afterward separated from Adric and K9 and reunited with Lazlo, who takes her through the mirrors too. Beyond the mirror the Doctor has found Biroc, who explains he was able to pass through because his hand was caught in the time winds. They enter an elegant mansion, seemingly frozen in time, where the Tharil explains that his people were the notorious slavers of the Gateway whose rule was overthrown by the use of the Gundans. As the sorry tale of the decay of their society is retold, the Doctor is reunited with Romana but in a bizarre twist they are returned to the reality of the decaying Gateway in the void once the Tharils' story has been told - and once more find themselves prisoners of Rorvik. Based on the reports of the shrinking of the Gateway, the Doctor deduces that the slave ship is indeed the cause of the problems and - more worryingly - there is not much time before the Gateway retracts into nothing. Adric has meanwhile hidden himself inside the MZ, a vast portable cannon which the slavers are going to use on the Gateway and the mirrors in an effort to escape the void. When the weapon reaches the Gateway he uses it to free the Doctor and Romana, and the time travellers flee into the void. When the slavers set out in pursuit they find their ship has moved much closer to the gateway - proof positive that the dimension is shrinking and therefore doomed. In frustration Rorvik fires the MZ at the mirrors, but succeeds only in destroying the weapon. The crazed and infuriated slaver now decides to use his ship's engines to back-blast through the mirrors and escape the void. It is a foolish move: the backblast from the mirrors engulfs and destroys the ship and all its crew. The Tharil slaves have, however, been freed by Lazlo and Romana, who has formed an empathy with the race. She elects to voyage through the Gateway with them and help the Tharils. The Doctor gives her K9, who will be restored beyond the Gateway, though he can never return. After they depart, the Doctor uses the knowledge he has gained from the Tharils to successfully pilot the TARDIS through the Gateway and back into N-Space. [edit] Continuity This serial comprises the third and final leg of an extended adventure generally known as the "The E-Space Trilogy"; the trilogy began in Full Circle, and continued in State of Decay. The multi-coloured scarf can be seen on the hatstand. [edit] Departures This story was the last story to feature Lalla Ward as Romana. Two months after her departure, Ward went on to marry her co-star Tom Baker in 1981, but the marriage lasted less than two years. Ward is one of two former companions to ever be married to an actor who played the Doctor. The other was Jean Marsh, who played the First Doctor's companion, Sara Kingdom, was married to Jon Pertwee, although the marriage occurred prior to Pertwee landing the role of the Third Doctor. Ward was seen again as Romana on television in The Five Doctors (1983) (via footage of her and Tom Baker from the unaired story of Shada (1980)) and reprised her role in the Children in Need charity special Dimensions in Time (1993). She continues to participate in the world of Doctor Who by attending conventions, recording audio commentary on DVD releases, performing in several Big Finish audio dramas and by appearing in the BBC's online drama webcasts. This story was also the last television story of the classic series to feature the character of K-9 Mk. II, played by John Leeson. Leeson, who left the series at the end of Season 16, returned for Season 18 on the understanding that K-9 would be written out toward the end of the season.[citation needed] The character of K-9 (Mk. III and Mk. IV), voiced again by John Leeson would return in the 1981 spin-off episode, K9 & Company, the 1983 anniversary special, The Five Doctors and the 2006 episode "School Reunion". He would later pop up twice in the first series of spin-off The Sarah Jane Adventures. He also appears in the Series Four Finale, Journey's End. Romana and K-9's journey in E-space is continued in two BBV audio plays. [edit] Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part One" 3 January 1981 22:54 7.1 "Part Two" 10 January 1981 23:47 6.7 "Part Three" 17 January 1981 22:15 8.3 "Part Four" 24 January 1981 24:53 7.8 [1][2][3] Working titles for this story included Dream Time. Doctor Who book Doctor Who and Warriors' Gate Series Target novelisations Release number 71 Writer Stephen Gallagher Publisher Target Books Cover artist Andrew Skilleter ISBN 0 426 20146 9 Release date 15 April 1982 Preceded by Doctor Who and the State of Decay Followed by Doctor Who and the Keeper of Traken Commercial releases This story was released on VHS in October 1997.A DVD commentary has been recorded with actors Lalla Ward and John Leeson Script Editor Christopher H. Bidmead Visual Effects Designer Mat Irvine and Director Paul Joyce and was released on January 26th 2009 in a box set with Full Circle & State of Decay. In print A novelisation of this serial, written by Stephen Gallagher under the pseudonym "John Lydecker", was published by Target Books in April 1982.
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TDP 79: State of Decay and Master of War
Episode Duration: 0 days, 0 hours, 26 minutes and 28 secondsContinuing the Doctor's adventures in E-Space, the Doctor, Romana, K-9, and their newest companion/stowaway, Adric, arrive on a planet experiencing what appears to be a feudal period. The population scratches out a living as subsistence farmers under the thrall of three local lords, Zargo, Camilla, and Aukon, who dwell in a shadowy tower. Adding further fear to their lives, they experience a yearly ritual called "the Selection," in which a sample of young villagers are taken to the tower, never to be seen again. This selection process is enforced by a thuggish band of guards led by Habris. The Doctor and Romana venture out into the village (not knowing that Adric is following them), and it doesn't take long for the Doctor to realize that something is very wrong when he discovers evidence of technology considerably more advanced than what this medieval society seems capable of producing. With such technology, the Doctor and Romana wonder what happened in the course of the planet's development to cause it to evolve "backward" from a presumably advanced culture to its current rustic condition -- to be in a "state of decay." The arrival and then departure of the Doctor and Romana from the village hall is reported by the headman, Ivo, via an electronic communications device to an unseen figure called Kalmar. As the two head out of the village they are seized by cloaked figures who convey them to a secret base filled with illegal computers and other technology. Kalmar is a scientist - a heretical role in their society - and is very grateful for the Doctor's help in repairing a computer which proceeds to reveal the names of the original chief officers of the spaceship Hydrax. The faces of three senior officers are revealed as those of the Lords of the Tower. The Lords too have learnt of Romana and the Doctor, and Aukon sends a flock of his winged servants, bats, (aka "The Wasting") to menace them as they travel a clearing near the village. The Doctor and Romana are now seized by Habris and his guards and taken to an audience in the Tower. Zargo and Camilla entertain them for a while, then are called away to deal with a situation called the Arising. The Doctor and Romana start to snoop around and discover that in fact, the great Tower in which the Lords dwell is itself a spaceship originally from Earth, which also somehow was pulled into E-Space long ago. Adric has meanwhile wandered into the village and finds himself looked after by Ivo and his wife Marta, both of whom are grieving for their late son who was chosen for the Selection. In the Hydrax the Doctor and Romana discover rows of corpses drained of blood, while the craft's fuel stores are full of blood. Talk turns to vampires. They head downwards and find an amphitheatre. It is there that the Lord Aukon greets them, welcoming them to his domain. Aukon invites the Doctor and Romana to become the first of the new servants of the Chosen Ones then tells them that he has Adric much to their surprise. When they refuse they are imprisoned. The Doctor deduces by applying principles of consonant shifting that the current lords' names are a corruption of the original crew names (e.g. "Sharky" becomes "Zargo"). Thus the Doctor realizes that the three lords might not be descendants of the original crew, but members of the original crew themselves. He is reminded of ancient Time Lord stories of the Great Vampires, a giant race of rapacious, destructive, and powerful creatures that were ancient enemies of the Time Lords themselves. He deduces that the Great Vampire escaped destruction at the hands of the Time Lords by somehow retreating into E-Space, and it managed eventually to gather enough power to pull the old Earth ship into this universe and corrupt the crew. Over time, it licked its wounds and gathered power so that it could once again feast on worlds. Meanwhile, Adric's attempts to mingle with the natives have led to him getting caught up in the Selection. He is put under a hypnotic trance by Aukon and accompanies him to the tower. Normally, the Chosen Ones are chosen for Guards or killed if they defy the Three Who Rule, but Aukon has other plans for Adric when he finds, to his surprise, something different about the third stranger. Aukon plots to change Adric into the new Chosen. Another rebel named Tarak, makes a solo attack on the Tower in the hope of freeing the Doctor and Romana. The Doctor returns to the TARDIS, while Romana stays with Tarak to search for Adric, whom she knows now is in the Tower's Inner Sanctum. As they try to snap Adric out of his trance, they unknowingly awaken Zargo and Camilla. Tarak is literally throttled by Zargo and dies when his neck snaps on the edge of the "bed". Adric throws a knife at Zargo's heart and Camilla advances on Adric. Romana backs away but Zargo grabs her shoulder. With a toothy evil grin, he chuckles as he pulls the knife out of his heart and is about to give a fatal blow to Romana. Romana closes her eyes as Zargo draws his arm back for a fatal blow but Aukon orders him to stop. "The boy," he says "is the first of the Chosen Ones, soon to be one of us. He is not for you!" Camilla then asks to have Romana. Aukon grabs Romana's chin and says gloatingly, "The girl is a Timelord, one of the enemies of the Great One. She is to be held for sacrifice at the time of Arising!" Romana and Adric argue about their fate. Adric says if it's a choice between death and joining the dine that means there's no sense in two of them getting the chop. Adric asks Aukon why he is being kept prisoner when Romana is the sacrifice and he is a Chosen One. "I'm sorry Timelady. One of my families died for your lot already. I reckon one's enough!" Romana asks Adric if he knows what happens to vampires when they die. Adric smugly replies "But they don't die, do they Aukon!". They are taken to the bottom of the Tower (as shown in the picture above), where Romana will be sacrificed at the time of Arising and Adric will indeed become a Chosen One. In the TARDIS the Doctor and K-9 review the old stories about vampires. The lore that the Doctor and K-9 uncovers determines that the Great Vampires could only be defeated by metal bowships driven through their chests (rather like the wooden stakes that work on lesser vampires). He takes the craft to Kalmar's base and there uses scanning equipment to scan the Tower. Under the lake of blood he finds a restless, demonic presence, whom he determines to be the last Great Vampire. He warns it is about to be revived. Kalmar, Ivo and many other villagers agree to help him fight back. This rebel army and K9 make an assault on the Tower itself, killing collaborator guards. Ivo finds Habris and tells him "This is for my son!" and then kills him. The Doctor heads off to the peak of the Tower and, in a burst of characteristic ingenuity, the Doctor manages to rig one of the old scoutships still attached to the spaceship/tower to launch and achieve a trajectory that caused it to point back toward the ground and drive itself into the heart of the subterranean Great Vampire, thus duplicating the effect of the "metal bowships" of Time Lord history. With the Great Vampire dispatched, the three vampire Lords crumble to dust without the power of their master to sustain them. The Doctor finds Romana and Adric. Together with K9 they leave the planet to its own fate, hoping that, now freed from the corruptive effect of the vampires, it will change direction and develop once again toward its former advanced state and even perhaps surpass it. He leaves the planet in Kalmar's hands, while hoping the next journeys in the TARDIS will take Adric home and lead the craft back out of E-Space. Continuity This serial comprises the second leg of an extended adventure generally known as the "The E-Space Trilogy"; the trilogy began in the previous serial, Full Circle, and concludes in Warriors' Gate. The Doctor mentions his childhood on Gallifrey and "an old hermit who lived up a mountain behind our house [and] used to tell me ghost stories" - tales of the Time Lord's war with the Vampires. This is the first mention of the Doctor's mentor from his youth since his last regeneration. This figure, K'Anpo (or Cho-Je) is first mentioned in The Time Monster and seen in Planet of the Spiders. The Great Vampires are mentioned by the Tenth Doctor in "The Infinite Quest". Tie-in media The Virgin New Adventures spin-off novel Blood Harvest by Terrance Dicks and the Missing Adventure Goth Opera by Paul Cornell are sequels to this serial. Other Doctor Who novels featuring vampires include Vampire Science and Warmonger. Many of the novels feature references to the war between the Time Lords and the Vampires. Another anti-Vampire weapon, the N-Forms, were introduced by Russell T Davies in his New Adventures novel Damaged Goods. Bowships are mentioned in the Doctor Who Annual 2006 as one of the weapons used in the Time War against the Daleks, along with N-Forms and Black Hole Carriers. The Fourth Doctor segment of The Eight Doctors, in which the Fourth Doctor is captured by the last few surviving vampires and is rescued by Romana and the Eighth Doctor, takes place between the destruction of the Great Vampire and the end of this story. The Big Finish Productions audio dramas Project: Twilight, Project Lazarus, and Zagreus refer to the vampires and to their history with the Time Lords. The BBC audio webcast Death Comes to Time features a vampire named Nessican. Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part One" 22 November 1980 22:24 5.8 "Part Two" 29 November 1980 23:16 5.3 "Part Three" 6 December 1980 24:13 4.4 "Part Four" 13 December 1980 24:54 5.4 [2][3][4] Working titles for this story included The Wasting and The Vampire Mutations.The serial was a re-written version of a story called The Witch Lords which Dicks had submitted to the series in 1977, but which had been pulled just before production and replaced with Horror of Fang Rock.This was one of two serials to feature a highly improved K-9 prop. The other was Warriors' Gate. Doctor Who book Doctor Who and the State of Decay Series Target novelisations Release number 58 Writer Terrance Dicks Publisher Target Books Cover artist Andrew Skilleter ISBN 0 426 20133 7 Release date 14 January 1982 Preceded by An Unearthly Child Followed by Doctor Who and Warriors' Gate Commercial releases This story was released on VHS in October 1997. On the video, one tiny scene is omitted that was previously on the TVOntario version. In Part 4, K-9 is perched on the thrones of Zargo & Camilla, determining the moment when the Doctor is activating the scout ship. When he tells the rebels to evacuate the Tower, a rebel lifts him down and they escape.A DVD commentary with Terrance Dicks, Matthew Waterhouse and Peter Moffatt has been recorded and it was released on January 26th 2009 in a box set with Warriors Gate & Full Circle. In print A novelisation of this serial, written by Terrance Dicks, was published by Target Books in September 1981. A condensed version of the book was read by Tom Baker and released on cassette. Audio Book This story was released on audio cassette with linking material by Tom Baker Plot A new adventure for a new Doctor in a new Dimension... The Doctor and his travelling companion, retired army officer Alistair Lethbridge-Stewart, take a random trip in the TARDIS - and land on the planet Skaro. The Doctor helped the Thals to defeat the Daleks years ago, so he is surprised to find the Thal city under Dalek occupation. He determines to help them again, but what is the Daleks' purpose in keeping the Thals alive? Does it have anything to do with the Daleks' mythical creator, named in their teachings as Davros? Cast The Doctor -- David WarnerThe Brigadier -- Nicholas CourtneyDavros -- Terry MolloyThe Daleks -- Nicholas BriggsNadel -- Amy PembertonGillen -- Sarah DouglasDelt -- Jeremy JamesToloc -- Christopher Heywood Notes This is a sequel to Sympathy for the Devil.As the previous story was named after a Rolling Stones song, this play is named for a Bob Dylan song.In this audio drama, David Warner plays an alternative Third Doctor. He previously appeared with his "predecessor" Patrick Troughton in The Omen.The incident in 1972 that the Brigadier mentions is apparently an alternate version of the events of 1972's Day of the Daleks. External links Big Finish Productions - Masters of War
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TDP 78: The Next Doctor and The Proms
Episode Duration: 0 days, 0 hours, 23 minutes and 6 seconds"The Next Doctor" is an episode of the British science fiction television series Doctor Who that was broadcast on 25 December 2008 and is the fourth Christmas special of the revived series.[3] David Tennant stars as the Tenth Doctor, David Morrissey plays the titular "Next Doctor", and Velile Tshabalala plays the latter's companion Rosita.[4][5] This special sees the return of the Cybermen, (of the design of the parallel universe's Cybus Industries Cybermen[6][7]), following their previous appearance in the two-part finale of Series Two in 2006, "Army of Ghosts"[8]/"Doomsday".[9] During its original airing, the episode had a viewing audience of 13.1 million viewers. It was the second most watched programme of Christmas Day 2008. Contents [hide] 1 Plot 1.1 Continuity 2 Production 2.1 Writing2.2 Locations2.3 Casting2.4 Design 3 Broadcast and reception 3.1 Broadcast3.2 DVD release 4 References5 External links //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> [edit] Plot The Doctor lands in London on Christmas Eve, 1851, where he encounters a woman called Rosita and another man who calls himself 'The Doctor'. After failing to capture a Cybershade, the two men talk, with the Tenth Doctor believing the other to be a future regeneration. Unfortunately, the other (dubbed 'the Next Doctor') is lacking many memories. Meanwhile, the Cybermen are planning an attack with a human ally, Miss Mercy Hartigan. The Tenth Doctor follows the Next Doctor to a house of a dead man, Reverend Aubrey Fairchild, where they search for clues to what the Cybermen are planning. The Next Doctor begins to regain some of his lost memories; when the Tenth Doctor finds a pair of 'infostamps' (the Cybermen's data storage devices) the Next Doctor remembers he was holding one the night he lost his memory. The Cybermen then attack the house, but before they can kill the 'Doctors', the Next Doctor kills them with an electrical charge in the infostamp. At the Reverend's funeral, Miss Hartigan and the Cybermen attack the mourners, sparing four who are subsequently fitted with Ear-Pods and dispatched by Miss Hartigan to their workhouses to recruit the children. Returning to the Next Doctor's home base, the Tenth Doctor is shown the other's TARDIS "Tethered Aerial Release Developed In Style" - a gas balloon. Realising what has happened, the Doctor explains that the Cybermen have escaped from the Void (following the Battle of Canary Wharf) when the walls of the universe were weakened in "a greater battle". The Cybermen came upon a man named Jackson Lake, the first person to disappear, attacking him and his wife. In the confusion, Lake destroyed the Cybermen with an infostamp (one containing information on the Doctor gleaned from the Daleks), as earlier in the house, but it also backfired, overwhelming Lake's mind with information about the Doctor. In despair at losing his wife, Lake came to believe he was the Doctor. Meanwhile, the children are taken to a sluice gate to the Thames. The Doctor and Rosita investigate and are confronted by Miss Hartigan, who explains that the Cybermen offered her liberation. The Doctor returns the infostamp to the Cybermen, who download it, confirming him as their foe. Miss Hartigan orders the Cybermen to delete the pair, but Lake appears and destroys the Cybermen with another infostamp, allowing them to escape. A furious Miss Hartigan announces that "the CyberKing will rise tonight!" Lake reveals that he and his family were attacked at their new house and the Doctor realises it may lead to the Cybermen base. There, they find a Dimension Vault, stolen Dalek technology that allowed the Cybermen to escape the Void. In the Cybermen base, the captive children are working to generate power to allow the CyberKing to ascend. Hartigan is betrayed by the CyberLeader and 'converted' to the CyberKing - thus receiving liberation from her anger and hatred. However, she proves too powerful to control, and uses her new powers to obliterate the CyberLeader. The Doctor, Rosita and Jackson evacuate the children, including Jackson's son who was abducted when he was attacked. However, the CyberKing - a giant Cyberman-shaped robot ship - emerges from the Thames and begins to lay waste to London. Using the gas balloon, the Doctor confronts Hartigan and offers her a chance to live in peace. When she refuses, the Doctor uses the infostamps to sever her connection from the CyberKing. Realising what she has become, Hartigan screams in horror destroying the Cybermen and herself. Before the CyberKing can collapse on the city, the Doctor uses the dimension vault to transport it into the Time vortex. In the aftermath, Jackson thanks the Doctor for what he has done and offers him a place at his Christmas celebration with Rosita and his son. They walk away, to a Christmas dinner in honour of those they have lost. [edit] Continuity The ten genuine Doctors, to date, appear in this episode through an infostamp projection. Apart from Peter Davison's newly filmed appearance as the Fifth Doctor in special mini-episode "Time Crash", "The Next Doctor" marks the first time since Doctor Who was revived in 2005 that footage of the Doctors prior to the Ninth (Christopher Eccleston), and indeed any footage made prior to 2005, has been used within an episode. The ten Doctors were all illustrated in A Journal of Impossible Things, a book featured in "Human Nature", however only a few of these illustrations were actually shown on screen. Audio clips of Roger Delgado and Anthony Ainley as the Master were used in "Utopia". The footage of the First Doctor (William Hartnell) is taken from The Time Meddler; the Second (Patrick Troughton) from The Ice Warriors; the Third (Jon Pertwee) from Terror of the Autons; the Fourth (Tom Baker) from City of Death; the Fifth from Arc of Infinity; the Sixth (Colin Baker) from The Mysterious Planet; the Seventh (Sylvester McCoy) from Time and the Rani; the Eighth (Paul McGann) from the 1996 Doctor Who television movie; the Ninth from "The Parting of the Ways"; and the Tenth from "The Family of Blood". Further footage of the Tenth Doctor appears from episodes including "Blink", "The Runaway Bride", "Voyage of the Damned" and "The Lazarus Experiment". When trying to trigger Jackson's memories, the Doctor refers to 'not blinking', 'weeping angels' and 'Sally Sparrow', all of which featured in "Blink". The Doctor also refers obliquely to past companions, noting to Lake that they either leave him, meet someone else or forget about him. The Doctor mentions the events of "Doomsday". This is the first episode since "Doomsday" that the Cybermen have appeared in Doctor Who, although the Doctor Who spin-off series, Torchwood, furthered that story in the episode "Cyberwoman". These Cybermen have survived the apparent destruction of the Void, using Dalek technology developed in the Void to pass through dimensions. It is also implied by the Doctor that the events of the fourth series allowed the Cybermen to escape the Void, as it also allowed Rose Tyler to return to her own universe. [edit] Production [edit] Writing Pre-broadcast publicity, based on excerpts from Davies' book Doctor Who: The Writer's Tale, revealed that the Doctor would meet a man played by David Morrissey who also claims to be the Doctor. In further excerpts, Davies commented, "The best title for this episode would be The Two Doctors... but maybe not. The New Doctor, perhaps? Or The Next Doctor? I quite like The Next Doctor."[10] The book also contained two pictures from a scene cut from the end of the previous episode, intended to segue into the special echoing the previous two series. This scene was included on the series boxset. Following the success of last year's Christmas special, "Voyage of the Damned", which guest starred pop star Kylie Minogue as one-off companion Astrid Peth, Russell T Davies had initially felt tempted to copy this format with another high-profile guest star, but decided against it after jokingly offering up "Cheryl Cole on board the Hindenburg" as an example.[4] Regarding the unanswered question of why a gigantic robot in London 1851 "isn't in the history books", Davies and Gardner jokingly offer several possibilities ranging from there being alternate history of Doctor Who England, pointing out "a spaceship didn't fly into the Big Ben in 2006 either" (in the episode "Aliens of London") or that perhaps "maybe everyone was retconned by the soon-to-be-born Torchwood, or something."[5] Davies, from a writer's standpoint, was also unhappy with the final scene in the episode where the Doctor gets rid of the CyberKing with the convenient Dalek dimension vault but he couldn't during the writing process think of another way to stop London being crushed by a giant robot. However, after the episode was produced, a different idea came to him. In this alternate ending Davies imagines, Miss Hartigan "should have destroyed the Cybermen when she screamed... but she's still in the chair", as the CyberKing falls to the Earth, the Doctor calls out to her saying "Save them." This version would have Hartigan redeem herself as she is the one to cause the CyberKing to disappear, with no need for what Davies calls "a silly Dalek continuum dimension vault". Julie Gardner felt this would have been a superior, "marvellous" ending and Davies says he "can't bear that there could have been a better ending than we actually transmitted".[5] Davies also feels he would like to write a BBC Books novel, set in the midst of that brief scene where Jackson Lake is in the Doctor's TARDIS in which the Doctor takes Jackson to another planet, ending with the "no no no scene" before Jackson invites the Doctor to spend Christmas dinner with him.[5] [edit] Locations Filming for this episode was conducted in April 2008 at Gloucester Cathedral [11][12] and St Woolos Cemetery in Newport, [13] and in the streets of Gloucester, where shooting was hampered by up to 1,000 onlookers. The main setting of Torchwood, their Torchwood Hub was also redesigned and used as the workshop for the children.[5] [edit] Casting David Morrissey is the main guest star, playing "a character called The Doctor - a man who believes himself to be a Time Lord".[14] He was influenced in his performance by previous Doctor actors William Hartnell, Patrick Troughton and Tom Baker, as he believed there was "a truth" to their performances because they "never saw [Doctor Who] as a genre show or a children's show".[15] He is joined by Velile Tshabalala as Rosita, the companion to Morrissey's "Doctor", whom Russell T Davies describes as "probably cleverer than the two of them [the Doctors] put together". For Tshabalala, the character came naturally because her "feisty cockney girl" characterisation was very "close to home" for her.[16] Dervla Kirwan plays Mercy Hartigan, who Russell T Davies describes in the episode's podcast commentary as "a dark a villain as you will ever have". A lot of her characterisation goes unstated, but Russell discussed it in long conversations with Dervla Kirwan and fellow executive producer Julie Gardner. Davies characterises Miss Hartigan as "a victim of abuse", for whom the subtext suggests a "terrible backstory" which is symptomatic of her being "part of [this] Victorian Age." Davies describes this as being "a powerless woman who's been in servitude or far worse all her life", but holds his tongue from saying her precise profession, relaying: "I'm talking quite discreetly around this because there are children listening and watching and there's only so far I should go." He does however explain that "She's had terrible things done to her" which is responsible for her "really twisted character where she sexualises everything." In terms of costume, "she wears red" because "everything's inflammatory with her". "And in the end, actually" Davies discusses how to escape her male oppression she "becomes a man, she becomes the CyberKing. She has to go through this extraordinary process because she's so damaged."[5] Design Millennium FX's Neil Gorton's original design for the Cybershade took the existing Cyberman design and "refurbished" it by adding rivets and a copper finish. The design was cost-effective but Russell T Davies did not believe it was the right approach. He sketched a new design for the Cybershade that was "a crude version of a Cyberman, all angular and blocky, with its trademark handlebars set at a jaunty angle and shrouded in flowing black robes". Gorton used Davies' sketch to create a fibreglass mask that the Cybershade actors wore over their heads. Costume designer Louise Paige made the flowing robes, that were "light enough to not restrict movement" to complete the Cybershade costume. Originally, Gardner relayed that there was a widespread dissatisfaction with Hartigan's CyberKing crown. The original helmet, he remarked "was like the Cyberwoman's head from Torchwood" (referring to the episode "Cyberwoman"), literally "a Cyberman's head on Dervla Kirwan" or "as if Dervla Kirwan decided to go to a [fancy dress] party as a Cyberman." Davies' response was "Oh my lord, no." The production team however worked hard, and in two days produced the final headpiece seen in the episode which Davies described as "beautiful", because it's "Victorian and it fits the design." In the scene after the headpiece is placed on her, Dervla wore black contact lenses and SFX company The Mill helped to get rid of "any traces of white" in post-production. Broadcast Preliminary figures show that the episode had a viewing audience of 11.71 million during its original airing, with a peak at 12.58 million viewers, and a 50.5% share of the 18:00 timeslot it was shown. It was the second most watched programme of Christmas Day 2008, behind Wallace and Gromit's A Matter of Loaf and Death. Final viewing figures show an audience of 13.1 million viewers. The episode had an Appreciation Index figure of 86 (considered "Excellent"), making it the second most enjoyed programme on mainstream television on Christmas Day. The only programme to score higher was Wallace and Gromit's A Matter of Loaf and Death, which scored 88. Australia, the ABC will broadcast the episode much earlier than usual on Sunday 25 January at 19:30.
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Michelle Ryan and Lee Evans to guest star in Planet Of The Dead
Episode Duration: 0 minutes and 0 secondsThe BBC has confirmed that Michelle Ryan and Lee Evans will guest star in the forthcoming Doctor Who Easter Special which began filming this week in Wales. Michelle, best known for her roles as Zoe Slater in EastEnders, and Jaime Sommers in the recent remake of Bionic Woman, will play the mysterious Lady Christina de Souza in the special episode entitled Planet of the Dead. Christina joins the Doctor on a bus-trip which takes a very unexpected detour into danger. "I'm a huge fan of Doctor Who and very excited to be joining David Tennant and the Doctor Who team," said Michelle. "It is such a fantastic show and I can't wait to get started!" One of Britain's best loved and biggest comedy stars, Lee Evans, will also be joining the cast playing a character called Malcolm, whose life becomes connected to the Doctor's under extraordinary circumstances. Planet of the Dead is the first of four Doctor Who Specials which will air in 2009. Michelle joins David Tennant as he continues his role as The Doctor, and Noma Dumezweni who returns as Captain Erisa Magambo - last seen helping Rose and Donna save the world in Turn Left. "Michelle is one of the most sought after young actors in the country and we are delighted to announce that she will be joining the team," said Executive Producer and writer Russell T Davies. "As always the script is being kept strictly under wraps - however we can reveal that Lady Christina is a woman with a mysterious past who's going to have a huge impact on the Doctor!" Planet of the Dead, written by Russell T Davies and Gareth Roberts, is currently in production and will be screened on BBC One in Spring 2009.
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TDP 77: Full Circle
Episode Duration: 0 days, 0 hours, 24 minutes and 48 secondsFull Circle From Wikipedia, the free encyclopedia 112 - Full Circle Doctor Who serial A Marshman emerges from underwater. Cast Doctor Tom Baker (Fourth Doctor) Companions John Leeson (K-9 Mk. II) Lalla Ward (Romana II) Guest stars Matthew Waterhouse -- AdricLeonard Maguire -- DraithJames Bree -- NefredAlan Rowe -- GarifGeorge Baker -- LoginTony Calvin -- DexeterRichard Willis -- VarshJune Page -- KearaBernard Padden -- TylosAndrew Forbes -- OmrilAdrian Gibbs -- RysikBarney Lawrence -- MarshmanNorman Bacon -- Marschild Production Writer Andrew Smith Director Peter Grimwade Script editor Christopher H. Bidmead Producer John Nathan-Turner Executive producer(s) Barry Letts Production code 5R Series Season 18 Length 4 episodes, 25 minutes each Originally broadcast October 25-November 15, 1980 Chronology - Preceded by Followed by - Meglos State of Decay Full Circle is a serial in the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from October 25 to November 15, 1980. The serial is the first of three loosely connected serials known as the E-Space trilogy and introduces Matthew Waterhouse as the Doctor's newest companion, Adric. //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Synopsis En route to Gallifrey to return Romana to the High Council of Time Lords, the TARDIS passes through a strange phenomenon and ends up in an alternative universe called E-Space. Neither the Doctor nor Romana herself (who is a little relieved to have avoided home) can calculate why the TARDIS scanner shows the Capitol of their planet when in fact they have arrived in a verdant forest. It later emerges they have journeyed to this pocket universe through a rare space/time phenomenon known as a Charged Vacuum Emboitment. Nearby is a small but sustainable civilisation of humanoids who live between a river and a grounded but not irreparable spaceship called the Starliner. They came to the planet Alzarius from Terradon and much of the focus of society is on repairing their craft to make it navigable once more. It is an oligarchy ruled by three self-selecting senior colonists knows as Deciders, who ensure the smooth running and order of their adopted world and lay particular store on technical ability. One of the brightest of the younger generation of colonists is Adric, who bears a Badge of Mathematical Excellence in recognition of his computational skills. However, his brother, Varsh, has rejected the regimented society of the Starliner and leads a band of rebels called Outlers, who steal harvested riverfruit and other foods to survive. However, all is not well in the colony. Strange eggs have started to appear in the riverfruit and this is interpreted by First Decider Draith using the precious System File of the Starliner as an omen of Mistfall, a strange periodic change to the planet during which the natural balance of society is threatened. Soon Mistfall begins, and the colonists move into the Starliner to protect themselves, apparently in a well prepared manner. Adric chooses the moment of confusion to try and steal some riverfruit to prove himself to his brother. Draith gives chase to his young protege but falls and lands in the river - only to be dragged beneath the waves by a strange force. His last words are aimed at the chief scientists of the colony: "Tell Dexeter we've come full circle!" Adric muses on this as he heads into the forest in panic, finding the TARDIS. The Doctor and Romana take him in and tend to his leg wound, which recovers remarkably quickly. The Doctor heads off to investigate the planet, while Adric attracts Varsh and the other Outlers to the protection of the TARDIS. The two other Deciders, Garif and Nefred, have meanwhile ordered the Starliner doors closed as per procedure, knowing that both Draith and Keara, an Outler and the daughter of a prominent citizen called Login, have not entered the ship safely. Despite his worries, Login soon accepts a position as Third Decider when it is determined that Draith has died. It is as well the doors have been closed - humanoid, aggressive Marshmen begin to appear from underwater, looking threatening (as shown in the picture above); and soon scuttling Marshspiders hatch from the eggs of the Riverfruit. The Marshmen beat on the walls of the Starliner to gain entry but the fearsome primitive creatures are not admitted. The Doctor, however, gains entry to the Starliner using his sonic screwdriver, followed by a young and inquisitive Marshchild. Both of them are soon found and taken before the Three Deciders. The Doctor is appalled when chief scientist Dexeter starts to perform vivisection experiments on the Marshchild. A group of Marshmen have meanwhile carried the TARDIS to a settlement cave, intending to use it as a battering ram to force their way into the Starliner. Romana decides to venture outside. She is bitten by one of the Marshspiders and starts to change, seeming possessed. Adric panics and materialises the TARDIS inside the Starliner. When the Outlers emerge Login is reunited with his daughter, but the Doctor is not impressed not to be reunited with Romana. Thus he pilots the TARDIS back to the cave, and finds an alert but amnesiac Romana. The Doctor scoops up the remains of a Marshspider and then reverses his journey once more with Adric and an unconscious Romana in tow. By the time he is back in the Starliner, however, Dexeter has tried to examine the brain of the Marshchild, provoking it to attack and kill him and itself. The Doctor is so incensed he turns on the Deciders and denounces their society - revealing secret ship controls that show the Starliner has been ready to pilot from Alzarius for centuries but, for some reason, the farce of constant repair has been continued. The problem it seems is that though the Deciders understand the technical construction of the ship, no-one knows how to pilot it. The Doctor persuades the Deciders to give him equipment to examine the cells of the marshspider and marshchild and also deduces that they are from identical DNA sources. This situation is complicated, however, when a transformed Romana releases the emergency exits and allows the Marshmen to invade the Starliner. The colonists retreat before the creatures, many of whom are more inquisitive than dangerous, but anarchy reigns. Nefred is mortally wounded while fleeing one room, but his last admission is that the colonists cannot return to Terradon, because they've never been there. It is realized that the present-day Alzarians are actually a subspecies of the Marshmen, who wiped out the Starliner's original Terradonian crew and then gradually evolved into human form to take their place. The Doctor uses a protein serum to cure Romana, and they determine from research in the ship's science unit that the ship has been maintained for 40,000 generations by a species that has three aspects; spiders, marshmen, and the current humanoids. They are all from the same DNA and thus have come "full circle". This is the real secret of the System Files. It is accidentally deduced that oxygen in pure form is problematic to the Marshmen, who have not the capability to cope with the gas in that concentration, and soon this non-lethal defence is used to force the Marshmen out of the Starliner. During their retreat Varsh is killed, leaving Adric in emotional turmoil. With the Marshmen returning to the swamps, the boy stows away on board the TARDIS. His fellow colonists meanwhile follow their dreams and pilot the craft away from Alzarius. The Doctor and Romana are unaware of Adric's presence as they pilot their own craft to another destination. Continuity This serial comprises the first leg of an extended adventure generally known as the "The E-Space Trilogy"; the trilogy continues in the next serial, State of Decay, and concludes in Warriors' Gate.The Doctor briefly mentions both Leela and the Key to Time early in this serial. info to follow
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TDP SPECIAL: THE Eleventh Doctor Announced
Episode Duration: 0 days, 0 hours, 6 minutes and 8 secondsThe BBC today announced that Matt Smith has been cast in the role of the Doctor in the iconic BBC series Doctor Who. Smith will be the eleventh Time Lord and will take over from David Tennant who leaves the show at the end of 2009. He will be seen in the forthcoming fifth series that will be broadcast in 2010. The fifth series will also have a new lead writer and Executive Producer in the form of the BAFTA award winning writer Steven Moffat who is taking over from Russell T Davies. Moffat will be joined by Piers Wenger who will be the new Executive Producer for BBC Wales making the show. Following David Tennant's decision to step down at the end of 2009, the team behind the new series set about casting the new Doctor so that new adventures could be created and scripts written with Matt in mind. The identity of the new Doctor was revealed on a special edition of Doctor Who Confidential that was broadcast on BBC One on January 3rd at 17.35hrs. In it Smith revealed his initial reaction at taking on such a legendary role and his thoughts on what direction the Doctor might now be going with him playing the part. Matt Smith said of his new role "I'm just so excited about the journey that is in front of me. It's a wonderful privilege and challenge that I hope I will thrive on. I feel proud and honoured to have been given this opportunity to join a team of people that has worked so tirelessly to make the show so thrilling. "David Tennant has made the role his own, brilliantly with grace, talent and persistent dedication. I hope to learn from the standards set by him. The challenge for me is to do justice to the show's illustrious past, my predecessors and most importantly to those who watch it. I really cannot wait." Lead writer and Executive Producer Steven Moffat said "The Doctor is a very special part, and it takes a very special actor to play him. You need to be old and young at the same time, a boffin and an action hero, a cheeky schoolboy and the wise old man of the universe. As soon as Matt walked through the door and blew us away with a bold and brand new take on the Time Lord, we knew we had our man. 2010 is a long time away but rest assured the Eleventh Doctor is coming - and the universe has never been so safe." Piers Wenger, Head Of Drama, BBC Wales added "With two hearts, a ferocious mind and over 900 years of experience behind him, it's not every 26 year old actor who can take on a role like the Doctor but within moments of meeting Matt he showed the skill and imagination needed to create a Doctor all of his own. It's just the beginning of the journey for Matt but with Steven Moffat's scripts and the expertise of the production team in Cardiff behind him, there is no one more perfect than him to be taking the TARDIS to exciting new futures when the series returns in 2010." Ben Stephenson, Controller BBC Drama added "I am delighted to see Matt take on this iconic role. It will see him continuing his relationship with the BBC following his performances in Ruby In The Smoke and Party Animals, and his upcoming role in Moses Jones. The combination of Matt, Steven and Piers will, I know, take Doctor Who onto new and even dizzier heights." Jay Hunt, Controller. BBC ONE said "Matt Smith will be a mesmerising eleventh Time Lord, true to the spirit of the show. He is a worthy successor to David Tennant who has been utterly remarkable in the role and promises to continue to be in next year's four special episodes." Matt Smith Matt Smith, 26, grew up with his family including one sister in Northampton. He was head boy at Northampton School For Boys where he excelled at sports, music and drama. Initially, Matt wanted to be a professional footballer and played for Northampton Town Under 11 and 12s, Nottingham Forest Under 12,13,14s and Leicester City Under 15 and 16s before a back injury forced him out of the game. Following his injury, and with the encouragement of one of his teachers, Jerry Hardingham, Matt decided to join the National Youth Theatre. It was during this time that Matt first gained attention at the Royal Court Theatre when he was cast in the play Fresh Kills, directed by Wilson Milam, whilst still at the University Of East Anglia where he was studying Drama and Creative Writing. Already a stalwart of the National Youth Theatre, his performance at the Court led to a variety of theatrical experiences at the National Theatre: in the award winning History Boys (directed by Nick Hytner), On The Shore Of The Wide World (directed by Sarah Frankcom) and also in the acclaimed trio of plays Burn / Citizenship / Chatroom (directed by Anna Mackmin). These roles led to Matt's first outings on the small screen, alongside Billie Piper in Phillip Pullman's period detective stories, The Ruby in the Smoke and The Shadow in the North, where he played Jim, right hand man to Billie's detective heroine Sally Lockhart. These pieces were followed by the lead role of Danny in the BBC Two series Party Animals, the brilliantly observed drama set in the world of young politicians. In a dazzling return to the Royal Court in 2007, Matt played Henry in Polly Stenham's award winning first play That Face, opposite Lindsay Duncan. His performance gained Matt an Evening Standard Best Newcomer nomination and a year later the play had a second life in the West End at the Duke of York's Theatre. In between the two runs, Matt played Guy opposite Christian Slater's Buddy in Swimming With Sharks, Mike Leslie's searing West End adaptation of the 1994 Hollywood film. In this time he also played a lead role in the BAFTA winning BBC One series, The Street, opposite Gina McKee and Lorraine Ashbourne. Matt has recently completed work on Moses Jones for BBC Two, directed by Michael Offer, in which he plays the lead role of Dan Twentyman, alongside Shaun Parkes in the title role.
