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Tin Dog Podcast

Tin Dog Podcast
Description:
tin-dog@hotmail.co.uk The Tin Dog welcomes you to sit back and listen to his rants and ramblings about all that is best in modern SF and Television. Via the gift of the new fangled Podcast over the tinterweb. As you can probably guess Tin Dog mostly talks about Doctor Who, Torchwood and Sarah Jane Smith but that wont stop him talking about any other subject you suggest. Hailing from a non specific part of the northeast of England, Tin Dog is male and in his mid 30s. A life long fan of almost all TV SF. His semi-autistic tendencies combined with his total lack of social skills have helped him find a place in the heart of British SF Fandom. Even as a child the Tin Dogs mother told him that she can trace his love of SF TV back to his rhythmic kicking, while still in the womb, along to the beat of the Avengers theme music. From Gabriel Chase to Totters Lane, from the Bad Wolf Satellite to the back streets of the Cardiff, Tin Dog will give you his thoughts on the wonderful Whoniverse. Daleks and Cybermen and TARDIS ES Oh My If you enjoy these Tin Dog Podcasts please remember to tell your friends and leave an email tin-dog@hotmail.co.uk

Homepage: http://tin-dog.co.uk

RSS Feed: http://www.tin-dog.co.uk/rss

Tin Dog Podcast Statistics
Episodes:
2026
Average Episode Duration:
0:0:08:58
Longest Episode Duration:
0:2:09:15
Total Duration of all Episodes:
12 days, 14 hours, 59 minutes and 29 seconds
Earliest Episode:
1 May 2007 (6:54pm GMT)
Latest Episode:
25 September 2020 (2:00am GMT)
Average Time Between Episodes:
2 days, 9 hours, 59 minutes and 22 seconds

Tin Dog Podcast Episodes

  • TDP 233: The Robots of Death (Story Three from the new box set)

    21 February 2012 (12:00am GMT)
    Episode Duration: 0 days, 0 hours, 8 minutes and 43 seconds

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    reprinted from wikipedia with thanks and repect The Robots of Death is the fifth serial of the 14th season of the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from 29 January to 19 February 1977. Plot On a distant planet, a huge sandminer vehicle, Storm Mine 4, is slowly scraping the surface of a vast, barren desert in search of precious minerals. The sandminer is manned by nine humans and numerous robots - black 'Dums' that cannot speak, pale green 'Vocs', and a silver 'Super Voc' which controls all the 'Dums' and 'Vocs'. The robots conduct a routine scan of the area and locate a large sandstorm, which the humans decide to pursue, as the storm will bring heavier minerals to the surface. One of the humans, a meteorologist called Chub, goes to collect an instrument package to place into his weather balloon to study the storm. However, he is later found strangled. At about this time, the TARDIS materialises in one of the scoops. After the Doctor and Leela emerge from the TARDIS, it is removed by a large mechanical arm as it is blocking the scoop. Later, the Doctor and Leela are brought out of the scoop by two robots and locked in a room. The Doctor uses his sonic screwdriver to unlock the door, and goes in search of the TARDIS, while Leela finds Chub's body being taken away by some robots. The human crew suspects the two time travellers of murdering Chub, and tensions increase when it is found that they have left the room in which they were locked. By the time they are both recaptured, the Doctor has found a second dead man (Kerril), and Leela has found both a third dead man (Cass) and a 'Dum' robot which can secretly speak. Commander Uvanov orders them to be locked up in the robot storage bay, on suspicion of killing all three humans. One of the humans, Poul, believes the Doctor and Leela to be innocent, so he frees them and shows them where Chub was murdered. There, the Doctor convinces Poul that a robot may have killed the mineralogist. While this is happening, a woman named Zilda is murdered, and Poul - sent to the room to investigate Zilda's accusations of murder against Commander Uvanov over a tannoy system - finds the Commander standing over Zilda's body and has him confined to his quarters for murdering Zilda. The sandminer's engines begin to run out of control, threatening the vehicle with destruction. It is found that Borg, the human responsible for controlling power to the motors, has been viciously strangled, and the controls have been sabotaged. The Doctor saves the miner by cutting off the power to the motors, while a man named Dask repairs the damaged controls so that the miner can continue on its way. The Doctor goes to see the 'Dum' robot that Leela claimed could speak, D84. The robot reveals that it and Poul are undercover agents for the mining company, who were placed on board the miner as a precaution to threats of a robot revolution by a scientist called Taren Capel, who was raised by robots. D84 itself is unique in the fact that it can function autonomously from Super Voc SV7's commands, and appears to possess a high level of logical reasoning. The Doctor and D84 search the miner for proof that Taren Capel is on board, and find a secret workshop where the robots' programming has been changed to enable them to kill humans. The Doctor arranges for all the remaining humans to go to the command deck. Dask shuts down all of the robots whose programming has not been changed, leaving just the killer robots and D84 operational. Dask is later revealed to be the mad scientist Taren Capel, intent on 'releasing [his] 'brothers' (the robots) from bondage to human dross' and 'programming them with an ambition to rule the world'. Taren Capel orders his modified robots to destroy the remaining humans and the Doctor and Leela. Leela shows the Doctor a damaged robot in the storage bay with its hand covered in blood - which the Doctor reasons is Borg's, guessing that Borg sabotaged the engine controls in a suicidal attempt to destroy the miner and all the killer robots on board. The Doctor dismantles the damaged robot and creates a final deactivator - a device that will destroy any still functioning robots at close range. The Doctor hides Leela in Taren's workshop with a canister of helium gas, telling her to release it slowly when Taren comes in. The Doctor hopes that this will change Taren's voice, so his robots - unable to recognise him - won't obey his orders. Taren arrives and damages D84, but the robot is able to activate the Doctor's device to destroy a killer robot, knowingly sacrificing itself in the process. Leela releases the helium gas, causing Taren's voice to become high-pitched and squeaky, and Taren is killed by SV7 when it fails to identify his voice. The Doctor then destroys SV7 with a laser probe. The robot threat over, and a rescue ship coming to collect the surviving humans, the Doctor and Leela return to the TARDIS and leave the sandminer. [edit] Continuity This story reveals the Doctor's immunity to the vocal-altering effects of helium. It is not clear why though. The BBC Books spin-off novel Corpse Marker by Chris Boucher is a sequel to this serial, as is Robophobia, a Seventh Doctor audio play by Nicholas Briggs. There's also the independently produced Kaldor City audio plays, not featuring the Doctor. This serial marks the final appearance of the wood-panelled secondary TARDIS console room. The audio story Empathy Games gives a possible explanation for its loss. [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions) "Part One" 29 January 1977 24:06 12.8 "Part Two" 5 February 1977 24:15 12.4 "Part Three" 12 February 1977 23:51 13.1 "Part Four" 19 February 1977 23:42 12.6 [1][2][3] Early titles for the script included "Planet of the Robots" and "The Storm-mine Murders". The ship main cabin set was originally used in the 4th Doctor story Planet of Evil.[citation needed] [edit] Cast notes See also: List of guest appearances in Doctor Who Russell Hunter was allegedly cast against the intention of the script, which implied that Commander Uvanov should be a physically imposing man, much in the mould of an eighteenth century sailing master. David Collings, who plays Poul, previously appeared as Vorus in Revenge of the Cybermen and would later appear as Mawdryn in Mawdryn Undead as well as an alternative incarnation of the Doctor in the Big Finish Productions' Doctor Who Unbound audio drama Full Fathom Five. Pamela Salem, who plays Toos, had provided voice work in the preceding story The Face of Evil and would later appear as Professor Rachel Jensen in Remembrance of the Daleks. David Bailie went on to play the Celestial Toymaker in the audio plays The Nightmare Fair and Solitaire. [edit] Outside references The murder plotline owes a great deal to Agatha Christie; notably Ten Little Indians and The Mousetrap. The treatment of robots in this serial has many intentional nods to Isaac Asimov's Three Laws of Robotics. The villain of the story is named Taren Capel, which is a reference to Karel Capek,[4] who is credited with first coining the word "robot". Uvanov's name is a reference to Isaac Asimov,[citation needed] while Poul is a reference to the science fiction writer Poul Anderson.[4] The script several times refers to Robophobia (the irrational fear of robots) as 'Grimwade's Syndrome', an inside joke reference to Peter Grimwade, a production assistant who directed some of the filmed scenes in the episode. Grimwade had frequently lamented that he was always working on material involving robots. [edit] In print A novelisation of this serial, written by Terrance Dicks, was published by Target Books in May 1979. This novelisation was the shortest and notable for featuring the character of Cass attending a meeting after being murdered in the previous chapter. Doctor Who book Doctor Who and the Robots of Death Series Target novelisations Release number 53 Writer Terrance Dicks Publisher Target Books Cover artist John Geary ISBN 0-426-20061-6 Release date 24 May 1979 Preceded by ' Followed by ' [edit] VHS and DVD releases This story was released on VHS in omnibus format in April 1986 and in episodic format in February 1995. It was released on DVD on 13 November 2000. A special edition of the DVD, with new bonus features, is to be released in the uk on 13 February 2012 in the third of the ongoing Revisitations DVD box sets. [edit] References ^ Shaun Lyon et al. (2007-03-31). "The Robots of Death". Outpost Gallifrey. Archived from the original on 2008-07-31. Retrieved 2008-08-30. ^ "The Robots of Death". Doctor Who Reference Guide. Retrieved 2008-08-30. ^ Sullivan, Shannon (2007-08-07). "The Robots of Death". A Brief History of Time Travel. Retrieved 2008-08-30. ^ a b Cornell, Paul; Day, Martin; Topping, Keith (1995). "90 'The Robots of Death'". Doctor Who: The Discontinuity Guide. London: Doctor Who Books. p. 205. ISBN 0 426 20442 5. [edit] External links The Robots of Death at BBC Online The Robots of Death at Doctor Who: A Brief History Of Time (Travel) The Robots of Death at the Doctor Who Reference Guide Essay on The Robots of Death (contains plot detail) Fan reviews The Robots of Death reviews at Outpost Gallifrey The Robots of Death reviews at The Doctor Who Ratings Guide Target novelisation Doctor Who and the Robots of Death reviews at The Doctor Who Ratings Guide On Target — Doctor Who and the Robots of Death



  • TDP 232: The Three Doctors (Story Two from the new box set)

    17 February 2012 (4:00am GMT)
    Episode Duration: 0 days, 0 hours, 7 minutes and 9 seconds

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    Reprinted from wikipedia with thanks and respect The Three Doctors is the first serial of the tenth season of the British science fiction television series Doctor Who, first broadcast in four weekly parts from 30 December 1972 to 20 January 1973. The serial opened the tenth anniversary year of the series. Synopsis The home planet of the Time Lords is under siege, by an unknown force that by all accounts should not even exist. The only person who can help them is the Doctor, but even he will need assistance – from his previous selves. [edit] Plot A superluminal signal is sent to Earth, carrying with it an unusual energy blob that seems intent on capturing the Third Doctor. In the meantime, the homeworld of the Time Lords is under siege, with all the power sustaining it being drained through a black hole. Trapped and desperate, the Time Lords do the unthinkable and break the First Law of Time, allowing the Doctor to aid himself by summoning his two previous incarnations from the past. Unfortunately, the First Doctor is trapped in a time eddy, unable to fully materialize, and can only communicate via viewscreen, but the Second Doctor joins the Third in investigating the origins of the creature and the black hole, while UNIT headquarters faces an attack by the gel-like alien creatures. The First Doctor deduces the black hole is a bridge between universes, and the other two Doctors allow the TARDIS to be swallowed up by the energy creature, which transports them, Dr Tyler, Jo Grant, Sergeant Benton and Brigadier Lethbridge-Stewart into an antimatter universe created by the legendary Time Lord Omega. Omega was a solar engineer who created the supernova that powers Time Lord civilization, but was considered killed in the explosion. In actuality, he had been transported to the antimatter universe, where his will and thought turned the formless matter into physicality. Trapped, due to the fact that his will is the only thing maintaining reality, he vowed revenge on the Time Lords who left him stranded. It is clear that the exile has made Omega quite insane. Along with his revenge, he has summoned the Doctors here to take over the mental maintenance of the antimatter universe so he can escape. However, the Doctors discover that years of exposure to the corrosive effects of the black hole's singularity have destroyed Omega's physical body – he is trapped forever. Driven over the edge by this discovery, Omega now demands that the Doctors share his exile. The Doctors escape briefly, and offer Omega a proposition. They will give him his freedom if they send the others back to the positive matter universe. Omega agrees, and when that is done, the Doctors offer Omega a force field generator containing the Second Doctor's recorder, which had fallen in it prior to the transport through the black hole. Omega knocks the generator over in a rage and the unconverted positive matter recorder falls out of the force field. When the recorder comes into contact with the antimatter universe, it annihilates everything in a flash, returning the Doctors in the TARDIS to the positive matter universe. The Third Doctor explains that death was the only freedom anyone could offer Omega. With the power now restored to the Time Lords, they are able to send the First and Second Doctors back to their respective time periods. As a reward, the Time Lords give the Third Doctor a new dematerialization circuit for the TARDIS and restore his knowledge of how to travel through space and time. [edit] Continuity Omega would return in the Fifth Doctor serial, Arc of Infinity (1983), the Big Finish Productions audio play Omega, the novel The Infinity Doctors and the gamebook Search for the Doctor. The Chancellor is portrayed by Clyde Pollitt who had also played one of the Time Lords who tried and exiled the Second Doctor. Barry Letts states in the DVD commentary that this was intentional as he meant for this to be the same character. Similarly, Graham Leaman reappears as a Time Lord having been seen in the role in Colony in Space, discussing the Master's activities and their use of the exiled Doctor as an agent. The Brigadier refers to the Yeti (The Web of Fear), the Cybermen (The Invasion) and the Autons (Spearhead from Space). The Virgin Missing Adventures novel The Empire of Glass states that the First Doctor is taken out of time between the stories The Time Meddler and Galaxy 4 but immediately before the novel. [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions)Archive "Episode One" 30 December 1972 24:39 9.6 PAL 2" colour videotape "Episode Two" 6 January 1973 24:18 10.8 PAL 2" colour videotape "Episode Three" 13 January 1973 24:22 8.8 PAL 2" colour videotape "Episode Four" 20 January 1973 25:07 11.9 PAL 2" colour videotape [1][2][3] Working titles for this story included The Black Hole. The script was originally supposed to feature all three Doctors equally, but William Hartnell was too ill to be able to play the full role as envisioned. He was, therefore, reduced to a pre-recorded cameo role, appearing only on the TARDIS's scanner and the space-time viewer of the Time Lords. It would be the last time he played the Doctor and his last acting role before his death in 1975. Hartnell's scenes were filmed at BBC's Ealing Studios and not in a garage or a garden shed as fan myth would have it. The serial's promotional photo shoot was the only time the three actors were shown together. The production team also planned for Frazer Hines to reprise his role of Jamie McCrimmon alongside the Second Doctor; however, Hines was not available, due to his work on the soap opera Emmerdale Farm. Much of the role originally intended for Jamie was reassigned to Sergeant Benton. [edit] Outside references Jo references The Beatles' song "I Am the Walrus".[4] [edit] In print A novelisation of this serial, written by Terrance Dicks, was published by Target Books in November 1975. The novelisation provides a rationale for Omega's realm to be a quarry: over the millennia, Omega has become weary of the mental effort required to generate a verdant landscape and now makes do with rock and soil. The Second Doctor is referred to throughout as Doctor Two. In the book, Mr Ollis is renamed Mr Hollis. Doctor Who book The Three Doctors Series Target novelisations Release number 64 Writer Terrance Dicks Publisher Target Books Cover artist Chris Achilleos ISBN 0-426-11578-3 Release date 20 November 1975 Preceded by ' Followed by ' [edit] Broadcast, VHS and DVD releases The serial was repeated on BBC2 in November 1981, daily (Monday-Thursday) (23 November 1981 to 26 November 1981) at 5.40pm as part of "The Five Faces of Doctor Who". This story was released twice on VHS, first in August 1991 and thereafter remastered and re-released in 2002 as part of the W H Smith's The Time Lord Collection boxed set. This story was released on DVD in the UK in November 2003 as part of the Doctor Who 40th Anniversary Celebration releases, representing the Jon Pertwee years. Some copies came in a box set housing a limited edition Corgi model of "Bessie", the Third Doctor's vintage roadster. A special edition of the DVD, with new bonus features, is to be released in the uk on 13 February 2012 in the third of the ongoing Revisitations DVD box sets. [edit] References ^ Shaun Lyon et al. (2007-03-31). "The Three Doctors". Outpost Gallifrey. Archived from the original on 2008-05-18. Retrieved 2008-08-30. ^ "The Three Doctors". Doctor Who Reference Guide. Retrieved 2008-08-30. ^ Sullivan, Shannon (2007-08-07). "The Three Doctors". A Brief History of Time Travel. Retrieved 2008-08-30. ^ Cornell, Paul; Day, Martin; Topping, Keith (1995). "The Three Doctors". Doctor Who: The Discontinuity Guide. London: Doctor Who Books. p. 141. ISBN 0 426 20442 5. Retrieved 2010-09-03. [edit] External links Wikiquote has a collection of quotations related to: Third Doctor The Three Doctors at BBC Online The Three Doctors at Doctor Who: A Brief History Of Time (Travel) The Three Doctors at the Doctor Who Reference Guide Reviews The Three Doctors reviews at Outpost Gallifrey The Three Doctors reviews at The Doctor Who Ratings Guide Target novelisation The Three Doctors (novelisation) reviews at The Doctor Who Ratings Guide On Target — The Three Doctors