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TDP 76: Battlefiled
Episode Duration: 0 days, 0 hours, 18 minutes and 3 secondsBattlefield 156 - Battlefield Doctor Who serial A meeting with an old friend Cast Doctor Sylvester McCoy (Seventh Doctor) Companion Sophie Aldred (Ace) Guest stars Nicholas Courtney -- Brigadier Lethbridge-StewartAngela Douglas -- DorisAngela Bruce -- Brigadier Winifred BamberaRobert Jezek -- Sergeant ZbrignievDorota Rae -- Flight Lieutenant LavelPaul Tomany -- Major HusakNoel Collins -- Pat RawlinsonJune Bland -- Elizabeth RawlinsonJames Ellis -- Peter WarmslyLing Tai -- Shou YuingJean Marsh -- MorgaineChristopher Bowen -- MordredMarcus Gilbert -- AncelynMarek Anton -- The DestroyerStefan Schwartz -- Knight Commander Production Writer Ben Aaronovitch Director Michael Kerrigan Script editor Andrew Cartmel Producer John Nathan-Turner Executive producer(s) None Production code 7N Series Season 26 Length 4 episodes, 25 minutes each Originally broadcast September 6-September 27, 1989 Chronology - Preceded by Followed by - The Greatest Show in the Galaxy Ghost Light Battlefield is a serial in the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from September 6 to September 27, 1989. //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Synopsis In response to a distress signal, the Seventh Doctor and Ace materialize the TARDIS near Lake Vortigern in England. The sound of explosions leads the TARDIS crew into the acquaintance of Brigadier Bambera of UNIT, in charge of a nuclear missile convoy. Following from the encounter, the retired Alistair Lethbridge-Stewart is informed of the Doctor's return, and a helicopter is sent to his country home to collect him, against the protests of his wife, Doris. Later, at the Gore Crow hotel, the Doctor and Ace meet a young woman called Shou Yuing, who shares Ace's love of explosives. Meanwhile, as Bambera stops to examine a blue police telephone box, she is caught in the crossfire between two groups of armoured knights, using both swords and futuristic guns. The Doctor shows interest in a scabbard, excavated from the battlefield. The scabbard is hot to the Doctor's touch, and the hotel owner's blind wife, Elizabeth, says she can sense it waiting for something, or someone. When the archaeologist Warmsly arrives at the hotel, he dates the scabbard to the 8th century. The Doctor senses that it has been waiting for far longer. As Ace and Shou Yuing share a talk about explosives, a knight sails through the brewery's roof, making a huge commotion. On investigation, the Doctor, Ace and Shou Yuing find the knight Ancelyn -- who wakes, to recognize the Doctor as "Merlin". While the Doctor mulls the portent of this revelation, the party is surrounded by an ominous group of knights. Bambera faces down their leader, Mordred. He is shocked to see "Merlin", who he believed bound by his mother, Morgaine. Following some vague threats from the Doctor, Mordred's knights retreat. Later, as Mordred begins an arcane ritual, the scabbard in the hotel flies across the room. Morgaine arrives on the scene through a rift in space and time; she proceeds to psychically taunt the Doctor. The next day, Warmsly shows the Doctor where he uncovered the scabbard. They find a rune, which the Doctor translates to "Dig hole here." On further question, he replies that it is his own handwriting. Using a canister of Nitro-9, Ace blows an opening. On arrival in Carbury, Lethbridge-Stewart's helicopter is shot down by Morgaine's sorcery. As Morgaine's knights hold a remembrance ceremony for the soldiers of Earth's world wars, Lethbridge-Stewart has a peaceable encounter with Morgaine -- though she threatens Lethbridge-Stewart, in the event they should meet again. The Doctor and Ace enter a chamber under the lake, finding the door keyed to the Doctor's voice. The Doctor tells Ace that this "Merlin" may well be a future version of himself. Presently, they realize that the chamber is part of an organic spaceship. They also find the body of King Arthur. When Ace removes a sword from a plinth, she activates a defence mechanism, unleashing a hostile, glowing entity. In attempt to hide, Ace enters an alcove. A door closes, and the alcove starts to fill with water. As Ace yells for help, the entity knocks the Doctor unconscious. The Doctor recovers just in time to fiddle with a control panel, and eject Ace from the space ship. As Ancelyn and Warmsly stand at the shore, discussing the Lady of the Lake, Ace emerges, still grasping the sword. Ancelyn identifies it as Excalibur. The Brigadier arrives on-scene, in time to destroy the creature below the lake and rescue the Doctor. Mordred and Morgaine go to the hotel, to retrieve Excalibur. When Lavel shoots, Morgaine simply catches her bullet with sorcery. Morgaine takes knowledge from Lavel's mind, then turns her body to dust. As she leaves, she pays Mordred's drinking tab by restoring Elizabeth's sight. Meanwhile, UNIT troops are staging an evacuation. The Brigadier shows off some of UNIT's specialized ammunition, and the Doctor inquires about silver bullets. The Doctor instructs Ace to draw a chalk circle around herself, to protect against Morgaine's sorcery. He then drives off in his old car, Bessie, hoping to halt a battle between Morgaine's knights and the UNIT soldiers. A storm breaks outside the hotel, so Ace and Shou Yuing draw the circle around themselves and Excalibur. A localized night falls. Within the circle, Ace and Shou Yuing start to bicker. Ace nearly leaves the circle, before they realise they are being toyed with. Just as Mordred and Ancelyn are about to fight, the Doctor intervenes. Mordred, however, reveals that this battle is merely a ruse to lure the Doctor, and that Morgaine has summoned the Destroyer of Worlds. Morgaine appears before Ace and Shou Yuing, and tries to entice them to hand over Excalibur. When they refuse, she unleashes the Destroyer. The Doctor and the Brigadier capture Mordred, and set off for the hotel. Meanwhile, Morgaine is occupied with Ace's circle. On return, the Doctor finds the hotel in ruins yet Ace and Shou Yuing safe. He is pleased to hear that Ace gave up Excalibur to Morgaine, if doing so protected her. In the debris, the Doctor finds a portal to Morgaine's castle; he, the Brigadier, and Ace enter. On arrival, the Brigadier shoots the Destroyer, to no effect. The Destroyer's return volley sends the Brigadier flying through the window. Ace bursts through the portal, ramming into Morgaine, knocking Excalibur from her grasp. Morgaine releases the Destroyer's bonds. In the confusion, she scoops up Excalibur and enters the gateway along with Mordred. Outside, the Doctor readies the Brigadier's revolver and silver bullets -- yet the Brigadier knocks him out, retrieves his gun, and faces the Destroyer alone. After some dialog, the Brigadier empties the revolver into the Destroyer's chest. The Doctor wakes to find the castle engulfed in flames. He spots the Brigadier's prostrate form, and begins to mourn his fallen friend -- at which point the Brigadier stirs and rises, scuffed but unharmed. Back at the convoy, Morgaine and Mordred attempt to detonate the nuclear missile. The Doctor confronts Morgaine, insisting that there is no honor to nuclear warfare. She agrees, then asks to fight Arthur in single combat. He tells her of Arthur's death, to her sadness. The Doctor prevents Mordred from killing Ancelyn, and asks Bambera to imprison Mordred and Morgaine. Back at the Brigadier's house, Doris thumbs her nose at her husband by going for a drive in Bessie with Ace, Shou Yuing, and Bambera, leaving him and the other men to do the gardening and prepare supper. Continuity As broadcast, this story marks a costume change for the Seventh Doctor. (Initially, The Curse of Fenric was meant as the first story of the season, and an outfit reveal was built in partway through the story.) Most of his clothing is darker, most notably his coat which is now dark brown as opposed to the light grey in previous seasons. This was to represent his darker, more manipulative character. This costume would continue until the end of the classic series' run. When the Seventh Doctor next appears in the 1996 TV movie, he is wearing a completely re-designed outfit with only his hat remaining (which was owned by Sylvester McCoy).It is implied that Merlin is, or will be, a future incarnation of the Doctor. It is also possible that Merlin is an alternate Doctor from the same parallel universe that Morgaine and the rest of the knights are from.The Doctor mentions that they are several years in Ace's future. A PS5 coin is in common circulation.The Doctor, talking to the new Brigadier, mentions Yeti (The Web of Fear), Autons (Spearhead from Space and Terror of the Autons), Daleks (Day of the Daleks), Cybermen (The Invasion) and Silurians (Doctor Who and the Silurians).Bessie appears for the first time since The Five Doctors, with the numberplate 'WHO 7', though the actual car used is a different model from that featured earlier; in the Doctor's personal chronology, he was last shown using the vehicle soon after his regeneration into the Fourth Doctor in Robot (in The Five Doctors the vehicle is only used by the Third Doctor).This story marks the last appearance of the TARDIS console room in the classic series. The set itself which had been in use since The Five Doctors had been destroyed in between seasons so a cheap mock-up (with a curtain standing in for the wall) was used here.[citation needed] The lighting in this scene is very low to disguise this, although the console itself survived and was used.UNIT itself would not appear again on television until the Ninth Doctor story Aliens of London, after which it would be seen in the Tenth Doctor's initial outing, The Christmas Invasion, and several subsequent stories. The organization was also referred to in the spin-off The Sarah Jane Adventures and represented by its medical officer, Martha Jones, in Torchwood.This story is the last appearance in the television series of Brigadier Alistair Lethbridge-Stewart, after 21 years in the series since his first appearance in in 1968's The Web of Fear. The character has subsequently appeared in several spinoff stories, including short stories, novels and audio dramas. The canonicity of these is unclear. 'Sir Alistair' was mentioned in the 2008 episode, The Poison Sky, as still being an active member of UNIT and will reappear in the last story of the second season of the spin-off series The Sarah Jane Adventures in Enemy of the Bane. Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part One" 6 September 1989 24:06 3.1 "Part Two" 13 September 1989 24:07 3.9 "Part Three" 20 September 1989 24:13 3.6 "Part Four" 27 September 1989 24:14 4.0 [1][2][3] Pre-production Working titles for this story included Nightfall and Storm Over Avallion. An early version of the script was to have included the death of Lethbridge-Stewart.[4] The Doctor refers to one of Clarke's three laws -- telling Ace that sufficiently advanced technology is indistinguishable from magic -- to explain that Arthur's transdimensional spaceship was grown, not built, and adds that the reverse of Clarke's Law is also true. Game designer Dave Lebling wrote in the 1986 interactive fiction game Trinity, "Any sufficiently arcane magic is indistinguishable from technology." Casting Guest stars making return appearances include Jean Marsh, who over twenty years earlier had played Princess Joanna in The Crusade and later, companion Sara Kingdom in The Daleks' Master Plan and June Bland, who appeared in the Fifth Doctor story, Earthshock. Archaeologist Peter Warmsly was played by the renowned actor James Ellis, best remembered for his role as Lynch in Z Cars. See also Celebrity appearances in Doctor Who. Production The first director approached to handle Battlefield was Graeme Harper, who had previously directed The Caves of Androzani and Revelation of the Daleks for the programme in 1984 and 1985 respectively. However, Harper was committed to episodes of the Central Television drama series Boon, and unavailable to return to Doctor Who.[5] He would, however, later return to direct episodes of the revived version of the show from 2006 onwards. During recording of the sequence where Ace is trapped in the water tank, the tank cracked, causing Sophie Aldred to sustain minor cuts to her hands and creating a major hazard as water flooded out onto the studio floor, across which live wires were running. The moment when the tank first cracked can be seen in Part Three as the Doctor struggles with the controls and Ace is lifted clear of the water. VHS and DVD Release This story was released on VHS in March 1998 with two minutes of additional footage not shown in the 1989 broadcast.It will be released on Region 2 DVD on December 29th 2008. Doctor Who book Battlefield Series Target novelisations Release number 152 Writer Marc Platt Publisher Target Books Cover artist Alister Pearson ISBN 0 426 20350 X Release date 15 November 1990 Preceded by The Curse of Fenric Followed by The Pescatons In print A novelisation of this serial, written by Marc Platt, was published by Target Books in July 1991.[6] It was the last novelisation of a televised Doctor Who serial to be published in the traditional "short paperback" format Target had been using since 1973. After one more novelisation based upon the untelevised The Pescatons, all remaining novelisations would be published in paperback editions with greater page counts and a different format.
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TDP 75: Children in need and Big Finish 8th Doctor and Lucie S2
Episode Duration: 0 days, 0 hours, 28 minutes and 36 secondsThe clip, from The Next Doctor, is online now at the BBC's Children In Need website, and shows the first two minutes of a brand new episode for the Time Lord, played by David Tennant.This never seen before footage, is a worldwide exclusive, and will keep fans all over the globe wondering what's in store for the Doctor's next adventure.As a bonus, you can also watch a special report on the recent Studio Tour competition days at the Doctor Who, Torchwood and The Sarah Jane Adventures sets.We very much hope that you enjoy both clips and that you can support BBC Children In Need.2.1 Doctor Who - Dead LondonSYNOPSIS:Someone's playing with us. Manipulating time and space for their own ends. The TARDIS lands in London. But which one? The Doctor and Lucie find themselves trapped in a maze of interlocking Londons from Roman times to the present day. But they are not alone in this labyrinth: a killer is on their trail.2.2 Doctor Who - Max WarpSYNOPSIS:Welcome to Max Warp! Broadcasting live from the Sirius Inter-G Cruiser Show. Hosted by outspoken columnist and media personality Geoffrey Vantage, with spaceship-guru-extraordinaire O'Reilley and daredevil pilot Timbo 'the Ferret'. When a test flight of the new Kith Sunstorm ends in disaster, the Sirius Exhibition Station is plunged into a web of murder and intrigue. Someone - or something - is trying to re-ignite a war between the Varlon Empire and the Kith Oligarchy.As the fate of the galaxy hangs in the balance, only two investigators, the Doctor and Lucie, can hope to uncover the truth. So strap yourself in, engage thrust, and prepare for... Max Warp!2.3 Doctor Who - Brave New TownSYNOPSIS:It's like The Village That Time Forgot! The inhabitants of the quiet seaside town of Thorington in Suffolk are living the same day over and over again. What's so special about the 1st of September 1991? Why haven't the villagers noticed that the same song has been number one for years? And just where on Earth has the sea disappeared to? The Doctor and Lucie must solve the mystery before the 'visitors' return...2.4 Doctor Who - The Skull of SobekSYNOPSIS:Too much perfection's dangerous. On the isolated planet of Indigo 3, far out in the wastes of the Blue Desert, lies the Sanctuary of Imperfect Symmetry. It is a place of contemplation and reflection. It is also a place of death. Something from another time, from another world, has found its way inside the hallowed walls. Something with a leathery hide, a long snout and sharp pointy teeth. Tick tock. Here comes the crocodile...2.5 Doctor Who - Grand Theft CosmosSYNOPSIS:Here's to crime, Doctor!The Doctor and Lucie visit nineteenth-century Sweden and become embroiled in an attempt to steal the infamous Black Diamond.But the stone is guarded by forces not of this world...2.6 Doctor Who - The Zygon Who Fell to EarthSYNOPSIS:There are no monsters this time... are there? Ten years later and Aunty Pat is in her prime. She's snagged herself an ex rock star at the Kendal Folk Festival and now, in the brave new world of the early 1980s they manage together a snazzy hotel on the poetic and shingly shore of Lake Grasmere. However, still waters run deep and friends from the past are returning, intent on milking the old cash-cow... Featuring the song Falling Star sung by Steven Pacey with music by Tim Sutton and lyrics by Barnaby Edwards.2.7 Doctor Who - Sisters of the FlameSYNOPSIS:The richest man in the galaxy has just bought a backwards planet with no obvious mineral wealth in the outer reaches of the universe. An obscure mystical sect has been revived after centuries of neglect. A new race of aliens are hunting for prey. Why? As the Doctor and Lucie attempt to discover the answer, it becomes clear that someone is attempting to resurrect the past - and they need a Time Lord to help them achieve it.2.8 Doctor Who - Vengeance of MorbiusSYNOPSIS:The richest man in the galaxy has just bought a backwards planet with no obvious mineral wealth in the outer reaches of the universe. An obscure mystical sect has been revived after centuries of neglect. A new race of aliens are hunting for prey. Why? As the Doctor and Lucie attempt to discover the answer, it becomes clear that someone is attempting to resurrect the past - and they need a Time Lord to help them achieve it.
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TDP 74: Tennant Thoughts and S4 DVD Box Set
Episode Duration: 0 days, 0 hours, 14 minutes and 56 secondsDavid Tennant has announced that he will leave the award winning BBC drama Doctor Who when he has completed the filming of four special episodes which will be screened in 2009 and early in 2010.David Tennant first appeared as The Doctor in 2005 and has gone on to star in three series and three Christmas specials as the tenth incarnation of the Time Lord. The BBC has confirmed that David will continue to play The Doctor in the four specials that will make up the 2009 series before a new Doctor takes over for Series 5. Tennant will also star in the Doctor Who Christmas Special titled The Next Doctor this year.David Tennant comments "I've had the most brilliant, bewildering and life changing time working on Doctor Who. I have loved every day of it. It would be very easy to cling on to the TARDIS console forever and I fear that if I don't take a deep breath and make the decision to move on now, then I simply never will. You would be prising the TARDIS key out of my cold dead hand. This show has been so special to me, I don't want to outstay my welcome."This is all a long way off, of course. I'm not quitting, I'm back in Cardiff in January to film four special episodes which will take Doctor Who all the way through 2009. I'm still the Doctor all next year but when the time finally comes I'll be honoured to hand on the best job in the world to the next lucky git - whoever that may be."I'd always thought the time to leave would be in conjunction with Russell T Davies and Julie Gardner who have been such a huge part of it all for me. Steven Moffat is the most brilliant and exciting writer, the only possible successor to Russell and it was sorely tempting to be part of his amazing new plans for the show. I will be there, glued to my TV when his stories begin in 2010."I feel very privileged to have been part of this incredible phenomenon, and whilst I'm looking forward to new challenges I know I'll always be very proud to be the Tenth Doctor."Russell T Davies Executive Producer of Doctor Who comments "I've been lucky and honoured to work with David over the past few years - and it's not over yet, the Tenth Doctor still has five spectacular hours left! After which, I might drop an anvil on his head. Or maybe a piano. A radioactive piano. But we're planning the most enormous and spectacular ending, so keep watching!"Doctor Who returns to our screens on BBC this Christmas. The Next Doctor starring David Tennant, David Morrissey and Dervla Kirwan will be screened on the 25th December on BBC1.TIME CRASHThe 2007 Children In Need scene, written by Steven Moffat.DELETED SCENESA collection of deleted and alternate takes including Howard Attfield's (Geoff Noble) scenes from the S4 opener and the original 'Cybermen' ending from the finale - each scene comes with an explanatory introduction from Russell T Davies. Stories that receive the additional material are: Voyage Of The Damned; Partners In Crime; Fires Of Pompeii; Planet Of The Ood; The Doctor's Daughter; The Unicorn & The Wasp; Forest Of The Dead; Turn Left; and Journey's End.DAVID TENNANT'S VIDEO DIARIESTwo fifteen minute (approx.) segments filmed by David Tennant including the 'turn on' of the Blackpool Illuminations in 2007 and behind~the~scenes filming of the series finale.THE JOURNEY (SO FAR)Half hour documentary charting the return of the show up to the S4 finale. Features interviews with Russell T Davies, David Tennant, Phil Collinson and Julie Gardner.TRAILERSAll teasers and trailers for the episodes including the 'cinema' trailers for Voyage Of The Damned and S4.AUDIO COMMENTARIESThese are all new commentaries recorded especially for this release.VOYAGE OF THE DAMNED: Murray Gold (Composer), Russell Tovey (Midshipman Frame) & Peter Bennett (1st Assistant Director)PARTNERS IN CRIME: Julie Gardner (Executive Producer), Russell T Davies & James Strong (Director)FIRES OF POMPEII: David Tennant, Catherine Tate and Tracie Simpson (Production Manager)PLANET OF THE OOD: Graeme Harper (Director) & Roger Griffiths (Commander Kess)THE SONTARAN STRATAGEM: Julie Gardner, Dan Starkey (Commander Skorr) & Neil Gorton (Prosthetics Designer)THE POISON SKY: David Tennant, RTD and Susie Liggat (Producer)THE DOCTOR'S DAUGHTER: Catherine Tate, Georgia Moffett (Jenny) & Ben Foster (Conductor)THE UNICORN & THE WASP: Felicity Kendal (Lady Eddison) & Fenella Woolgar (Agatha Christie)SILENCE IN THE LIBRARY: David Tennant, Steven Moffat & Julie GardnerFOREST OF THE DEAD: Euros Lyn (Director), Lousie Page (Costume designer) & Helen Raynor (Script Editor)MIDNIGHT: David Tennant, RTD & Alice Troughton (Director)TURN LEFT: Catherine Tate, Bernard Cribbins (Wilfred Mott) & Jacqueline King (Sylvia Noble)THE STOLEN EARTH: David Tennant, RTD and Julie GardnerJOURNEY'S END: David Tennant, Catherine Tate & RTDDOCTOR WHO CONFIDENTIAL Cut-down versions (in some cases less than ten minutes) of all the accompanying episodes with the exception of Time Crash.
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TDP Special: A Halloween Poem.
Episode Duration: 0 days, 0 hours, 3 minutes and 9 secondsA Special Halloween PoemWith Apologies to AEP.The Raving (Bloke) <!-- /* Font Definitions */ @font-face {font-family:Tahoma; panose-1:2 11 6 4 3 5 4 4 2 4; mso-font-charset:0; mso-generic-font-family:swiss; mso-font-pitch:variable; mso-font-signature:1627421319 -2147483648 8 0 66047 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:""; margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:"Times New Roman"; mso-fareast-font-family:"Times New Roman";} p.MsoBodyText, li.MsoBodyText, div.MsoBodyText {margin:0cm; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:48.0pt; mso-bidi-font-size:12.0pt; font-family:Tahoma; mso-fareast-font-family:"Times New Roman";} @page Section1 {size:595.3pt 841.9pt; margin:72.0pt 90.0pt 72.0pt 90.0pt; mso-header-margin:35.4pt; mso-footer-margin:35.4pt; mso-paper-source:0;} div.Section1 {page:Section1;} --> Once upon the 80's dreary, while I watched all weak and weary, Over many a quaint and curious vhs of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. `'Tis some visitor,' I muttered, `tapping at my chamber door - Only this, and nothing more.' Presently my soul grew stronger; hesitating then no longer, `Sir,' said I, `or Madam, truly your forgiveness I implore; But the fact is I was watching television when you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you' - here I opened wide the door; - Michael Grade, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before But the silence was unbroken, and the darkness gave no token, And the only word there spoken was the whispered words, `Doctor Who No More!' This I whispered, and an echo murmured back the word, ` Doctor Who No More?' Merely this and nothing more. Much I marvelled this ungainly felow hear discourse so plainly, Though its answer little meaning - little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blessed with seeing Grade at his chamber door - Man or beast above the head of pertwee above his chamber door, With such vermance came his word again `Nevermore.' `Prophet!' said I, `thing of evil! - prophet still, if BBC director or devil! - Whether tempter sent, or whether tempest tossed thee here ashore, Desolate yet all undaunted, on this desert land enchanted - On this home by horror haunted - tell me truly, I implore - Is there - is there no hope for my timelord? - tell me - tell me, I implore!' Laughed the Controler `Nevermore!' With just these words he few away. And the BBC, never failing, still is sitting on the rights evermore, still is plotting scemeing, waiting a man, a man to rap at my chamber door. And This man, - lets call him Russel- his eyes a dreaming, Dreaming of his common myth. And the New controller will hold promice, dreams of blue lamp-light flashing; And my soul rises from out that shadow that lies floating on the floor Doctor Who - For ever more!
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TDP 73: Writers Tale, Doctors and Kingdom of Silver
Episode Duration: 0 days, 0 hours, 19 minutes and 13 secondsHardcover: 512 pagesPublisher: BBC Books (25 Sep 2008)Language EnglishISBN-10: 1846075718ISBN-13: 978-1846075711 Product Dimensions: 24.6 x 19 x 4 cm Synopsis "Writing isn' just a job that stops at six-thirty...It's a mad, sexy, sad, scary, obsessive, ruthless, joyful, and utterly, utterly personal thing. There's not the writer and then me; there's just me. All of my life connects to the writing. All of it." A unique look into the BBC's most popular family drama, Doctor Who: The Writer's Tale is a year in the life of the hit television series, as told by the show's Head Writer and Executive Producer. A candid and in-depth correspondence between Russell T Davies and journalist Benjamin Cook, the book explores in detail Russell's work on Series Four, revealing how he plans the series and works with the show's writers; where he gets his ideas for plot, character and scene; how actors are cast and other creative decisions are made; and how he juggles the demands of Doctor Who with the increasingly successful Torchwood and The Sarah Jane Adventures spin-offs. Russell's scripts are discussed as they develop, and Russell and Ben's wide-ranging discussions bring in experiences from previous series of Doctor Who as well as other shows Russell has written and created, including Queer As Folk, Bob and Rose, and The Second Coming.The reader is given total access to the show as it's created, and the writing is everything you would expect from Russell T Davies: warm, witty, insightful, and honest.Fully illustrated with never-before-seen photos and artwork - including original drawings by Russell himself - The Writer's Tale is a not only the ultimate Doctor Who book, but a celebration of great writing and great television.Kingdom of SilverStarring Sylvester McCoyWith Terry Molloy and Neil Roberts (Duration: 120' Approx) CAST: KINGDOM OF SILVER: Sylvester McCoy (The Doctor), Neil Roberts (Temeter), Kate Terence (Sara), Terry Molloy (Magus Riga), James George (Merel), Bunny Reed (Ardith), Holly King (Etin), Nicholas Briggs (Cybermen)KEEPSAKE: Sylvester McCoy (The Doctor), Neil Roberts (Temeter), Kate Terence (Sara), Terry Molloy (Examiner 2), James George (Corvus), Nicholas Briggs (Examiner 1) SYNOPSIS - KINGDOM OF SILVER (A Three-Part Story): The Doctor arrives on Tasak in search of refreshment, armed with nothing more than a kettle. But this is a time of crisis for a civilisation about to enter an industrial age. Mindful that a devastating war is only recently over, the wise and revered Magus Riga will do almost anything to save his people from the follies of the past. But the road to hell is paved with good intentions. And the planet Tasak is host to ancient powers buried deep and long forgotten. Can visitors from another world avert disaster or will their intervention drag this innocent world into the Orion War? SYNOPSIS - KEEPSAKE (A One-Part Story): Sifting through the technological junk of Reclaim Platform Juliet-November-Kilo, the Doctor discovers evidence of a personal tragedy involving some friends of his. Where will the story of their fate lead? AUTHOR: James Swallow DIRECTOR: Ken Bentley and Nicholas Briggs SOUND DESIGN: David Darlington MUSIC: David Darlington COVER ART: Alex Mallinson NUMBER OF DISCS: 2 CDs RECORDED DATE: 8 & 9 May 2008 RELEASE DATE: 15 September 2008 PRODUCTION CODE: 7Z/D ISBN: 978-1-84435-321-7 CHRONOLOGICAL PLACEMENT: This story takes place between the television adventures, Survival and the 1996 TV Movie, and after the Big Finish audio adventure The Death Collectors.