  • TDP 231: Doctor Who The Fourth Doctor Lost Tales Volume One

    14 February 2012 (4:00am GMT)
    Episode Duration: 0 days, 0 hours, 11 minutes and 0 seconds

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    The Foe from the FutureThe Grange is haunted, so they say. This stately home in the depths of Devon has been the site of many an apparition. And now people are turning up dead. The ghosts are wild in the forest. But the Doctor doesn’t believe in ghosts.The TARDIS follows a twist in the vortex to the village of Staffham in 1977 and discovers something is very wrong with time. But spectral highwaymen and cavaliers are the least of the Doctor’s worries. For the Grange is owned by the sinister Jalnik, and Jalnik has a scheme two thousand years in the making. Only the Doctor and Leela stand between him and the destruction of history itself. It’s the biggest adventure of their lives – but do they have the time?The Valley of DeathA century after his Great-Grandfather Cornelius vanished in the Amazon rainforest, Edward Perkins is journeying to the depths of the jungle to find out what became of his ancestor’s lost expedition. Intrigued by what appears to be a description of a crashed spacecraft in the diaries of that first voyage, the Doctor and Leela join him on his quest. But when their plane runs into trouble and ends up crash landing, everyone gets more than they bargained for.The jungle is filled with giant creatures and angry tribesmen, all ready to attack. But in the famed lost city of the Maygor tribe, something far, far worse is lurking. Something with an offer to make to mankind. Who are the Lurons and can they be trusted? Will the Doctor defeat the plans of the malevolent Godrin or will he become just another victim of the legendary Valley of Death? Starring Tom Baker and Louise Jameson (Duration: 300' approx) CAST: Tom Baker (The Doctor), Louise Jameson (Leela)The Foe from the Future: Paul Freeman (Jalnik), Louise Brealey (Charlotte), Blake Ritson (Instructor Shibac), Mark Goldthorp (Constable Burrows), Philip Pope (Father Harpin), Jaimi Barbakoff (Supreme Councillor Geflo), Dan Starkey (Historiographer Osin), Camilla Power (Councillor Kostal) The Valley of Death: Nigel Carrington (Emissary Godrin/Dr Summersby/Announcer), Delia Lindsay (Overlord Saldor/Newsreader), Jane Slavin (Valerie Carlton), Anthony Howell (Edward Perkins), David Killick (Professor Cornelius Perkins), Richard Bremmer (General Hemmings/Valcon/Taxi Driver)



  • TDP 230: Tomb Of The Cybermen (Box Set Story One)

    10 February 2012 (4:00am GMT)
    Episode Duration: 0 days, 0 hours, 8 minutes and 29 seconds

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    Reprinted from Wikipedia with thaks The Tomb of the Cybermen is the first serial of fifth season in the British science fiction television series Doctor Who that originally aired in four weekly parts from 2 September to 23 September 1967 and is the earliest serial starring Patrick Troughton as the Second Doctor to exist in its entirety. It stars Frazer Hines and Deborah Watling as companions Jamie McCrimmon and Victoria Waterfield and features recurring villains the Cybermen, as well as the introduction of the Cyberman Controller and the Cybermats. On the planet Telos, an archeological expedition uncovers a hidden entrance in a mountain. The TARDIS lands nearby, and the expedition is joined by the Doctor, Jamie and Victoria. Parry, the expedition's leader, explains that they are here to find the remains of the Cybermen, who apparently died out five centuries before. The expedition is funded by Kaftan, who is accompanied by her giant manservant Toberman and her colleague Klieg. A man is electrocuted opening the doors, but the party manages to enter the chamber. They find a control panel and a large, sealed hatch. The Doctor is able to open two hidden doors in the walls, but the hatch remains sealed. Parry and Klieg continue to try and open it as Toberman slips out. The remaining members of the expedition begin to explore. Victoria and Kaftan come across a chamber with a sarcophagus-like wall inset facing a projection device that was apparently used to revitalise the Cybermen. Victoria curiously climbs inside. Kaftan secretly seals Victoria in the sarcophagus and tries to activate the projector pointing at the sarcophagus but the Doctor, thinking Victoria had only accidentally locked herself in, frees her. Meanwhile, Haydon and Jamie have been experimenting with a control panel in another room; a Cyberman slides into view and a gun fires, killing Haydon. The Doctor points out that Haydon was shot in the back. Throwing the switches again, the Cyberman -in reality an empty shell - is destroyed by the gun which emerges from a hidden panel, showing that the room is actually a testing range. Outside, Toberman reports to Kaftan that "It is done." Captain Hopper, the expedition's pilot, returns and angrily reveals that someone has sabotaged the rocket ship — they cannot leave the planet until repairs are made. The hatch is finally opened. Leaving Kaftan and Victoria behind, the men descend through the hatch. They find a vast chamber beneath, with a multistorey structure containing cells of frozen Cybermen. Back in the control room, Kaftan drugs Victoria and reseals the hatch. Inside it, Klieg activates more controls in the tomb and the ice begins to melt. When Viner tries to stop him, Klieg shoots him dead and holds the rest at bay as the Cybermen return to life. Klieg reveals that he and Kaftan belong to the Brotherhood of Logicians, who possess great intelligence but no physical power. He is certain the Cybermen will be grateful for their revival and will ally themselves with him. Victoria awakes and confronts Kaftan, who threatens to shoot her if she tries opening the hatch. A small mechanical cybermat revives and attacks Kaftan, rendering her unconscious. Victoria grabs Kaftan's pistol and shoots the cybermat. Not knowing which lever opens the hatch, she leaves to find Hopper. Down in the tombs, the Cybermen free their leader, the Cyberman Controller, from his cell. When Klieg steps forward to take the credit for reviving them, the Cybercontroller grabs and crushes his hand, declaring, "You belong to us; You shall be like us." The Doctor realises that the tombs were an elaborate trap: the Cybermen were waiting for beings intelligent enough to decipher the controls to free them. The expedition will be converted into Cybermen in preparation for a new invasion of Earth. In the control room, Capt. Hopper and Callum have figured out how to open the hatch. Hopper descends into the tombs, and uses smoke grenades to distract the Cybermen while the humans make their escape - all but Toberman, who has his arms cybernetically converted. Klieg and Kaftan are moved into the testing range to keep them out of mischief while the others decide on their next course of action. Klieg extricates the weapon from the wall, an X-ray laser he calls a cybergun, to coerce the Cybermen to do their bidding. Meanwhile, the others fend off an attack by cybermats. Klieg and Kaftan step out, and Klieg fires the laser in the direction of the Doctor. Klieg misses, wounding Callum. He opens the hatch, and calls for the Cyberman Controller. The Controller climbs up, accompanied by Toberman, who has been partially cyberconverted and is under Cyberman control. The Controller moves slowly, as his energy is running low — most of the Cybermen have been ordered back to their tombs to conserve power. Klieg says he will allow the Controller to be revitalised if the Cybermen help him conquer the Earth. It agrees. The Doctor helps the Controller into the sarcophagus in an attempt to trap it there, but the revitalised Controller is too strong and breaks free. Toberman knocks Klieg unconscious. The Controller picks up Klieg's cybergun and kills Kaftan when she tries to block its return to the tombs. The death of Kaftan and the urging of the Doctor shake Toberman out of his controlled state. He struggles with the Controller and hurls it into a control panel, apparently killing it. The Doctor, wanting to make sure the Cybermen are no longer a threat, goes back down into the tombs with Toberman. Klieg regains consciousness and sneaks down with the cybergun and revives the Cybermen once again. Klieg expects to control them now that the Controller is dead, but a revived Cyberman throttles Klieg from behind and kills him. Toberman fights and kills this Cyberman by tearing open its breathing apparatus, while the Doctor and Jamie refreeze the others in their cells. Hopper's crew have repaired the ship, and the Doctor rewires the controls to the station so they can't be used. He then sets up a circuit to electrify the doors again along with the control panels. The Controller, still alive, lurches forward. Everyone tries to shut the outer doors, but the Controller is too strong. Toberman comes forward, pushes the others aside and uses his bare hands to shut the doors. He succeeds, completing the circuit, and both he and the Controller are electrocuted. The Doctor and his companions say good-bye to the expedition members and return to the TARDIS. No one notices a lone cybermat, moving along the ground toward Toberman's body. [edit] Continuity The iconography of this serial, in particular the image of Cybermen breaking through plastic sheeting to escape their tombs, has had an influence on nearly all subsequent Cyberman stories. Likewise, the idea of Cybermen being kept in cold storage has since been a continuing theme. The Doctor returns to Telos in the Sixth Doctor serial Attack of the Cybermen, where he also encounters the Cryons, the original inhabitants of the planet.[1] The story contains a rare reference to the Doctor's family. When Victoria doubts he can remember his family because of "being so ancient", the Doctor says that he can when he really wants to and "the rest of the time they sleep in my mind" because he has "so much else to think about, to remember". The Doctor mentions here that he is about 450 years old. Eleventh Doctor actor Matt Smith has stated that it was watching this serial that inspired his own costume as the Doctor.[2] [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions)Archive "Episode 1" 2 September 1967 23:58 6.0 16mm t/r "Episode 2" 9 September 1967 24:44 6.4 16mm t/r "Episode 3" 16 September 1967 24:14 7.2 16mm t/r "Episode 4" 23 September 1967 23:22 7.4 16mm t/r [3][4][5] [edit] Writing The working titles for this story were The Ice Tombs of Telos and The Cybermen Planet.[6] Peter Bryant, who had previously been assistant to Gerry Davis and been newly promoted to script editor on the preceding story, was allowed to produce this serial in order to prove that he could take over from Innes Lloyd as producer later on in the season. Bryant's own assistant, Victor Pemberton acted as script editor on this serial, but left the series after production of the serial was finished, deciding that he didn't want to be a script editor. When Bryant's eventual promotion to producer came, Derrick Sherwin would become script editor. Toberman was originally intended to be deaf, hence his lack of significant speech; his hearing aid would foreshadow his transformation into a Cyberman.[6] [edit] Recording The cybermats were controlled by various means - some by wires, some by wind-up clockwork, some by radio control, and some by simply being shoved into the shot.[7] The scene of the Cybermen breaking out of their tombs was filmed entirely in one take.[8] [edit] In print A novelisation of this serial, written by Gerry Davis, was published by Target Books in 1978, entitled Doctor Who and The Tomb of the Cybermen. Doctor Who book Doctor Who and the Tomb of the Cybermen Series Target novelisations Release number 66 Writer Gerry Davis Publisher Target Books Cover artist Jeff Cummins ISBN 0-426-11076-5 Release date 18 May 1978 Preceded by ' Followed by ' [edit] VHS, DVD and CD releases When the BBC's film archive was first properly audited in 1978, this serial was one of many believed missing (although it is absent in earlier 1976 listings). This story was prepared for release in early 1991 on cassette as part of the "Missing Stories" collection, with narration by Jon Pertwee. Then in late 1991, film telerecordings of all four episodes were returned to the BBC from the Hong Kong-based ATV television company. In May 1992, the serial was released on VHS, to much fan excitement and with a special introduction from director Morris Barry. The VHS release topped the sales charts throughout the country. This was the only original Doctor Who episode from the original era to top the UK charts.[citation needed] With the recovery of the film prints, the planned soundtrack release was delayed until 1993, when contractual obligations forced its release. See List of Doctor Who audio releases. UK DVD front cover In the UK the DVD was released 13 January 2002. A special edition of the DVD, with new bonus features, is to be released in the uk on 13 February 2012 in the third of the ongoing Revisitations DVD box sets. Following the 1993 cassette release, on 1 May 2006 the soundtrack was released on a 2-CD set with linking narration by and a bonus interview with Frazer Hines. This was the first existing story to be released on audio in the same format as the missing story range. [edit] Music release Music from The Tomb of the Cybermen Soundtrack album Released 1997 Genre Soundtrack Length 22:40 Label Via Satellite Records Doctor Who soundtrack chronology Doctor Who: 30 Years at the BBC Radiophonic Workshop (1993) Music from the Tomb of the Cybermen Doctor Who: Original Soundtrack Recording (1997) Stock music and sound effects from this story was released on a "mini-album" by Via Satellite in 1997. It is composed of 2 versions of the Doctor Who theme music, sound effects from Doctor Who: 30 Years at the BBC Radiophonic Workshop and stock music used in the story. It was planned to be the first in a series of mini-albums, with The Faceless Ones and Inside the Spaceship being mooted as future albums. Neither were produced.[9][10] [edit] Track listing Track #ComposerTrack name 1 Ron Grainer (realised by Delia Derbyshire) "Dr. Who Theme"[a] 2 Brian Hodgson "Tardis Interior"[a] 3 "Tardis Landing"[a] 4 Dick Mills "Tardis Doors Opening"[a] 5 M. Slavin "Space Adventures (Parts 1-3)" 6 J. Scott "Palpitations" 7 E. Sendel "Astronautics Theme (Parts 1-7)" 8 H. Fleischer "Desert Storm" 9 Wilfred Josephs "Space Time Music (Parts 1-4) 10 Brian Hodgson "Tardis Take Off"[a] 11 Ron Grainer (realised by Delia Derbyshire) "Dr. Who Theme (A New Beginning)"[a] ^a This recording does not actually feature in The Tomb of the Cybermen[11] See also: Dr Who - Music from the Tenth Planet and Space Adventures - Music from 'Doctor Who' 1963–1968 [edit] References ^ Attack of the Cybermen. Writer "Paula Moore" (Paula Woolsey), Director Matthew Robinson, Producer John Nathan-Turner. Doctor Who. BBC. BBC1, London. 5 January 1985–12 January 1985. ^ Doctor Who Magazine (Panini Comics) (418). 3 February 2010. ^ Shaun Lyon et al. (2007-03-31). "The Tomb of the Cybermen". Outpost Gallifrey. Archived from the original on 2008-06-18. Retrieved 2008-08-30. ^ "The Tomb of the Cybermen". Doctor Who Reference Guide. Retrieved 2008-08-30. ^ Sullivan, Shannon (2008-03-22). "The Tomb of the Cybermen". A Brief History of Time Travel. Retrieved 2008-08-30. ^ a b Howe, Walker, p 184 ^ Morris Barry. Tombwatch. Event occurs at 8:20. ^ Morris Barry. Tombwatch. Event occurs at 15:13. ^ (1997) Album notes for Music from The Tomb of the Cybermen [CD Booklet]. Glasgow, Scotland: Via Satellite Recordings (V-Sat ASTRA 3967). ^ Ayres, Mark. "Doctor Who Compact Disc Catalogue". Archived from the original on 2007-10-12. Retrieved 2007-12-11. ^ "The Millennium Effect". Archived from the original on 2007-12-06. Retrieved 2007-12-11. [edit] Bibliography Andrew Beech (Producer), Peter Finklestone (Editor) (January 22). Tombwatch (Documentary; Special feature on The Tomb of the Cyberman DVD release). London, England: BBC Video. Retrieved 2008-01-12. Howe, David J & Walker, Stephen James (23). The Television Companion: The Unofficial and Unauthorised Guide to DOCTOR WHO (2nd ed. ed.). Surrey, UK: Telos Publishing Ltd.. ISBN 1-903889-51-0. The Tomb of the Cybermen. Writers Kit Pedler, Gerry Davis, Director Morris Barry, Producer Peter Bryant. Doctor Who. BBC. BBC1, London. 2 September 1967–23 September 1967. [edit] External links The Tomb of the Cybermen at BBC Online The Tomb of the Cybermen at Doctor Who: A Brief History Of Time (Travel) The Tomb of the Cybermen at the Doctor Who Reference Guide Doctor Who Locations - The Tomb of the Cybermen [edit] Reviews The Tomb of the Cybermen reviews at Outpost Gallifrey The Tomb of the Cybermen reviews at The Doctor Who Ratings Guide [edit] Target novelisation The Tomb of the Cybermen reviews at The Doctor Who Ratings Guide On Target — Doctor Who and the Tomb of the Cybermen