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TDP 72: Doctor Who Ghost Light
Episode Duration: 0 days, 0 hours, 22 minutes and 48 secondsGhost Light GS_googleAddAdSenseService(&quot;ca-pub-3862144315477646&quot;); GS_googleEnableAllServices(); Ghost Light was the second story of Season 26 of Doctor Who. Two stories followed it when broadcast, although it was the last story of the classic series to be produced. It was the last story filmed at the BBC studios in London. window.onload = function() { if (window.showTocToggle) { window.tocShowText = &quot;show&quot;; window.tocHideText = &quot;hide&quot;; showTocToggle(); }}; Synopsis The Doctor brings Ace to Gabriel Chase, an old house that she once burnt down in her home town of Perivale. The year is 1883 and the house is presided over by Josiah Samuel Smith, who turns out to be the evolved form of an alien brought to Earth in a stone spaceship that is now in the basement. Others present include the explorer Redvers Fenn-Cooper, who has been driven mad by what he has seen there, and Nimrod, Smith's Neanderthal manservant. Smith intends to use Fenn-Cooper's unwitting help in a plot to kill Queen Victoria and restore the British Empire to its former glory. His plans are hampered by Control, a female alien whose life-cycle is in balance with his own. Ace inadvertently causes the release of the spaceship's true owner - a powerful alien being known as Light. Light originally came to Earth to compile a catalogue of its species but, on discovering that his catalogue has now been made obsolete by evolution, he decides to destroy all life on the planet. He disintegrates when the Doctor convinces him that evolution is irresistible and that he himself is constantly changing. Control has meanwhile evolved into a lady and Smith has reverted to an earlier, primitive form. They leave in the spaceship, along with Nimrod and Fenn-Cooper, heading for new adventure. Plot Part 1 Fenn-Cooper has been driven mad by Light The Doctor brings Ace to Gabriel Chase, an old house that she once burnt down in her home town of Perivale near London. The year is 1883 and the house is presided over by the mysterious Josiah Samuel Smith. It is a most mysterious place, where the serving women brandish guns and the butler is a Neanderthal named Nimrod. Other occupants include Gwendoline, the daughter of the original owners of the house who have now disappeared, the calculating housekeeper Lady Pritchard, the explorer Redvers Fenn-Cooper, who has seen something which has driven him insane, and the Reverend Ernest Matthews, opponent of the theory of evolution which Smith has done much to spread. The TARDIS arrives at Gabriel Chase. It turns out that Ace had visited the house in 1983, and had felt an evil presence, and the Doctor's curiosity drives him to seek the answers. Something is also alive and evolving in the cellar beneath the house and when Ace investigates she finds two animated and dangerous husks. Part 2 Josiah turns into a husk In rescuing Ace, the Doctor releases an evolving creature trapped in the cellar known as Control. The party moves to ground level and Control remains trapped in the cellar for the moment. The cellar is in fact a vast stone spaceship. The Doctor works his way through the stuffed animals in Gabriel Chase and eventually finds a human in suspended animation, an Inspector Mackenzie, who came to the house two years earlier in search of the owners. The Doctor revives him and together they seek to unlock the mysteries of Gabriel Chase. The husks which attacked Ace were the remains of Smith, an alien who has been evolving into forms approximating a human and casting off his old husks as an insect would. For his pains Smith transforms Matthews into an ape and places him in a display case. The Doctor helps Control release the trapped creature from the cellar, a being known as Light who takes the form of an angel. Part 3 Light wakes up Thousands of years in the past, an alien spaceship came to Earth to catalogue all life on the planet. After completing its task and collecting some samples, which included Nimrod, the leader Light went into slumber. By 1881 the ship had returned to Earth. While Control remained imprisoned on the ship to serve as the "control" subject of the scientific investigation, events transpired such that Smith, the "survey agent", mutinied against Light, keeping him in hibernation on the ship. Smith began evolving into the era's dominant life-form - a Victorian gentleman - and also took over the house. By 1883 Smith managed to lure and capture the explorer Fenn-Cooper within his den. Utilising Fenn-Cooper's association with Queen Victoria, he plans to get close to her so that he can assassinate her and subsequently take control of the British Empire. Light is displeased by all the change that has occurred on the planet while he was asleep. While Light tries to make sense of all the change, Smith tries to keep his plan intact, but events are moving beyond his control. Light turns Gwendoline and her missing mother, revealed to be Mrs. Pritchard, to stone in a bid to stop the speed of evolution; while Inspector Mackenzie meets a sticky end and is turned into a primordial soup to serve at dinner. As Control tries to "evolve" into a Lady, and Ace tries to come to grips with her feelings about the house, the Doctor himself tries to keep the upper hand in all the events that have been set in motion. The Doctor finally convinces Light of the futility of opposing evolution, which causes him to overload and dissipate into the surrounding house. It was this presence that Ace sensed and which caused her to burn the house down in 1983. Also, Control's complete evolution into a Lady derail's Smith's plan as Fenn-Cooper, having freed himself from Smith's brainwashing, chooses to side with her instead of him. In the end, with Smith now the new Control creature imprisoned on the ship, Control, Fenn-Cooper and Nimrod set off in the alien ship to explore the universe. Cast The Doctor - Sylvester McCoy Ace - Sophie Aldred Josiah Samuel Smith - Ian Hogg Light - John Hallam Lady Pritchard - Sylvia Syms Redvers Fenn-Cooper - Michael Cochrane Control - Sharon Duce Gwendoline - Katharine Schlesinger Nimrod - Carl Forgione Reverend Ernest Matthews - John Nettleton Mrs Grose - Brenda Kempner Inspector Mackenzie - Frank Windsor Crew Writer - Marc Platt Assistant Floor Manager - Stephen Garwood Costumes - Ken Trew Designer - Nick Somerville Incidental Music - Mark Ayres Make-Up - Joan Stribling Production Assistant - Valerie Whiston Production Associate - June Collins Script Editor - Andrew Cartmel Special Sounds - Dichttp://tardis.wikia.com/index.php?title=Ghost_Light&action=submitk Mills Studio Lighting - Henry Barber Studio Sound - Scott Talbott, Keith Bowden Stunt Arranger - Paul Heasman Theme Arrangement - Keff McCulloch Title Music - Ron Grainer Visual Effects - Malcolm James Producer - John Nathan-Turner Director - Alan Wareing
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INFORMATION
Episode Duration: 0 minutes and 0 secondsTHERE WILL BE NO TDP FOR A WEEK OR SO DUE TO TECHNICAL ISSUES.I AM SORRY ABOUT THIS.HOPEFULLY I CAN SORT THINGS OUT SHORTLY.REGARDSTIN DOG
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TDP 71: Vervoids, Foe and Steampunk
Episode Duration: 0 days, 0 hours, 22 minutes and 5 secondsListen past the end credits for spoiler chat!4 Topics!1) Terror of the Verviods2) Ultimate Foe3) Steampunk in Doctor Whoend credits4) Spoiler chat...The Doctor returns to the courtroom after a recess, given to allow him to mourn Peri's death, shown in the previous block of evidence. The Doctor begins his defence, showing events from his future on the galactic liner Hyperion III, a ship taking a supply of rare metals from Mogar to Earth in the year 2986AD. The Doctor states that many of the passengers and crew will not survive the journey to Earth, for "[someone determined to] protect a secret hidden on the space liner... will become a murderer."''Continuity The new companion "Mel" is introduced without the typical "meeting" story, as this evidence is supposed to take place in the Doctor's future, after he has already met Mel.Despite references to them having met before, the Doctor has never been shown to meet Commodore Travers on screen before this. Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part Nine" 1 November 1986 24:56 5.2 "Part Ten" 8 November 1986 24:18 4.6 "Part Eleven" 15 November 1986 24:07 5.3 "Part Twelve" 22 November 1986 24:45 5.2 [1][2][3] Preproduction This story segment of Trial was originally supposed to be written by Peter J. Hammond, creator of the cult science fiction series Sapphire & Steel. Hammond's story outline, titled Paradise Five, was liked by script editor Eric Saward but disliked by producer John Nathan-Turner, who rejected it and commissioned Pip and Jane Baker to do the segment instead.[4] Hammond later wrote two episodes of the Doctor Who spin-off drama, Torchwood. Designed as a typical Agatha Christie murder mystery set on a space liner, the actual structure of the story (and its bubbly tone) are reminiscent of the series during Douglas Adams' tenure as script editor, during season seventeen. In the first episode, Professor Lasky is briefly seen reading a copy of Christie's Murder on the Orient Express. Production The Vervoids bear a strong resemblance to the Flatwoods monster, a common template for alien creatures.[citation needed] Post-production This serial marked the last time the BBC Radiophonic Workshop provided a music score for the series. As no individual title was used onscreen or on the final scripts for this story, there has been some confusion over how to refer to the story. It was initially commissioned with the title of The Ultimate Foe. However this title was later given to the novelisation of the 13th and 14th parts of the season. Writers Pip and Jane Baker repeatedly referred to the story as The Vervoids in subsequent interviews, as have other production team members, but this title does not appear to exist on any contemporary documentation.[4] When Target Books published Pip and Jane Baker's novelisation, it was under the title of Terror of the Vervoids, which is now generally used to refer to the story (see The Ultimate Foe and Doctor Who story title controversy). Commercial releases In October 1993, this story was released on VHS as part of the three-tape The Trial of a Time Lord set.It is also due for DVD release on September 29th2008[5], similarly packaged with the other stories in The Trial of a Time Lord season. Special Features include: deleted and extended scenes * "The Making of a Trial of a Time Lord - Part Three - Terror of Vervoids" * "Now Get Out of That - Doctor Who Cliffhangers" (a 28-minute feature) * "The Lost Season" (an 11-minute feature) * Saturday Picture Show archival television footage * photo gallery * and trails and continuities. The Ultimate Foe is the generally accepted title for a serial in the British science fiction television series Doctor Who, which was first broadcast in two weekly parts from November 29 to December 6, 1986. It is part of the larger narrative known as The Trial of a Time Lord, encompassing the whole of the 23rd season. This segment is also cited in some reference works under its working title of Time Incorporated (or Time Inc.). This was the last regular story to feature Colin Baker as the Sixth Doctor.Continuity Thanks to the paradoxes of time travel, since Mel is from the Doctor's future, she has already met him, but from the Doctor's perspective he is meeting her for the first time. Most spin-off media, including the novelisation by the Bakers, have assumed that the Doctor, at the end of the trial, takes Mel back to her proper place in time and eventually travels to her relative past to meet Mel for the first time from her perspective. That meeting, never seen on screen, is related in the Past Doctor Adventures novel Business Unusual by Gary Russell and also in his audio story He Jests at Scars, which provides a semi-sequel to this TV story. In the new series episode Journey's End, a Magnetron (possibly salvaged during The Time War) is used to move a number of planets to another spot in the universe. Since then, the technology appears to have been modified and/or improved as the planets apparently just teleport rather than being "thrown". [edit] The Doctor This was the last story to feature Colin Baker as the current Doctor. Baker was fired by the BBC and John Nathan Turner was ordered, reportedly by Michael Grade, to recast the lead part for the following season. Baker was offered the chance to appear as the Doctor in all four episodes of the first story of Season 24, but he declined this and the invitation to return for the traditional regeneration sequence in Time and the Rani. Due to Colin Baker's dismissal from the role, it would turn out that the Sixth Doctor's last lines on screen were "Carrot juice, carrot juice, carrot juice!" Although The Ultimate Foe was his last regular appearance as the Doctor on screen, the last story that Baker actually recorded was Terror of the Vervoids. Baker would reprise the role on stage, in 1989's Doctor Who - The Ultimate Adventure, and on screen in the 1993 charity special Dimensions in Time, as well as various audio adventures for Big Finish Productions. [edit] Final appearances This marked the last appearance to date of the Time Lords, apart from a brief flashback in "The Sound of Drums." Coincidentally, James Bree (The Keeper of the Matrix) had appeared in The War Games (albeit in a different role), which was the first serial to feature the Time Lords. The Valeyard has not re-appeared in the television series. His sole appearance in the Big Finish Productions audios has been the Doctor Who Unbound (and therefore outside of established continuity) He Jests at Scars..., where Michael Jayston reprises the role. The character has been featured (usually in dream sequences or metaphors) in the New Adventures and Missing Adventures book ranges from Virgin Publishing and the Past Doctor Adventures from the BBC, however none of these appearances conclusively reveals his origins. The forthcoming unofficial novel Time's Champion, the late Craig Hinton's final novel completed by his friend Chris McKeon, will see the return of the Valeyard and his origins revealed. Whereas previously Anthony Ainley's the Master had appeared in at least one story per year, it would be another three years before he returned in Survival, the final story of the show's original run. [edit] Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part Thirteen" 29 November 1986 24:42 4.4 "Part Fourteen" 6 December 1986 29:30 5.6 [1][2][3] Robert Holmes was originally commissioned to write the two episodes. Unfortunately, he died from a chronic liver ailment after completing a draft of the first and left nothing beyond a plot outline of the second. The series Script Editor Eric Saward resigned around this time due to disagreements with the producer, John Nathan-Turner, but agreed to write the final episode based on Holmes' outline, and also rewrite Holmes' draft to tie the two together, for which he was credited as Script Editor. The original ending to this segment (and, indeed, the whole Trial story and possibly the series) would have seen the Doctor and the Valeyard in an inconclusive cliffhanger, both (seemingly) plunging into a void to their deaths as an extra "hook". However, Nathan-Turner felt this was too downbeat and believed that it was important that the season did not end on an inconclusive note since it was important after the hiatus to prove the series was back in business. Saward refused to change the ending and withdrew permission to use his script very late in the day, by which point the production team had been assembled and the segment was entering rehearsals. John Nathan-Turner commissioned Pip and Jane Baker to write a replacement final episode. For copyright reasons they could not be told anything of the content of Saward's script (and there were lawyers observing all commissioning meetings). The only similarity between the two is the announcement that the High Council of the Time Lords have resigned, which was a natural development of the earlier scripts. The new script ended on an optimistic note, with the Doctor departing for new adventures.[4] In keeping with this more optimistic stance, Nathan-Turner decided to amend the script at the last minute to show how Peri had not died as shown in Mindwarp but in fact, became Yrcanos's queen. Her "death" was merely a part of the Valeyard's tampering with the Matrix, with a shot from the earlier story used to show this. Nicola Bryant was disappointed to learn how the fate of her character had been changed. Ultimately, the works of Charles Dickens are evident in the story: the fictional landscape in the Matrix resembles Victorian era Britain, and the character (and name) of Mr. Popplewick are strongly Dickensian. The Doctor also quotes the final two lines of A Tale of Two Cities, prompting Mel to chide him: "Never mind the Sydney Carton heroics!" The working title of this story was Time Incorporated.[4] However, this title did not appear in the final scripts or on-screen. Steampunk is a subgenre of fantasy and speculative fiction that came into prominence in the 1980s and early 1990s. The term denotes works set in an era or world where steam power is still widely used--usually the 19th century, and often set in Victorian era England--but with prominent elements of either science fiction or fantasy, such as fictional technological inventions like those found in the works of H. G. Wells and Jules Verne, or real technological developments like the computer occurring at an earlier date. Other examples of steampunk contain alternate history-style presentations of "the path not taken" of such technology as dirigibles or analog computers; these frequently are presented in an idealized light, or a presumption of functionality. Steampunk is often associated with cyberpunk and shares a similar fanbase and theme of rebellion, but developed as a separate movement (though both have considerable influence on each other). Apart from time period and level of technological development, the main difference between cyberpunk and steampunk is that steampunk settings usually tend to be less obviously dystopian than cyberpunk, or lack dystopian elements entirely. Various modern utilitarian objects have been modded by individual craftpersons into a pseudo-Victorian mechanical "steampunk" style, and a number of visual and musical artists have been described as steampunk.
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TDP 70: Four to Doomsday
Episode Duration: 0 days, 0 hours, 13 minutes and 41 secondsThe Fifth Doctor, Nyssa, Tegan and Adric arrive on a spaceship which is headed for Earth. On board they meet natives of Earth from various different eras, and also three Urbankans: Monarch, Persuasion and Enlightenment. What are the aliens' intentions when they reach Earth? Plot The TARDIS materializes on board a vast and advanced alien spacecraft, observed by a hovering surveillance device which conveys the arrival of the Doctor, Tegan, Nyssa and Adric to an observing being that is in control of the vessel. The TARDIS crew become separated and the Doctor and Tegan reach the bridge of the vessel where the green-skinned commander introduces himself as Monarch, ruler of Urbanka, and his associates and fellow Urbankans are the Ministers of Enlightenment and Persuasion. The leader is intrigued by talk of current Earth civilisation and reveals their ship is bound for Earth. Shortly afterward Enlightenment and Persuasion seemingly regenerate into human form, dressed in garments Tegan designed to demonstrate contemporary Earth fashions. The TARDIS crew are reunited as guests aboard the ship and it soon becomes apparent that there are four distinct human cultures represented on the vessel by a small group of humans - Ancient Greeks, the leader of whom is the philosopher Bigon; Chinese Mandarins and their leader Lin Futu; Princess Villagra and representatives of the Mayan people; and Kurkutji and his tribesmen, of the very ancient Australian Aborigine culture. The Urbankans have made periodic visits to Earth, each time getting speedier in their journeys. This time they have left their homeworld after erratic solar activity, storing three billion of their species on slides aboard their craft, and it seems the current journey is their last and they now wish to settle on Earth, which they are due to reach in four days time. The Doctor becomes suspicious of Monarch and soon learns that the Urbankan does not plan on peaceful co-existence: instead, he has developed a virus to wipe out humanity, and this will be unleashed before the Urbankans disembark. He also finds out that the humans aboard are not descendents of the original abductees, but are the original people taken from Earth and converted into androids like the three Urbankans walking around on board. The four leaders of the peoples have been given additional circuits to help them reason, but this facility can be taken away, as Bigon learns when he crosses Monarch once too often. He explained to the Doctor that Monarch strip-mined and destroyed Urbanka in a quest for minerals to improve the ship, and now plans to do the same to Earth. Monarch believes that if he can move the ship faster than the speed of light, he can pilot it back to the beginning of time and discover himself as God... Adric, nevertheless, is rather taken with Monarch, and tensions between him and the Doctor become very strained. It takes the truth to break the alien's hold over the boy. The Doctor now sets about over-throwing Monarch and, with the help of the human androids led by a restored Bigon, a revolution is put into effect. Enlightenment and Persuasion are de-circuited, while Monarch himself is exposed to the deadly toxin and killed. It seems he was a product of the weak "flesh time" after all, having never, as the Doctor suspected, been fully converted into an android. The humanoid androids decide to pilot the vessel to a new home on a new world, while the TARDIS crew departs. Back in the console room, Nyssa suddenly collapses to the floor in a dead faint. Cast notes Guest stars in this serial include Stratford Johns as Monarch and Burt Kwouk as Lin Futu. See Celebrity appearances in Doctor Who. Continuity The Big Finish Productions audio drama Primeval provides an alternative explanation, beyond mere exhaustion, for Nyssa's collapse at the end of this story. The canonicity of the audio dramas, however, is unclear.When the Doctor tells Tegan "Who'll believe us? We'll be laughed at!" when she wants to get to Earth to warn them about Monarch's plan, he has clearly forgotten the purpose/existence of U.N.I.T., the United Nations Intelligence Taskforce, for which he was unpaid Scientific Advisor (through most of his third incarnation). He makes use of his U.N.I.T. connections later in the season, however.This is the third occasion of a recurring theme where Adric 'betrays' the Doctor, or else Romana, Nyssa or Tegan, gaining the villains' trust and then later saving them. See State of Decay, Castrovalva, Kinda and, to a lesser degree, The Visitation and Black Orchid Goofs The Doctor describes the Maya civilization as having reached its peak "8000 years ago"; the very earliest Maya settlements began 4000 years ago.The Doctor claims the population of the Earth to be 3 Billion, where as it was around 4.5 Billion by 1980, being about 3 Billion in around 1960. [1]Few non-indigenous Australians speak an Aboriginal language (of which around 200 exist) as fluently as Tegan demonstrated with her conversation with Kurkutji. It is almost certain that the language that Kurkutji spoke 40,000 years ago would have since evolved into a totally different language that his people would be using today. Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part One" 18 January 1982 23:36 8.4 "Part Two" 19 January 1982 24:11 8.8 "Part Three" 25 January 1982 24:09 8.8 "Part Four" 26 January 1982 24:53 9.4 [1][2][3] The working title for this story was Days Of Wrath.Although Castrovalva was the first story aired which featured Peter Davison as the Fifth Doctor, this story was the first in the season to be produced.It was originally decided that after Castrovalva, the Doctor would only have two companions, Adric and Tegan. As a result, the character of Nyssa was to be written out of the series at the end of this story. However, Peter Davison strongly opposed this move because he felt that Nyssa was the companion who was "most suited to his vision of the Doctor." Given this, producer John Nathan-Turner and the rest of the production team relented. In print Doctor Who book Four to Doomsday Series Target novelisations Release number 77 Writer Terrance Dicks Publisher Target Books ISBN 0 426 19334 2 Release date 21 July 1983 Preceded by Castrovalva Followed by Earthshock A novelisation of this serial, written by Terrance Dicks, was published by Target Books in April 1983. Broadcast, VHS and DVD release This story was released on VHS in September 2001. A DVD release has been confirmed for 15th September 2008. Clockwork Cabaret RSS feed is www.clickcaster.com/channels/clockworkcabaret.xml
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TDP 69: Mindwarp
Episode Duration: 0 days, 0 hours, 16 minutes and 1 secondSynopsis Following on from The Mysterious Planet, the Valeyard and the Doctor argue about the Doctor's involvement in those events. The Inquisitor warns them both to pay due respect to the judicial process. The Valeyard proceeds to present his second block of evidence - the Doctor's arrival on the planet Thoros Beta. The TARDIS arrives on the planet, where the Doctor shows Peri a weapon given to him by the "Warlord of Thordon", made on Thoros Beta. He states that has come to find out how the warlords obtained such technology. They enter a cave, where Peri is grabbed by a large monstrous creature, which during a struggle the Doctor shoots with the gun. The Valeyard accuses the Doctor of deliberately shooting the monster, but he replies that the weapon went off accidentally. A figure arrives and accuses the Doctor and Peri of murdering the Raak, despite their protestations that it attacked them first. The figure asks if they are part of Crozier's group, and the Doctor says that he is. They flee before they can be identified as imposters, but are quickly faced by another monster, but it reacts kindly when the Doctor is nice to it. They are forced to flee further, and as they hide they see three reptilian figures being carried along by guards, the third of the figures is shown to be their old enemy Sil. The Doctor realises that Sil is probably behind the arms sales, and informs Peri that Thoros Beta is the home world of Sil's race, the Mentors. In Crozier's laboratory, King Yrcanos is being experimented on, and the Doctor and Peri sneak inside. As the Doctor sabotages some of Kiv's equipment, Sil arrives in the laboratory. The Doctor is strapped to a table, and Crozier applies a metal helmet to his head. Crozier states that the equipment to extract the truth from a suspect, and that technique could prove fatal. He starts to probe the Doctor's mind, but Yrcanos awakes and destroys the equipment. Overpowering the guards he departs the laboratory, followed by a stunned Doctor and Peri. Yrcanos outlines his plans to attack the Mentors. The Doctor says he would enjoy that, and then collapses. The Doctor tells the Inquisitor that he cannot remember these events. The Valeyard tells him he is in for a surprise if this is true. Yrcanos, the Doctor and Peri go to where new slaves are brought into the base. Yrcanos plans to attack the guards and steal their weapons, but as he sneaks into the room, the Doctor calls out to the guards, giving him away. Yrcanos, unable to fight the guards, flees. Peri points a weapon at Sil, and asks the Doctor for help, but he ignores her. Peri drops the weapon and flees after Yrcanos. Sil asks the Doctor why he helped the Mentors, and he replies that the odds were on their side. The Doctor insists that the footage is not of him, but the Valeyard tells him that the Matrix cannot lie. Peri comes across Matrona, who allows her to join the Mentors' servants rather than turn her over to the guards. Covered with a veil, she enters the Commerce Room with Kiv's medication. The Doctor calls to her to get him a drink, so she disguises her voice to avoid being recognised. When she brings him a new drink, the Doctor uncovers her and denounces her as an enemy to the Mentors. The Doctor tells the Courtroom that what they are seeing is all part of his ploy. He says he planned to gain the Mentors' trust so that he would be allowed to interrogate her alone, giving them a chance to escape. Peri is lashed to rocks on the shoreline and the Doctor stands over her, accusing of being a spy. She asks why he is behaving the way he is, and the Doctor tells her that Crozier is planning to put Kiv's brain into his body unless he can help them. Crozier stops the interegation, saying that they have more effective methods of extracting the truth from Peri. As they re-enter the complex, Yrcanos attacks the guard, and threatens to kill the Doctor. However, Peri smashes the gun from Yrcanos's hands allowing the Doctor to flee. In Crozier's laboratory, the scientist prepares to transplant Kiv's brain into a recently deceased Mentor corpse with the help of The Doctor. The operation proves successful. Meanwhile, Yrcanos, Peri and Dorf team up with members of the Alphan resistance. Agreeing to allow Yrcanos to lead them in an attack on the Mentors, they go to the resistance arms dump, but they are ambushed by Mentor guards and shot down. However, it is revealed they have merely been stunned, and they are taken to cells. In Crozier's laboratory, Lord Kiv is rambling due to the body of the fisherman influencing his brain. Crozier makes plans to transfer the brain into another more suitable body, and suggests using Peri. The Doctor says he would prefer that she is not experimented on, but while he is trying to find another candidate, Peri is brought to the laboratory, and strapped to the operating table. Crozier begins to prepare her for the surgery. The Doctor goes to Yrcanos's cell and tricks the guard allowing Yrcanos and Dorf to escape. Together they free the remaining resistance members. They head towards the control room from where all the slaves are mentally controlled and succeed in freeing the slaves from mental control, but Dorf is killed by a passing guard. Lord Kiv is taken to the laboratory to prepare for the operation. As the Doctor heads towards the lab, he is summoned by the Time Lords and promptly vanishes. The Inquisitor tells the Doctor this was the result of an order from the High Council, because the result of Crozier's experiment would affect all life in the Universe. As Yrcanos prepares his attack on the laboratory, the Time Lords capture him in a time bubble so that his attack is perfectly timed. When Kiv awakes in Peri's bald body, the time bubble dissipates and Yrcanos bursts into the laboratory. He is consumed with fury and begins firing his gun wildly. The Doctor is shocked by what he has seen. The Inquisitor and the Valeyard tell him that it was necessary to end Peri's life to prevent the disastrous consequences of Crozier's experiment. The Doctor insists that he was fetched out of time for some other reason, and he is going to find out what. Continuity Sil appeared in the previous season in the serial Vengeance on Varos.It's often debated amongst fandom[citation needed] as to what exactly happens during this story. It is stated on screen that the Valeyard has somehow distorted events, and that the actual scenes are by and large presented correctly but merely that the Doctor's performance has been distorted to show him in the worst possible light to the court. Many such scenes are prevalent throughout the story, leading fandom to great confusion as it isn't entirely clear which bits are "real" and which were concocted by the Valeyard. There are several theories: That the events seen are the true events, but distorted to show the Doctor in the worst possible light. For example, his line 'Look out behind you' is shown on screen as the Doctor giving King Yrcanos away to some guards, whereas the "true" events might very well have been the Doctor warning him of an attacker sneaking up ('Look out, behind you!'). It's all in how the line is pronounced rather than what the line is.That the Doctor was fried by the "Mindwarp" machine, which is why he exhibits 'out of character' behaviour throughout the story. The event is shown on screen, but as to whether it really occurred or not is still an event of great contention.That the Doctor is pretending to have been twisted by the "Mindwarp" machine, whilst really seeking to find a way to put things right. In the courtroom the Doctor claims this is the case, though he is at this stage unable to recall events. The Doctor meets Peri again in two spin off stories. She features in the Virgin New Adventures novel Bad Therapy by Matt Jones. A post-Mindwarp hallucination of Peri appears in the Big Finish Productions play Her Final Flight. The relationship of spin off media to the television series is open to interpretation by the individual. Production Serial details by episode: Episode Broadcast date Run time Viewership (in millions) "Part Five" 4 October 1986 24:42 4.8 "Part Six" 11 October 1986 24:45 4.6 "Part Seven" 18 October 1986 24:33 5.1 "Part Eight" 25 October 1986 24:44 5.0 [1][2][3] Music Initially it was intended that the BBC Radiophonic Workshop would provide music scores for both this and the following segment of The Trial of a Time Lord; both were assigned to Malcolm Clarke to begin with, although Terror of the Vervoids got re-assigned to Elizabeth Parker shortly afterwards. However, fellow Radiophonic Workshop composer Jonathan Gibbs left early in 1986 and was not replaced until the following year, leaving the other composers backlogged and no-one free to do the incidental music for Mindwarp. It was suggested that Dick Mills could provide both the music and sound effects, but John Nathan-Turner rejected this idea and instead hired film composer Richard Hartley to create the incidental music for this segment. It would be the only time that Hartley worked on the series. Casting Trevor Laird returned to Doctor Who in the Tenth Doctor era as Clive Jones, father of the Doctor's companion Martha Jones. Similarly, Christopher Ryan returned in 2008 as Sontaran leader General Staal in The Sontaran Stratagem and The Poison Sky. Commercial releases In October 1993, this story was released on VHS as part of the three-tape The Trial of a Time Lord set. A DVD release is due on September 29th 2008, similarly packaged with the other stories in The Trial of a Time Lord season. Special Features include: deleted and extended scenes * "The Making of the Trial of a Time Lord - Part Two - Mindwarp" (a 20-minute feature) * "Now and Then - On the Trial of a Time Lord" (a 21-minute feature) * "A Fate Worse Than Death" Feature * Doctor Who Lenny Henry sketch * BBC Children in Need archival footage * TV Talkback archival footage * photo gallery * trails and continuities. In print Doctor Who book Mindwarp Series Target novelisations Release number 139 Writer Philip Martin Publisher Target Books Cover artist Alister Pearson ISBN 0 426 20335 6 Release date 15 June 1989 Preceded by Attack of the Cybermen Followed by The Chase A novelisation of this serial, written by Philip Martin, was published by Target Books in June 1989 and was the final segment of the Trial arc to be adapted. Martin's novelisation adds a joke ending that gives away the revelation regarding Peri's fate in The Ultimate Foe, suggesting an entirely different outcome for the character (and for Yrcanos) than is suggested in the serial.
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Congrats to... Galactica Quorum
Episode Duration: 0 minutes and 0 secondsBest Speculative Fiction Fan Podcast Winner Galactica Quorum Nominees A Different Point of View Doctor Who: Tin Dog Podcast: Torchwood The GeekSpin The Signal
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TDP 68: The War Machines
Episode Duration: 0 days, 0 hours, 16 minutes and 30 secondsERROR IN THE PODCAST. FOR WHICH I AM VERY SORRY. JACKIE LANE HAS NOT PASSED AWAY AS IMPLIED IN THIS TPD. PLEASE FORGIVE ANY PROBLEMS THAT THIS MAY HAVE CAUSED. A FULL APOLOGY WILL FOLLOW IN THE NEXT TDP The War Machines is a serial in the British science fiction television series Doctor Who, which was first broadcast in 4 weekly parts from June 25 to July 16, 1966. This serial is the first appearance of Michael Craze and Anneke Wills as the companions Ben Jackson and Polly, as well as marking the departure of Jackie Lane as Dodo Chaplet. It should not be confused with the Second Doctor story The War Games. //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Plot Synopsis When the TARDIS lands in London near the Post Office Tower, the Doctor is unsettled by it. There the Doctor and Dodo meet Professor Brett, the creator of WOTAN (Will Operating Thought ANalogue), an advanced computer that even knows what TARDIS stands for. On C-Day, WOTAN will be linked to other major computers to take them over, including those of the White House, Cape Kennedy and the Royal Navy. WOTAN begins to have its own agenda and takes control of Professor Brett through a hypnotic beeping noise. WOTAN's hypnotic influence is exerted over many humans including Dodo until the Doctor breaks her out of it. He subsequently arranges for her to be sent to the country house of Sir Charles Summer, leader of the Royal Scientific Club, who has come to the aid of the Doctor. WOTAN uses its hypnotised workforce in a secret warehouse near Covent Garden to construct an army of War Machines to take over the world. Major Green, the chief of security at the Post Office Tower, has been programmed to oversee the construction of the War Machines. He ensures that any intruders are dealt with and all humans continue working on the project until they drop. Polly, Professor Brett's secretary, is one such production line convert, though a friend of hers, Royal Navy Able Seaman Ben Jackson, evades the production line. He seeks out the Doctor, whom he met through Dodo before her conditioning, and helps flesh out what is known about the threat of WOTAN and the War Machines. The Doctor alerts the army to the warehouse production factory, but their weapons are somehow disabled when they go to confront the War Machines. He knows WOTAN is behind the plot too, but can do nothing as humans cannot enter the Tower through the strong hypnotic beams being emitted. Given scientific and political support, the Doctor manages to capture a War Machine using an electromagnetic trap. He changes its programming and then uses it to enter the Post Office Tower and destroy WOTAN. This ends the threat and immediately releases the human slaves from the hypnosis. Ben and Polly, the two "fab" young people the Doctor has befriended during the adventure, meet him at the TARDIS to explain that they visited Dodo, who has revealed that she has decided to stay in London. The Doctor thanks them and heads into the Police Box - followed by Ben and Polly, who enter the TARDIS with the intent to return Dodo's key to the old man. They are then suddenly whisked off into time and space... Continuity Naming issues WOTAN is pronounced "Votan" - as, it is explained, the Norse god sometimes was. It stands, though, for Will Operating Thought ANalogue, which is indicative of its ability to connect to the human brain. WOTAN refers to the Doctor as "Doctor Who" - the only time the character is ever given this name within the series' narrative (though he is often credited as such in the end titles). While there is nothing in the series that directly contradicts it, many fans see this as an error and several theories have tried to account for it, one noting that WOTAN may have been misinformed, since it also described the Doctor as "human". WOTAN also manages to discern the meaning of the acronym TARDIS; how it manages to do so is not explained. [edit] Destination Earth This serial is the first in the series to be completely set on a contemporary Earth. The previous landings of the TARDIS in the 1960s were either brief (the Empire State Building sequence from The Chase, several landings during The Daleks' Master Plan, the stop over on Wimbledon Common in The Massacre of St Bartholomew's Eve) or exceptional (Planet of Giants, where the TARDIS crew were shrunk down to the size of insects and could not fully interact with present day humans). Here, for the first time, we see the Doctor take a leading role in the protection of the planet, which becomes a regular theme for the series from here on. The decision to set more episodes on present-day Earth was taken because the producers felt that the audience was becoming bored with the purely historical episodes that had been a major element of the show to date. As a result, this story marks the beginning of the turn away from historical stories. The next two historical stories, "The Smugglers" (which immediately follows "The War Machines") and Season 4's "The Highlanders", were to be the last historical stories until Season 19's "Black Orchid". [edit] Synchronicity The episode appears to be set on 20 July 1966 - Ben and Polly leave the Doctor in the Second Doctor story The Faceless Ones set in London on the same date (see the Chronology). However, the days of the week mentioned in The War Machines mean it cannot be 1966 if they're the same in Doctor Who continuity as in the 'real' world. Curiously, at the start of the latter serial, the Doctor comments that he feels the same sensation as he felt when the Daleks were around. While this appears to be intended to equate the War Machines and WOTAN to the Daleks, it is interesting to note that the events of the serial are revealed later in the series to happen contemporaneously with the Second Doctor serial The Evil of the Daleks. The Past Doctor Adventures novel The Time Travellers by Simon Guerrier is set in an alternate reality where the Doctor had not been around to stop WOTAN. The villain is never referred to by name, only as "the Machine", and while he was overthrown thousands were left insane by his mind-control and Britain was reduced to a technologically backward dictatorship. A later serial that also foreshadows the internet is The Green Death, which features a very similar computer villain. The Face of Evil also sees the Doctor encountering another such being (this time having been linked with his own brain rather than that of a human) and commenting on how familiar the threat has become. Production Serial details by episode: Episode Broadcast Date Run Time (mm:ss) Viewers (in millions) Archive "Episode 1" 25 June 1966 24:01 5.4 16mm t/r "Episode 2" 2 July 1966 24:00 4.7 16mm t/r "Episode 3" 9 July 1966 23:58 5.3 16mm t/r "Episode 4" 16 July 1966 23:11 5.5 16mm t/r Source: Error: Production Code not specified. Working titles for this story included The Computers.[1]. The idea for this story came about when Kit Pedler was being interviewed for a position as science advisor to the series. The producers asked all of the interviewees what would happen if the recently-built Post Office Tower somehow took over. Pedler suggested that it would be the work of a rogue computer that communicated with the outside world by means of the telephone system. The producers liked this suggestion and not only offered Pedler the job but developed the idea into a script (one of the few to feature a 'Story Idea by' credit). Only one War Machine prop was actually constructed; the production team changed the numbers, to represent the different machines. The titling style of each episode in this serial differs from the standard titles of other serials. Instead of a title overlay, after the "Doctor Who" logo has faded, the screen shifts to a solid background containing four inversely-coloured rectangles aligned down the left-hand side (reminiscent to an old-style computer punch card). The title, one word at a time, scrolls upwards - "THE", "WAR", "MACH", "INES" - with a final flash displaying the complete title on two lines. Another flash reveals the writer, the next flash reveals the word "EPISODE", and the final flash shows the actual episode number. All of the lettering displayed in this titling sequence is shown in a retro-computer font. Each of the four episodes' title sequences have slight variations to them. Casting Michael Craze provided the voice of a policeman heard in Episode four.WOTAN received a credit as "And WOTAN" at the end of the first three episodes, the only time a fictional character was credited as itself in the series.Jackie Lane's contract expired midway through production of this story. She does not appear again after episode two; Dodo's off-screen departure is relayed to the Doctor by Polly.This is the last William Hartnell era serial, and the only serial featuring Anneke Wills and Michael Craze, to exist in its entirety. Missing episodes Aside from its soundtrack (recorded off-air by fans), this serial was lost in the junk of episodes in the 1970s. The master videotapes for the story were the last of those starring William Hartnell to be junked, surviving until 1974.[2] The 16mm film telerecording copies held by BBC Enterprises were also the last of their kind to be destroyed, surviving until 1978, shortly before the junking of material was halted by the intervention of fan Ian Levine.[3] In 1978, a collector in Australia provided a copy of episode 2. Later in 1984 copies of all four episodes were returned from Nigeria. Episodes 2, 3 and 4 all had cuts to them, but most have been restored due to a combination of the other copy of episode 2, material used in a promotional item on the BBC's Blue Peter and censored clips from Australia. Some of the restored footage did not have its accompanying soundtrack, and so the missing sound was restored from the off-air recordings. To date, only episodes 3 and 4, do not exist in their entirety as was originally intended. Episode 3 is missing a visual brief bit of dialogue with Krimpton talking. This was replaced in the VHS release with a combination of a shot of WOTAN with the accompanied dialogue from the off-air recordings. Episode 3 is also missing around 59 seconds worth of the battle in the warehouse. Episode 4 is missing only a small amount of material. The first instance occurs with the man in the telephone box. Part of the continuing closeup of the man talking on the telephone is missing, but this was compensated on the VHS release by continuing in audio-only over the top of the beginning of the high shot of the phone box. There are also two lines of dialogue missing when Polly reports back to WOTAN. This scene, however, has not been re-instated for the VHS release as it was felt that there wouldn't be enough visual material to drop into the gap. The DVD release will have all of the episodes in their entirety. Commercial releases The serial was released on VHS in 1997, with an item from Blue Peter and a BBC1 "globe ident" (from the first part of the story) as extras. A DVD issue has been announced for August 25th 2008. Also, in 2007, an audio CD of the serial's soundtrack, with linking narration by and bonus interview with Anneke Wills, was released. In print Doctor Who book The War Machines Series Target novelisations Release number 136 Writer Ian Stuart Black Publisher Target Books Cover artist Alister Pearson and Graeme Wey ISBN 0 426 20332 1 Release date 16 February 1989 Preceded by Delta and the Bannermen Followed by Dragonfire A novelisation of this serial, written by Ian Stuart Black, was published by Target Books in February 1989.
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Parsec Award 2008 Finalists
Episode Duration: 0 minutes and 0 secondsParsec Award 2008 Finalists Best Speculative Fiction Fan Podcast A Different Point of View * Doctor Who: Tin Dog Podcast * Galactica Quorum * The GeekSpin * The Signal I'm aghast!parsec awards pagehttp://parsecawards.com/node/541Title: The Third Annual Parsec Awards Description: Join us for the Third Annual Parsec Awards hosted by some your favorite podcasters. The Parsec Award is available for Sci-fi & Fantasy Original Content, Speculative Fiction and a variety of other categories dealing with the new frontiers of Portable Media. Time: Sat 07:00 pm Length: 2.5 Hours Moderator / MC for panel Wish I could be there! Do you get a certificate for being listed?
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TDP delay
Episode Duration: 0 minutes and 0 secondsDont worry the TDP hasnt gone anywhere. I've just been busy with other projects that have taken up a lot of time and other things. There will be at least one TDP later next week.regardsTin Dog
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TDP 67: Trial of a Time Lord 1 - 4 Mysterious Planet
Episode Duration: 0 days, 0 hours, 19 minutes and 50 secondsThe Mysterious Planet is a serial in the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from September 6 to September 27, 1986. It is part of the larger narrative known as The Trial of a Time Lord, encompassing the whole of the 23rd season.Plot Synopsis The TARDIS materialises in a corridor, and the Doctor steps out bewildered and alone. He walks into a room, where it is revealed that he is being put on trial for conduct unbecoming a Time Lord. The Inquisitor notes that the Doctor has been on trial previously, and the Valeyard states that he will argue that the Doctor was shown too much leniency on that occasion. The Valeyard opens the case by using the Matrix to show the Doctor's involvement on the planet Ravolox. The Doctor and Peri arrive on Ravolox, which is virtually identical to Earth. He tells Peri that the official records state that the planet was devastated by a fireball, but they note that the forest they are walking through suggests otherwise. They are seen by Sabalom Glitz and Dibber, who attempt to shoot the Doctor; but he moves off just in time. Glitz and Dibber discuss their plan to destroy the "L3 robot" by sabotaging its light conversion system, which has been turned into a totem by a primitive tribe on the planet. The Doctor and Peri find an apparently abandoned building and explore it. Peri discovers a sign saying "Marble Arch" -- a London Underground sign, which means that they are on Earth. Peri begins to mourn for her planet. The Doctor asks what the relevance of this is, then asks why Peri is not with him on the station. The Valeyard answers that she is where the Doctor left her, and states that the Doctor's evident temporary amnesia - a side-effect of being taken out of time - should soon pass. The Doctor goes into the complex alone because Peri is upset, but she is captured by two masked figures. Meanwhile, Glitz and Dibber are brought before Katryca, Queen of the tribe. Glitz claims that the totem attracted the fireball that devastated Ravolox, and asks for it to be taken down. The Queen tells him that others have asked for the totem to be dismantled, and none have succeeded. Glitz and Dibber draw out their guns, but they are overpowered and locked up. The Doctor finds an underground complex, but is caught. He is accused of spying, and sentenced to be stoned. The Doctor tries to block the rocks with his umbrella, but is knocked unconscious. The Valeyard proposes that the inquiry into the Doctor's activities should become a full blown trial, with the penalty being the termination of his life. Other officials arrive and break up the stoning. The Doctor is still breathing, but before he can be killed, Merdeen receives a message from the Immortal stating that he wishes to question the Doctor. The Immortal, revealed to be a huge humanoid robot, commands its two assistants to release the service robot. Peri is brought before Katryca, who informs Peri that as there are few women, she will need to take many husbands. She is then put in the same prison as Glitz and Dibber. They tell Peri their plan to destroy the Robot. They are taken back to Katryca, who tells them that Glitz will be sacrificed because of his attempt to destroy the great totem. The Doctor is taken to the Immortal, who introduces itself as Drathro. He commands that the Doctor work with the two assistants. The Doctor identifies the problem, and tries to leave in order to fix it, but Drathro does not allow him to leave, as his instructions were to maintain an underground system. The Doctor electrifies the robot and his assistants, and escapes. Drathro sends the service robot to track down the Doctor. Meanwhile, Peri, Glitz and Dibber overpower the guards and escape. Dibber remains behind to plant a bomb on the Black Light converter, whilst they go to the underground complex. In Marb Station, Merdeen tells Balazar that there has been no fire for hundreds of years, and that he should leave the complex. They encounter the Doctor, and Merdeen implores him to help Balazar escape. Peri, Glitz and Dibber, pursued by tribesmen, find the Doctor, and they flee into the Marb Station, but are trapped between the tribe and the service robot. The tribesmen shoot at the service robot and disable it. The Doctor tries to re-enter the underground complex, but the tribesmen insist they all return to the village. There, The Doctor is brought before Katryca, but she is unimpressed with his explanation of the true nature of the Totem, and puts them all back in the prison cell. Glitz confirms that the planet is actually Earth. Drathro reactivates the service robot, and send it to the village. It breaks into the building with the Doctor, stuns him and takes him away. The tribesmen disable the service robot, and decide to attack the Immortal's castle to steal his technology. Peri rescues the Doctor from the service robot, and they set off to the underground complex to stop Katryca and disable the black light system. Katryca and tribesmen arrive at the Castle, where they are confronted by Drathro,. He electrocutes Katryca, and dismisses the rest of the tribe. The Doctor enters Drathro's domain, promising to help repair the black light system. However, he determines it to be beyond repair, and tells Drathro that he must shut down the Black Light System to prevent a massive explosion. Drathro refuses to allow that as it would mean its own destruction. The Doctor pleads with him, saying that the explosion could destroy the entire universe, but that only makes Drathro determined to allow what he thinks is a unique event. Balazar and Peri plead with Merdeen to help them, noting that he would die if the converter exploded. Glitz and Dibber arrive and follow them into the Castle through a food chute. Drathro attempts to kill by turning on the food processing system, but Dibber shoots him through the wall. Glitz tells Drathro that they have black light on their ship, and offers to take the robot to the Andromeda Galaxy. Drathro agrees, and leaves with Glitz and Dibber. The Doctor realises that the black light system has already begun to self-destruct, and that all he can do is prevent it starting a chain reaction. The system explodes, but the blast only destroys the Castle, and as a result Drathro collapses. The Doctor and Peri leave Merdeen and Balazar to take the remaining inhabitants to a new life on the surface. The Doctor announces to the court that he has saved the Universe, and starts to present his defence. The Valeyard warns the Doctor that he has more evidence to come, and that the Court will demand the Doctor's life at the end. Continuity The reason why Earth has become Ravalox, as well as the reasons for the Fireball, are explained in The Ultimate Foe, the final part of the Season.The relationship between the Sixth Doctor and Peri is less abrasive in this story than in the previous season. Both Colin Baker and Nicola Bryant wanted to show how travelling together had made their characters less combative and argumentative. Both this and the changes in their appearances, particularly Peri's hairstyle and mode of dress suggest a long gap between this story and their previous on-screen appearance in Revelation of the Daleks and allowing for "unseen" adventures in the spin-off media to be placed there.Early in Part One, the Doctor appears to be about to reveal his surname for the first and only time in the entire series (but see The War Machines, and further discussion in "Doctor who?").The Inquisitor and the Valeyard reference the events of The War Games.The Doctor's claim that he cannot be on trial as he is Lord President and the Inquisitor's explanation that he had been removed were reportedly added to the script after Colin Baker noticed the apparent plot hole.Recovering from unconsciousness, the Doctor briefly slips back into the personality of one of his previous selves, allowing Colin Baker to do an impersonation of Jon Pertwee. He even uses the phrase, "Reverse the polarity of the neutron flow."In this serial, the First Law of Time refers to the well-documented Time Lord policy of non-interference, as opposed to specifically forbidding a Time Lord meeting a past or future incarnation and therefore interfering with his own history, as stated in earlier serials. Production The details available for each episode of this story are outlined in the table below[1][2][3]. Episode Broadcast Date Run Time Ratings "Part One" 06 Sep 1986 24'57" 4.9m "Part Two" 13 Sep 1986 24'44" 4.9m "Part Three" 20 Sep 1986 24'18" 3.9m "Part Four" 27 Sep 1986 24'20" 3.7m Preproduction In February 1985, the BBC announced that the planned twenty-third season of Doctor Who had been canceled. After vocal protests by the press and Doctor Who fans (including a charity single, Doctor in Distress), the BBC announced that the progamme was merely on "hiatus", and would return in September 1986. Several stories which had been planned or commissioned for the original Season 23 were abandoned in favour of an overarching "trial" theme, reflecting the fact that the programme itself was on trial at the BBC.[4] This story was the last complete Doctor Who story written by Robert Holmes. Its plot is similar to Holmes' first contribution to Doctor Who, The Krotons. In both stories, an alien machine subjugates a humanoid civilization and forces its brightest young people into its service.[5] [edit] Casting The actor playing Merdeen, Tom Chadbon, had previously appeared in the 1979 Fourth Doctor serial City of Death. Production The opening model shot of the Time Lord Space Station where the trial is held throughout the season was the most expensive model shot from the classic series run (costing more than PS8,000).[6] The sequence depicts the Time Lord Space Station orbiting in space then dragging the TARDIS inside via the use of a tractor beam. From this serial onwards, all location work would be recorded on Outside Broadcast (OB) tape instead of 16mm film. This practice would continue until the end of the series. The only footage shot on film for this episode was the opening special effects shot of the TARDIS. The BBC had been encouraging the replacement of film cameras with OB cameras since the early 1980s on the grounds that they were cheaper, and mixed with studio-shot material better. John Nathan-Turner had actually wanted to switch to OB shooting as early as Peter Davison's first season in 1982, but met with resistance from the directors working on the show at the time. Post-production Dominic Glynn was hired to score the music for The Mysterious Planet, and John Nathan-Turner offered him the chance to rearrange the opening title music. His new score for the opening theme was the shortest lived, lasting this season alone (not counting the unused 1973 version by Delia Derbyshire and Paddy Kingsland). Some saw it as an improvement on the Peter Howell version, while others criticized it for being "too quiet" or "not scary enough". It has since been used on the majority of the Big Finish Productions audio plays featuring Colin Baker as the Sixth Doctor. Commercial releases In October 1993, this story was released on VHS as part of the three-tape The Trial of a Time Lord set. A DVD release is due in 2008, similarly boxed with the other stories in The Trial of a Time Lord season. In print Doctor Who book The Mysterious Planet Series Target novelisations Release number 127 Writer Terrance Dicks Publisher Target Books Cover artist Tony Masero ISBN 0 426 20319 4 Release date 19th November 1987 (Hardback) 21st April 1988 (Paperback) Preceded by The Time Meddler Followed by Time and the Rani A novelisation of this serial, written by Terrance Dicks, was published by Target Books in November 1987. External links The Mysterious Planet at bbc.co.ukThe Mysterious Planet at the Doctor Who Reference GuideThe Mysterious Planet at Outpost GallifreyThe Trial Of A Time Lord (Segment One) at Doctor Who: A Brief History Of Time (Travel) Reviews The Mysterious Planet reviews at Outpost GallifreyThe Mysterious Planet reviews at The Doctor Who Ratings Guide Target novelisation On Target -- The Mysterious Planet
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TDP 66: Doctor Who Brain of Morbius
Episode Duration: 0 days, 0 hours, 16 minutes and 15 secondsThe Brain of Morbius is a serial in the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from January 3 to January 24, 1976. Contents [hide] 1 Synopsis2 Plot Summary 2.1 Cast notes 3 Continuity 3.1 The "Morbius Doctors" 4 Production5 Outside references6 In print7 Broadcast, VHS and DVD releases8 References9 External links 9.1 Reviews9.2 Target novelisation //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> [edit] Synopsis Years ago, the Time Lord known as Morbius tried to lead a revolution but was executed for his ambition on the planet Karn. When the Fourth Doctor and Sarah arrive on the planet, they discover that, thanks to Dr Solon, the dead may rise. [edit] Plot Summary On the planet Karn, an insect-like alien crawls away from an escape pod. It is ambushed and killed by Condo, a large man with a hook for a hand, who takes its head to a castle and his master Solon. However, the head is unsuitable -- Solon needs a humanoid, warm-blooded and with a central nervous system. The TARDIS materialises on Karn in the middle of a lightning storm, and the Fourth Doctor rushes out, ranting at the Time Lords for diverting him to this planet. Sarah suggests that perhaps the TARDIS malfunctioned again, but the Doctor is insistent there is something going on which the Time Lords do not want to sully their hands with. While the Doctor sulks, Sarah finds the escape pod, and climbing to a higher point, sees a valley filled with wrecked spacecraft. She comes across the headless body of the alien and gasps, which finally attracts the Doctor's attention. The Doctor identifies it as a Mutt. He also now recognises the stars -- his homeworld is within a couple of billion miles from this planet. Sarah spots the castle just as it starts to rain, and the two travellers make for it, all the while observed by a girl in a strange headdress. The girl, Ohica, reports to the elderly Maren, the leader of the Sisterhood of Karn. Maren does not believe Ohica at first, insisting that no ship could approach Karn without attracting their honed senses. Maren shows Ohica the Flame of Life, which is burning low. Without the Flame, there is no Elixir, and there has not been for over a year -- the chalice stands empty. The secret of the Elixir is known only to the Sisterhood and the High Council of the Time Lords, with whom they shared the Elixir. Now, there is none left, except for the few vials they have kept for themselves. Maren fears that the Time Lords have sent agents to steal the Elixir. Maren tells Ohica to summon the other sisters to form a circle. In the castle, Solon scolds Condo, warning him that if he does not obey him, he will not reattach Condo's arm. The Doctor and Sarah ring the doorbell, seeking shelter. Solon is delighted at the arrival of humans, and welcomes the two, complimenting the Doctor on his "magnificent" head. The Doctor notices a clay bust, but Solon quickly draws a sheet over it. When the Doctor asks Solon about the Mutt and the wrecked ships, Solon suggests that it is due to the magnetic radiation around the planet. Solon rescued Condo from one such starship, and had to amputate his arm to save his life. The Sisterhood chant in a circle, allowing Maren to see the TARDIS reflected in her ring. Concentrating further, they make the TARDIS materialise in their shrine in the midst of a strange mist. Examining the ship, Maren identifies it as a Time Lord vessel, and concludes that the Doctor is here on their behalf to steal the elixir. The Sisterhood's powers can overwhelm most others and drive them insane, but the Time Lords are their equals in mind power. The circle continues to chant, seeking the Doctor. The Doctor knows of Solon, who was an authority on microsurgical techniques and tissue transplants. He remarks that Solon's disappearance caused quite a stir and there were rumours that he had joined the Cult of Morbius. The Doctor now recognises the clay head -- it is that of Morbius, one of the most despicably criminal minded Time Lords in history. Before he can say anything further, the drugged wine takes its effect, and the Doctor falls over unconscious as does Sarah. Solon and Condo take the Doctor's body to the laboratory, not realising that Sarah was only feigning unconsciousness. In the laboratory, Solon's examination of the Doctor confirms he is a Time Lord. Condo is concerned about their power, but Solon dismisses them as spineless parasites. Morbius offered them power, but they rejected it, and they will now feel the power of his revenge. Needing proper lighting for the operation, Solon and Condo go to repair the generators that have been knocked out by the storm. Once they leave the room, however, the Doctor's body vanishes in the same mist the TARDIS did. Sarah keeps hidden as Solon and Condo pass, and enters the lab. She draws back the curtain on a bed, thinking it is the Doctor, but as the lights come up, she sees a headless, patchwork creature made from various body parts. It sits up... Sarah moves away from it quickly, but hears Solon and Condo returning to the laboratory and has to hide. Solon finds the Doctor gone, and concludes that it must be the work of the Sisterhood. Solon swears revenge, and he and Condo go to get the Doctor's body back. The Doctor regains consciousness to find himself surrounded by members of the Sisterhood. Maren accuses him of being sent by the Time Lords to steal the Elixir. The Doctor denies this, saying that the last thing he remembers is having wine with Solon and Morbius... but Morbius is dead, executed by the Time Lords on Karn for leading a rebellion. His body was placed in a dispersal chamber and atomised. The Doctor realises that he just before he passed out, he felt the mind of Morbius. Maren refuses to believe that Morbius is alive and says that the Doctor will join him in death shortly. Sarah trails Solon and Condo as they make their way towards the shrine. They observe the Sisters gathering wood to burn the Doctor at the stake. The Doctor points out that the Time Lords have always been friendly to the Sisterhood -- they saved them when Morbius overran the planet. Maren retorts that this was out of self-interest as they needed the Elixir. Ohica reveals that the Flame is dying. The Doctor is puzzled, as the Flame is fed by gases from deep within the planet and should last for millions of years unless there has been some subterranean movement. They tie the Doctor to the stake while chanting the Song of Death. The Doctor warns them that if the gases are sealed in, the mountain could explode. Solon and Condo interrupt the ceremony, to Maren's anger. Solon asks them to spare the Doctor, even offering Condo in his place. When that is denied, he begs them to give him the Doctor's head. While Maren dismisses Condo and Solon, a disguised Sarah sneaks up behind the Doctor and cuts his bonds. The ceremony starts again, and as the flames lick up, Maren's eyes close. The Doctor and Sarah take the opportunity to slip away, but Maren spots them, hitting Sarah with a blue bolt from her ring before they get away. Back at the castle, Condo is angered by Solon's offer to sacrifice him, and threatens to kill Solon. Pleading for his life, Solon offers to restore Condo's arm and tells him to prepare the laboratory. Meanwhile, Sarah and the Doctor have escaped the shrine, but Sarah has been blinded by the energy from Maren's ring. She is worried that it may be permanent, but the Doctor assures her that the flash merely numbed the optic nerves and she should recover in a few hours. Despite Sarah telling him about the headless body she saw, the Doctor leads them back towards Solon's castle. Solon speaks with a tremulous voice he addresses as Morbius. Solon asks for more time, but Morbius is impatient. Condo calls from above: the Doctor and Sarah have arrived. The Doctor asks him to examine Sarah's eyes, and they go to the laboratory. As Solon does so, the Doctor finds the headless body hidden behind the curtain. Condo escorts Sarah back to the parlour, while the Doctor speaks to Solon. Solon tells him that Sarah's retinae have been almost completely destroyed, but there is one chance: the Elixir of Life. Despite the risks, the Doctor must return to the shrine. Solon summons Condo, who leaves Sarah in the parlour. Solon gives a note for Condo to pass to the Sisterhood before the Doctor gets there. Sarah hears Morbius's voice calling for Solon. Following the sound, she enters a hidden laboratory. As she stumbles blindly towards Morbius, who is a glowing brain in a tank, he accuses her of being a part of the Sisterhood, sent here to destroy him... Solon enters and drags Sarah out of the laboratory. As he closes the door, Sarah hears Solon address the voice as "Morbius" and hears how Solon has sent the Doctor into a trap. Sarah locks Solon in the laboratory and, still blind, makes her way out of the castle. In the shrine, Maren gives five of the Sisters, including Ohica, the last of Elixir. Only these five will survive when the Flame finally dies. The letter from Solon arrives, and Maren tells Ohica to warn the guards. When the Doctor enters the tunnels, a net falls on him and he is surrounded. When he explains why he came back, Maren tells him that the effects of the ray are not permanent, and Solon knows that. Maren demands to know why the Doctor is here, if it is not to steal the Elixir, and the Doctor replies that he feels something evil is brewing, something to do with Morbius. Maren still does not believe -- she saw Morbius being dispersed. The Doctor asks if Solon was here at that time, and Maren says many came to Karn at the time. Morbius led an army of mercenaries, promising them the Elixir and immortality and revealing its existence to the cosmos. The Doctor tells Maren that if she wants his help, the wrecking of spaceships simply passing by Karn has to stop. Outside, Sarah continues to work her way along the rocks and runs into Condo, who had orders to find her. He tells her the Doctor is dead and carries her, struggling, back to the castle. The Doctor persuades Maren to let him see the Flame, the first one outside the Sisterhood to see it. The Doctor admires the process -- the heat of the Flame causes oxidation of chemicals in the surrounding rocks, with the reaction of superheated gases forming drops of the Elixir. The Doctor insists the process is not mystical and with analysis, the Elixir could probably be synthesised, but the consequences would be disastrous with everyone trying to live forever. Even the Time Lords only take it in rare cases, not regularly like the Sisterhood, who because of it have become stagnant, unchanging, without progress. The Doctor takes something from his hair and puts it in the Flame, seemingly extinguishing it. Horrified, Maren orders the Doctor killed, but the flames ignite again, brighter than ever. It was merely soot that was blocking the gases. At the castle, Sarah is bound hand and foot and lying on a table. Solon rants about how others called him insane, and only Morbius believed in him. When Solon tells Morbius that the Doctor is a Time Lord, Morbius calls him a fool -- that means that the Time Lords have tracked him down and will return in force. Morbius insists that he be transferred into the body now, and asks about the artificial brain casing Solon once constructed. Solon protests that he abandoned it because there was no way to stop the static electricity build-up, which risked severe pain and seizures. Morbius tells him that he will take his chances. Back in the castle, Solon prepares to operate, but Condo is enraged when he recognises his lost arm attached to the patchwork body. He attacks Solon, who shoots him in the belly. As the two struggle, Morbius's brain falls to the floor. Not knowing what damage has been done, Solon places the fallen brain in the casing, releasing Sarah so she can assist in the operation. If Morbius dies, so does she. The wounded Condo crawls into the hallway as outside, the Sisters carry the Doctor's seemingly dead body through the lightning storm. In the meantime, the operation is finished -- within minutes Morbius will live again. Solon goes to answer the door bell, and sees the Sisters leaving the Doctor's body in the parlour. In the laboratory. Sarah's eyesight starts to clear, but the monstrous body of Morbius gets off the operating table and lumbers towards her... Sarah screams as she sees the Morbius creature, and dodges out of the way. She warns Solon that the creature is loose and he runs back to the laboratory. Sarah notices the Doctor's body, but as she approaches, the Doctor wakes up and smiles at her. He is here to stop Solon, but Sarah tells him it is too late. Morbius sees his new body in the mirror, and smashes it angrily. Solon tries to calm him down, but Morbius renders him unconscious. When the Doctor meets the creature, he too is struck down. Morbius chases Sarah, but Condo intervenes, knocking Sarah down the stairs into the cellar while he grapples with Morbius. However, Morbius is too strong, and kills Condo instead. Morbius wanders out of the castle as the Doctor regains consciousness. He carries Sarah into the secret laboratory to let her recover. Solon, too, has awakened, and assembles a tranquilizer gun. He tells the Doctor that the operation was not complete, only the motor functions are working, the rest on an instinctual level. Knowing Morbius's hatred, he will seek out the Sisterhood. Sure enough, Morbius finds one of the sisters in some ruins nearby and kills her. The Doctor and Solon find the body and they search the ruins. Morbius attacks the Doctor, but is knocked out by Solon's tranquilizer. As they carry the creature back to the castle, the Doctor tells Solon that Morbius's brain will be detached and returned to the Time Lords. The body of the dead Sister is brought back to Maren. Ohica reports that witnesses saw a creature and then the Doctor and Solon hunting for it. Maren realises that Solon has succeeded in his experiments and resurrected their ancient enemy. But Maren is too old and weak to leave the shrine, and she gives Ohica permission to lead the Sisters to the castle. The Doctor gives Solon five minutes to disconnect the brain as he goes and checks on Sarah. However, Solon locks them in the secret laboratory instead and begins to repair Morbius. Using materials from the secret laboratory, the Doctor makes cyanide gas, which he then pipes through a vent that leads to the operating room above. Solon has finished the operation, but the gas chokes him and he dies. The alien lungs of Morbius, however, are more robust and the creature walks out of the room unharmed. He goes to confront Sarah and the Doctor -- he claims that when the knowledge of his resurrection spreads, his followers will rise in their millions. The Doctor and Sarah mock Morbius in an attempt to overheat his brain, and the Doctor challenges him to a mindbending contest. They grab hold of the appropriate apparatus in the laboratory and begin. The machine's display begins to show Morbius's brain casing head, then his previous face, then the Doctor, then the Doctor's previous incarnation. Further and further back into the Doctor's past the images go, as Morbius asks, "How far, Doctor? How long have you lived?" The face of the First Doctor fades into a series of eight other faces, with the current Doctor interspersed between them looking more defiant... then Morbius's brain case shorts out. The Doctor collapses, as Morbius stumbles out in a daze. Ohica's band of sisters finally reach the castle, and threaten Morbius with lit torches. Ohica goes down to the secret laboratory while the other Sisters herd Morbius out into the mountains. Ohica finds Sarah cradling the dying Doctor. Outside, the Sisterhood chases Morbius over a cliff, where he falls to his death. Taking the Doctor back to the shrine, Maren says only the Elixir of Life can save him, but there is none left. However, the revived Flame has gathered enough Elixir. There is enough for the Doctor, but not for Maren, who accepts that the Doctor was right: there should be an end. The Elixir is given to the Doctor, who revives almost immediately. Maren steps into the Flame of Life, becoming younger, and then vanishes. Ohica starts to thank the Doctor, but he stops her, saying that Sarah and he have another engagement. Before they leave, he gives her a match and touch paper in case they need to relight the Flame again. This time, the TARDIS vanishes in a puff of light and smoke... [edit] Cast notes Philip Madoc, who plays Solon, has appeared on Doctor Who in four different stories. He also had a role in the film Daleks - Invasion Earth 2150 AD See also Celebrity appearances in Doctor Who. [edit] Continuity This serial includes a scene in which the Fourth Doctor kills Solon by deliberately creating cyanide gas under the vent up to the operating theatre. Although he does this while trying to stop Morbius, this is nonetheless one of the few occasions in the series in which the Doctor directly takes the life of a human(oid) enemy. Similar incidents occur in Day of the Daleks, The Invasion of Time, The Ribos Operation, Vengeance on Varos and The Two Doctors.The Doctor says that he was born a few billion miles from Karn. Since billion can have different meanings in old British and American usage, it is possible that Gallifrey is between a few thousand million or a few million million miles away and so possibly in the same star system (for comparison Pluto is six thousand million miles from the Sun). Given the Doctor's mood at the start of the story, he may not be speaking literally.[1] The New Adventures novel Lungbarrow places Karn in Gallifrey's solar system.[2]Maren mentions an alien race who travel in "silent gas dirigibles". In the script it is "Muthi" but she pronounces it "Hoothi" instead. Writer Paul Cornell spelled it as "Hoothi" when he featured them in his New Adventures novel Love and War.[3]The BBC Books Past Doctor Adventures novel Warmonger by Terrance Dicks is both a sequel and prequel to this story, explaining how Morbius's brain survived his execution and the Fifth Doctor's involvement in the surrounding events.[4]It is explicitly stated that Morbius was the first Time Lord to be sentenced to execution in the race's history. The Doctor himself would be the second case in Arc of Infinity. [edit] The "Morbius Doctors" The faces appearing on the mind test machine are those of various members of the production team. After a complaint and as recompense the BBC paid a sum of money to the actors union Equity.[5] The faces are those of George Gallaccio (Production Unit Manager), Robert Holmes (script editor), Graeme Harper (production assistant), Douglas Camfield (Director), Philip Hinchcliffe (producer), Christopher Baker (production assistant), Robert Banks Stewart(Writer), and Chris Barry (director).[6] Those same faces have caused much debate among fans because they seemingly show past incarnations of the Doctor prior to the First Doctor, contradicting The Three Doctors (which refers to the First Doctor as the earliest incarnation), The Five Doctors (which explicitly states that the Doctor is in his fifth incarnation) the fifth Doctor serial Mawdryn Undead (which numbers his current and previous incarnations) and Time and the Rani, (which has the Doctor saying that he is in his seventh incarnation). The faces are commonly referred to as the "Morbius Doctors". Alternative explanations are that the faces are Morbius' previous incarnations or the Doctor's potential future incarnations.[7][6] The brain-tank and humanoid versions of Morbius are also seen in the mind test machine. See also Other (Doctor Who) and "The Doctor's regenerations". [edit] Production The details available for each episode of this story are outlined in the table below[8][9][10]. Episode Broadcast Date Run Time Ratings "Part One" 03 Jan 1976 25'25" 9.5m "Part Two" 10 Jan 1976 24'46" 9.3m "Part Three" 17 Jan 1976 25'07" 10.1m "Part Four" 24 Jan 1976 24'18" 10.2m The original script was written by Terrance Dicks, using some ideas from his script of the stage play Doctor Who and the Daleks in the Seven Keys to Doomsday; however after delivery he was out of the country when production limitations required substantial changes to the story. Script editor Robert Holmes undertook the rewrites without informing Dicks, who could not be contacted. Upon his return to the United Kingdom, Dicks learnt of the changes and disliked them; as a result, he demanded the replacement of his name on the credits with a "bland pseudonym".[6] The American tapes appear to have been produced without an incidental music/SFX track for the first episode. This is especially noticeable in the "movie-length" edit, when the music soundtrack suddenly cuts in at the start of episode two. [edit] Outside references There are many obvious links to Mary Shelley's novel Frankenstein, and particularly to the James Whale Frankenstein film released by Universal Studios.[7]The Sisterhood of Karn, an LGBT, London-based science fiction fan club, took their name from this serial.[11] [edit] In print Doctor Who book Doctor Who and the Brain of Morbius Series Target novelisations Release number 7 Writer Terrance Dicks Publisher Target Books Cover artist Mike Little ISBN 0 426 11674 7 Release date 23 June 1977 Preceded by Doctor Who and the Ark in Space Followed by Doctor Who and the Planet of Evil
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The Stolen Earth
Episode Duration: 0 minutes and 0 secondsThe Stolen Earth From TARDIS Index File, the free Doctor Who reference. Jump to: navigation, search "Welcome to my new Empire, Doctor. It is only fitting that you should bear witness to the resurrection - and the triumph - of Davros, Lord and Creator of the Dalek Race." --Davros The Stolen Earth is the penultimate episode of the fourth series (season 30) of Doctor Who. The Stolen Earth Series: Series 4 Series Number: 30 Story Number: 12 Doctor: Tenth Doctor Companions: Donna NobleRose TylerMartha JonesCaptain Jack Harkness Sarah Jane Smith Enemy: The DaleksDavrosSupreme Dalek Setting: EarthSol systemShadow ProclamationLondonCardiffFlydale NorthNew York2009Medusa Cascade Writer: Russell T. Davies Director: Graeme Harper Producer: Phil Collinson Broadcast: 28th June 2008 Format: 1x45 minute episode Prod. Code: 202 a Previous Story: Turn Left Following Story: Journey's End Contents [hide] 1 Synopsis2 Plot3 Cast4 References 4.1 Daleks4.2 The Doctor4.3 Last Great Time War4.4 Planets4.5 Technology 5 Story notes 5.1 Ratings5.2 Myths and rumours5.3 Filming Locations5.4 Discontinuity, Plot Holes, Errors 6 Continuity7 External links window.onload = function() { if (window.showTocToggle) { window.tocShowText = "show"; window.tocHideText = "hide"; showTocToggle(); }}; [edit] Synopsis When the Earth is stolen from its orbit and placed in another galaxy with 26 other stolen planets, the Doctor's secret army of allies comes together to defend the Earth from the New Dalek Empire. With battles raging on the streets and in the sky, the Doctor and Donna confront the Shadow Proclamation to find the truth; however, a fearsome old enemy waits in the shadows [edit] Plot Having seen the signs, the Doctor and Donna returned to Earth to find everything in order. Donna pressed the Doctor for an explanation of Rose's unexpected reappearance; the Doctor says that, if Rose can cross from her parallel world to Donna's parallel world, then the walls of reality are breaking down. But, with Earth apparently safe for now, they return to the TARDIS and prepare to stop the walls breaking. The TARDIS rumbles with an apparent earthquake. The Doctor and Donna rush to the doors and fling them open--to find that they are hanging in space. The Doctor checks the readings and realizes they have not moved, but the Earth has gone missing. It has been stolen. At the UNIT New York Base, Dr Martha Jones, regains consciousness after an earthquake to find UNIT in chaos and its personnel panicking. One hysterical colleague screams at Martha to look at at the sky. In Torchwood Three, Captain Jack Harkness blames the Rift for the brief but violent earthquake that has just devastated the Hub. After making sure that the other members of Torchwood Three -Gwen Cooper and Ianto Jones - are all right, Jack heads outside to survey the damage. Ianto and Gwen look at the computers and Ianto realizes that, whatever the problem is, "it's a bit bigger than South Wales". At 13 Bannerman Road, Ealing, London, Sarah Jane Smith and her son Luke comment on the earthquake - and wonder why, if it was only 8 a.m., when the quake struck, it is now dark outside. They approach the nearest window and look outside. In Chiswick, London, Donna's mother Sylvia and grandfather Wilfred aren't sure what has caused the earthquake. As they step outside their home, Sylvia looks at the sky. On the street in London where the TARDIS was parked, Rose Tyler materializes. She is carrying a large gun. She looks up and, alone of the Doctor's friends, does not seem surprised. She declares that "it's only just beginning..." The familiar Earth sky is gone. The sun is gone. The constellations have been replaced with strange new ones. And twenty-six new planets have appeared in the sky. Aboard the TARDIS, Donna demands to know if her family are dead. The Doctor does not know, and decides they have to get help. They set a course for the Shadow Proclamation. At Sarah Jane's house, alien supercomputer Mr Smith picks up readings of a fleet of 200 spaceships apparently headed towards Earth. At UNIT, American UNIT leader General Sanchez enters tells all soldiers and staff that UNIT commander Geneva has declared a Code Red Emergency. Martha tells him that she has tried to phone the Doctor, but the signal is dead. The number calls anywhere in the Universe, but the signal is being blocked by some unknown force. Sanchez notes that they will likely find out soon because the fleet is coming into orbit. Martha manages to call Jack, who says that he has not heard anything from the Doctor either. Gwen calls her husband, Rhys, and tells him to stay indoors and call her mother. Meanwhile, Rose is walking along the streets of London. She threatens a pair of looters with her gun and looks at the computer screen in the bank they were robbing. She then looks at the readings. At Torchwood Three, the team see the spaceships. Mr Smith tells Sarah Jane that the ships have a message for the human race. He puts it through. It consists of a single repeated word: 'EXTERMINATE!' The message is heard on all frequencies, including in UNIT and the speakers at Torchwood Three. The enemy are the Daleks. Upon hearing the message, both Jack and Sarah become very emotional and Jack says "I'm sorry. We're dead." Rose hears the message and heads outside to see a massive Dalek spaceship flying over London, destroying everything in its path. Martha looks outside to see Dalek spaceships flying everywhere, destroying New York. Aboard a massive spaceship at the heart of the cluster of planets, the Daleks finalize their plans. The Supreme Dalek, a red Dalek with extra paneling, declares that the Crucible will soon be complete, and that the Daleks are the masters of Earth. Far back across the Universe, on board the TARDIS and unaware of the unfolding destruction on Earth, the Doctor and Donna arrive at the Shadow Proclamation and are greeted at gunpoint by its rhino-headed guards, the Judoon. The Doctor manages to convince them they mean no harm and need help. A female member of the Proclamation tells the Doctor that the situation is worse than he suspects--not one but 24 planets have been stolen. Donna asks about Pyrovillia, but the Judoon captain tells her that Pyrovillia is a cold case, and it disappeared over 2000 years ago. Donna asks about the Adipose Breeding Planet and the Doctor realizes that planets are being snatched out of time as well as space. The Doctor heads over to the computer and shifts the display of the missing planets into 3D. He adds Adipose 3, Pyrovillia, and the Lost Moon of Poosh. The model rearranges itself into a perfect balance. They fit together 'like pieces of an engine'. Back on Earth, the Daleks attack and bring down the Valiant. Jack, Gwen and Ianto try to find a way to stop them. But their efforts are futile. Daleks land in Japan and Africa as well as other countries across the world. On board the station, the Supreme Dalek orders the Daleks to prepare landings and bring the humans to the Crucible. Then he recieves a call from the control room, asking about news. The Supreme Dalek declares Earth has been subjugated. The speaker is a sinister figure in the control, with the bottom half of a Dalek but his top half hidden in shadow. He is really asking for news of the Doctor, and the Supreme Dalek replies that there are no reports of the Doctor, and that they are beyond his reach. The figure is fascinated by the Dalek's tone of what seems to be triumph, and warns him about his pride. The Supreme Dalek believes the Doctor cannot stop them. The figure replies "And yet, Dalek Caan is anxious." A light switches on to show a Dalek with its mid-section opened to reveal the creature inside, and its top half destroyed, evidently Caan. The Supreme Dalek protests "The abomination is insane!" The figure demands that the Dalek shows respect, as without Dalek Caan Earth could never be conquered. Also, everything Caan says comes true. Caan says "He is coming, the three-fold man, he dances in the universe...oh, creator of us all...THE DOCTOR IS COMING!" Then he makes a noise that sounds like laughter. Back at the Shadow Proclamation's space station, Donna is sitting on the stairs waiting for the Doctor to work out what has happened. A Shadow Architect comes over and gives Donna some water. She then tells her that there was something on her back. The Doctor asks Donna if anything strange was happening on Earth. Donna reminds him about the bees disappearing. The Doctor realizes that this is a clue. Donna tells him some people thought it was pollution, or global warming. The Doctor tells her that in fact the bees were returning home, to the planet Melissa Majoria: The Tandoka Trail. They realize that if they follow the trail they can find the Earth. The Shadow Architect stops them, however, telling them "The planets were taken with hostile intent. We are declaring war, Doctor, right across the Universe and You will lead us into battle!" The Doctor tells her to 'Go get your key.' The TARDIS then vanishes, despite the Architect's demand that they stop. Back on Earth, the Daleks have enslaved London are ordering that all humans leave their homes. Wilf and Sylvia are watching this happening. When a man and his children defy them and stay at home, the Daleks brutally incinerate the house, leaving no survivors. Wilf and Sylvia run out onto the street and are confronted by a Dalek. Wilf grabs a paint gun a shoots the Dalek in the eye. The paint melts away. The Dalek then prepares to exterminate them, but then, suddenly, it explodes. Behind stands Rose, who has shot it with her gun. She asks if they are Donna's family, and when they reply yes, she tells them she needs them. Wilf reveals he has tried calling her, but there is no reply. The last time Donna had phoned was from the planet Midnight, made of diamonds. Sylvia believes this is ridiculous, but Wilf tells her she cannot start denying things now. Rose tells them that they are her last hope of finding the Doctor. Meanwhile, the TARDIS stops in the Medusa Cascade. The Doctor tells Donna he came here when he was just 30 years old, and that it was the centre of a rift in time and space. Donna asks about the 27 planets, and the Doctor tells her that they are nowhere. Donna asks what they do, but the Doctor does not reply. It becomes apparent that he has given up. On Earth, Sarah Jane and Captain Jack have given up. At the Nobles' house, the laptop suddenly switches itself on, with a voice coming through. Sarah and Torchwood hear it too. Jack tells Gwen to leave it, but suddenly the woman who is speaking shames him, and demands that he stands to attention. She then identifies herself as Harriet Jones, former prime minister. Rose tries to talk to Harriet, but she can't hear her. Also, Wilf and Sylvia do not have a webcam. Harriet makes contact with Sarah, and then decides they should be able to talk to each other. There are four contacts: Harriet, Sarah and Torchwood. The fourth contact is having trouble getting in contact. Rose thinks this is her, but is surprised when Martha appears on screen. Martha reveals that Project Indigo brought her home, to her mother. Harriet then introduces Torchwood to Sarah. Jack has been following Sarah's work, and tells her "Nice job with the Slitheen." Sarah has been staying away from Torchwood- too many guns. Jack tells her "Looking good, ma'am." Harriet