  • TDP 229: Destination Nerva

    7 February 2012 (8:42am GMT)
    Episode Duration: 0 days, 0 hours, 11 minutes and 19 seconds

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    Destination Nerva From Wikipedia, the free encyclopedia Big Finish Productions audio play Destination: Nerva Series Doctor Who 4th Doctor Adventures Release number 1.1 Featuring Fourth Doctor Leela Writer Nicholas Briggs Director Nicholas Briggs Executive producer(s) Nicholas Briggs Set between The Talons of Weng-Chiang and The Renaissance Man Release date January 2012 Destination: Nerva is an audio drama based on the long-running British science fiction television series Doctor Who. This audio drama was produced by Big Finish Productions. As with all Doctor Who spin-off media, its relationship to the televised serials is open to interpretation. Tom Baker played the Fourth Doctor from 1974 to 1981. Although Big Finish Productions has been producing audio dramas with all the other living, Classic Series Doctors since 1999, Tom Baker had declined to participate. Baker finally reprised the role in a series of audio dramas for the BBC in 2009, starting with Hornets' Nest. Destination Nerva is the first in a series of audio dramas produced by Big Finish Productions. Contents  [hide]  1 Plot 2 Cast 3 Continuity 4 Notes 5 External links 6 References [edit] Plot Having wrapped up their adventure with Jago and Litefoot in Victorian London, the Doctor and Leela are alerted to an interstellar distress signal emanating from an English manor house, in the nearby year of 1895. From there, they chase an alien spaceship a millennium into the future, to the newly constructed Space Dock Nerva, orbiting Jupiter. [edit] Cast The Doctor - Tom Baker Leela - Louise Jameson Dr Alison Foster - Raquel Cassidy McMullan/Pilot - Sam Graham Laura Craske - Tilly Gaunt Giles Moreau/Jenkins - Tim Bentinck Jim Hooley/Drelleran 1/Security Guard - Kim Wall Lord Jack/Drudgers/Drelleran 2 - Tim Treloar [edit] Continuity This story begins by picking up from the closing scene of the 1977 television story, The Talons of Weng-Chiang. The final lines spoken in that story are repeated here. The Fourth Doctor was previously on-board Nerva in the 1975 television story The Ark in Space. That was several thousand years into the future, when "Space Station Nerva" was converted to house the cryogenically frozen survivors of the human race, as they orbited an inhospitable Earth. The Doctor returned to "Nerva Beacon", thousands of years earlier, in Revenge of the Cybermen, when it orbited a moon of Jupiter. In Destination: Nerva, "Space Dock Nerva" has only just been built. [edit] Notes Raquel Cassidy was in the 2011 Doctor Who television story The Rebel Flesh / The Almost People. [edit] External links Destination Nerva [edit] References Big Finish News Page Doctor Who News Page [hide] v d e Fourth Doctor audio dramas Sarah Jane Doctor Who and the Pescatons Exploration Earth: The Time Machine Leela The Catalyst Empathy Games The Time Vampire The Foe From The Future/The Valley of Death Destination Nerva The Renaissance Man The Wrath of the Iceni Energy of the Daleks Trail of the White Worm The Oseidon Adventure The Child Mrs Wibbsey Hornets' Nest Demon Quest Serpent Crest Romana I and K-9 The Stealers from Saiph Ferril's Folly Tales from the Vault The Auntie Matter The Sands of Life War Against The Laan The Justice of Jalxar Phantoms of the Deep Romana II and K-9 The Beautiful People The Pyralis Effect Romana II, K-9 and Adric The Invasion of E-Space Other The Kingmaker



  • TDP 228: The Sensorites

    20 January 2012 (6:00am GMT)
    Episode Duration: 0 days, 0 hours, 8 minutes and 54 seconds

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    From Wikipedia, the free encyclopedia 007 – The Sensorites Doctor Who serial The Doctor meets the Sensorites Cast Doctor William Hartnell (First Doctor) Companions Carole Ann Ford (Susan Foreman) Jacqueline Hill (Barbara Wright) William Russell (Ian Chesterton) Others Stephen Dartnell — John Ilona Rodgers — Carol Lorne Cossette — Maitland John Bailey — Commander Martyn Huntley — First Human Giles Phibbs — Second Human Ken Tyllsen — First Sensorite/First Scientist Joe Greig — Second Sensorite/Second Scientist/Warrior Peter Glaze — Third Sensorite/City Administrator Arthur Newall — Fourth Sensorite Eric Francis — First Elder Bartlett Mullins — Second Elder Anthony Rogers, Gerry Martin — Sensorites Production Writer Peter R. Newman Director Mervyn Pinfield (episodes 1-4) Frank Cox (episodes 5,6) Script editor David Whitaker Producer Verity Lambert Mervyn Pinfield (associate producer) Executive producer(s) None Production code G Series Season 1 Length 6 episodes, 25 minutes each Date started 20 June 1964 Date ended 1 August 1964 Chronology ← Preceded by Followed by → The Aztecs The Reign of Terror The Sensorites is a serial in the British science fiction television series Doctor Who, which was first broadcast in six weekly parts from June 20 to August 1, 1964. The story is notable for its demonstration of Susan's telepathy and references to the Doctor and her home planet. Contents  [hide]  1 Plot 1.1 Continuity 1.1.1 Susan's telepathy 2 Production 2.1 Cast notes 3 Broadcast and reception 4 In print 5 VHS, CD and DVD releases 6 References 7 External links 7.1 Reviews 7.2 Target novelisation [edit] Plot The TARDIS travellers land on a moving spaceship and find the crew apparently dead. However, one of the crew members, Captain Maitland, regains consciousness and Ian Chesterton fully revives him and another woman, Carol Richmond. These two tell the travellers that they are on an exploration mission from Earth and are orbiting Sense-Sphere. However, its inhabitants, the Sensorites, refuse to let them leave the orbit. The Sensorites visit and stop the travellers from leaving, while sending them on a collision course, which the Doctor diverts. The travellers then meet John (whose mind has been broken by the Sensorites) and find out that he is Carol's fiancé. Returning to plague the crew, the Sensorites freeze Carol and Maitland once more. The Doctor breaks Maitland's mental conditioning, but cannot help John. Susan's telepathic mind is flooded with the many voices of the Sensorites who remain scared of the humans and are trying to communicate with her. Meanwhile, The Doctor works out that the Sensorites attacked the human craft because John, a mineralogist, had discovered a vast supply of molybdenum on Sense-Sphere. Susan reports that the Sensorites want to make contact with travellers, asking the crew to go aboard Sense-sphere and reveal that a previous Earth expedition caused them great misery. The Doctor refuses but Susan, under duress, agrees and begins to leave the ship. The Doctor deduces that the Sensorites need plenty of light, so Ian reduces the lighting on the ship, rendering the Sensorites helpless and rescuing Susan. The Doctor then asks the Sensorites to return his lock and is invited to go to Sense-Sphere to speak with the leader. Susan, Ian, Carol and John join him while Barbara and Maitland stay behind. John is promised that his condition will be reversed. On their journey to Sense-Sphere, the party learn that the previous visitors from Earth exploited Sense-Sphere for its wealth, then argued. Half of them stole the spacecraft, which exploded on take-off. The Sensorite Council is divided over the issue of inviting the party to Sense-Sphere: some of the councillors plot to kill them on arrival, but some believe that the humans can help with the disease that is currently killing many Sensorites. Their first plot is foiled by the other Sensorites, but they continue to plot in secret. The humans are not told of the first plot, and John and Carol are cured. In the main conference room, Ian starts coughing violently and collapses. Suffering from the disease that has blighted the Sensorites, he is told that he will soon die. It turns out that he was actually poisoned by drinking water from the general aqueduct. The Doctor finds the problematic aqueduct and starts work with the Sensorite scientists. The plotting Sensorites capture and then impersonate a Sensorite leader, the Second Elder and steal the new cure, before it is given to Ian, but a new one is made easily and Ian is cured. Meanwhile, investigating the aqueduct, the Doctor finds strange noises and darkness. He finds and removes deadly nightshade (the cause of the poisoning), but on going back, meets an unseen monster. Susan and Ian find him unconscious with a ripped coat, but otherwise unharmed. On being recovered, he tells of his suspicion that some Sensorites are plotting to kill them. The plotting Sensorites kill the Second Elder and one of them replaces him in his position. John tells the others that he knows the lead plotter, but he is now too powerful, so The Doctor and Ian go down to the aqueduct to find the poisoners. Their weapons and map were tampered with and are useless. Elsewhere, a mysterious assailant abducts Carol and forces her to write saying she has left for the ship. Neither Susan, John or Barbara believe this so they go to investigate and find her imprisoned. Susan, John and Barbara overpower the guard and release Carol. On finding out about the tampered tools, they go into the aqueduct to rescue the Doctor and Ian. The leader discovers the plotters a little while later. Ian and the Doctor discover that the monsters were actually the survivors of the previous Earth mission, and they had been poisoning the Sensorites. Their deranged Commander leads them to the surface, where they are arrested by the Sensorites. The Doctor and his party return to the city, pleading clemency for the poisoners. The leader of the Sensorites agrees and sends them back with Maitland, John and Carol to Earth, for treatment for madness. [edit] Continuity Susan's description of her home planet as having a burnt orange sky and silver leaved trees is echoed by a similar description of the planet by the Tenth Doctor to Martha Jones in "Gridlock". It also bears similarities to the description given to Grace in the 1996 telemovie. In the Doctor Who Confidential episode, You've Got the Look (released to accompany "The Impossible Planet"), Russell T Davies said that he wanted the Ood to resemble the Sensorites, and that he likes to think they come from a planet near the Sense Sphere. This was later confirmed in the Tenth Doctor episode "Planet of the Ood", in which the Doctor visits the Ood's homeworld (the Ood-Sphere) and mentions that he once visited the Sense-Sphere in the same system. Susan's experiences here carry over into the Big Finish Productions audio story Transit of Venus. It takes place directly after this story, despite the fact that the ending of The Sensorites seems to lead directly into The Reign of Terror. However, this inconsistency is explained in the audio play. One of the creatures in the episode Kidnap attacks the Doctor, and he states later that it attacked him under his heart - suggesting that he has only one heart. The Doctor's having two hearts did not appear in the series until much later. [edit] Susan's telepathy This episode is known for Susan's use of telepathy. The earlier conception of Susan's character spun her as a less ordinary girl who had unusual abilities, of which Susan's ability in this story may been seen as one of the few remnants. At the end of the story, Susan loses her telepathy because according to the Sensorites, the Sense Sphere "has an extraordinary number of ultra-high frequencies, so I won't be able to go on using thought transference." However, the Doctor says that she has a gift and "when we get home to our own place, I think we should try to perfect it." The spin-off media have more explicitly clarified that Time Lords have limited telepathic abilities. [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions)Archive "Strangers in Space" 20 June 1964 24:46 7.9 16mm t/r "The Unwilling Warriors" 27 June 1964 24:44 6.9 16mm t/r "Hidden Danger" 11 July 1964 24:53 7.4 16mm t/r "A Race Against Death" 18 July 1964 24:49 5.5 16mm t/r "Kidnap" 25 July 1964 25:47 6.9 16mm t/r "A Desperate Venture" 1 August 1964 24:29 6.9 16mm t/r [1][2][3] Jacqueline Hill does not appear in episodes 4 and 5, though she was still credited on-screen. Designer Raymond Cusick used almost all curves in his sets for the Sense Sphere, feeling that this would give a more alien look. [edit] Cast notes Arthur Newall also appeared as a Sensorite in this story, not a Dalek as is commonly believed. Stephen Dartnell appears as John. He had previously appeared as Yartek in The Keys of Marinus. John Bailey, who plays the Commander, returned to the series to play Edward Waterfield in The Evil of the Daleks and Sezom in The Horns of Nimon. [edit] Broadcast and reception The third episode was postponed by one week following the overrun of sports programme Grandstand. [edit] In print The serial was novelised for Target Books by Nigel Robinson in February 1987 as Doctor Who: The Sensorites. Doctor Who book The Sensorites Series Target novelisations Release number 118 Writer Nigel Robinson Publisher Target Books Cover artist Nick Spender ISBN 0-491-03455-5 Release date February 1987 (Hardback) 16 July 1987 (Paperback) Preceded by ' Followed by ' [edit] VHS, CD and DVD releases A restored and VidFIREd version of this story was released on VHS in November 2002. In July 2008, the original soundtrack was released on CD in the UK, with linking narration provided by William Russell. The story is scheduled to be released on DVD in the UK on 23 January 2012 [4] [edit] References ^ Shaun Lyon et al. (2007-03-31). "The Sensorites". Outpost Gallifrey. Archived from the original on 2008-05-06. Retrieved 2008-08-30. ^ "The Sensorites". Doctor Who Reference Guide. Retrieved 2008-08-30. ^ Sullivan, Shannon (2008-06-23). "The Sensorites". A Brief History of Time Travel. Retrieved 2008-08-30. ^ http://www.doctorwhonews.net/2011/05/dwn030511125312-dvd-schedule-update.html [edit] External links The Sensorites at BBC Online The Sensorites at Doctor Who: A Brief History Of Time (Travel) The Sensorites at the Doctor Who Reference Guide The Sensorites on TARDIS Index File, an external wiki [edit] Reviews The Sensorites reviews at Outpost Gallifrey The Sensorites reviews at The Doctor Who Ratings Guide [edit] Target novelisation On Target — The Sensorites [hide] v d e



  • TDP 227: The Doctor The Widow and the Wardrobe (DVD Review)

    17 January 2012 (8:58am GMT)
    Episode Duration: 0 days, 0 hours, 6 minutes and 27 seconds

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    Series Doctor Who DVDs Country United Kingdom Release date 16 January 2012 No. of discs 1 Rating Uk dvd rating 12.png Original RRP £13.27 Subtitles English Region 2 PAL Aspect ratio 16:9 Running time 60 mins approx Cover blurb It's Christmas Eve, 1938, when Madge Arwell comes to the aid of an injured Spaceman Angel as she cycles home. He promises to repay her kindness - all she has to do is make a wish. Three years later, a devastated Madge escapes war-torn London with her two children for a dilapidated house in Dorset. She is crippled with grief at the news her husband has been lost over the channel, but determined to give Lily and Cyril the best Christmas ever. The Arwells are surprised to be greeted by a madcap caretaker whose mysterious Christmas gift leads them into a magical wintry world. Here, Madge will learn how to be braver than she ever thought possible. And that wishes can come true... Special features Users who have this • The Doctor, the Widow and the Wardrobe Prequel • The Best of The Doctor • The Best of The Companions • The Best of the Monsters



  • TDP 226: The Android Invasion (UNIT BOX SET Story 2)