tells them that this is the Subwave Network- it contacts anyone and everyone who can contact the Doctor. Harriet wants them to form The Doctor's Secret Army. Sarah reminds Harriet that the Doctor deposed her. Harriet tells her that she has wondered ever since then if she was wrong. She has, however, stood by what she said: There would be one day when Earth would be threatened, and the Doctor would not appear. She told him so and he did not listen. Now it has happened. Torchwood realize that they can transmit using all the power of the Rift, and Luke and Sarah have Mr Smith: phones, all calling out the same number at the same time. Ianto appears beside Jack and theorizes that if transmitting slows or stops, the Subwave Network will become visible to the Daleks. Harriet understands this, but declares her life does not matter- not if it saves the world. she then tells Jack to tell the Doctor from her "He chose his companions well." Martha sends them all the number. Rose decides to call the Doctor herself. The transmitting starts. Rose, Sylvia and Wilf start to call the Doctor. Suddenly, transmitting slows, and the Daleks detect the Subwave Network. The Supreme Dalek orders that the culprit be exterminated. The figure in the control room contacts him again, telling him "I warned you, Supreme One. Just as Dalek Caan foretold, the Children of Time are moving against us. But everything is falling into place..." Gwen tells Harriet they have found her, but Harriet keeps working. She sends control to Torchwood, just as the Daleks arrive in her home. The Daleks tell her they know her. Harriet says "Oh, you know nothing of any human. And that will be your downfall." Then they exterminate her. On board the TARDIS, the Doctor and Donna suddenly pick up signals from the Doctor's companions. The Doctor introduces Donna to all of them. On board the Crucible, Caan says "He is here...the Dark Lord is coming..." Then, the figure says "Supreme One, I will make contact on the Subwave Network. Give me access." Suddenly, all the contacts vanish off-screen. Donna thinks they are losing contact, but the Doctor realizes there is another contact coming through. He thinks it is Rose, but when he speaks a familiar voice says "Your voice is different, but its arrogance is unmistakable..." Suddenly, the figure glides onto the screen, and is revealed as Davros. He says "Welcome to my new empire, Doctor. It is only fitting that you should witness the resurrection and the triumph of Davros, lord and creator the Dalek race." The Doctor protests that Davros was destroyed in the very fist year of the Time War. His command ship flew into the jaws of the Nightmare Child at the Gates of Elysium. He even attempted to save Davros. Davros says "But it took one stronger than you- Dalek Caan himself." Caan says "I flew into the wild, and the fire. I danced and I died a thousand times" Davros tells the Doctor that his Emergency Temporal Shift from 1930 had taken him back into the Time War itself. The Doctor protests that the War is timelocked. But Caan had broken down the barriers and rescued Davros, albeit at the cost of his own mind. The Doctor realizes that now Davros has created a new race of Daleks. Davros says "I gave myself to them- quite literally: each one grown from a cell of my own body." He reveals that parts of his torso have been replaced by metal. His hand is also metal, but this is to replace the one blown off on Necros. As Davros says: "New Daleks...TRUE Daleks. I have my children, Doctor. What do you have, now?" Then, the Doctor says one thing: "BYE!" He then cuts transmission with Davros, and sets the TARDIS for Earth. The Supreme Dalek orders that the Daleks locate the TARDIS and find the Doctor. Davros orders the other Daleks to go to the Earth and exterminate or capture the Doctor's companions. Caan says "Death is coming. I can see it! Everlasting death for the most faithful companion..." Suddenly, the Daleks detect that the Subwave Network has been rebooted, and the new location is Torchwood. The Supreme Dalek orders that Torchwood be exterminated. On Earth, Jack contacts Martha via phone and asks for the digits on the Project Indigo transporter. They are wavering between a 4 and a 9. These are the two digits Jack needs to reactivate his Vortex Manipulator. He grabs the re-powered defabricator, and tells Gwen and Ianto that he will come back. Then he vanishes. Sarah then heads off to find the Doctor in her car. Mr Smith protects Luke. Rose contacts the paralel Torchwood and asks them to lock her onto the TARDIS, after she sais goodbye to Sylvia and Wilf she teleports away. The TARDIS lands in a street that is deserted and trashed. The Doctor asks Donna what Rose said in the parallel earth and Donna replies by saying "Why don't you ask her yourself". The Doctor turns around and see's Rose standing down the street then they both run towards each other. As they get closer a stray Dalek apears from behind a van and spots The Doctor. The Doctor sees the Dalek but is too slow and the Dalek shoots the Doctor in the arm, sending him to the ground. However the beam only partialy hits The Doctor and doesn't kill him straight away. Captain Jack teleports into the street and shoots the Dalek to bits with his gun. Rose kneels over The Doctor as he lies on the floor diying and Jack and Donna gather around and prepare to move him into the TARDIS. Back in Torchwood Gwen and Ianto pick up guns and get ready for battle. A Dalek enters Torchwood and Gwen and Ianto open fire. Back in the Tardis The Doctor is in terrible pain. Donna asks if theres anything they can do to help him but Jack tells them to just stay away. Rose and Jack knows what will happen next but Donna is oblivious. The Doctorr lifts up his hand and it begins to glow. Sarah jane is still in her car and is driving down a street untill she nearly hits two Daleks that are on the road. The Daleks turn around and Sarah jane tries to apoligise but the Daleks do not accept it and prepares to exterminate her. Back in the TARDIS The Doctor is still in pain and Jack makes the others back away. Donna asks whats going on and Rose explains that when The Doctor is diying he can heal himself but he changes in the process. Rose doesn't want The Doctor to change as she has come a long way to find him however the process has already started so he can't stop it. As The Doctor stumbles to his feet he stands up right and bursts with a huge yellow and white energy. His hands and head explode with energy and starts to regenerate in front of Rose, Jack and Donna. [edit] Cast The Doctor - David Tennant Donna Noble - Catherine Tate Rose Tyler - Billie Piper Martha Jones - Freema Agyeman Captain Jack Harkness - John Barrowman Sarah Jane Smith - Elisabeth Sladen Gwen Cooper - Eve Myles Ianto Jones - Gareth David-Lloyd Luke Smith - Tommy Knight Davros - Julian Bleach Sylvia Noble - Jacqueline King Wilfred Mott - Bernard Cribbins Harriet Jones - Penelope Wilton Francine Jones - Adjoa Andoh General Sanchez - Michael Brandon Dalek (voice) - Nicholas Briggs Judoon Captain- Paul Kasey Shadow Architect - Kelly Hunter Albino Servant - Amy Beth Hayes Suzanne - Andrea Harris Paul O'Grady - Himself Richard Dawkins - Himself Trinity Wells - Lachelle Carl Drunk Man - Marcus Cunningham Newsreader - Jason Mohammed Scared Man - Gary Miller Dalek operators - Barney Edwards, Nick Pegg, David Hankinson, Anthony Spargo Mr. Smith (voice) - Alexander Armstrong Judoon (voice) - Nicholas Briggs (uncredited) [edit] References General Sanchez is heard saying "Ladies and gentlemen, we are at war." The same phrase was spoken by Jack Harkness when facing the Daleks on the Gamestation. Harriet Jones has yet again introduce herself by flashing her identity card earning her the response of "Yes, I/We know who you are", even from the Daleks dispatched to her location to exterminate her. Mr Smith says that the TARDIS has landed in "vector 7, grid references 666". 666 is the number of The Beast. [edit] Daleks Wilf uses a paintball gun as a weapon against the Daleks by shooting paintballs at their eye stalks, referencing the popular method of incapacitating a Dalek: blinding them. However, it seems that the Daleks have been redesigned with this weakness in mind as the paint simply melts off the eye stalk after coming into contact with it (and at the same time replying "My vision is NOT impaired"). Dalek Caan predicts the most "faithful" companion will die. Caan referred the Doctor as "Dark Lord". (The Doctor is probably referred to in this way due to being the cause of death and destruction, from the point of view of the Daleks. ) He has also been known by the Daleks as the Ka Faraq Gatri or the 'destroyer of worlds' and also "The Oncoming Storm". The new Daleks are said to be Davros's "children" as they have been grown from his own cells. Davros makes a quick reference to Dalek Emperor. Wilf fires a paintball at a Dalek The Daleks' weaponry has seemingly been updated to include a "maximum extermination" setting, capable of destroying an entire house if three Daleks fire at the same target. The Daleks in this episode don't seem to have shields. [edit] The Doctor The Doctor first went to the Medusa Cascade when he was "just a child" at the age of 90. [edit] Last Great Time War Doctor says that Davros died in the very first years of the Time War, when Davros's ship flew into the "jaws of the nightmare child", suggesting that Time War lasted several years. An ongoing question relating to why the Doctor can't or won't go back to the era of the Time War to make things turn out differently is addressed by the Doctor indicating that the war is time-locked; Dalek Caan, having circumvented this barrier, paid for the experience with his sanity. It's revealed that Davros fought in the Time War, and the Doctor tried to save his life. This means at least two of the Doctor's mortal enemies were involved in the conflict, although the Doctor wasn't aware of The Master's involvement until much later. [edit] Planets Some of the missing planets mentioned are: Callufrax Minor, Woman Wept, Clom, Pyrovillia, Adipose 3, The lost moon of Poosh and Earth. The missing planet Callufrax Minor may be a reference to Calufrax, the miniaturized planet and Key to Time segment of The Pirate Planet. Ironically one of the co-stars of that Tom Baker-era serial, Bruce Purchase, died only a few weeks before the episode was broadcast. [edit] Technology There is reference to an object called an "Osterhagen key", but no explanation is given as to its function, origin or purpose. Significantly, while Harriet Jones is aware of its function and forbids its use, and Martha is also aware of what it can do, Jack Harkness and Torchwood have no idea what it is, even though they know about the other top-secret Indigo project, though Jack does mention this was because he 'met a soldier in a bar'. He is also from the future and seems to know the project is not fully operational, though Martha survives. Harriet Jones uses the subwave network to put the Doctor's 'secret army' in contact with each other, it utilises Sub-wave communication developed by the Mr Copper Foundation. Donna compares it to Facebook. The Master's beat is heard just before the subwave network comes online. [edit] Story notes This episode was the last of Series 4 to have its title revealed. This is the fourth time that the Daleks have returned with a leader in a finale. In DW: The Evil of the Daleks they returned led by their emperor; in the 2005 finale, The Parting of the Ways, the Daleks were led by the Dalek Emperor; and in 2006 finale, Doomsday, Dalek Sec led the Cult of Skaro. The Other Dalek two-parter in 2007 Series was shown as the 4th & 5th Episodes of the Series (Daleks in Manhattan and Evolution of the Daleks). Davros refers to the Doctor's allies as the Children of Time. Or, he might be referring to the Time Lords themselves, since he does not yet know who is operating such a powerful sub-wave transmission. The Doctor starts to regenerate yet again, acting as a cliff hanger. The Doctor's severed hand is seen bubbling at the end of Turn Left and during this episode as well. When in Jack Harkness's possession, the bubbling signaled the Doctor's presence, but in the Doctor's possession the bubbling has signaled the presence of other Time Lords. Could the Doctor's severed hand have a sentient mind? Davros and his command ship were lost in the first year of the Time War. Dalek Caan managed to save Davros, at the cost of his own sanity. The Doctor states he tried to save Davros before his ship was lost in the first year of the Time War. The "To Be Continued" before the end credits is different from the others previously used. There is also no sneak peek of the next episode. When Harriet Jones contacts Captain Jack, Martha Jones and Sarah Jane Smith, the contact tone is the same tone used by The Master to control the populace under the Archangel network. For the first time, the opening credits incorporate not two or three names, but six, adding Freema Agyeman, John Barrowman and Elisabeth Sladen to the Tennant, Tate and Piper credits of the previous week. The typeface used for these credits is slightly different than that usually used. In addition, several "overflow" cast credits are featured over the first scene after the opening sequence, a first for the series (Penelope Wilton, Adjoa Andoh, Eve Myles and Gareth David-Lloyd). Incidentally this is the first time Elizabeth Sladen's name has appeared in the opening credits. This is the first time all of the Doctor's "main" companions since the revival of the series began (the female leads) have all been credited at the same time; it is not, however, a complete listing of all the revival-series companions as Noel Clarke, Kylie Minogue (Astrid Peth) and Bruno Langley (Adam Mitchell) are not included. Russell T Davies' pattern of using the same surnames is the most notable in this episode with Martha Jones, Francine Jones, Harriet Jones and Ianto Jones. Francine and Martha are related (mother and daughter). Scientist and author Richard Dawkins has a cameo as himself. Dawkins is married to Lalla Ward, the actress who portrayed Romana II. The two were introduced by Douglas Adams, who met Ward in his capacity as the show's script editor. The claws of the Daleks in Crucible is very similar to ones in Doctor Who And The Daleks- Movie, but with eight fingers instead of two. Dalek Caan predicts the most "faithful" companion will die. The clicking sound when the Time Beetle from Turn Left was mentioned occurred when Donna was offered water at the Shadow Proclamation, accompanied by the same words used when the Time Beetle was "seen" by somebody else, "There's something on your back!" The story is very similar to that of previous Doctor Who writer, Douglas Adams' story Life, The Universe and Everything, which was in itself based on an abandoned Doctor Who story Adams had written. According to The Daily Mail, more than 2,500 people tried to call the Doctor's mobile phone number, despite it being a non-functioning number.[1] [edit] Ratings To be added [edit] Myths and rumours The presence of Davros in this episode had been rumoured for a long time before broadcast. An associated rumour suggested that the episode would reveal that Donna was actually Davros in disguise or Caan mutating himself into Davros. See this section in Journey's End for additional rumors related to Donna. It was also rumoured on the fan boards that Patrick Stewart or Ben Kingsley might have been cast as Davros, given media reports of his interest in appearing in Doctor Who after it was announced that he and Tennant would perform a season of Shakespeare together in 2008. Ultimately, Julian Bleach was revealed to be playing the character. [edit] Filming Locations Cardiff Pontypridd [edit] Discontinuity, Plot Holes, Errors It is not explained how the Daleks know of Harriet Jones. Presumably this is for comedic effect, serving only to continue the running gag. During the doomsday episode the Dr Singh character had his memory taken and he would have known about Harriet Jones and even though Dalek Caan is insane Davros is aware of current events. After Dalek Caan says 'Death for the most faithful companions' one of the Dalek's eye piece light is not working, but then suddenly lights up. Normally when a Dalek exterminates someone the beam normally hits them and disappears but when the Doctor gets exterminated you can clearly see the ray go through him and come out the other side. (The beam did not go through him: it went past him, only touching him slightly. Also, his entire body did not glow; only a portion did, which suggests that the beam did not do full damage (though still enough to cause a regeneration apparently).) At the end of Turn Left Bad Wolf was on the TARDIS. It's not there now. (They've traveled to Earth, as per Rose's request. Having arrived, there's no further need for the Bad Wolf message.) When Harriet Jones transfers control of the sub-wave network to Torchwood, the map circles an area in Swansea, not Cardiff. Russell T. Davies was born in Swansea, this may be an intentional error. When Jones' sub-wave system seeks out those who have worked with the Doctor, only the companions of the Tenth Doctor are singled out, not other past companions and/or acquaintances who might have worked with previous incarnations.Harriet Jones states the sub wave only finds people with the capacity to contact the Doctor. Presumably this refers to the current incarnation of the Doctor (as opposed to someone trying to contact, say, the Sixth Doctor), thereby disqualifying companions such as Ian Chesterton or Tegan Jovanka, who presumably have no access to things like "superphones". Donna indicates she has no idea what regeneration is, even though she was present when Martha referenced it in The Doctor's Daughter (She might not have understood what was meant at the time). Why did Harriet's computer screen turn off just because she died? Presumably the computer was destroyed as well as Harriet, perhaps by the Daleks' extermination rays. They might not have 'exterminated' her, but her computer in an attempt to stop the signal. Also, if the subwave finds the people who can contact the Doctor, then it must somehow link with the people themselves. This is demonstrated by the sub-wave finding Rose, even though the nearest computer is not her own. Harriet's death would therefore have severed the connection. How did Captain Jack know exactly where to teleport to shoot the Dalek that had shot the Doctor? He probably tracked the TARDIS location. The numbers 4 and 9 were to reactivate his vortex manipulator. He also appears to have arrived facing the Dalek, so his reflexes would have come into play. If Rose asked her "Control" to lock on to the TARDIS and transport, why did she end up at the other end of the street? (Even a machine as good as the TARDIS can make slight errors. The control did reasonably well to land her quite near to the TARDIS, especially since we don't yet know where "Control" is located; if it's on Pete's World or Donna's World, accuracy may have been difficult.) Dalek Caan didn't have emotions, so how can he laugh or go insane in the first place? Caan was a member of the Cult of Skaro, who were made to think like the enemy, i.e. having names and some emotions. As indicated in dialogue in this episode, emotions are discouraged, but still exist. There are also other examples of Daleks displaying anger, pride, and even a sense of humor (albeit sarcastic and dry) in past episodes (for an example of the last, reference the "pest control" comment directed at the Cybermen in Doomsday). Not only that, but Davros, when he created the Daleks, didn't remove all emotions: just those which he considered a weakness, such as mercy, compassion and forgiveness. Not to mention the fact that emotions are not a necessary component of insanity. Ianto is seen watching Paul O'Grady, but it was said earlier in the episode that it was a Saturday. Paul O'Grady is not aired on a Saturday. A possibility is that the move of Earth has taken time or time has skipped forward since the mention of the date was prior to the move. There is clear indication that, on Earth at least, at least a few hours might have elapsed. (As this episode is set in 2009 (our future) it is possible that the Paul O'Grady show is moved at some point to Saturday evenings.) When a Dalek turns around and implies, "New location, Torchwood", the blue light in it's eye is switched off as if it has been blinded and does not come on until a few seconds later. The apparent death of Harriet Jones puts paid to the Ninth Doctor stating that she was destined to serve three terms as PM and lead Britain into a new golden age (DW: World War Three). In several episodes, the Doctor has stated that history can be rewritten and only certain fixed points remain unchangeable. Presumably Jones is one of those changeable points. Also, Turn Left addressed the notion of alternate timelines stemming from choices; perhaps the Ninth Doctor was referencing what turned out to be an alternate timeline created when his next incarnation set in motion the events that would end her career (DW: The Christmas Invasion). Also, it should be noted that until the events of Journey's End play out, it remains to be seen if Jones has actually been killed. Television, cellphone and satellite communications continue to work, even though by rights when the planet moved anything in orbit should have been lost. Evidently when the Earth was moved whoever did it decided to include its satellites as well. One does not need satellites for ground-based television or cellphone broadcasts. What about the Moon? There's no indication it was moved with the Earth, so is it going to drift away? Objects in space often move slowly relative to the Earth, so even if the moon were suddenly cut free (a la Moonbase Alpha in Space: 1999) it would take a
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Journey's End
Episode Duration: 0 minutes and 0 secondsJourney's End From TARDIS Index File, the free Doctor Who reference. Jump to: navigation, search <a href="http://media.fastclick.net/w/click.here?sid=27202&m=1&c=1" target="_top"><img src="http://media.fastclick.net/w/get.media?sid=27202&m=1&tp=5&d=s&c=1" width=728 height=90 border=1></a> "For this is my ultimate victory, Doctor! The destruction of reality itself!!" --Davros Journey's End Series: Doctor Who - TV stories Series Number: 30 Story Number: 13 Doctor: Tenth Doctor. Companions: Donna Noble (departs)Rose Tyler (departs)Martha Jones (departs)Captain Jack Harkness (departs)Mickey Smith (departs)Sarah Jane Smith (departs)K-9 Mark IV (cameo) Enemy: The DaleksDavros Setting: CrucibleMedusa CascadeGermanyTorchwood 3Sol systemLondon 2009 Writer: Russell T Davies Director: Graeme Harper Producer: Phil Collinson Broadcast: 5th July 2008 Format: 1x65 minute episode Prod. Code: 202 b Previous Story: The Stolen Earth Following Story: Proms Special (mini-episode)2008 Christmas special (title TBA) This is the 13th and final episode of Series 4 and featured 7 companions of the Doctor. It is a continued on a cliffhanger from Episode 12. Contents [hide] 1 Synopsis2 Plot3 Cast4 Production crew5 References 5.1 Individuals5.2 TARDISes5.3 Technology 6 Story notes 6.1 Ratings6.2 Myths and rumours6.3 Discontinuity, Plot Holes, Errors 7 Continuity8 DVD and Other releases9 See also10 External links window.onload = function() { if (window.showTocToggle) { window.tocShowText = "show"; window.tocHideText = "hide"; showTocToggle(); }}; [edit] Synopsis The entire universe is in danger as the Daleks activate their master plan, and enslave 21st century Earth. The Doctor is helpless, and even the TARDIS faces destruction. The only hope lies with the Doctor's secret army of companions- but as they join forces to battle Davros himself, the prophecy declares that one of them will die. [edit] Plot The TARDIS is captured Following on immediately from the end of "The Stolen Earth", The Doctor is regenerating inside the TARDIS while Donna Noble, Captain Jack Harkness and Rose Tyler watch in horror. However, the Doctor transfers his regenerative energy into the container which carries his severed hand. He has healed himself, but chosen not to change his appearance. The TARDIS is transported by the Daleks to the Crucible and rendered powerless. The Doctor, Jack, and Rose leave it, but Donna is distracted because she is hearing the sound of a heartbeat and while looking back, the TARDIS door slams closed. Before the Doctor can free her, the Daleks dump the TARDIS into a waste chute where it will be destroyed in the centre-core of the Crucible. As the TARDIS interior explodes around her, Donna collapses near the severed hand, she hears the heartbeat again and while touching the container energy flows between it and her. The hand bursts out of the container, and forms as a new Doctor, although this Doctor has only one heart and has picked up some of Donna's mannerisms. With his help, the TARDIS escapes destruction and gives the new Doctor and Donna time to come with a plan. In Torchwood Three, Gwen Cooper and Ianto Jones find themselves safely in a time lock created by Toshiko Sato, preventing the Dalek from entering but also preventing them leaving. Sarah Jane Smith is saved from two Daleks by Mickey Smith and Jackie Tyler, but in order to follow the Doctor, lay down their guns and allow themselves to be captured, taken to the Crucible. Martha Jones says her goodbyes to her mother and makes for an abandoned castle in Germany where one of five Osterhagen stations is hidden, and waits for contact from the other bases. Aboard the Crucible, Jack creates a distraction by shooting the Supreme Dalek (Red Dalek) with his revolver, but is shot by the Daleks; as the Doctor and Rose are taken to the Vault where Davros is held, Jack's immortality allows him to escape. With the Doctor and Rose contained, Davros explains that the 27 planets form an energy pattern that is then amplified into a "reality bomb", able to break apart the forces holding everything together. Mickey, Jackie, and Sarah Jane escape a test chamber where this effect is shown to the Doctor just in time. Jack finds his way to the three, and with a locket from Sarah Jane, creates a device that will implode the Crucible. Meanwhile, Martha makes contact with two other bases in China and Liberia. The Chinese counterpart wants to get it over and done with, but Martha, knowing the Doctor, first broadcasts a signal to the Crucible to give them (probably both Earth and the Daleks) a second chance, promising to use the Ostenhagen key to detonate 25 nuclear warheads under the Earth's crust to destroy it and disable the reality bomb. However, the Daleks manage to lock onto their positions and beam Martha, Jack, Mickey, Jackie, and Sarah Jane, with the Transmat to the Vault where the Doctor and Rose are too being held captive. the TARDIS pulling the Earth through space The Daleks prepare to activate the reality bomb that will wipe out all matter in this and every parallel universe through the rifts in the Medusa Cascade, but the new Doctor and Donna arrive in the TARDIS. Both, however, are stunned by shots from Davros. The reality bomb countdown reaches zero, but nothing happens; Donna has manipulated the controls to disable it. The Doctor recognises that the creation of the new Doctor has had an unintended side effect: Donna is now half Time Lord herself, sharing the Doctor's intellect. Donna and the new Doctor free the others, and with the help of the original Doctor, disable the Daleks and start to send the planets back to their proper time and space. Before Earth can be sent, the machinery is destroyed by the Supreme Dalek, who is then destroyed by Captain Jack. The original Doctor races into the TARDIS to replace the functionality of the broken machine. Realising that Dalek Caan has seen the end of the Dalek race and has been manipulating time to achieve this, the new Doctor (probably not kept back by guilt due to the influence of Donna's personality) uses the remaining machinery to destroy all of the Daleks and their fleet. The rest of the companions flee to the TARDIS, and while the Doctor offers to save Davros, but he refuses, calling the Doctor the "Destroyer of Worlds". The Crucible is destroyed. The Doctor enlists the help of the other companions, making contact with the base Torchwood and with Luke Smith, Mr. Smith and K-9, to help use the TARDIS return the Earth to its proper place. Sarah Jane says her goodbyes, as well as Jack, Martha, and Mickey, who has decided to stay in this universe. Using a retroactively closing rift, the Doctor returns Rose and Jackie to the alternate dimension and leaves the new Doctor with her, as he will now grow old with Rose, no longer able to regenerate due to the human influence. The human doctor, having the same memories and feeling as the proper Doctor, whispers into Rose's ear (most likely telling her that he loves her), and they kiss. Returning to their universe, Donna finds she begins to have trouble thinking; the Doctor explains that the human mind cannot take in the Time Lord mental abilities. To save her, he wipes her mind of all her encounters with the Doctor, returning her home and explaining to her family, Sylvia Noble and Wilfred Mott, that she must never be reminded of her time with the Doctor or else she will die. As Donna recovers consciousness, she shows no interest in the Doctor; he leaves, though Wilfred promises he will look out for the Doctor every night while he looks at the sky. The Doctor then returns to the TARDIS, alone once again. Waiting for his next adventure........ [edit] Cast The Doctor - David Tennant Donna Noble - Catherine Tate Rose Tyler - Billie Piper Martha Jones - Freema Agyeman Captain Jack Harkness - John Barrowman Sarah Jane Smith - Elisabeth Sladen The Doctor - David Tennant Mickey Smith - Noel Clarke Jackie Tyler - Camille Coduri Luke Smith - Thomas Knight Gwen Cooper - Eve Myles Ianto Jones - Gareth David-Lloyd Wilfred Mott - Bernard Cribbins Sylvia Noble - Jacqueline King Francine Jones - Adjoa Andoh Davros - Julian Bleach Dalek Voice - Nicholas Briggs Voice of Mr Smith - Alexander Armstrong Voice of K-9 - John Leeson German Woman - Valda Aviks Scared Woman - Shobu Kapoor Anna Zhou - Elizabeth Tan Liberian Man - Michael Price [edit] Production crew Dalek Operators - Barnaby Edwards, Nicholas Pegg, David Hankinson, Anthony Spargo, Gethin Jones [edit] References The Doctor mentions that Rose has met Dalek Caan before, as part of the Cult of Skaro. Davros states that Sarah and he met on Skaro, in reference to Genesis of the Daleks . The Doctor returns Rose and Jackie to Dalig Ulv Stranden (Bad Wolf Bay) in the alternate universe). "Doctor Donna" was a quote foretold by the Ood. [edit] Individuals Those shown in flashback who died for the Doctor are Harriet Jones, Jabe, The Controller, Lynda Moss, Robert MacLeish, Mrs Moore, Colin Skinner, Bridget Sinclair, Ursula Blake (who did not die because The Doctor was able to bring her back to life), Face of Boe, Chantho, Astrid Peth, Luke Rattigan, Jenny (who is in fact not dead, but the Doctor is unaware of this), River Song and the Hostess. Both Rose and the Doctor recognise the familiar resemblance between Gwen Cooper and Gwyneth (who they encountered in Cardiff in 1869). Rose and Mickey, who previously had an on again, off again relationship, appear to have drifted apart. They do not look at each other, speak to each other, or interact at all, even when they are in the TARDIS together. Mickey does not say goodbye to her (though he does say goodbye to Jackie saying he'll miss her "more than anyone") and he tells the Doctor there's nothing for him in the parallel world, "certainly not Rose". Just before the Doctor is forced to erase her memory, Donna expresses a desire to meet Charlie Chaplin. This is the second finale in a row to have a character state a desire to meet a famous 20th century personality; previously the Doctor told Martha he wanted to meet Agatha Christie (DW: Last of the Time Lords); Christie subsequently appeared in The Unicorn and the Wasp; it remains to be seen if Donna's reference also serves a foreshadowing. [edit] TARDISes This is the first episode where the TARDIS is fully-staffed with six pilots, and the first time it is noted definitively that it was designed for six, after various mentions about it being made for more than a single Time Lord. [edit] Technology The purpose of the Osterhagen key is revealed in this episode. Martha's key is one of several required to set off a network of nuclear weapons buried deep beneath the Earth's surface. If detonated, these weapons would trigger the explosion of the Earth. Each key must be inserted into a control panel at an "Osterhagen station". There are apparently five around the world, but only three need to be manned with a key to initiate the detonation. Locations seen on screen are Germany, Liberia and China. The "Oserhagen Project" appears to have been in place for decades, according to the German woman who supplied food to the guards at the German station. Given the age of the German woman, and her claim that she knew of the Osterhagen key when she was in London during her youth, the "Osterhagen Project" likely dates to the days when the Brigadier was in charge of the British arm of UNIT. The technology used to emplace the nuclear weapons at the Earth's crust could therefore be linked to the drilling project featured in DW: Inferno. The Daleks have access to transmat technology. The TARDIS is captured by the Daleks in what they call a temporal prison but what the Doctor calls a chronon loop. Toshiko Sato installed a time lock around The Hub at Torchwood Three. Sarah Jane uses her sonic lipstick in the same manner as the Doctor's sonic screwdriver. This is the tool's first appearance in the main series. The "three Doctors" send the planets back to their original position through the use of a "magnetron". It is unclear if this is an intentional reference to the magnetrons seen previously in the original series (DW: Day of the Daleks, The Mysterious Planet), or just a general reference to real life magnetrons, used to power microwaves, radar screens and televisions. [edit] Story notes Blue Peter presenter Gethin Jones operates a Dalek in this episode, returning to Doctor Who since his brief appearance as a Cybus Cyberman in The Age of Steel. This was the longest series finale at 65 minutes long, longer even than most of the Christmas specials, except for Voyage of the Damned, which was 71 minutes. Dalek Caan refers to the Doctor as a 'threefold man'. The meaning becomes clear in this episode with both the copy of the Doctor and 'Doctor-Donna'. This episode marks the first series finale to show a preview of the upcoming Christmas Special (2008). After the credits the Cybermen are said to return in the episode. However the episode is unique for being the only series finale in the Russell T Davies era which doesn't end on a cliffhanger. It also breaks the pattern set by the previous two series by not having the Doctor exclaiming "What? What? What?" at the end. In fact it is the only finale scene of the Davies era in which no dialogue is spoken at all. Mickey, Jackie and Sarah hide from the Daleks in a shot that demonstrates an effect nicknamed the "Harper treatment". Graeme Harper's penchant for including a distorted image of a main character is present in this story. Though not included in every single story he's directed for BBC Wales, it's seen often enough to be considered something of a directorial "signature". Similar distortion is achieved through the use of magnifying glasses in Army of Ghosts, The Unicorn and the Wasp, and Utopia, and with mirrors in Turn Left. This time, it's Mickey, Jackie and Sarah Jane that get "the Harper treatment" under a curved window. This episode tells us that Harriet Jones, former Prime Minister, actually died in the previous episode. Davros named the Doctor 'The Destroyer of Worlds' and maybe a reference to Fires of Pompeii when it was said the Doctors name was sealed in the Cascade of Medusa herself or to the Doctor being the Ka Faraq Gatri. The Osterhagen key would destroy the Earth. The word, Osterhagen, is an anagram of the phrase, Earth's gone. This story augments the notion that Time Lords have some measure of control over the regenerative process. as seen in Last of the Time Lords. In truth, most regenerations have added at least a little to the general mythos about the process. From the notion that a particular physiognomy could be imposed upon the Second Doctor in The War Games, details have been added about how the process works almost every time one has been depicted. In this case, writer Russell T Davies builds upon his earlier idea that a Time Lord can re-grow whole body parts during "the first 15 hours" following a regeneration (The Christmas Invasion) Here he suggests that a Time Lord can stop the process prior to entering the final stage, provided that he has a matching genetic receptacle into which he can store the energy. When the newly created Doctor discovers he's "part Time Lord, part human" he is shocked and refuses to admit it. This is likely a reference to the 1996 movie and fan outrage at it. It might also suggest that the Doctor was never half-human due "Human-Time Lord metacrisis" The scene where the Daleks are speaking German is possibly a tongue-in-cheek reference to the fact that Terry Nation based the Daleks on the Nazis. This marks the likely permanent departure of Catherine Tate (Donna Noble) and Billie Piper (Rose Tyler). The story elements surrounding the destruction of the universe have some casual similarity to ideas found in Life, the Universe and Everything, a Hitch-Hiker's Guide to the Universe sequel penned by former Doctor Who script editor, Douglas Adams. Everything was in turn based on an abandoned Fourth Doctor television serial had written, called Doctor Who and the Krikkitmen. The recap of the previous episode uses different footage of Jack stating "you know what happens next" in the leadup to the regeneration. In The Stolen Earth he utters the line off-camera, but in the recap he is seen saying it. The Doctor and Mickey perform a "fist bump" in lieu of a handshake when Mickey departs. This mirrors the way they greeted each other in Doomsday. [edit] Ratings to be added [edit] Myths and rumours The week between the cliffhanger ending of The Stolen Earth and the broadcast of Journey's End included some of the most intense fan speculation and media attention in franchise history. The significance of the cliffhanger, which appeared to show the Doctor regenerating, along with previously reported speculation regarding Donna and other characters led to many speculations being circulated on fan discussion boards and the media. Among some of the most notable: That David Tennant was in fact leaving the series, and that leaked photos and other information regarding him being in the 2008 Christmas special (as well as media reports the preceding week that he was negotiating to return in 2010) were either a "red herring" or that the Christmas special was to include a flashback. The true nature of Donna was the subject of much speculation, with some fans suggesting her to actually be The Rani or Romana living under the influence of a Chameleon Arch, or a manifestation of the Master. Concerning Donna's ring, at the end of the season 4 finale, when the Doctor says good-bye to her it glimmers briefly into the camera. Some fans theorise that the ring is a possible Chamelon Arch containing Donna's memories of her time with the Doctor. It has also been suggested that the ring resembles a ring worn by The Master in a previous episode. Others theorise that the ring is just large, black, and very shiny. And the prediction that a companion would die led some to believe Donna, Martha or Rose would be the ones destined to die (since it had already been reported that John Barrowman would be returning to Torchwood and Elisabeth Sladen to The Sarah Jane Adventures, ruling out their characters' demise.) The appearance of K-9 was a surprise to many as it had been previously reported that the character would not be appearing in the episode, given the fact the rights to the character are currently held by another party for the planned K-9 television series. After Eve Myles, who had played Gwyneth in The Unquiet Dead was cast as Gwen Cooper in Torchwood, Russell T Davies stated in an interview in Doctor Who Magazine that the characters were unrelated. In this episode, however, Davies reversed this opinion by inserting dialogue strongly implying the two shared common ancestry. There is a possibility that either The Doctor or his twin left behind on Pete's World will eventually manfiest into The Valeyard due to the escalation of pain and abandoment felt each by the other for different reasons [edit] Discontinuity, Plot Holes, Errors If the TARDIS's power has gone, how does the monitor screen work? Strictly speaking, its power wasn't "gone"; the TARDIS was merely in a temporal prison. While this shut down most power, it clearly didn't cut everything Wouldn't the nuclear warheads placed under the crust have melted? UNIT would most likely have thought about this, and provided some sort of way to protect them. Why did Martha have to travel to Germany to activate the Osterhagen key when the other soldiers were in pods in their home countries? The main pod was in Germany - Martha states that she is in Osterhagen 1. The moon remained in position when the Earth had moved. The moon should have locked onto the strongest gravitational force (the Sun) and been pulled towards it. There is no indication one way or the other as to the moon's position. If the act of temporal shifting back to the Time War showed Dalek Caan the entire history of the Dalek race and led him to conclude the Daleks should be destroyed, why didn't he just let Davros die in the war and then kill himself? Caan was driven insane after saving Davros, therefore he had only seen the whole of time after Davros was already safe. He then began setting the course of events that would lead to the fall of the New Dalek Empire. If any mention of the Doctor or the TARDIS would cause the Time Lord consciousness within Donna to reawaken and burn up her mind, isn't the Doctor taking a tremendous risk by letting Donna see him in the Nobles' house? The Doctor wishes to test the effectiveness of the memory wipe and also determine whether there are any negative effects on her. Why were the controls put in the Vault where Davros could access them and destroy the Daleks as the Doctor-Donna did? It was Donna's skill that allowed this. The second humanoid woman aboard the Shadow Proclamation ship/station told Donna there was "something on your back". There was no explanation concerning the cryptic phrase by the climax of Journey's End. The albino woman spoke in the past tense saying there "was something on your back" If Mickey Smith was allowed to stay on the normal Earth, why did Rose and Jackie have to go back? After all, the Doctor could have brought Pete back as well, and their child. The Doctor wanted to keep the second Doctor sealed off in the parallel world where he couldn't cause any trouble, and wanted Rose to look after him. With all of her memories since The Runaway Bride erased, wouldn't Donna realise that she has lost about a year and a half of of her life, and shouldn't she think it's her wedding day? The exact nature of the mind wipe is never specified. Why do some Daleks have special 'cogs' instead of suckers on their right arms? The "sucker" may well be the standard right limb for a Dalek, but it has never been the only possible limb. At least as far back as DW: The Daleks' Master Plan, other appendages, like flame-throwers, have been seen. When Jack got Gwen's name wrong -- he said her surname was Cooper rather than Williams -- why didn't she correct him? There is no definitive indication in Torchwood that Gwen took Rhys' surname after marriage. If the Osterhagen key and its associated doomsday device had been around for years, why wasn't it activated during the events of Doomsday or, more to the point, The Year That Never Was (DW: Last of the Time Lords)? The Master used the anrchangel network to crush resistance. It's also probable that as the Master not only became Prime Minister, but also was involved with the top-secret weapon deployed against the Sycorax, that he was aware of the Key and took steps to prevent its use. [edit] Continuity When the Doctor sees Gwen Cooper for the first time, he asks if she comes from a long line of family from Cardiff. This is because of the similarity between Gwen and Gwyneth (DW: The Unquiet Dead), both of whom are played by Eve Myles. The Doctor and Rose both recognise the uncanny family resemblance. This is the first occurrence of the Doctor's TARDIS being piloted by six people, that number first being specified in NA: Cat's Cradle: Time's Crucible. This episode marks the last appearance of the Tenth Doctor's severed hand which first appeared in DW: The Christmas Invasion and throughout the first season of Torchwood. Davros mentions meeting Sarah at the birth of his creations; this happened in DW: Genesis of the Daleks. Mickey Smith and Jackie Tyler last appeared in DW: Doomsday. Donna tells the Doctor how to fix the Chameleon Circuit which has been broken since DW: An Unearthly Child. The Sixth Doctor had previously attempted this in DW: Attack of the Cybermen, as had the Fourth Doctor in DW: Logopolis. This is the third time a Doctor has been depicted in a way to suggest he was unclothed. The first time was in Spearhead from Space in which a newly regenerated Third Doctor took a shower. The second was during the regeneration from the Seventh to the Eighth Doctor, where he was merely covered by a sheet. The Ninth Doctor appeared shirtless during the torture scene in Dalek Gallifrey is mentioned again and the first time it has been mentioned in an episode with Rose Tyler . [edit] DVD and Other releases This episode will be released as part of Series 4 Volume 4 DVD alongside Turn Left and The Stolen Earth on 1st September 2008. It will also be released in the Series 4 boxset in November 2008.