    7 January 2012 (5:00am GMT)
    Episode Duration: 0 days, 0 hours, 6 minutes and 43 seconds

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    Reprinted from Wiki with thanks and respect A UNIT soldier walks, as if in a trance, through the woods, his right arm twitching spasmodically. Nearby, the TARDIS materialises, and the Doctor and Sarah step out. The Doctor explains that the coordinates were set for Sarah's time but the linear coordinates were off, so they could be miles from London. In any case, Sarah is glad to be back on Earth. The Doctor detects an odd reading of energy or radiation nearby. The Doctor and Sarah meet a group of four men in white suits and opaque helmets. When the Doctor asks them for directions, they start shooting at them with their index fingers. The Doctor and Sarah duck and run, with the four in pursuit. Sarah slips down a hillside and clings to a cliff ledge. The Doctor helps her up; at that point, they see the soldier, jerkily making his way towards the cliff's edge. The Doctor shouts at him to stop, but he pays no heed, running right over the cliff and falling to his death. The Doctor searches the body, finding a wallet full of shiny, freshly minted coins, all dated the same year. They also spot a casket-shaped pod nearby, which the Doctor finds familiar. Before he can identify it further, shots ring out: the white-suited men have found them again. They run once more through the countryside, avoiding their pursuers and reaching a village, which Sarah recognises as Devesham, which lies about a mile from a Space Defence Station. The village, however, is deathly quiet, and seems unpopulated. The Doctor decides to try the local pub, the Fleur-de-Lys, but it is also empty, and the Doctor finds the same freshly minted coins in the register. Sarah then spots the white suits coming down the street, accompanied by the "dead" soldier. A Ford Transit pick-up truck arrives, carrying what seem to be villagers, all in a trance-like state. They are helped off the vehicle by the white suits, and distribute themselves around the village. Mr Morgan, the landlord of the pub, enters it along with several other people while Sarah and the Doctor hide in the store room. The villagers take their seats silently, waiting motionless until the clock strikes eight, when they suddenly come to life, acting normally. The Doctor intends to get to the Space Defence Station and contact UNIT. He leaves, telling Sarah to meet him at the TARDIS if anything goes wrong. However, the "dead" soldier finds her in the store room and questions her. Morgan suggests that Sarah might be part of "the test". But when Sarah asks what test, he tells Sarah that she should go. Outside, Sarah hides behind the lorry, observing one of the white suits turn around. Behind the opaque visor is nothing but a slab of plastic and electronics. Sarah runs for the woods, reaching the TARDIS. She spots a similar pod just next to the time machine and goes to examine it, leaving the TARDIS key in the lock. Suddenly, the TARDIS dematerialises without her, and as Sarah is still trying to understand why, a hand reaches out from the pod. Startled, Sarah sees a man lying inside, but when she goes closer, he grabs her around the throat. She breaks free and runs. At the Defence Station, the Doctor asks a soldier on guard where the command officer is, but the soldier just stares ahead, unresponsive. Also inside the building, Senior Defence Astronaut Guy Crayford is addressed by a disembodied voice. The voice, named Styggron, tells him that there is a random "unit" within the complex and orders him to check. The Doctor enters an office marked with Brigadier Lethbridge-Stewart's name, but it is empty. Crayford enters, and points a gun on him. The Doctor introduces himself as UNIT's scientific advisor. Crayford has heard of him, but as the Brigadier is in Geneva, and Colonel Faraday is in command, there is no one to confirm the Doctor's identity; he could be an impostor. Before Crayford can have the Doctor taken to detention, the Doctor flips the desk over and runs. However, despite making it outside, he is recaptured. Sarah sees this and sneaks into the building, going to the Doctor's cell and unlocks the door, unaware that from behind a wall a stony alien face is observing them. Styggron contacts Crayford again, complaining about a second random unit. Crayford identifies this random units as the Doctor and Sarah. At that moment, the alarm sounds indicating the Doctor's escape. Crayford sends his UNIT soldiers to stop them. Hiding in a storage cupboard, the Doctor tells Sarah about Crayford. She replies that it is impossible: Crayford was in deep space while testing the XK-5 Space Raider when it vanished, presumed destroyed. The Doctor and Sarah venture out to find Sergeant Benton standing in the reception area, who points a pistol at them. Styggron wants the Doctor captured alive. When Crawford cancels the kill order, Benton becomes dizzy, giving the Doctor and Sarah a chance to run away. Crayford orders Harry Sullivan to cordon off the perimeter road. The two decide to return to the village and warn London, while being pursued by tracker dogs. Sarah twists her ankle while running through the woods and this slows her down. The Doctor hides Sarah in a tree, taking her scarf to draw the dogs away. He then hides in a stream, the dogs losing his trail. Unfortunately, when the soldiers turn back, they spot Sarah, and capture her. Styggron tells Crayford to locate, but not seize the Doctor. He has other plans for him. Meanwhile, in an alien-looking room, Sarah is strapped down to a table. Harry tells her it is no use to struggle, and under Styggron's order, commences the scan. In the village, the Doctor finds the telephones are not working. He meets Morgan, who tells him the lines are down after a gale. Styggron speaks to another of his kind, Chedaki, who feels that the time for experiments are over, but Styggron insists that they must confirm their techniques are flawless if they are to conquer worlds other than Earth. Styggron contacts Crayford and tells him to commence the final test. In the pub, the Doctor finds more oddities: an unused dart board, plastic horse brass on the wall and a tear-off calendar with only one date on every page - Friday 6 July. The telephone rings, and the call is for the Doctor. It is Sarah, who tells the Doctor she was captured but managed to escape. She asks the Doctor to meet her by the Village shop and to be careful of the robots. He hangs up the call, then finds that the telephone has stopped working again. The Doctor meets Sarah, who explains how she escaped. The Doctor remarks on the providence of her finding the only telephone in the village that worked, and believes they are being tested to find out how smart they are. He decides to take Sarah to the TARDIS and use the radio there. However, the TARDIS is gone. The Doctor is puzzled: the ship is not programmed to auto-operate, unless... he asks Sarah for her TARDIS key, and when she claims she has lost it, the Doctor tells her she never had it. When Sarah put the key in the lock, she released the TARDIS's pause control and it continued its journey to Earth. This is not Earth, this is not a real forest, and she is not the real Sarah. Moreover, the real Sarah wasn't wearing a scarf, which the Doctor took off to draw the dogs away. The Doctor grabs the duplicate by the shoulders and demands to know where Sarah is. The duplicate pulls free, but falls to the ground, her face popping open and revealing the electronics underneath. The android Sarah rises to its feet and starts to fire its pistol at the Doctor's retreating form. Chedaki tells Styggron that it was a foolish experiment. The Doctor could undo their plans. Styggron dismisses this; both the village and the Doctor will be destroyed by a matter dissolving bomb. The real Sarah is being kept alive so Styggron can test the virus he intends to use to cleanse the Earth of human life. All the while, Sarah is feigning unconsciousness and listening. When the coast is clear, she gets up and sneaks away. The Doctor watches the pick-up drive into the village and evacuate the androids to the Kraal base. The Doctor is grabbed from behind by Styggron, who gets two white suits to tie him up while the Kraal places the bomb at the Doctor's feet. Luckily, Sarah too has made it back to the village, and uses the Doctor's sonic screwdriver to cut his bonds. With seconds to spare, they run into the base and shut the door, as the village dissolves into a wasteland. However, the two are surrounded by androids, who escort them to a cell. The Doctor tells Sarah that he should have realised — the radiation levels he picked up when they landed were those of Oseidon, the Kraal planet. The levels are increasing and the planet will soon be uninhabitable, which is why the Kraals are invading Earth. The duplicated village and their androids were a training ground. Crayford enters the cell and tells the Doctor that it is all for the best. Soon, the Kraals will send his ship back by space-time warp so he can make a normal landing. He has recently established radio contact with Earth, and fed them a story of how his ship was trapped in an orbit around Jupiter and he survived by rationing his supplies and recycling his water. The world's attention focused on his landing, the space shells containing the androids will be taken for meteorites, who will emerge and pave the way for the main invasion fleet. He is helping the Kraals because while Earth left him for dead, they rescued his ship and reconstructed his body. The Kraals only want to survive, and have also promised him no humans will be harmed as long as they obey. Styggron gets "Harry" to place a drop of the virus in a jug of water to be taken to the cell. Meanwhile, although the sonic screwdriver is useless on the door, the Doctor has managed to remove a floor plate, intending to use the wiring below to electrocute their android guard. "Harry" enters with the water, and also to take the Doctor away. Before he goes, he tells Sarah not to waste the water and mentioned it is very good electrolyte. The Doctor is strapped down to the Kraal analysis table which will copy all his knowledge and experience. Despite what Styggron has told Crayford, he reveals that does intend genocide. Earth's resources are too limited to be wasted on an "inferior species". The virus, distributed by androids, will wipe the Earth clean in three weeks, then burn itself out. Styggron will then signal the invasion fleet. Styggron leaves the machine to do its work, and when it finishes, the stimulation will make the Doctor's head explode. Sarah rigs the wiring beneath the cell floor, then sets a small fire to lure the android guard in. He steps in the puddle of water, and is electrocuted when Sarah applies the power cable. She makes her way to the Doctor and turns off the scan. She helps the disorientated Time Lord out of the base, heading for Crayford's rocket before it takes off. The rocket is launched, and the G-forces start to crush them. Sarah blacks out, but is awakened by the Doctor. He tells her that was nothing; there is a more dangerous ride ahead. Before the rocket lands, the pods will be ejected, and the Doctor and Sarah will ride two of them to Earth to warn the real Defence Station, although he cannot guarantee they will survive the trip down. As they talk, neither notices a nearby pod open slightly to reveal an android Doctor. On Earth, Matthews at the Defence Station's scanner room picks up Crayford's rocket. Grierson, the man in charge, informs Colonel Faraday. Meanwhile, having found the TARDIS in the woods near Devesham, Benton and Harry have been searching for the Doctor and Sarah, but to no avail. Benton is worried, as he has never known the Doctor to leave the TARDIS key in its lock. Faraday welcomes Crayford home on the radio, but the signal is broken up by the "meteor shower" of pods which, unusually, slow down as they enter the atmosphere. Some of the pods land in a nearby field, and one opens up to reveal the Doctor. However, he is unable to find Sarah. Sarah, having landed elsewhere, finds the TARDIS in the woods. As she looks around, the Doctor taps her on the shoulder. However, this Doctor is an android, and behind it a pod opens to disgorge another Sarah replica. The real Sarah runs for it. The XK-5 re-establishes contact and comes in for a landing. Harry and Faraday head for the rocket, not knowing that Styggron is there with Crayford. The real Doctor enters the Station, and recognises the "dead" soldier. Showing him a pass, the Doctor tells the soldier that if he sees the Doctor again today he is to report it to him immediately. The Doctor goes to the scanner room, leaving the soldier puzzled. When Benton tells him where Harry and Faraday are, the Doctor contacts them on the radio and urges them not to enter the rocket. He will meet them at the lift. While the Doctor gives Grierson some instructions for modifying the radar dish, an android Matthews has incapacitated Benton and introduced an android replacement. Grierson says that if the Doctor points the dishes down here, it will jam every piece of electronic equipment for miles. Faraday returns to the scanner room, demanding an explanation. The Doctor tells them about the Kraal invasion. However, the Doctor is too late: Harry and Faraday have been replaced, and the android Doctor is pointing a gun at him. He slams the door in the android's face and leaps through a window. Outside, he meets Sarah. The Doctor tells Sarah their only chance is to stop the androids before they take over the complex, and runs back towards the scanner room, bluffing his way past "Benton" by posing as his duplicate. Sarah climbs up the rocket towards the real Harry and Styggron. Grierson finishes his modifications, but is shot in the shoulder by the android Doctor before he can turn on the power. The android is about to shoot the original when Crayford enters, saying that Styggron promised no killing. The "Doctor" calls him a fool, and tells him about the virus. Crayford cannot believe this, but the real Doctor tells him that his rocket was actually hijacked by the Kraal, and they did not reconstruct but merely brainwashed him. Realising the truth, Crayford rushes out, distracting the android long enough for the Doctor to make his move. In the struggle, the Doctor manages to activate the power to the radar, jamming all the androids in mid-step. In the rocket, Sarah unties Harry and Faraday. Styggron enters, holding a ray gun on them, but Crayford appears and attacks him. The two grapple, and Styggron shoots Crayford. The Doctor makes his own entrance, punching the Kraal, who falls on the vial of virus, cracking it open. Styggron shoots the Doctor before he dies. Sarah is horrified, but the real Doctor shows up — he had programmed his duplicate to distract Styggron. As proof, the android disintegrates into its component parts. Sarah and the Doctor make their way back to the TARDIS. Sarah says she is going to take a taxi home, but when the Doctor offers to take her home instead, she smiles, "How can I refuse?" The two enter the ship and it vanishes. [edit] Continuity This story marks the last appearances of John Levene (Sergeant Benton) and Ian Marter (Harry Sullivan) in the series. The characters were mentioned (but did not appear) in Mawdryn Undead (1983). Harry was said to be working with NATO and doing something "hush-hush at Porton Down". Benton was said to have left the army and become a used car salesman. This story also marks the first appearance of The Doctor's grey coat, with its black elbow patches. This version of his costume would alternate with others for the next couple of seasons. [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions) "Part One" 22 November 1975 24:21 11.9 "Part Two" 29 November 1975 24:30 11.3 "Part Three" 6 December 1975 24:50 12.1 "Part Four" 13 December 1975 24:30 11.4 [1][2][3] Working titles for this story included The Kraals, The Kraal Invasion, and The Enemy Within. Location filming for the Kraal-replicated village of Devesham took place in East Hagbourne, Oxfordshire, a few miles from Didcot. The story was influenced by the film Invasion of the Body Snatchers, and would be the last Terry Nation script for Doctor Who for four years until his final script for the series, Destiny of the Daleks (1979). This was the first script by Nation since The Keys of Marinus (1964) that did not feature the Daleks. Nicholas Courtney was unavailable to play Lethbridge-Stewart, so his character was re-written as Colonel Faraday. Kenneth Williams briefly mentioned viewing episode two of this story in his diaries, writing on 29 November 1975 "Dr Who gets more and more silly."[citation needed] [edit] Cast notes Ian Marter would continue his acting career and go on to write several Doctor Who novelisations, an original novel featuring Harry and an unused screenplay, Doctor Who Meets Scratchman, the last with Tom Baker. He died in 1986 from diabetes-related health complications. Milton Johns' had appeared as Benik in The Enemy of the World. His next appearance in Who would be as Castellan Kelner in The Invasion of Time. Only three Kraals are seen throughout the story. Styggron was played by Martin Friend. Marshal Chedaki, was played by Roy Skelton. The silent Kraal underling that appears in one scene was played by the series' long time stuntman Stuart Fell. [edit] Outside reference Near the end of Part Three just after Sarah frees the Doctor from the machine, the Doctor tells her, "Listen! Once upon a time, there were three sisters, and they lived in the bottom of a treacle well! Their names are Olga, Masha, and Irina." This is a conflation of the dormouse's story in chapter seven of Alice's Adventures in Wonderland and Anton Chekhov's play, Three Sisters. [edit] In print A novelisation of this serial, written by Terrance Dicks, was published by Target Books in November 1978. The novelisation was later designated number 2 when Target opted to number the first seventy-three novelisations alphabetically; however no edition using the number was ever released. Doctor Who book Doctor Who and the Android Invasion Series Target novelisations Release number (Assigned 2, but never used) Writer Terrance Dicks Publisher Target Books Cover artist Roy Knipe ISBN 0-426-20037-3 Release date 16 November 1978 Preceded by ' Followed by ' DVD & VHS release This story was released on VHS in March 1995. The story has been announced for DVD release on 9 January 2012 alongside Invasion of the Dinosaurs, coupled as the "UNIT Files" box set. [4] References ^ Shaun Lyon et al. (2007-03-31). "The Android Invasion". Outpost Gallifrey. Archived from the original on 2008-07-31. Retrieved 2008-08-30. ^ "The Android Invasion". Doctor Who Reference Guide. Retrieved 2008-08-30. ^ Sullivan, Shannon (2007-08-07). "The Android Invasion". A Brief History of Time Travel. Retrieved 2008-08-30. ^ http://www.doctorwhonews.net/2011/05/dwn030511125312-dvd-schedule-update.html External links The Android Invasion at BBC Online The Android Invasion at Doctor Who: A Brief History Of Time (Travel) The Android Invasion at the Doctor Who Reference Guide Reviews The Android Invasion reviews at Outpost Gallifrey The Android Invasion reviews at The Doctor Who Ratings Guide Target novelisation Doctor Who and the Android Invasion reviews at The Doctor Who Ratings Guide On Target — Doctor Who and the Android Invasion