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TDP 65: Doctor Who 4.12 The Stolen Earth & 4.13 Journey's End
Episode Duration: 0 days, 2 hours, 9 minutes and 15 secondsNotes to follow shortly
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German Translation
Episode Duration: 0 minutes and 0 secondsGerman Lesson If you were wondering about some of the dialogue during Martha's trip to Germany, Script Editor Lindsey Alford and Kevin Myers offer these handy translations!: FX: way off in the distance, DALEKS, in the air, gliding slowly through the trees. DALEKS: Exterminieren! Exterminieren! Halt! Sonst werden wir Sie exterminieren! Sie sind jetzt ein Gefangener der Daleks! Exterminieren! Exterminieren! Translation: Exterminate! Exterminate! Stop! Or you will be exterminated. You are a prisoner of the Daleks. Exterminate! Exterminate! Martha heads off in the opposite direction. Scurrying away into the darkness. On a mission. OLD WOMAN: Hier ist niemand. Was immer Sie wollen, gehen Sie fort. Lassen Sie mich in Ruhe. Translation: There's no one here. Whatever you want, just go away. Leave me alone. The OLD WOMAN's hostile, standing on the path. MARTHA: Ich heisse Martha Jones. Ich komme von UNIT. Agentin fuenf sechs sechs sieben eins, von der medizinishen Abteilung. Translation: I'm called Martha Jones. I come from UNIT. Agent 5, 6, 6, 7, 1. Medical officer. OLD WOMAN: Es hiess Sie kaemen vorbei. Translation: They said you might come. OLD WOMAN: Sie sind der Albtraum. Nicht die anderen, Sie! Ich sollte Sie umbringen, am besten gleich jetzt! Translation: You are the nightmare. It's not them, it's you! I should kill you right now! MARTHA: Then do it. And Martha just steps into the lift. The Old Woman lowers her gun, defeated, shaking. OLD WOMAN: Marta. Zur Hoelle mit Dir. Translation: Martha. You're going straight to Hell.
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TDP 64: Notes from a Stolen Earth
Episode Duration: 0 days, 0 hours, 10 minutes and 21 secondsBees are small yellow and black sociable members of the vespiform subspecies. Hailing originally from the planet and migrating to the planet Fintlewoodlewix over 7 million ago. Mistaken by the local inhabitants as nothing more than poorly armed Insects, with an innate ability to dance, they were largely ignored until it was discovered that they vomit was surprisingly palatable to most native species. Bee's attempts to communicate or implant their portable translation devices into the native species were usually mistaken as attempts to sting humans. This miss interpretation of events never distracted the Bees trying to make first contact despite a surprisingly high death count on the side of the Bees. However. The Bees left the renamed planet - now called Earth - Galactic codex Sol 3 - shortly before its removal too the Medusa Cascade. The last message from the bees was miss translated by a kindly Bee Keeper who assumed the Bee was communicating the location of a bowl of petunias to its fellow drones. The message was infact. So long and thanks for all the nectar.
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TDP 63: Doctor Who 4.11 Turn Left
Episode Duration: 0 days, 0 hours, 18 minutes and 12 secondsWhile visiting a market on the planet of Shan Shen with the Doctor, Donna Noble is offered a free fortune reading. The fortune-teller presses Donna to reveal her past and focuses on a point in her past on modern-day Earth where she was driving to her temporary job at H. C. Clements, despite her mother's desire that she take a permanent job nearby. As a large beetle-like creature climbs onto Donna's back, the teller convinces Donna to change her mind in the past, taking a right at the road junction per her mother's wishes instead of a left. The narrative turns to the alternate history created by Donna's choice, far bleaker than the course of events established in previous episodes. The Doctor dies permanently during the Racnoss' attack on London ("The Runaway Bride"), killed by the water pressure before he could regenerate, because Donna was not there to convince him to leave. Royal Hope Hospital is taken to the moon and returned ("Smith and Jones"), but only one person, Martha's fellow medical student Oliver Morgenstern, survives. Martha Jones and Sarah Jane Smith are among the dead (the latter apparently having foiled Florence Finnegan's plan). The Titanic crashes into the centre of London, wiping out the city and irradiating most of southern England ("Voyage of the Damned"). In the United States, 60 million people are turned into creatures made of fat ("Partners in Crime"). The Sontarans attempt to turn Earth into a breeding world ("The Poison Sky"), which is stopped by Jack Harkness and his remaining Torchwood team of Gwen Cooper and Ianto Jones. However, Gwen and Ianto are killed and Jack is transported to Sontar. Throughout all these events, Rose Tyler keeps appearing before Donna. Aware of the events to come, she steers Donna away from mortal danger but refuses to give her name. After the latest tragedy, Rose urges Donna to come with her, even though she will die. Donna initially refuses, but three weeks later, as she and her grandfather talk about recent events, the stars begin disappearing throughout the sky. Donna tells Rose that she is ready. Rose escorts Donna to a UNIT base where the dying TARDIS is being used to help power a makeshift time machine. Rose uses the system to show Donna the beetle that crawled onto her back during the fortune-telling. It is in temporal flux and cannot be removed, but Rose explains that Donna herself is also a point of flux. In order to set things right, they prepare to send her back in time to stop herself from going right. Donna agrees to go, but when she asks if she will get to live this time, Rose remains silent. Donna is sent back in time, but ends up half a mile away and with only four minutes to spare. Finding herself short of the mark on the road leading from the right of the critical intersection, Donna remembers what Rose said about her death and throws herself in front of a removal van. Traffic backs up to the intersection and the past Donna turns left, unwilling to wait for it to clear. As the future Donna lies on the ground, Rose leans over and whispers two words to pass on to the Doctor. Back on Shan Shen, the beetle falls off of Donna's back and the fortune teller flees, frightened by this unexpected development. The Doctor finds Donna and the beetle. He explains that it normally affects only the person it attaches to (the universe merely "compensates"), but in Donna's case created a parallel world. The Doctor is curious about the other alternate realities that seem to form around Donna ("Forest of the Dead"). He ponders the coincidences surrounding Donna and himself, as if something is binding them together. When Donna insists that she is nothing special, the Doctor tells her that she is brilliant, which triggers her fading memories of Rose. She tells him about Rose's warning that "the darkness is coming" and that it is affecting all worlds. At his insistence, Donna tells him the words Rose said; "Bad Wolf". Horrified, the Doctor runs outside to find that the words "Bad Wolf" are everywhere, even on the TARDIS. Inside the Cloister Bell is ringing and the TARDIS interior is glowing red. When Donna asks about the meaning of "Bad Wolf", the Doctor replies, "It's the end of the universe." This episode revisits the events of most of the present-day stories since Donna first met the Doctor, including "The Runaway Bride", "Smith and Jones", "Voyage of the Damned", "Partners in Crime", and "The Sontaran Stratagem" / "The Poison Sky". The Doctor's absence during these events leads to the deaths of Martha Jones, Sarah Jane Smith, Gwen Cooper and Ianto Jones. Jack Harkness, who cannot be killed, is transported to Sontar. Torchwood characters Gwen Cooper and Ianto Jones are referred to by name for the first time in Doctor Who, while a short segment of music from the soundtrack of Torchwood plays in the background. Sarah Jane Smith is mentioned for the first time since "The Girl in the Fireplace", along with the first mentions of The Sarah Jane Adventures characters Luke Smith, Clyde Langer, and Maria Jackson. The recurring "Bad Wolf" motif, primarily from series 1, returns at the conclusion of this episode to warn the Doctor of the events that are causing Rose to return. The TARDIS's Cloister Bell, last used in "Time Crash", can also be heard at the end of the episode. Sylvia Noble mentions that the bees are disappearing, which has been mentioned by Donna in "Partners in Crime", "Planet of the Ood", and "The Unicorn and the Wasp". Donna's father Geoff, who appeared in "The Runaway Bride", is mentioned for the first time since "The Fires of Pompeii". It is implied that he was ill during the timescale of "Smith and Jones", and had died by the time of "Voyage of the Damned". His character was intended to be used during series 4, but was retired after actor Howard Attfield died before his scenes were finished. He was replaced by Bernard Cribbins, whose previous role as an anonymous newspaper seller was merged with that of Donna's grandfather. The "Time Beetle"[2] on Donna's back is described by the Doctor as part of "the Trickster's brigade". The Trickster was a time-altering villain in The Sarah Jane Adventures story Whatever Happened to Sarah Jane?. The beetle on her back was also referenced by Lucius Dextrus in "The Fires of Pompeii" with the line, "Daughter of London, there is something on your back!". Sarah Jane Smith is said to write for the fictional Metropolitan magazine as previously mentioned in Planet of the Spiders. Rose mentions the "causal nexus", which was discussed by the Doctor and the Master in "Logopolis." Production The episode, filmed at the same time as "Midnight", saw the Doctor with very little screen-time, while "Midnight" saw Donna with little screen-time.[3] Tennant shot all his scenes, at the episode's beginning and end, in one day, while a double stood in for the shot of the dead Doctor's arm.[2] The appearance of the Giant Spider of Metebelis 3 that clung to Sarah Jane Smith's back in Planet of the Spiders influenced the design and concept of the "Time Beetle" that clings to Donna's back in this episode.[2] [edit] Cast notes Billie Piper makes her first substantial appearance on the show since "Doomsday". Interviewed for Doctor Who Confidential, Piper said her return had been planned at the time of her original departure but that around three weeks before filming she decided to rewatch some of her old episodes to refamiliarise herself with the role and ease her doubts that she could play Rose again.[2] Clive Standen reprises the role of Private Harris (credited in this episode as "UNIT Soldier") from "The Sontaran Strategem" / "The Poison Sky". Here he is shown to have been in attendance during the Webstar crisis. Ben Righton reprises the role of Oliver Morgenstern from "Smith and Jones", in this episode the only survivor when the hospital is returned to Earth, Martha Jones having given him the last oxygen pack. Lachele Carl returns as American newsreader Trinity Wells, who previously appeared in the Doctor Who episodes "Aliens of London"/"World War Three", "The Christmas Invasion", "The Sound of Drums" and "The Poison Sky", in addition to The Sarah Jane Adventures story Revenge of the Slitheen. Chipo Chung, who plays the fortune-teller, previously appeared as Chantho in the episode "Utopia". Reception Based on BARB overnight returns, "Turn Left" was watched by 7 million viewers, giving it a 35% share of the total television audience.[4] The episode received an Appreciation Index score of 88 (considered "Excellent").[5] Keith Watson for the Metro newspaper called it a "daring" episode and praised Catherine Tate's performance, which was "perfectly suited to a complex story... Doctor Who could get away with being a lot less clever. But they actually care about what they do."[6] However, Sam Wollaston of The Guardian felt Tate was overshadowed by the return of Billie Piper. "Catherine Tate really puts everything into this episode (too much, maybe). But as soon as Rose shows, Donna's a goner."[7] 201 - "Turn Left" Doctor Who episode In the makeshift TARDIS-powered UNIT time machine, Rose shows Donna what is on her back Cast Doctor David Tennant (Tenth Doctor) Companion Catherine Tate (Donna Noble) Also starring Billie Piper (Rose Tyler) Guest stars Bernard Cribbins - Wilfred MottJacqueline King - Sylvia NobleJoseph Long - Rocco ColasantoNoma Dumzwemi - Capt. MagamboChipo Chung - Fortune TellerMarcia Lecky - Mooky KahariSuzann McLean - Veena BradyNatalie Walter - Alice ColtraneNeil Clench - Man in PubClive Standen - UNIT SoldierBhasker Patel - Jival ChowdryCatherine York - Female ReporterBen Righton - MorgensternLoraine Velez - Spanish MaidJason Mohammad - Studio News ReaderSanchia McCormack - Housing OfficerLawrence Stevenson - Soldier #1Terri-Ann Brumby - Woman in DoorwayLachele Carl - Trinity WellsPaul Richard Biggin - Soldier #2[1] Production Writer Russell T. Davies Director Graeme Harper Script editor Brian Minchin Producer Susie Liggat Executive producer(s) Russell T. Davies Julie Gardner Phil Collinson Production code 4.11 Series Series 4 Length 50 mins Originally broadcast 21 June 2008 Chronology - Preceded by Followed by - "Midnight" "The Stolen Earth"
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Bad Wolf arc
Episode Duration: 0 minutes and 0 secondsBad Wolf The words Bad Wolf as aerosol graffiti on the TARDIS in "Aliens of London" The first arc word of the new series, "Bad Wolf", began to crop up in various ways starting from the second episode, "The End of the World", and then grew in prominence, leading to much fan speculation over the course of the series as to what the phrase referred to and what its ultimate significance would be. In this respect, the phrase was also a form of viral marketing. There was little clue to the meaning of the phrase until "The Parting of the Ways", where it was revealed to be a message spread by Rose Tyler throughout time after infusing herself with the power of the heart of the TARDIS. Having infused herself with the power of the time vortex, Rose gained seemingly infinite reality warping abilities with which she obliterated a Dalek fleet, before this fatal energy was removed from her by the Doctor. Describing herself as "see[ing] the whole of time and space", the extent of Rose's actions remains unclear. She revived Jack Harkness, an event which made him immortal, perhaps purposefully, and also acted as the catalyst for the Ninth Doctor's regeneration into the Tenth. " I am the Bad Wolf. I create myself. I take the words. I scatter them ... in time, and space. A message to lead myself here. " --Rose Tyler in "The Parting of the Ways". Bad Wolf arc The phrase first appeared in the second episode of the 2005 series, and then in every story of that series thereafter. It also occasionally appeared in the 2006 and 2007 series. Within the 2005 series of Doctor Who, the arc comprised the following episodes: "The End of the World": The Moxx of Balhoon mentions in a half-heard conversation to the Face of Boe the "Bad Wolf scenario." "The Unquiet Dead": When the clairvoyant Gwyneth reads Rose's mind, she says, "The things you've seen... the darkness.. the Big Bad Wolf!" "Aliens of London"/"World War Three": A young boy spray-paints the graffiti BAD WOLF on the side of the TARDIS and later cleans it off. "Dalek": The call sign for Henry van Statten's private helicopter is "Bad Wolf One" "The Long Game": One of the several thousand television channels being broadcast from Satellite Five is BAD WOLFTV. "Father's Day": A poster advertising a rave in 1987 has the words "BAD WOLF" defacing it. "The Empty Child"/"The Doctor Dances": The bomb that Captain Jack rides at the end of the story is labelled "SCHLECHTER WOLF", which literally translates as "Bad Wolf" in German (the appropriate translation, however, would be "Boser Wolf"). "Boom Town": A nuclear power plant is dubbed the Blaidd Drwg project, which is Welsh for "Bad Wolf". The Doctor also mentions for the first time that the phrase had been following them around. "Bad Wolf"/"The Parting of the Ways": The corporation that runs the Game Station (formerly Satellite Five) is called the Badwolf Corporation. It is from this corporation's logo that Rose "takes the words" to scatter throughout Time and Space, resulting in the other appearances of the phrase. It is also in scattered graffiti around Rose's council estate, including on a poster tacked to the wall behind Rose's head in the cafe scene and in giant letters on a paved recreation ground. The latter is faded, but still visible, in "New Earth". Since the initial arc, the phrase Bad Wolf has reappeared in the background of many other scenes. 2007 series episode "Gridlock" features the Japanese word Akuro, Japanese for "evil wolf", labelled on poster in a car. Torchwood episode "Captain Jack Harkness" featured the phrase as graffiti in a Welsh dance hall, and in Torchwood book Another Life by Peter Anghelides, a large part of the plot revolves around the Blaidd Drwg nuclear power station. In a re-creation of classic Second Doctor serial The Invasion , the animators slipped a Bad Wolf on the wall where Zoe scribbled the phone number. Other allusions since "The Parting of the Ways" include the 2006 series episode "Tooth and Claw", in which the Host mentions that Rose has "seen [the wolf] too", and that there is "something of the wolf about [her]". The phrase reappeared in the 2008 series episode "Turn Left": At the end of this episode all text turns into "Bad Wolf", including the backlit signs and the board on the front of the TARDIS. This is described by the Doctor to be the end of the universe. There was an earlier visual reference in the 2008 series: one of the drawings by the little girl (in episode "Forest of the Dead") featured a blonde girl and a wolf. The phrase was similarly used as a precursor explanation of possible inconsistencies, such as in "Love & Monsters",[4] effectively attributing them to the actions of Rose as the Bad Wolf during "The Parting of the Ways". As the phrase is a reminder of the connection between the Doctor and Rose, it appears explicitly in their final farewell; in "Doomsday", the Doctor projects an image to say goodbye to Rose on a beach in the Norway of the parallel Earth called "Darlig ulv stranden", which she translates as "Bad Wolf Bay". (In actuality, it can be translated to "Bad Wolf Beach"). Also on the Doctor Who website, the Captain Jack monster file for Judoon, there is a advert for good wolf insurance. Other media The tie-in websites set up by the BBC to accompany the series also featured appearances of the phrase. The "Who is Doctor Who?" site featured a clip from "World War Three" with an American newsreader. This clip differed from the one shown in the broadcast version in only one respect: the newsreader was identified as "Mal Loup", French for "bad wolf". At one point, the Doctor is described as being off "making another decision for us, all 'I'm the big bad wolf and it's way past your bedtime.'" The UNIT website also used "badwolf" as a password to enter the "secure" areas of the website. The Geocomtex website's support page has BADWOLF transcribed in Morse Code, and its products page make mention of Lupus and Nocens variants for their "node stabilisers" (lupus nocens is Latin for "wolf who harms"). They also offered "Argentum Ordnance", argentum being Latin for "silver" -- silver bullets being traditionally used for killing werewolves. In the background image of the BBC Doctor Who website's TARDISODE page, the words "BAD WOLF" can be seen scrawled behind Mickey Smith.[5] The graffiti can also be seen in the background of Rose Tyler's character page.[6] In one of the areas in the Ghostwatch game, "BAD WOLF" is written as graffiti on a wall. The phrase occurs in some of the New Series Adventures, the BBC Books range of spin-off novels based on the new series. The Ninth Doctor Adventures run concurrently with the 2005 series. The Clockwise Man, by Justin Richards features a character named Melissa Heart who notes that the two time travellers keep turning up "like a bad wolf." In Winner Takes All by Jacqueline Rayner, there is a game called "Bad Wolf" amongst Mickey's other computer games. In The Monsters Inside by Stephen Cole, a character named Dennel tells Rose "The big bad wolf's ready to blow our house down." In The Deviant Strain, also by Richards, a psychic character tells Rose that he fears "The bad wolf... The man with the wolf on his arm." Later, this character is indirectly killed by another character who has a tattoo of a wolf on his arm. In The Stealers of Dreams by Steve Lyons, a character explaining why fiction is dangerous says, "We've good reason to be afraid of the big bad wolf." The phrase also appears in later Tenth Doctor novels, such as Peacemaker a character says the Doctor is 'the man who defeated the Bad Wolf'. There were two "Bad Wolf" references in the Doctor Who Magazine Ninth Doctor comic strips. In Part Two of The Love Invasion (DWM #356, May 2005), there is a poster on the wall of a pub reading "Bad Wolf". In Part One of A Groatsworth of Wit (DWM #363, December 2005), a tavern sign in Elizabethan London features a picture of a wolf's head and the initials "B.W." A motorcycle gang in the Torchwood Magazine comic Jetsam is named Blaid Drwg.
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WHOstrology - Doctor Who Broadcast Dates
Episode Duration: 0 minutes and 0 secondsNo Title Original airdate 1 An Unearthly Child 23 November-14 December 1963 aka 100,000 BC aka The Tribe of Gum 2 The Daleks 21 December 1963-1 February 1964 aka The Mutants aka The Dead Planet 3 The Edge of Destruction 8-15 February 1964 aka Inside the Spaceship aka Beyond the Sun 4 Marco Polo 22 February-4 April 1964 aka A Journey Through Cathay 5 The Keys of Marinus 11 April-16 May 1964 aka The Sea of Death 6 The Aztecs 23 May-13 June 1964 7 The Sensorites 20 June-1 August 1964 8 The Reign of Terror 8 August-12 September 1964 aka The French Revolution Season 2 (1964-65) No Title Original airdate 9 Planet of Giants 31 October-14 November 1964 10 The Dalek Invasion of Earth 21 November-26 December 1964 aka World's End 11 The Rescue 2-9 January 1965 12 The Romans 16 January-6 February 1965 13 The Web Planet 13 February -20 March 1965 aka The Zarbi 14 The Crusade 27 March-17 April 1965 aka The Lionheart aka The Crusaders 15 The Space Museum 24 April-15 May 1965 16 The Chase 22 May-26 June 1965 17 The Time Meddler 3-24 July 1965 Season 3 (1965-66) No Title Original airdate 18 Galaxy 4 11 September-2 October 1965 19 "Mission to the Unknown" 09-Oct-65 aka "Dalek Cutaway" 20 The Myth Makers 16 October-6 November 1965 21 The Daleks' Master Plan 13 November 1965-29 January 1966 22 The Massacre of St Bartholomew's Eve 5 February-26 February 1966 aka The Massacre 23 The Ark 5 March-26 March 1966 24 The Celestial Toymaker 2 April-23 April 1966 25 The Gunfighters 30 April-21 May 1966 26 The Savages[b] 28 May-18 June 1966 27 The War Machines 25 June-16 July 1966 Season 4 (1966-67) No Title Original airdate 28 The Smugglers 10 September-1 October 1966 29 The Tenth Planet 8-29 October 1966 Second Doctor Season 4 (1966-67) -- continued No Title Original airdate 30 The Power of the Daleks 5 November-10 December 1966 31 The Highlanders 17 December 1966-7 January 1967 32 The Underwater Menace 14 January-4 February 1967 33 The Moonbase 11 February-3 March 1967 34 The Macra Terror 11 March-1 April 1967 35 The Faceless Ones 8 April-13 May 1967 36 The Evil of the Daleks 20 May-1 July 1967 Season 5 (1967-68) No Title Original airdate 37 The Tomb of the Cybermen 2-23 September 1967 38 The Abominable Snowmen 30 September-4 November 1967 39 The Ice Warriors 11 November-16 December 1967 40 The Enemy of the World 23 December 1967-27 January 1968 41 The Web of Fear 3 February-9 March 1968 42 Fury from the Deep 16 March-20 April 1968 43 The Wheel in Space 27 April-1 June 1968 Season 6 (1968-69) No Title Original airdate 44 The Dominators 10 August-7 September 1968 45 The Mind Robber 14 September-12 October 1968 46 The Invasion 2 November-21 December 1968 47 The Krotons 28 December 1968-18 January 1969 48 The Seeds of Death 25 January-1 March 1969 49 The Space Pirates 8 March-12 April 1969 50 The War Games 19 April-21 June 1969 Third Doctor Season 7 (1970) No Title Original airdate 51 Spearhead from Space 3-24 January 1970 52 Doctor Who and the Silurians 31 January-14 March 1970 aka The Silurians 53 The Ambassadors of Death 21 March-2 May 1970 54 Inferno 9 May-20 June 1970 Season 8 (1971) No Title Original airdate 55 Terror of the Autons 2-23 January 1971 56 The Mind of Evil 30 January-6 March 1971 57 The Claws of Axos 13 March-3 April 1971 58 Colony in Space 10 April-15 May 1971 59 The Daemons 22 May-19 June 1971 Season 9 (1972) No Title Original airdate 60 Day of the Daleks 1-22 January 1972 61 The Curse of Peladon 29 January-19 February 1972 62 The Sea Devils 26 February-1 April 1972 63 The Mutants 8 April-13 May 1972 64 The Time Monster 20 May-24 June 1972 Season 10 (1972-73) No Title Original airdate 65 The Three Doctors[c] 30 December 1972-20 January 1973 66 Carnival of Monsters 27 January-17 February 1973 67 Frontier in Space 24 February-31 March 1973 68 Planet of the Daleks 7 April-12 May 1973 69 The Green Death 19 May-23 June 1973 Season 11 (1973-74) No Title Original airdate 70 The Time Warrior 15 December 1973-5 January 1974 71 Invasion of the Dinosaurs [d] 12 January-16 February 1974 72 Death to the Daleks 23 February-16 March 1974 73 The Monster of Peladon 23 March-27 April 1974 74 Planet of the Spiders 4 May-8 June 1974 Fourth Doctor Season 12 (1974-75) No Title Original airdate 75 Robot 28 December 1974-18 January 1975 76 The Ark in Space 25 January-15 February 1975 77 The Sontaran Experiment 22 February-1 March 1975 78 Genesis of the Daleks 8 March-12 April 1975 79 Revenge of the Cybermen 19 April-10 May 1975 Season 13 (1975-76) No Title Original airdate 80 Terror of the Zygons 30 August-20 September 1975 81 Planet of Evil 27 September-18 October 1975 82 Pyramids of Mars 25 October-15 November 1975 83 The Android Invasion 22 November-13 December 1975 84 The Brain of Morbius 3-24 January 1976 85 The Seeds of Doom 31 January-6 March 1976 Season 14 (1976-77) No Title Original airdate 86 The Masque of Mandragora 4-25 September 1976 87 The Hand of Fear 2-23 October 1976 88 The Deadly Assassin 30 October-20 November 1976 89 The Face of Evil 1-22 January 1977 90 The Robots of Death 29 January - 19 February 1977 91 The Talons of Weng-Chiang 26 February - 2 April 1977 Season 15 (1977-78) No Title Original airdate 92 Horror of Fang Rock 3-24 September 1977 93 The Invisible Enemy 1-22 October 1977 94 Image of the Fendahl 29 October-19 November 1977 95 The Sun Makers 26 November-17 December 1977 96 Underworld 7-28 January 1978 97 The Invasion of Time 4 February - 11 March 1978 Season 16 (1978-79) No Title Original airdate 98 The Ribos Operation 2-23 September 1978 99 The Pirate Planet 30 September-21 October 1978 100 The Stones of Blood 28 October-18 November 1978 101 The Androids of Tara 25 November-16 December 1978 102 The Power of Kroll 23 December 1978-13 January 1979 103 The Armageddon Factor 20 January - 24 February 1979 Season 17 (1979-80) No Title Original airdate 104 Destiny of the Daleks 1-22 September 1979 105 City of Death 29 September-20 October 1979 106 The Creature from the Pit 27 October-17 November 1979 107 Nightmare of Eden 24 November-15 December 1979 108 The Horns of Nimon 22 December 1979-12 January 1980 109 Shada[e] Unaired Season 18 (1980-81) No Title Original airdate 110 The Leisure Hive 30 August-20 September 1980 111 Meglos 27 September-18 October 1980 112 Full Circle 25 October-15 November 1980 113 State of Decay 22 November-13 December 1980 114 Warriors' Gate 3-24 January 1981 115 The Keeper of Traken 31 January-21 February 1981 116 Logopolis 28 February-21 March 1981 Fifth Doctor Season 19 (1982) No Title Original airdate 117 Castrovalva 4-12 January 1982 118 Four to Doomsday 18-26 January 1982 119 Kinda 1-9 February 1982 120 The Visitation 15-23 February 1982 121 Black Orchid 1-2 March 1982 122 Earthshock 8-16 March 1982 123 Time-Flight 22-30 March 1982 Season 20 (1983) No Title Original airdate 124 Arc of Infinity 3-12 January 1983 125 Snakedance 18-26 January 1983 126 Mawdryn Undead 1-9 February 1983 127 Terminus 15-23 February 1983 128 Enlightenment 1-9 March 1983 129 The King's Demons 15-16 March 1983 130 The Five Doctors[f] 23-Nov-83 Season 21 (1984) No Title Original airdate 131 Warriors of the Deep 5-13 January 1984 132 The Awakening 19-20 January 1984 133 Frontios 26 January-3 February 1984 134 Resurrection of the Daleks 8-15 February 1984 135 Planet of Fire 23 February-2 March 1984 136 The Caves of Androzani 8-16 March 1984 Sixth Doctor Season 21 (1984) -- continued No Title Original airdate 137 The Twin Dilemma 22-30 March 1984 Season 22 (1985) No Title Original airdate 138 Attack of the Cybermen 5-12 January 1985 139 Vengeance on Varos 19-26 January 1985 140 The Mark of the Rani 2-9 February 1985 141 The Two Doctors 16 February-2 March 1985 142 Timelash 9-16 March 1985 143 Revelation of the Daleks 23-30 March 1985 Season 23 (1986) Main article: The Trial of a Time Lord No Title Original airdate 144 The Mysterious Planet 6-27 September 1986 145 Mindwarp 4-25 October 1986 146 Terror of the Vervoids 1-22 November 1986 aka The Vervoids 147 The Ultimate Foe 29 November-6 December 1986 aka Time Incorporated Seventh Doctor Season 24 (1987) No Title Original airdate 148 Time and the Rani 7-28 September 1987 149 Paradise Towers 5-26 October 1987 150 Delta and the Bannermen 2-16 November 1987 151 Dragonfire 23 November-7 December 1987 Season 25 (1988-89) No Title Original airdate 152 Remembrance of the Daleks 5-26 October 1988 153 The Happiness Patrol 2-16 November 1988 154 Silver Nemesis 23 November-7 December 1988 155 The Greatest Show in the Galaxy 14 December 1988-4 January 1989 Season 26 (1989) No Title Original airdate 156 Battlefield 6-27 September 1989 157 Ghost Light 4-18 October 1989 158 The Curse of Fenric 25 October-15 November 1989 159 Survival 22 November-6 December 1989 Eighth Doctor
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TDP 62: Doctor Who 4.10 Midnight
Episode Duration: 0 days, 0 hours, 14 minutes and 2 seconds"Midnight" is the tenth episode of the fourth series of British science fiction television series Doctor Who. It was first broadcast on BBC One on 14 June 2008. Synopsis The Doctor and Donna take a holiday on the crystalline planet Midnight, which orbits close enough to its sun that the Xtonic radiation exposure would vaporise any living thing walking unprotected on its surface. Donna opts to relax at a spa while the Doctor takes a four-hour shuttle bus ride to the Sapphire Waterfall. Other passengers include the Cane family -- Val (Coulson), Biff (Ryan), and their teenage son Jethro (Morgan) -- Professor Hobbes (Troughton) and his assistant Dee Dee Blasco (Antoine), and businesswoman Sky Silvestry (Sharp). The staff are the driver Joe (Bluto), trainee mechanic Claude (Henry), and a steward who is only referred to as 'the Hostess' (Ayola). The trip initially goes smoothly despite the shuttle being rerouted to a new course, but suddenly the shuttle stops. The Doctor checks with the shuttle's driver and mechanic, confirming that there's nothing wrong with the vehicle. He convinces them to open the shutter to look outside, and the mechanic believes he sees a shadow moving towards the bus. The crew calls for a rescue vehicle while the Doctor returns to the main cabin. A few moments later, something begins knocking on the shuttle's hull, copying the passengers when they knock back. The knocking moves around the shuttle, making its way towards Sky Silvestry, apparently the most frightened of the lot, and dents the door she is standing by. The lights then temporarily fail and the shuttle is violently rocked. When the lights are restored, the seats near Sky have been ripped off the floor and she is cowering in the corner. An attempt to speak to the cabin crew reveals that their cabin has also been ripped away, exposing Joe and Claude to the deadly sunlight. Sky initially remains motionless, but is coaxed into turning around by the Doctor. Attempts to get her to speak only cause her to repeat what she is told, making it clear that Sky is no longer in control. The delay between Sky's repetitions becomes shorter, until eventually she begins speaking in exact unison with the passengers. Cabin fever sets in, and the passengers contemplate throwing her outside. The Doctor's attempts to calm the situation fail when the passengers become suspicious of him, especially when he is unwilling to reveal his name. This is only amplified when Sky focuses solely on repeating the Doctor's words. As the Doctor tries to reason with Sky, she begins speaking his words first, and the Doctor quickly becomes the one doing the repeating. Most of the passengers reason that whatever was in Sky has now passed into the Doctor, while the hostess and Dee Dee reason that this is just the next step: stealing the voice of another. The other passengers refuse to listen and begin to drag the Doctor towards the nearest door after being goaded by Sky. However, the hostess realises that Sky is not talking in her own voice when she uses two phrases the Doctor had used earlier. Before the other passengers can throw the Doctor out, she sacrifices herself by dragging Sky out of another door. The Doctor slowly recovers, and as the passengers wait for the rescue shuttle, he realises that no one knew the hostess' name. At the spa, a mournful Doctor reunites with Donna. Continuity Rose Tyler appears on one of the shuttle's television screens shortly after the lifeform attacks the transport, echoing a similar appearance in "The Poison Sky". In both instances, she silently shouts for the Doctor, who is not there to see the image in the first instance and is looking the opposite way in this episode. Rose is also mentioned by the Doctor by name along with Martha and Donna. This is the first story since Genesis of the Daleks where the TARDIS does not appear. This is the second full story featuring the Doctor without a companion in the main narrative, the first being The Deadly Assassin (Mission to the Unknown in 1965 featured neither the Doctor nor his companions). It is also the only time where the adversary is neither seen nor given a name.[2] When the Doctor is asked for his real name, he lies and replies with the name "John Smith", a common alias of his, which is not believed. The mystery behind the Doctor's name and the use of a simple alias is a recurring theme in the series' revival. Two of the Tenth Doctor's common phrases are used to identify his voice: "allons-y" and "molto bene", first used in "Army of Ghosts" and "The Runaway Bride" respectively.[2] Production This episode is the fiftieth episode filmed for the revived series, and was filmed at the same time as "Turn Left". Donna has a minor role in the episode (appearing in only the pre-credits sequence and the final scene), while the Doctor has a minor role in "Turn Left".[1][3][4] Cast notes David Troughton, cast here as Professor Hobbes, was a late replacement for Sam Kelly, who broke his leg and had to withdraw from the production. Troughton joined the rest of the cast in Cardiff with just two days notice. An actor now known for his stage work with the RSC as well as television, he is the son of Patrick Troughton, who portrayed the Second Doctor. He had a long association with the early series in the 1960s and early 1970s, appearing as an uncredited extra in the first, fifth, and sixth episodes of the Second Doctor serial The Enemy of the World as Private Moor in the sixth episode of the Second Doctor serial The War Games[, and as King Peladon in all four episodes of the Third Doctor serial The Curse of Peladon. [8][9] More recently he has appeared as the Tinghus in the Doctor Who audio adventure Cuddlesome. Reception Based on BARB overnight returns, "Midnight" was watched by 7.3 million viewers, giving it a 38% share of the total television audience. [] against ITV's live coverage of a UEFA Euro 2008 international football match. The episode received an Appreciation Index score of 86 (considered "Excellent"). The Guardian's TV reviewer Sam Wollaston described the episode as "great... it's tense and claustrophobic, and gnaws away at you." He praised the fact that all the action happened in one confined space with an unseen enemy, saying "this is psychological drama rather than full-blown horror; creepy-unknown scary, not special-effect-monster scary." The Times's reviewer Andrew Billen was more critical, writing that Tennant's Doctor was becoming "increasingly irritating". He called the episode "sheet upon sheet of dialogue" that "felt too much of a writing exercise to be really scary" and a case-in-point of how the 2008 series "fails as often as it succeeds". Billen did, however, praise the episode for its claustrophobic atmosphere and for showing the series was "not afraid of variety [and]... dead scared of repetition". 200 - "Midnight" Doctor Who episode Sky Silvestry synchronises with the Doctor Cast Doctor David Tennant (Tenth Doctor) Companion Catherine Tate (Donna Noble) Guest stars Billie Piper - Rose TylerLesley Sharp - Sky SilvestryRakie Ayola - HostessDavid Troughton - Professor HobbesAyesha Antoine - Dee Dee BlascoLindsey Coulson - Val CaneDaniel Ryan - Biff CaneColin Morgan - Jethro CaneTony Bluto - Driver JoeDuane Henry - Mechanic Claude Production Writer Russell T. Davies Director Alice Troughton Script editor Helen Raynor Producer Phil Collinson Executive producer(s) Russell T. Davies Julie Gardner Production code 4.10 Series Series 4 Length 45 mins Originally broadcast 14 June 2008 Chronology - Preceded by Followed by - "Forest of the Dead" "Turn Left"
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Fault on Invisible Enemy DVDs
Episode Duration: 0 minutes and 0 secondsTo get a replacement disc you need to send your current one to: DVD Support 2Entertain 33 Foley Street London W1W 7TL The just released K9 Tales DVD set has a problem at the end of Episode 3 of The Invisible Enemy that causes scenes to play out of order. the fault kicks in at around 21' 10, when Tom says "Get out of my head!" - there is a leap to the final lab scene where the "shrimp" appears. this continues to 22' 07 and the beginning of the "sting" when we return to the scene in Tom's head, until 22'27, when the credits kick in suddenly. this is all too noticeable and makes the end of the episode total nonsense.
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TDP 61: Doctor Who 4.08 & 4.09 Silence in the Library - Forest of the Dead
Episode Duration: 0 days, 0 hours, 21 minutes and 29 seconds"Silence in the Library" is the eighth episode of the fourth series of British science fiction television series Doctor Who, first broadcast on 31 May 2008.[1] It is the first of a two-part story by Steven Moffat, followed by "Forest of the Dead //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Plot Synopsis The Doctor and Donna arrive in the 51st century at a planet-sized book repository simply called "The Library", summoned by an anonymous request for help on the Doctor's psychic paper. However, they find it completely devoid of humanoid life, and the Library's computers even claim as such, though when the Doctor widens the search for non-humanoid life, the Library's computers claim over "a million million lifeforms" exist. A Node, an information drone which presents a donated human face to the user to facilitate communication, warns them to count the shadows, which appear despite the lack of objects to cast them. As they try to search for answers, they meet a team of explorers, led by archaeologist Professor River Song, who have come to ascertain the meaning of the Library's final communication, which states "4022 saved, no survivors". River Song seems to know the Doctor, has a diary with a cover matching the Doctor's TARDIS, and even possesses a sonic screwdriver. She also later displays knowledge of the TARDIS' "emergency program one". She only admits that she will know the Doctor in his relative future, refusing to disclose more for fear of "spoilers". Professor Song also recognises Donna's name, but avoids explaining why Donna was not present when she knew the Doctor. The Doctor organizes the team to make sure the area is well lit as he explains that they are surrounded by Vashta Nerada, microscopic carnivorous creatures that disguise themselves as shadows to hunt and latch onto their prey. He notes that they are usually nowhere near as aggressive or numerous as the ones here seem to be. Before he can fully explain, however, one of the explorers wanders off and is stripped to the bone in moments. The Doctor and Donna learn that the exploration team wears communication devices which link to their nervous systems for thought-based communication. As a side-effect, these devices tend to pick up an imprint of the user at the moment of death, creating a short-lived "Data Ghost" of that person's consciousness. Curiously, the Library's operations seem to be tied to the imagination of a young girl; she sees the Doctor and Donna through the eyes of a security camera when they first break into central room, the exploration team appears on her television when the Doctor attempts to hack the Library computers, and books fly from the shelves when she fiddles with the television's remote control. The girl is under the observation of Dr Moon, a child psychologist, at the request of her dad, but Dr Moon insists to the girl that what she imagines in her nightmares is in fact real, while the "real" world is a lie. He also states that there are people in her library who need to be saved. The team's investigation is interrupted when a shadow of Vashta Nerada latches onto the pilot, Dave. Although the Doctor attempts to save him by sealing him inside his suit, the creatures manage to get inside, eat him alive, and then animate his suit in order to chase the other explorers. The Doctor attempts to teleport Donna back to the TARDIS while he leads the rest of the team to safety, but something goes wrong with the teleport and Donna fails to materialize properly. As the team races away from the possessed suit, the Doctor is horrified to find a Node with Donna's face on it, which claims that Donna has left the Library and has been "saved". The show ends in a cliffhanger as the Doctor is forced to leave the Node behind, but is trapped by the approaching suit on one side and the Vashta Nerada shadows on the other. Continuity As shown on the BBC Doctor Who website, there are a number of books in the library either written by former Doctor Who writers or featured in previous episodes. Among those seen are the operating manual for the TARDIS, Origins of the Universe (Destiny of the Daleks), The French Revolution (An Unearthly Child), the Journal of Impossible Things ("Human Nature"/"The Family of Blood"), The Hitchhiker's Guide To The Galaxy (written by Douglas Adams, former Doctor Who writer and script editor), Everest in Easy Stages (The Creature from the Pit) and Black Orchid (a book first seen in the Fifth Doctor serial of the same name). The Doctor mentions that "emergency program one" will send Donna home should she be left alone in the TARDIS for five hours. In "The Parting of the Ways", this program was activated by the Ninth Doctor to send Rose Tyler home. According to Steven Moffat, the squareness gun used by Professor River Song to help the party escape from the impending Vashta Nerada is intended to be the same sonic blaster that was used by Jack Harkness in the episode "The Doctor Dances". Moffat suggests that it was left in the TARDIS after "The Parting of the Ways", and taken by River Song in the Doctor's future. The name "squareness gun" was coined by Rose in the earlier episode. The psychic paper has previously summoned the Doctor to a location in "New Earth", where the Face of Boe called the Doctor to his supposed deathbed. The Doctor also mentions that he loves "a little shop", a sentiment previously expressed in the episodes "New Earth" and "Smith and Jones". Broadcast and reception "Silence in the Library" was scheduled against the final of ITV's talent contest Britain's Got Talent and suffered in the ratings as a result. Overnight viewing figures suggested that the episode was watched by 5.4 million viewers, although this increased to 6.27 million when adjusted for time shifting. Britain's Got Talent was viewed by 11.52 million in comparison. This was the first time since the series' revival in 2005 that Doctor Who did not have the largest audience share in its timeslot. However, the episode did receive an Appreciation Index score of 89 (considered "Excellent")[, the joint highest figure the new series has received alongside "The Parting of the Ways", "Doomsday" and the following episode "Forest of the Dead". BBC Three's repeat of the episode was watched by 1.35 million viewers, almost double the figures for the equivalent repeat of the previous episode, "The Unicorn and the Wasp". Production Certain scenes were filmed at the Old Swansea Central Library and the Brangwyn Hall in Swansea, Wales. "Forest of the Dead" is the ninth episode of the fourth series of British science fiction television series Doctor Who. It was first broadcast by BBC One on 7 June 2008. It is the second of a two-part story, following "Silence in the Library". //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Plot Synopsis Immediately following the events of the previous episode, "Silence in the Library", the Doctor and the exploration team manage to escape the Vashta Nerada and take refuge in a well-lit room. As they work out a plan, the Doctor is concerned about how he can trust River Song, so she whispers a single word in his ear which convinces him: his real name. Donna Noble finds herself at a care home named "CAL", apparently two years later, with Dr Moon treating her. He introduces her to another man, Lee, and is later seen visiting the married Donna and her family. However, Donna keeps noticing that something is wrong; she seems to skip from one place to another at a whim, only to be reminded of the journey by Dr Moon, who does this frequently by ending his sentences with "...and then you remembered/forgot"). Meanwhile, the little girl watches both the Doctor and Donna by switching channels on her television. In the library, the Doctor discovers that the moon is sending out electromagnetic signals that are interfering with his sonic screwdriver. Strackman Lux explains that the moon is a virus scanner for the planet-side computer core. The Doctor briefly interrupts this signal, and suddenly appears in Dr Moon's place next to Donna; Dr Moon is quite literally the "doctor moon". The Doctor then understands that the message "4022 saved" did not mean they were rescued, but that their teleport patterns were saved to the library's hard drive. They are found once more by the Vashta Nerada suit and forced to flee, but the Doctor stays behind to reason with it. Through the communicator on the suit, the Vashta Nerada explain that the library is their "forest"; the paper of the countless books in the library was made from trees filled with Vashta Nerada spores, from which they hatched after being shipped to the library. They manage to kill Other Dave and resume the chase. River still laments the non-appearance of the Doctor she knew, recalling him making whole armies run away and opening the TARDIS with a snap of his fingers. Anita notices she has two shadows, and the Doctor uses his sonic screwdriver to tint her visor to attempt to trick the Vashta Nerada into thinking they are already in there. In the computer core, the truth of the situation is revealed to Donna by none other than Miss Evangelista. She reveals that her Data Ghost was captured by the library's wireless internet, but was corrupted and caused her face to become severely disfigured while increasing her intelligence, leaving her "brilliant but unloved" and able to see the false reality for what it really is. She points out that all the children are merely identical copies, and gets Donna to remember the library. However, the young girl, watching from her television, does not want Donna to know and uses her television remote control to injure one of Donna's children as a diversion. Donna leaves Miss Evangelista behind, but her acceptance of the simulated reality is nevertheless shaken, and her invented children disappear when confronted with the fact that they do not exist. The little girl, increasingly frustrated by events, "switches off" her father and throws the remote control to the floor, activating the computer's self-destruct mechanism. Dr Moon attempts to protect the girl as he is programmed to do, but he is also switched off. Professor River Song gives her life in place of the Doctor. To stop the self-destruct, the Doctor, River Song, and Lux make their way to the computer core. Here, Lux reveals the meaning of CAL: it is an acronym for the name Charlotte Abigail Lux, his grandfather's daughter, who was wired into the computer as a child because she was dying. In this manner, Charlotte could live forever with the sum total of human knowledge to pass the time. However, storing the patterns of 4022 unique people has filled her computer core, and is preventing normal operations. The only way to set things right is to reintegrate them in the library. As CAL cannot do this alone, the Doctor prepares to wire his own mind into the system as extra memory, though it will surely kill him. As he works, he uses his screwdriver to un-tint Anita's visor to reveal a skeleton inside - she had been dead for some time now. He insists that in exchange for getting to keep their forest, he will get to save the people in the computer core. They initially refuse, but when the Doctor tells them to search for his name in the library's archives, they immediately reconsider and give him a day to clear the planet. River, unwilling to let the Doctor die, which would rewrite history and erase their time together, knocks him out and takes his place, rescuing those trapped in the computer at the cost of her life instead of his. As the rescued humans are teleported home, Donna meets up with the Doctor. Having been unable to find her husband from the virtual world, the pair walks to the TARDIS, unaware that he is in the next group being teleported out. As the Doctor mournfully leaves River's diary and her sonic screwdriver in the library, he realises the reason why his future self gave her the sonic screwdriver in the first place: it holds a communication device with a Data Ghost. He uses it to bring River back to life inside the computer. After returning to the TARDIS, he decides to test what River Song said about his future: he opens and closes the TARDIS doors by snapping his fingers, then continues his adventures. Meanwhile, River Song appears in the virtual world, where she is greeted by Charlotte and Dr Moon. Anita, the two Daves and Miss Evangelista (her face restored) also appear, their Data Ghosts having been saved by Charlotte and brought into the computer for eternity. Josh and Ella, the homogeneous children from CAL's world, are seen to live with Charlotte and River. Continuity Multiple items from previous episodes are reused here. The wedding dress Catherine Tate wears in this episode is the same dress she wore in "The Runaway Bride". According to Steven Moffat, the squareness gun used by Professor River Song to help the party escape from the impending Vashta Nerada at the beginning of the episode is intended to be the same sonic blaster that was used by Jack Harkness in the episode "The Doctor Dances". Moffat suggests that it was left in the TARDIS after "The Parting of the Ways", and taken by River Song in the Doctor's future. The name "squareness gun" was coined by Rose Tyler in the earlier episode. The Bad Wolf motif (seen throughout series one and in other places) is alluded to once more: a picture of blonde girl and a wolf is visible in Charlotte's house. There are some similarities between River Song and Bernice Summerfield, a character created by Paul Cornell as a companion of the Seventh and late Eighth Doctors in Virgin New Adventures series of novels in the 1990s.[4] Both characters are archaeologists from the future who came to be the Doctor's most trusted companion. Professor River Song uses the Doctor's name (not heard by the viewer) in order to gain his trust. The secret behind the Doctor's true name was also explored in "The Girl in the Fireplace" (also by Steven Moffat), "The Shakespeare Code" and "The Fires of Pompeii", and later referred to in "Midnight". Production "Forest of the Dead" was initially announced under the title "River's Run", before its name was changed relatively late in production.[ Several scenes from this episode and "Silence in the Library" were filmed at Swansea's Brangwyn Hall. These include the library reception area where the TARDIS arrives, and the staircase where the Doctor and Donna look out over the empty library. The climactic scenes of the episode (in the library core) were filmed in an electrical substation of a disused Alcoa factory in Waunarlwydd, Swansea. Josh and Ella, Donna's two children in the computer-generated world, were named after Steven Moffat's son and his son's friend.[8] Reception Based on overnight returns, it is estimated that Forest of the Dead was watched by 7.1 million viewers, giving it a 40.0% audience share; the highest in Series Four and the highest in its timeslot.[9] The episode received an Appreciation Index score of 89 (considered "Excellent"), the joint highest score the programme has achieved alongside "The Parting of the Ways", "Doomsday" and the preceding episode "Silence in the Library". 199a - "Silence in the Library" Doctor Who episode The Doctor, Donna and the explorers find the skeleton of one of their companions. Cast Doctor David Tennant (Tenth Doctor) Companion Catherine Tate (Donna Noble) Guest stars Alex Kingston - Professor River SongColin Salmon - Dr MoonEve Newton - The GirlMark Dexter - DadSarah Niles - Node 1Joshua Dallas - Node 2Steve Pemberton - Strackman LuxTalulah Riley - Miss EvangelistaJessika Williams - AnitaO-T Fagbenle - Other DaveHarry Peacock - Proper Dave Production Writer Steven Moffat Director Euros Lyn Script editor Helen Raynor Producer Phil Collinson Executive producer(s) Russell T. Davies Julie Gardner Production code 4.8 Series Series 4 Length 45 mins Originally broadcast 31 May 2008 Chronology - Preceded by Followed by - "The Unicorn and the Wasp" "Forest of the Dead" 199b - "Forest of the Dead" Doctor Who episode Donna discovers that Miss Evangelista was corrupted when she was uploaded to the data core. Cast Doctor David Tennant (Tenth Doctor) Companion Catherine Tate (Donna Noble) Guest stars Alex Kingston - Professor River SongColin Salmon - Dr MoonHarry Peacock - Proper DaveSteve Pemberton - Strackman LuxJessika Williams - AnitaO-T Fagbenle - Other DaveEve Newton - The GirlMark Dexter - DadJason Pitt - LeeEloise Rakic-Platt - EllaAlex Midwood - JoshuaTalulah Riley - Miss EvangelistaJonathan Reuben - Man Production Writer Steven Moffat Director Euros Lyn Script editor Helen Raynor Producer Phil Collinson Executive producer(s) Russell T. Davies Julie Gardner Production code 4.9 Series Series 4 Length 45 mins Originally broadcast 7 June 2008 Chronology - Preceded by Followed by - "Silence in the Library" "Midnight"
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TDP 60: Doctor Who and Torchwood DVD Round Up
Episode Duration: 0 days, 0 hours, 9 minutes and 56 secondsDVD round up for the summer of 2008!
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TDP 59: Doctor Who 4.07 The Unicorn and the Wasp
Episode Duration: 0 days, 0 hours, 7 minutes and 41 seconds"The Unicorn and the Wasp" is the seventh episode in the fourth series of the British science fiction television series Doctor Who, which was aired by BBC One on 17 May 2008 at 7:00pm.[2][3] Perhaps due to its later broadcast, it received an overnight audience rating of 7.7 million, making it the most successful episode this series since "The Fires of Pompeii".[4] The episode is a pseudohistorical story set in 1926, in a manor owned by a character named Lady Eddison in which crime fiction novelist Agatha Christie is visiting, and is a comedic episode with a murder storyline.[5] //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Plot Synopsis The episode sees the Doctor (David Tennant) and Donna Noble (Catherine Tate) arrive at a dinner party hosted by Lady Eddison (Felicity Kendal) and her husband, Colonel Hugh (Christopher Benjamin). One of the guests is none other than Agatha Christie (Fenella Woolgar). Looking at a newspaper, the Doctor finds that it is the day of Agatha Christie's famous unexplained disappearance (December 8, 1926). Just as this revelation is made, another guest, Professor Peach (Ian Barritt), is found by Eddison's friend and companion Miss Chandrakala (Leena Dhingra) in the library, murdered with a lead pipe; Donna alludes to the similarity to the boardgame Cluedo. The Doctor finds morphic residue on the floor while examining the scene, meaning that one of the guests isn't human. Aided by Agatha, the Doctor interviews the guests while Donna goes looking for clues. She investigates a locked room, which the butler explains Lady Eddison had sequestered herself in while recovering from a bout of malaria contracted in India forty years earlier and they had left locked after her recovery. Donna is attacked by a giant wasp after tracing a buzzing sound to a window. She scares it off with a magnifying glass. It escapes and apparently retakes human form before they can catch up, killing Miss Chandrakala along the way. Her last words are "The poor little child." At this point it becomes clear that the murder is being played out like one of Agatha's novels. While the three mull over the evidence they've gathered thus far, the Doctor is poisoned with cyanide; however, it is not as fatal for him as it is for humans, and an odd combination of ingredients with a shock (in the form of a kiss) from Donna allows him to detoxify himself. In return, the Doctor "poisons" the guests' dinner with pepper; naturally this is not harmful to humans, but it acts as an insecticide to wasps. A buzzing sound can be heard moments later, to which Lady Eddison exclaims, "It can't be!" The lights are blown out by a sudden wind and they again fail to ascertain the identity of the alien. Roger Curbishley (Adam Rayner), Lady Eddison's son, is murdered in the confusion, and Lady Eddison's necklace, 'The Firestone,' is stolen. In the sitting room, the Doctor and Agatha reveal several secrets about the guests and hosts. Robina Redmond (Felicity Jones) is a thief called 'The Unicorn' who coveted the Firestone and stole it in the confusion. Colonel Hugh is not actually wheelchair bound as he appears to be; he faked the condition to make sure Lady Eddison did not leave him. The truth of Lady Eddison's bout of malaria is also revealed; she was actually made pregnant by an alien known as a Vespiform, who gave her the Firestone necklace. The necklace is psychically linked to her son, whom she had given up for adoption and never saw again. Her son is actually the Reverend Golightly (Tom Goodman-Hill), who had come to associate Agatha Christie's novels with the way the world must work because Lady Eddison had been reading one when his alien biology was awakened in a moment of anger, and had killed those who were working against him in the manner of one of her novels. Golightly, now enraged once more at being discovered, transforms into his wasp form. Agatha snatches the Firestone, and Golightly pursues her since she is now linked to it. The Doctor and Donna follow after her. Agatha leads the creature to the lake, where Donna throws the necklace into the water. Golightly follows it in and thus drowns. Still linked to the necklace, Agatha nearly dies as well, but Golightly chooses to release her as his last act. The trauma causes amnesia, and the Doctor deposits her at the Harrogate Hotel ten days later, explaining her disappearance. In the TARDIS, the Doctor produces one of Agatha's novels, Death in the Clouds, and points to the copyright page in the front. The publication date is listed as the year five billion; Agatha Christie is quite literally the most popular novelist of all time. The cover features a giant wasp, suggesting that the amnesia was not total (although the wasp in the novel is in fact of the normal variety). Continuity When the Doctor meets Agatha Christie for the first time, he mentions that he was just talking about her the other day, saying "I bet she's brilliant". This comes from the end of "Last of the Time Lords", when he was suggesting places where he and Martha could go after the Master's defeat. Several previous episodes are referenced by both the Doctor and Donna. The Doctor produces items from a chest of items beginning with C, including a Cyberman chest-plate from "The Age of Steel" and the crystal ball in which the Carrionites are trapped from "The Shakespeare Code". Donna mentions that meeting Agatha Christie during a murder mystery would be as preposterous as meeting "Charles Dickens surrounded by ghosts at Christmas", unknowingly referencing the events of "The Unquiet Dead". When Donna attempts to use 1920s lingo, the Doctor tells her to stop, just as he did with Rose Tyler (in "Tooth and Claw") and Martha Jones (in "The Shakespeare Code" and The Infinite Quest) when they tried to mimic local speech; the first slang phrase Donna uses ("Topping day, what!") is also used by the Third Doctor when interacting with 1920s characters in the 1973 serial Carnival of Monsters. When poisoned, the Doctor runs into the kitchen and asks for ginger beer. The Fourth Doctor was seen drinking ginger pop throughout The Android Invasion and the dislike of it by companion Sarah Jane Smith becomes a major plot point. Donna refers to her own failed marriage in "The Runaway Bride", comparing it to Christie's husband's infidelity. She notes that her husband was colluding not with another woman but with a giant spider. She also mentions the disappearing bees, following on from previous mentions in "Partners in Crime" and "Planet of the Ood". The Doctor has a flashback scene when unravelling motives with Agatha Christie. In it he's carving through Belgium with a bow and quiver of arrows on his back. His voiceover explains he looking for Charlemagne who was "kidnapped by an insane computer." Christie interrupts before he can paint a full picture; however the events are fully explored on Doctor Who's BBC website in the short story "The Lonely Computer."[1] The first episode of this series was called "Partners in Crime" - the title of one of Agatha Christie's books. Outside references There are numerous references to either Agatha Christie's novels or to Christie herself. In a similar manner to the running gag between the Doctor and William Shakespeare in "The Shakespeare Code", both Donna and the Doctor refer to novels which Agatha has yet to write, ideas which she naturally finds to be intriguing -- particularly Murder On The Orient Express, which Donna mentions. Other novels referenced are Why Didn't They Ask Evans, The Murder at the Vicarage, Cards on the Table, Appointment with Death, N or M?, The Body in the Library, The Moving Finger, Sparkling Cyanide, Crooked House, They Do It With Mirrors, Cat Among the Pigeons, Endless Night, The Secret Adversary, Nemesis, Taken at the Flood, The Murder of Roger Ackroyd, And Then There Were None, Death Comes as the End, Dead Man's Folly and Death in the Clouds. When the body of Professor Peach is found, the Doctor remarks that the time of death was quarter past four. This is a reference to Agatha Christie's novel, "The Clocks" where there are clocks frozen at 4:13. Donna also mentions Miss Marple (whom Christie had not yet created), and the novelist remarks that she would make for an interesting character. The episode also claims that Agatha Christie is the best-selling novelist of all time (literally), which is true today as her novels have sold an estimated four billion copies. (The works of Shakespeare and the Bible have sold more copies overall, but are not novels.)[6] The Doctor also makes a slight faux pas when he addresses Christie as "Dame Agatha", a title which she had yet to receive at the time the episode is set in. The script also makes multiple references to the murder mystery board game Cluedo. The first murder took place in the library, one of the rooms on the Cluedo board, with a lead pipe, one of the suspected weapons in the game. The victim's name is Professor Peach, a reference to Cluedo's Professor Plum. The episode also features a colonel (Colonel Mustard), a woman wearing blue (Mrs Peacock), a reverend (Reverend Green) and a woman in red (Miss Scarlett). Production The episode is written by Gareth Roberts, who previously wrote the pseudohistorical episode "The Shakespeare Code". Roberts was given a fourth series episode to write after executive producer Russell T Davies reviewed Roberts' script for "The Shakespeare Code". Several months later, he received an email from the production team which said "Agatha Christie".[7] Roberts, a self-confessed fan of Christie's works, made the episode into a comedy, the first Doctor Who story to do so since Donald Cotton's serials The Myth Makers and The Gunfighters, in 1965 and 1966, respectively.[5] Roberts based the episode on his favourite Christie works: Crooked House, which focuses on secrets within an aristocratic society, and the 1982 film adaptation of Evil Under the Sun. Speaking of both works, Roberts noted that it was "quite strange writing a modern Doctor Who with posh people in it. We don't really see posh people on television anymore, except at Christmas", and "there's something funny about the veneer of upper class respectability and the truth of any family underneath". He also stated that "there's really nothing nicer than watching a lot of English actors hamming it up in a vaguely exotic location... and then somebody's murdered!" The episode's title was deliberately chosen to sound "vaguely Christie-ish", but Roberts admitted that "[Christie] never used 'the blank and the blank' construction".[7] In writing the episode, Roberts aimed to make the episode a "big, fun, all-star murder mystery romp". He was influenced by advice given by Davies, who wanted Roberts to "go funnier" with every draft, and former Doctor Who script editor Douglas Adams' advice that "a danger one runs is that the moment you have anything in the script that's clearly meant to be funny in some way, everybody thinks 'oh well we can do silly voices and silly walks and so on', and I think that's exactly the wrong way to do it". Using this advice, he used the adage that in comedy, the characters do not realise the humour, and cited Basil Fawlty's mishaps in Fawlty Towers as an example.[7] In an interview with Doctor Who Magazine, Roberts stated that "to a certain extent [there was less pressure]" in writing the episode. He was pleased with the success of "The Shakespeare Code" and the The Sarah Jane Adventures story "Whatever Happened to Sarah Jane?", but likened himself to Corporal Bell, a member of the administrative staff at the fictional Doctor Who organisation UNIT, in saying that he did not wish to be "in the middle of things" or writing episodes "where big, pivotal things have happened to [the Doctor]".[7] Cast notes Actor Christopher Benjamin, who plays Colonel Hugh, previously starred in two serials of the original Doctor Who series, playing Sir Keith Gold in Inferno (1970) and Henry Gordon Jago in The Talons of Weng-Chiang (1977). David Tennant's father Alexander McDonald played a footman in one of the early scenes, after being asked to act when visiting David on set.[8] He had no lines. The casting of Fenella Woolgar as Agatha Christie was made at the suggestion of David Tennant, who had previously worked with her on Bright Young Things.[8] Music Although the opening notes of the gramophone record playing at the garden party have an apparent similarity to the Doctor Who theme, it is in fact the opening of Twentieth Century Blues, originally from Noel Coward's 1931 play Cavalcade. The recording used here, edited together with other "period music," is a 1931 recording of Ray Noble and the New Mayfair Orchestra, featuring vocalist Al Bowlly. Locations The Harrogate Hotel where the Doctor leaves Agatha is fictitious. In actuality, the hotel where she was found was the Swan Hydro (now the Old Swan Hotel), a somewhat less imposing building than the one depicted in the episode. Doctor Who episode Having followed her to the lake, the titular "Wasp" is controlled by Agatha Christie (Fenella Woolgar) using the Firestone - the object sought after by the titular "Unicorn" - as the Doctor runs forward with Donna to plead with it to spare Christie's life. Cast Doctor David Tennant (Tenth Doctor) Companion Catherine Tate (Donna Noble) Guest stars Fenella Woolgar - Agatha ChristieFelicity Kendal - Lady Clemency EddisonFelicity Jones - Robina RedmondChristopher Benjamin - Colonel HughTom Goodman-Hill - Reverend GolightlyIan Barritt - Professor PeachDavid Quilter - GreevesAdam Rayner - Roger CurbishleyDaniel King - DavenportCharlotte Eaton - Mrs HartLeena Dhingra - Miss ChandrakalaAlexander McDonald - Footman (uncredited)[1] Production Writer Gareth Roberts Director Graeme Harper Script editor Lindsey Alford Producer Susie Liggat Executive producer(s) Russell T Davies Julie Gardner Phil Collinson Production code 4.7 Series Series 4 Length 45 mins Originally broadcast 17 May 2008 Chronology - Preceded by Followed by - "The Doctor's Daughter" "Silence in the Library"
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TDP 58: Grand Moff will succeed Russell T Davies
Episode Duration: 0 days, 0 hours, 5 minutes and 7 secondsSteven Moffat to be Doctor Who Lead Writer and Executive Producer Category: Wales; TV Drama; BBC One Date: 20.05.2008 Printable version BBC Wales and BBC Drama has announced that BAFTA and Hugo Award-winning writer Steven Moffat will succeed Russell T Davies as Lead Writer and Executive Producer of the fifth series of Doctor Who, which will broadcast on BBC One in 2010. Moffat has penned some of the series' most unforgettable and acclaimed episodes, including Blink, with its terrifying weeping angels, for which he was awarded the BAFTA Writer Award 2008 on Sunday 11 May. His previous work on Doctor Who includes The Girl In The Fireplace for series two, which earned him his second Hugo Award. His first was for the series one two-parter The Empty Child, which became famous for its terrifying refrain "Are you my mummy?" For the current series, Moffat has written Silence In The Library, a two-parter starring Alex Kingston which transmits on 31 May and 7 June 2008 on BBC One. Steven's career began with the landmark ITV children's drama Press Gang in 1989, for which he won his first Bafta. Coupling, the hugely popular and award-winning sitcom he created and wrote for BBC Two, began in 2000 and ran for four seasons. Jekyll, his six-part thriller starring James Nesbitt and Michelle Ryan, transmitted on BBC One last year. Steven will continue as one of the directors on the board of Hartswood Films which produced Coupling and Jekyll, where he is also working on his new comedy Adam & Eve with wife Sue Vertue. He has just delivered the screenplay for Tintin - the first instalment of the trilogy of films featuring the iconic Belgian comic-strip hero - to Steven Spielberg who will direct it for DreamWorks. Thomas Sangster and Andy Serkis will star. Steven Moffat says: "My entire career has been a Secret Plan to get this job. I applied before but I got knocked back 'cos the BBC wanted someone else. Also I was seven. "Anyway, I'm glad the BBC has finally seen the light, and it's a huge honour to be following Russell into the best - and the toughest - job in television. I say toughest 'cos Russell's at my window right now, pointing and laughing." Lead Writer and Executive Producer Russell T Davies says: "It's been a delight and an honour working with Steven, and I can't wait to see where his extraordinary imagination takes the Doctor. Best of all, I get to be a viewer again, watching on a Saturday night!" Jane Tranter, Controller, BBC Fiction, says: "Scripts and writers are at the heart of what BBC Drama is all about, and especially at the heart of Doctor Who. The past four series have been brilliantly helmed by the spectacularly talented Russell T Davies. "As Lead Writer and Executive Producer, he has overseen the creative direction and detail of the 21st century relaunch of Doctor Who and we are delighted to have his continued presence on the specials over the next 18 months. "But the challenge and excitement of the fifth series is now being handed to Steven Moffat. The Tardis couldn't be in safer hands. Steven's talents on both Doctor Who and beyond are well known. He is a writer of glittering brilliance, comedy and depth, with an extraordinary imagination and a unique voice. "Steven has a wonderful mix of being a committed Doctor Who fan and a true artist, and his plans for the next series are totally thrilling." The announcement follows the news that Piers Wenger will take over the role of Executive Producer from Julie Gardner on series five of Doctor Who. Piers Wenger says: "The challenge of taking Doctor Who to a new future is a huge and thrilling one and BBC Wales is blessed to have someone with Steven's extraordinary talent in charge. "His imagination and creativity have already given birth to some of the series' most unforgettable monsters though in this instance no-one need fear; time, space and the future of The Doctor are safe with him." Wenger and Moffat are already working closely together on the planning of the series. Menna Richards, Controller, BBC Wales, says: "BBC Wales is very proud of Doctor Who's phenomenal success. Steven Moffat is an extraordinary talent and we are very much looking forward to him joining the Doctor Who team." Series four has achieved some of the show's highest audience figures to date and forthcoming episodes feature a stellar line-up of guests including Lesley Sharp, Lindsey Coulson, Alex Kingston, Colin Salmon and Michael Brandon. Freema Agyeman and Billie Piper - The Doctor's two former companions - have also returned to assist The Doctor in series four. Doctor Who will return in 2009 with four specials, and the full-length fifth series is currently scheduled to be broadcast on BBC One in Spring 2010. SH
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TDP 57: Doctor Who 4.06 The Doctor's Daughter & The Invasion of Time DVD
Episode Duration: 0 days, 0 hours, 15 minutes and 14 seconds* "The Doctor's Daughter" The Doctor, Donna, Jenny and Martha find the "Source", a terraforming device, being both the source of life, and the war between humans and the Hath on Messaline. Cast Doctor David Tennant (Tenth Doctor) Companions Catherine Tate (Donna Noble) Freema Agyeman (Martha Jones)[1] Guest stars Georgia Moffett - JennyNigel Terry - CobbJoe Dempsie - ClinePaul Kasey - Hath PeckRuari Mears - Hath GableAkin Gazi - CarterOlalekan Lawal Jr. - Soldier Production Writer Stephen Greenhorn Director Alice Troughton Script editor Lindsey Alford Producer Phil Collinson Executive producer(s) Russell T. Davies Julie Gardner Production code 4.6 Series Series 4 Length 45 mins Originally broadcast 10 May 2008 Chronology - Preceded by Followed by - "The Poison Sky" "The Unicorn and the Wasp" IMDb profile "The Doctor's Daughter"[2] is the sixth episode of the fourth series of British science fiction television series Doctor Who. It was broadcast on BBC One on 10 May 2008.[3] /<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Synopsis Following on from the end of "The Poison Sky", the TARDIS takes the Doctor (David Tennant) and his companions Donna Noble (Catherine Tate) and Martha Jones (Freema Agyeman) to the planet Messaline in the midst of a generations-long war between humans and the Hath, fish-like humanoids. Upon leaving the TARDIS, armed men working for General Cobb (Nigel Terry) force the Doctor's hand in a progenation machine, which uses his DNA to create an adult soldier within moments -- Jenny (Georgia Moffett), the episode's titular character. Martha is subsequently captured by the Hath, whereas the Doctor, Donna, and Jenny are imprisoned by the humans because of the Doctor's pacifist attitude. Each of the primary characters learns about the war from its belligerents; the Hath and humans were initially meant to live on a peaceful colony, but were divided over a dispute about "the Source", believed by each side to be the breath of their creator. When the Doctor unwittingly reveals the location of the Source, the two sides race to claim it first. The Doctor is initially dismissive of Jenny, his biological daughter, but becomes enamoured as the episode progresses. Donna is also distracted from the war by a series of numbered plaques on their journey. When they reach the location of the Source, a colonising spaceship, Donna and the Doctor discover that the plaques represent the date building was completed, which was a mere seven days previous; the humans and Hath have bred so many generations through the progenation machines that their own history degraded into myth. The original casus belli was a power vacuum caused by the death of the mission commander. Both the human and Hath forces converge at the Source concurrently. The Doctor declares the war to be over, and releases the terraforming agent; everyone present releases their weapons, with the exception of Cobb, who tries to shoot the Doctor but Jenny steps in the way. Dying in the Doctor' arms, he finally tells her she is his daughter and that they have only got started. He tells her that they can go anywhere, if she holds on. She dies in his arms. Enraged, the Doctor holds Cobb at gunpoint, but refuses to shoot, asking the colonists to create a pacifist society. At the end of the episode, the Doctor takes Martha home. Martha warns Donna that life with the Doctor can be dangerous, but Donna nevertheless resolves to stay with the Doctor indefinitely. Concurrently, on Messaline, Jenny revives in front of Cline and a Hath. She escapes Messaline, resolving to follow in her father's footsteps by resolving disputes and fighting villains. Continuity In "Fear Her" the Doctor mentioned to Rose he "was a dad once".[4] The only other member of the Doctor's family seen in the series has been Susan Foreman, the Doctor's granddaughter, whose last appearance in the television series was in The Five Doctors. Just prior to Jenny's reanimation she exhales a golden-green mist reminiscent of similar expirations the Doctor displayed shortly after his regeneration in the 2005 Children in Need scene and "The Christmas Invasion"; this mist also resembles the terraforming gas seen earlier in the episode. Production Writing Russell T. Davies has stated that this episode "does exactly as it says on the tin",[2] although at least one reviewer has stated that Moffett's character is not a daughter in the usual sense.[5] Having Jenny come back to life at the end of the episode was Steven Moffat's idea.[6] [edit] Casting Jenny shortly after emerging from the Progenation Machine. Georgia Moffett, who plays Jenny, is the real-life daughter of Fifth Doctor actor Peter Davison and The Hitchhikers Guide to the Galaxy star Sandra Dickinson.[2] David Tennant described the episode by saying "We get to see the Doctor's daughter, played by the Doctor's daughter."[7] Moffett had previously auditioned for the role of Rose Tyler in 2004 and a role in "The Unicorn and the Wasp" in 2007. Her role as Jenny was not chosen because of her father; it was entirely coincidental but nevertheless a "great PR coup" for the series[6]. Moffett previously appeared alongside her father in the Big Finish audio story Red Dawn and drama series Fear, Stress & Anger. In Doctor Who Confidential, Peter Davison stated that after he finished filming "Time Crash", he said to Georgia "[now] it's your turn". Broadcast and reception Unofficial figures show that "The Doctor's Daughter" was watched by 6.6 million viewers, giving it a 38.4% share of the total television audience. While most programmes received lower figures than the previous week, Doctor Who had increased its audience to bring it back over the 6 million mark. The top rated programme was still ITV1's Britain's Got Talent although its audience was down by a million at 7.5 million. Doctor Who was the highest rated programme on BBC1 for the day and had the biggest share of any programme on Saturday. The episode receieved an Appreciation Index score of 88 (considered "Excellent").[8] "The Doctor's Daughter" has received mixed reviews. Martin Anderson of Den of Geek! stated that it was "rather good - though badly plot-holed". He noted that it was yet another episode of Doctor Who "undermined by Murray Gold's incessant music". He also described the episode as "quite redolent of Tom Baker-era Who, with plenty of dark and cheap corridors to run down and two under-manned warring factions for the Doctor to bring peace to".[9] For SFX's Ian Berriman, the running up and down corridors was reminiscent of Lenny Henry's 1985 Doctor Who spoof featured on The Lenny Henry Show. Berriman described the episode as "underwhelming", citing that because one "always suspect[s] she's a redshirt" it is difficult to care for Jenny. Although "reasonably diverting", Berriman argues that budgetary constraints make "the story feel so enclosed" and that the episode's plot, likened to "old-school Trek", seems too similar to that of the Sontaran two-parter immediately prior to this adventure because both involve militarism and cloning.[10] Newsround's Lizo Mzimba also notes the similarities with "The Sontaran Stratagem" and "The Poison Sky". Mzimba asserts that the episode's "biggest problem" is that it tries "to cram an enormous amount into 45 minutes" with most of the "interesting" and new ideas not getting "the attention they deserve" resulting in the audience not caring about either the human fighters or the Hath and thereby limiting a "sense of danger or menace".[11] Mzimba observes that since her return in "The Sontaran Stratagem", Martha shares little onscreen time with the Doctor therefore reducing the emotional impact of her departure in this episode. He describes Moffett as "superb",[11] with Berriman calling her "cute as a button".[10] Berriman praises Tennant's performance,[10] but Anderson suggests that Tennant shouts too much. Anderson asserts that "Donna's role as the Doctor's conscience is beginning to take shape" describing this as "refreshing" in a companion and noting that "Tate has toned down the grating voice a tad".[9] The Invasion of Time The Invasion of Time DVD The Sontarans invade the Citadel of the Time Lords Cast Doctor Tom Baker (Fourth Doctor) Companions Louise Jameson (Leela) John Leeson (K-9 Mk. I) Production Writer "David Agnew" (Graham Williams and Anthony Read) Director Gerald Blake Script editor Anthony Read Producer Graham Williams Executive producer(s) None Production code 4Z Series Season 15 Length 6 episodes, 25 mins each Originally broadcast February 4-March 11, 1978 Chronology - Preceded by Followed by - Underworld The Ribos Operation The Invasion of Time is a serial in the British science fiction television series Doctor Who, which was first broadcast in six weekly parts from February 4 to March 11, 1978. This serial features the final appearances of Louise Jameson as the //<![CDATA[ if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } //]]> Synopsis The Doctor returns to Gallifrey, having claimed the Presidency. His behaviour is unusual and has Leela thrown in jail and then expelled from the Capitol Citadel. However, the Doctor is doing this to prevent a Sontaran instigated disaster. Plot The Fourth Doctor returns to Gallifrey after meeting a group of aliens in space, bringing Leela and K9 with him. He is behaving very strangely and when the Chancellory Guard under their Commander, Andred, arrive at the Panopticon Chamber to interrogate him, the Doctor demands to be taken to Chancellor Borusa, who is now in charge of the Time Lords. The Doctor claims the vacant Presidency of Gallifrey having previously been a candidate and, after the demise of Chancellor Goth, is now automatically elected. Under law this request cannot be refused. The Doctor then chooses a Presidential chamber and asks it be decorated with lead lining throughout. Shortly afterward a ceremony is held to swear him in as President of Gallifrey and he is presented with the various trappings of office. However, when the circlet connecting him to the Matrix, repository of all Time Lord knowledge, is placed on his head, the Doctor collapses in pain. The Doctor is taken to the Chancellor to rest and recover. When he regains consciousness he reminds the Time Lords that no aliens are allowed on Gallifrey and instructs that Leela be expelled from the Capitol Citadel, where she will have to fend in the wastelands. She tries to avoid banishment, but the Doctor is serious about this banishment. The Doctor now retreats to the TARDIS where he shares a secret plan with K9, but is obviously very concerned about the situation he has found himself in. He is planning to aid an invasion of Gallifrey itself and to this end sets about destroying the induction barrier that defends the planet from external threat. K9 sets about this task while the Doctor returns to the Panopticon, the great hall of the Time Lords, and laughs cruelly as three alien beings start to materialise. The invading beings are known as Vardans. They appear as shimmering manifestations who made an alliance with the Doctor some time ago, and the Doctor advises the Time Lords, including the stubborn Borusa, to submit to their new and powerful masters. The Doctor then asks Borusa to meet him in his office, and when this happens the Doctor explains he has had the lead walls installed to prevent the Vardans entering the room on thought waves and reading his mind. He sent Leela away to protect her, he explains, and is now able to work with Borusa to defeat the Vardan threat. A new problem has emerged, however, with the ascendancy of the obsequious and compliant Castellan Kelner, who is being far too co-operative with the Vardan occupation. The toadying yet ambitious Castellan soon has Borusa placed under house arrest and starts a process of expelling trouble-making Time Lords from the safety of the Capitol. Leela has meanwhile kept her faith in the Doctor and reasons that if he wishes her to leave the Capitol it is with good reason, so she departs for the wastelands. She is accompanied by Rodan, a Time Lady who previously maintained the transduction barrier. Theyare welcomed warily by a tribe of outsiders who have rejected Time Lord society and live in the wastelands. Their leader, Nesbin, explains some of the background to his tribe. Back in the Capitol, however, things are looking grim for the Doctor when Andred corners him and decides to execute him in the name of liberty. K9 helps the Doctor overpower Andred, and then explains the danger and abilities of the Vardans to Andred, with his TARDIS providing a shield to his thoughts. The Doctor is hoping to persuade the Vardans to reveal their true form so that he can time loop their planet. Leela has also organised her own resistance movement in the wastelands, comprising Nesbin's people and the exiled Time Lords, all of whom are drilled into a fighting force which soon launches an assault on the Capitol. The aliens and Kelner have meanwhile decided the Doctor is behaving in an untrustworthy manner. The Doctor reaffirms his loyalty to them by agreeing to dismantle the final force field protecting Gallifrey from attack. He does not fully disable it, but rather places a large hole in it. The Vardans use the hole to properly invade Gallifrey and appear as humanoid warriors. Their manifestation enables K9 to track down their home planet and supply the Doctor with the correct co-ordinates. He uses this to beam the Vardans back to their home world and then traps it in a time loop. At about the same time Leela and her warriors reach the Panopticon, but celebrations are shortlived when a Sontaran warrior appears in the chamber. Gallifrey has now been invaded by the Sontarans, led by Commander Stor, who finds Kelner ever ready to pledge support, even if the other Time Lords remain resistant. The Doctor and his party escape and the Doctor uses his freedom to try and pressure Borusa into revealing to him the location of the Great Key of Rassilon, a missing item of the Presidential regalia. They then regroup at the TARDIS where Rodan is put to work using the TARDIS' controls to repair the hole in the forcefield. However, Kelner imperils their resistance when he manipulates the stabiliser banks of the Doctor's TARDIS to try and destroy the resistance force within by hurling them to the heart of a Black Star. The Doctor manages to override the threat, so their enemies change tack. The Sontarans, assisted by Castellan Kelner, gain access to the Doctor's TARDIS and try to hunt down the President and his friends, pursuing them through the labyrinthine corridors. Stor is after the Great Key too, knowing the Doctor has now persuaded Borusa to yield it to him. The Doctor uses distractions to buy time while he kills the remaining Sontaran troopers. On the Doctor's instruction, a hypnotised Rodan and K9 construct a special forbidden Time Lord weapon: the Demat Gun. Powered by the Great Key itself, the Demat Gun erases its victims from time itself. The Doctor takes the Gun and confronts Stor in the Panopticon. Stor intends to destroy the Eye of Harmony with a bomb, but the blast is cancelled out by the Doctor with the Demat Gun which obliterates Stor, wipes the Doctor's mind of recent events, and also destroys itself. Kelner is arrested and Borusa begins the process of rebuilding Gallifrey. The Doctor is ready to leave, but Leela decides to stay on Gallifrey because she has fallen in love with Commander Andred, leader of the Chancellory Guards. K-9 decides to stay behind to look after Leela. The TARDIS dematerializes and the Doctor reveals he is not alone: he pulls out a box labeled K-9 Mk II and, breaking the fourth wall, looks directly at the camera and grins mischievously. Cast The Doctor -- Tom BakerLeela -- Louise JamesonVoice of K-9 -- John LeesonChancellor Borusa -- John ArnattCastellan Kelner -- Milton JohnsCommander Andred -- Chris TranchellGold Usher -- Charles MorganRodan -- Hilary RyanLord Gomer -- Dennis EdwardsLord Savar -- Reginald JessupBodyguard -- Michael HarleyCastellan Guard -- Eric DanotGuard -- Christopher ChristouNesbin -- Max FaulknerAblif -- Ray CallaghanJasko -- Michael MundellPresta -- Gai SmithVardans -- Stan McGowan, Tom KellyStor -- Derek DeadmanSontaran -- Stuart Fell Cast notes Gai Smith, now Gai Waterhouse, who played Presta, is now an extremely successful thoroughbred horse trainer based in Sydney, Australia. Continuity Though Leela and K9 Mark I left the Doctor in this story, their characters would return in the Virgin New Adventures novel Lungbarrow by Marc Platt, and encounter the Seventh Doctor. Louise Jameson and John Leeson also returned to play Leela and K9 in the 'Gallifrey' series of audio plays by Big Finish Productions.In addition, in his next on-screen visit to his home planet, the Doctor is heard to ask after her: "Tell me, what of my former companion Leela?" He is informed that she is "well and happy". However, in the revived series, we learn that Gallifrey has been destroyed and the Doctor thereafter makes many references to all his family and friends having being killed.The Vardans also appeared in the Virgin New Adventures novel No Future by Paul Cornell, in which Bernice Summerfield refers to this story by dismissing them as "the only race in history to be outwitted by the intellectual might of the Sontarans".This story is one of the few to contain an extended sequence inside the TARDIS (1964's The Edge of Destruction notwithstanding). The majority of the final episode comprises a chase inside the TARDIS, which appears to have extensive brick-walled areas beyond the more familiar roundells-on-white look, plus the spa/pool area ('bathroom') and art gallery. The Doctor had been seen earlier in the season in an artist's smock, apparently 'redecorating'.In one of the few times in the series that the Doctor directly kills anyone, he uses the de-mat gun to disintegrate the Sontaran warriors. This is unusual given that the Fourth Doctor has a particular and stated aversion to firearms.In the Virgin New Adventures novel, Timewyrm: Genesys, it is revealed that during the events of the episode the Doctor uses the Matrix to send a message to his future self about the Timewyrm, a recurring villain from the novels. Production The script is credited to David Agnew, a pseudonym often used by the BBC for work produced "in house" by contracted production team members. On this occasion it masks the authors Anthony Read (the series' script editor) and Graham Williams (series producer).This story was written as a replacement for another story, The Killers of the Dark by David Weir, which was considered too expensive and complex to shoot. The script was written in just two weeks, with four days for rewrites. Additionally, when asked about the unused script at a convention, Graham Williams, having forgotten the exact title, made up the name "Gin Sengh", as in The Killer Cats of Geng Singh (or Geng Singh -- the spelling being indeterminate), resulting in the fan myth that this was the original title.[1]An industrial strike, which was eventually resolved before production, forced the studio sets to be constructed within St Anne's Hospital as BBC's Christmas holiday specials were given priority in the regular studios.[1]As a result of the industrial strike, Graham Williams was given the option of not producing the final six episodes of the season and have the money rollover into the next season. Williams rejected this because of the additional problem of inflation that year and didn't want the budgeted money to depreciate even further.[1]Louise Jameson, who had already announced her departure from the show, reportedly wished for her character, Leela, to be killed at the end of the series, and was disappointed that Leela instead opted to stay behind on Gallifrey with Andred, even though nothing in the script suggests a romance between the two characters. The producers decided that killing off her character would be too traumatic for younger viewers.The Sontaran costumes were cumbersome and limited the field of vision of the actors wearing them, so much so that they are often seen tripping through and over props. At one point, a Sontaran (ironically played by the actor Stuart Fell) nearly takes a fall after missing a short jump and landing on a pool chair. As the aliens originate on a planet of notably high gravity, however, their clumsiness is easily explainedIt was Robert Holmes who suggested to Graham Williams that this story be split into two segments, the first four episodes being based around the Vardans and the final two episodes being based around the Sontarans who come into the story at the end of episode 4. In print Doctor Who book Doctor Who and the Invasion of Time Series Target novelisations Release number 35 Writer Terrance Dicks Publisher Target Books Cover artist Andrew Skilleter ISBN 0 426 20093 4 Release date 21 February 1980 Preceded by Doctor Who and the Underworld Followed by Doctor Who and the Stones of Blood A novelisation of this serial, written by Terrance Dicks, was published by Target Books in February 1980. Broadcast, VHS and DVD release This story was released on a two tape VHS set in March of 2000It was released onto DVD on May 5th 2008 with special features; The Rise & Fall of Gallifrey, The Elusive David Agnew, Out of Time; a making of mini documentry, Photo Gallery, Trails and Continuity, new CGI effects and a Coming Soon to DVD Trailer of The K9 boxset featuring The Invisible Enemy and K9 and Company. It has also has been released in a boxset Bred for War (The Sontaran Collection) along with The Time Warrior, The Sontaran Experiment and The Two Doctors.
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TDP 56: Doctor Who 4.04 & 4.05 Sontaran Stratagem: The Poison Sky
Episode Duration: 0 days, 0 hours, 17 minutes and 39 secondsThe Sontaran Stratagem 196 - "The Sontaran Stratagem" Doctor Who episode A Sontaran introduces himself to the Doctor as General Staal, "the undefeated". Cast Doctor David Tennant (Tenth Doctor) Companions Catherine Tate (Donna Noble) Freema Agyeman (Martha Jones) Guest stars Christopher Ryan - General StaalRupert Holliday Evans - Colonel MaceDan Starkey - Commander SkorrBernard Cribbins - Wilfred MottJacqueline King - Sylvia NobleEleanor Matsuura - Jo NakashimaRyan Sampson - Luke RattiganChristian Cooke - Ross JenkinsClive Standen - Private HarrisWesley Theobald - Private GrayRuari Mears - Clone Production Writer Helen Raynor Director Douglas Mackinnon Producer Susie Liggat Executive producer(s) Russell T. Davies Julie Gardner Phil Collinson Production code 4.4 Series Series 4 Length 45 mins Originally broadcast 26 April 2008 Chronology ? Preceded by Followed by - "Planet of the Ood" "The Poison Sky" IMDb profile "The Sontaran Stratagem" is the fourth episode of the fourth series of British science fiction television series Doctor Who. It was broadcast on BBC One on 26 April 2008. The episode features the return of former companion Martha Jones, as well as the return of the alien Sontarans to the series. It is the first of a two part story, followed by "The Poison Sky". This is the Sontarans' first appearance since the 1985 Colin Baker story The Two Doctors. //&amp;amp;lt;![CDATA[ if (window.showTocToggle) { var tocShowText = &amp;amp;quot;show&amp;amp;quot;; var tocHideText = &amp;amp;quot;hide&amp;amp;quot;; showTocToggle(); } //]]&amp;amp;gt; Plot Synopsis Martha Jones (Freema Agyeman) calls the Doctor (David Tennant) to ask for assistance during an investigation by UNIT. Minutes after the TARDIS materialises in contemporary Britain, Martha authorises the raid of an ATMOS (Atmospheric Omission System) factory. The Doctor introduces his companion Donna Noble (Catherine Tate) to Martha and UNIT; Donna instantly befriends Martha, but is concerned about UNIT's ethics and asks the Doctor why he is associated with them; the Doctor ambiguously replies he used to work for them in the late twentieth century. ATMOS is marketing a satellite navigation system developed by child prodigy Luke Rattigan (Ryan Sampson). The system also reduces carbon dioxide emissions to zero; UNIT requested the Doctor's help because the technology is not contemporary and potentially alien. UNIT are also concerned about fifty-two deaths occurring spontaneously and contemporaneously several days before the narrative. The Doctor travels to Rattigan's private school to investigate the system, and discovers that the episode's events are being influenced by the Sontarans. The Sontarans depicted in the episode are part of a battlegroup led by General Staal, "the undefeated" (Christopher Ryan). Instead of an instant invasion, they are tactically approaching an invasion with a combination of human clones, mind control, and ATMOS; Martha is captured by two of the controlled humans and cloned to provide a tactical advantage against UNIT. A subplot depicts Donna returning to her home to warn her mother Sylvia (Jacqueline King) and grandfather Wilfred Mott (Bernard Cribbins) about the Doctor. Concerned about the implications of telling the truth, Donna reneges from warning her mother. At the end of the episode, the Doctor investigates the ATMOS device attached to Donna's car and discovers a secondary function: the device can emit a poisonous gas. Wilfred attempts to take the car off the road, but is trapped when Staal activates all 400 million installed in cars worldwide. The episode's cliffhanger depicts Donna shouting for help while the Doctor stares helplessly at a street full of cars emitting the gas. [edit] Production The episode features the return of the Sontarans, who last appeared in the 1985 serial The Two Doctors, a centric appearance by UNIT, and Martha Jones, who had last appeared in "Last of the Time Lords" and made special guest appearances in the Torchwood episodes "Reset", "Dead Man Walking", and "A Day in the Death"; the brief executive producer Russell T Davies gave to writer Helen Raynor included the terms "Sontarans", "military", and "Martha's back".[1][2] Martha's departure allowed Davies to change the character's personality. In her reappearance, she is more mature and equal to the Doctor in comparison to falling in love in the third series.[1] Several aspects of her character were debated: in particular, her status and reaction to Donna. Raynor elected to emphasise Martha's medical career over her military career, and avoided a "handbags at dawn" scenario because she felt it would rehash Rose Tyler's (Billie Piper) initial opinion of Sarah Jane Smith (Elisabeth Sladen) from the second series episode "School Reunion".[2] The episode is the first centric appearance of UNIT since the show's revival. Their name has changed from United Nations Intelligence Taskforce to Unified Intelligence Taskforce at the request of the United Nations, who cited the political climate and potential "brand confusion" as reasons for disassociation. The new acronym was coined by Davies after several meetings among the scriptwriters. The UNIT privates Gray and Wilson were specifically written as "alien fodder".[2][3] The episode refers to inconsistencies in dating UNIT stories when the Doctor is unsure whether he worked for UNIT in the 70s or 80s.[4] This episode continues the pattern of having monsters from the classic series return in the new one. Davies commented that the Sontarans were "always on his list" of villains to resurrect.[5] The time and location of the episode was deliberately chosen because every Sontaran story except for The Invasion of Time was set on Earth.[5] When interviewed on Friday Night with Jonathan Ross, Catherine Tate stated that she had been filming alongside ten actors playing Sontarans for two weeks before she realised that there were actors inside the Sontaran costumes. She had assumed the Sontarans "ran on electricity". It was not until an actor removed his helmet to reveal his real face that she realised her mistake. She stated she was "freaked out" by this and said she "nearly died".[6] Raynor initally envisioned the poisonous gas would be emitted by factories, but changed it in later drafts to cars for several reasons: the episode would provide social commentary and the idea of an "evil satnav system" was "much more engageable" and "irresistible"; Davies thought the concept was "so very Doctor Who".[5][2][1] Because the series was produced out of order, the "ATMOS" subplot was seeded in the episode "Partners in Crime".[7] In the episode, a system installed in a UNIT jeep undramatically explodes; originally, Raynor wanted it to be a large explosion, but reduced the explosion to several sparks to reduce costs and to lampoon an action movie cliche.[2] The opening scene, which depicts the system driving its occupant into a canal, was filmed at Cardiff's docks. The scene was the first time a car-cannon had been used since 2005, and was required to be completed in one shot. The car fired into the canal was removed immediately afterwards to clear the shipping route.[1] The episode, like "Aliens of London" and "The Lazarus Experiment", properly introduces the lead companion's family. Unlike the Tyler or Jones families, both Sylvia Noble and Wilfred Mott had met the Doctor before (in "The Runaway Bride" and "Voyage of the Damned", respectively), providing Raynor with an additional subplot. Expository dialogue explains Mott's absence from "The Runaway Bride" as the character having Spanish flu. Wilfred's positive opinion of the Doctor is different to Sylvia, who "joined a long line of mothers that don't get the Doctor"; Davies had wanted a family member who trusted the Doctor since the show's revival.[1] Despite the Sontaran's clone culture being asserted in the classic series, "The Sontaran Strategem" is the first episode to depict cloning. Originally, all of the factory workers were to be clones, but Raynor reduced it to only Martha to solve continuity problems with the second part. The template clone was portrayed by Ruari Mears, who wore a prosthetic mask which took longer to apply than any mask he had worn.[2] The scenes involving the cloning tank were filmed in a Welsh shampoo factory and reused a prop from "The Fires of Pompeii" as the tank which contained the clone. Davies and Agyeman enjoyed scenes set in the cloning room; Agyeman enjoyed playing an "evil companion", who she and Davies felt made the real Martha "warmer", and Davies thought Privates Gray and Harris discovering the tank in a darkened room was "classic Doctor Who".[1] "The Poison Sky" is the fifth episode of the fourth series of British science fiction television series Doctor Who. It was broadcast on BBC One on 3 May 2008. The episode features both old companion Martha Jones and the alien Sontarans.[3] It is the second of a two part story, following "The Sontaran Stratagem". //&amp;amp;lt;![CDATA[ if (window.showTocToggle) { var tocShowText = &amp;amp;quot;show&amp;amp;quot;; var tocHideText = &amp;amp;quot;hide&amp;amp;quot;; showTocToggle(); } //]]&amp;amp;gt; Plot Synopsis Following from the previous episode, Sylvia Noble (Jacqueline King) manages to free Wilfred Mott (Bernard Cribbins) from the car by smashing the window with an axe. The Doctor (David Tennant) sends Donna Noble (Catherine Tate) back to the TARDIS while he sets off to figure out what the Sontarans are up to. After studying the gas, UNIT determines that it will need to reach 80% density to become lethal. Elsewhere, Martha Jones's clone (Freema Agyeman) helps the Sontarans to seize the TARDIS. Realising that he is trapped, the Doctor attempts to goad General Staal (Christopher Ryan) into revealing their plan: Staal is smart enough not to fall prey to this ploy, but the Doctor does trick him into moving the TARDIS out of the main war room, placing Donna in a position to help. Against the Doctor's advice, UNIT decides to use nuclear weapons against the Sontarans; however, Martha's clone has covertly copied the launch codes, and stops every attempt they make to fire the weapons. This in itself shows a hidden agenda, since a nuclear strike would not have harmed them in the first place. This, combined with the unidentifiable elements in the gas, suggest that the Sontarans have an interest in keeping anything from disrupting the atmospheric conversion. At the same time, the Sontarans mobilize a contingent of troops to protect the factory. With the Sontarans' ability to jam most conventional firearms by expanding the copper-lined bullets, the UNIT troops are quickly slaughtered and the factory is secured. Luke Rattigan (Ryan Sampson) leaves the Sontaran mothership to gather his students, explaining that he plans to have the Sontarans take them to another planet and begin the human race anew. The students merely laugh him off, even when he brandishes a gun. When he returns to report his failure, the Sontarans likewise ridicule his efforts, admitting that they never intended to take him or his students anywhere. Rattigan teleports back to his mansion before they can kill him, and the Sontarans lock the teleport pods behind him. Meanwhile, the Doctor instructs Donna on how to reopen the teleport pods. As she makes her way through the ship, UNIT begins a counterattack, loading their weapons with non-copper bullets and using the aircraft carrier Valiant to clear the gas. The counterattack is a success, and the UNIT troops are able to put the Sontarans on the defensive. The distraction allows the Doctor to make his way to the cloning room where Martha is being held. Having figured out long before that the clone wasn't the genuine article, he severs its connection to Martha, leaving it to die. Martha convinces the clone to betray the Sontarans in its last moments, and the clone reveals that the poison gas is actually "food" for Sontaran clones: they are converting the planet into a giant breeding world. With Donna's help, the Doctor is able to reactivate the teleport pods, allowing him to rescue Donna, steal back the TARDIS, and teleport into Rattigan's mansion. With the terraforming equipment Rattigan's students built, the Doctor builds his own atmospheric converter, igniting the atmosphere to clear out the poison gas as shown in the picture. However, he knows the Sontarans won't accept defeat so easily, and teleports to their ship with the converter, planning to give them the choice between retreat or death. Staal chooses the latter, content with the knowledge that the Doctor will die with them. At the last moment, Rattigan teleports himself to the Sontaran ship and brings the Doctor back to Earth, sacrificing himself to destroy the Sontarans. With the day saved, Martha says goodbye to Donna and the Doctor in the TARDIS and prepares to head home. However, before she can leave, the TARDIS suddenly springs to life, locking the doors and piloting itself to an unknown destination as the jar containing the Doctor's severed hand bubbles. Continuity Brigadier Lethbridge-Stewart is mentioned as being "stranded in Peru", the first explicit mention of the character in the new series. Colonel Mace refers to him as "Sir Alastair", implying he has received a knighthood since the events of Battlefield.Just as Donna moves towards the TARDIS screen while the Doctor contacts the Sontarans, Rose Tyler can be seen on the screen, silently calling out. This follows a similar silent cameo appearance in "Partners in Crime".The Valiant, the primary setting for the climax of "The Sound of Drums" and much of "Last of the Time Lords", is seen again in this episode when it is used by UNIT to clear the poisonous gas from the atmosphere over the ATMOS factory. It is also equipped with a scaled down version of the Torchwood weapon that destroyed the Sycorax ship in "The Christmas Invasion".[4]As the TARDIS traps Donna, Martha, and the Doctor at the end of the episode, the Doctor's severed hand, last seen at the beginning of "Voyage of the Damned", can be seen in a similar state of agitation it felt when the TARDIS materialised near it in the Torchwood episode "End of Days".In addition to the Sontarans, the Rutans are mentioned for the first time in the revived series.Lachelle Carl reprises her recurring role as the US Newsreader, Mal Loup, seen previously in the episodes "Aliens of London", "World War Three", "The Christmas Invasion" and "The Sound of Drums" and in Doctor Who spin-off The Sarah Jane Adventures story Revenge of the Slitheen.The Doctor asks Colonel Mace, "Are you my mummy?", while wearing a gas mask, a line spoken by gas mask-wearing characters in "The Empty Child" / "The Doctor Dances".[5][6] Production This episode and the previous episode were filmed over five weeks, beginning in September 2007. Post-production was completed a week before the first part aired.[7] During production, director Douglas Mackinnon intended to have the episode's climatic scene in the TARDIS show the moveable column in the center console move up and down much more rapidly than normal. However, when attempting to accomplish this, Mackinnon ended up breaking the prop, which took thirty minutes to repair.[8] When interviewed on Friday Night with Jonathan Ross, Catherine Tate stated that she had been filming alongside ten actors playing Sontarans for two weeks before she realised that there were actors inside the Sontaran costumes. She had assumed the Sontarans "ran on electricity". It was not until an actor removed his helmet to reveal his real face that she realised her mistake. She stated she was "freaked out" by this and said she "nearly died".[9][10] When the Doctor interrupts the Sontarans' transmission, animated footage from CBeebies's part live action, part animation[11] eco adventure show Tommy Zoom is brought up on screen featuring the villanous Polluto disguised as a magician and the heroic Tommy and his dog Daniel as his audience.[12] As in many previous episodes of the revived series, supposed BBC News 24 footage is used featuring reports of unfolding events. However, as with the more recent appearances of such footage in Doctor Who, the channel is simply captioned on screen as 'News 24' devoid of the BBC logo. Since this episode was produced, the BBC News 24 channel was rebranded in real life as BBC News.[13] "The Poison Sky" marks the first time all three of the Tenth Doctor's primary companions -- Donna Noble (Catherine Tate), Martha Jones (Freema Agyeman), and Rose Tyler (Billie Piper) -- have appeared in the same episode, though Rose's appearance was extremely brief. Piper received screen credit, although her appearance is less than a second in duration. Broadcast Unofficial figures show that "The Poison Sky" was watched by 5.9 million viewers, giving it a 32.5% share of the total television audience. Although dipping below the 6 million mark, the programme was still the second most watched of the day, being beaten by ITV1's Britain's Got Talent, which got 8.5 million viewers. It was the highest rated programme on BBC1 for the day. The programme is currently the 19th most watched of the week and received an Appreciation Index score of 88 (considered "Excellent").[14]