  • TDP 225: Invasion of the Dinosaurs

    3 January 2012 (1:17pm GMT)
    Episode Duration: 0 days, 0 hours, 11 minutes and 23 seconds

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    reprinted from wikipedia with respect and thanks Synopsis The Doctor and Sarah arrive in 1970s London to find that it has been evacuated, due to the mysterious appearance of dinosaurs. It turns out that the dinosaurs are being brought to London via a time machine in order to further a plan to revert London to a pre-technological level. [edit] Plot The Doctor and Sarah Jane Smith arrive in a deserted London plagued by looters and lawlessness where UNIT is assisting with maintaining martial law. The regular army, headed by General Finch, has evacuated the entire city and issues a command that any looters in London will be shot on sight. The Doctor and Sarah are soon arrested on suspicion of being looters themselves but are identified from the photographs by Brigadier Lethbridge-Stewart, who is heading up the UNIT operation, and arranges that the pair are freed to help combat the monsters that have necessitated the evacuation of London. Dinosaurs have started appearing all over the city – but that is not all, as the Doctor comes across a medieval peasant from the days of King Richard, who disappears in a time eddy. It seems the dinosaurs have been present for several months, but nobody can account for their sudden appearance or the havoc they are causing. The British Government has been relocated to Harrogate during the crisis, and the army has taken charge to ensure an orderly evacuation and to try and maintain some sort of control in the city. The dinosaur appearances are various – pterodactyls, Stegosaurus, Tyrannosaurus Rex – but the creatures seem to vanish as mysteriously as they appear. The Doctor ventures out around the city with a UNIT escort, hoping to learn more of the curious phenomenon, and they encounter a Stegosaurus moments before it disappears. He starts to suspect someone is deliberately bringing the dinosaurs to London – and in a hidden laboratory a pair of scientists, Butler and Professor Whitaker, are shown operating the Timescoop technology that is making the situation possible. They are being aided by Captain Mike Yates from UNIT, who is revealed to be recovering from a nervous breakdown caused by the events depicted in The Green Death. Mike feels the Doctor could help them achieve Operation Golden Age, but Whitaker is unconvinced, and tells Mike to sabotage the stun gun, which the Doctor is building for use on the dinosaurs. He does this, imperilling the Doctor when he encounters a Tyrannosaurus Rex, but the situation is saved and the creature is stunned and captured. Hours later, however, General Finch sets it free, evidently part of the conspiracy too. Sarah Jane has meanwhile set off to gather her own evidence and meets with Sir Charles Grover, an ecologist MP who is acting as Minister with Special Responsibilities in London. She is drugged by him and when she wakes up is astounded to find herself on a vast spaceship. The crew include Mark, Adam and Ruth, all famed British minor celebrities who have adopted new aliases and lives. They tell her they en route for a New Earth where mankind can begin again, closer to nature. They left Earth three months earlier and the ship is one of a fleet that is carrying over two hundred people to a new life. Sarah is committed to the re-education programme to enable her to think like them. The Doctor now focuses on more searches of London using his new vehicle, the Whomobile, as transport. Under Trafalgar Square tube station he finds the base used by Whitaker and Butler, but is scared away when they use a pterodactyl to defend their lair. When he returns with the Brigadier, the signs of occupation have been removed. Operation Golden Age is revealed to be a broad conspiracy containing Whitaker, Butler, Yates, Grover and Finch as its core co-ordinators. They have emptied London to enable it to revert to a more natural state, after which the people on the spaceships (in reality they are in vast bunkers and not in space at all) will be allowed out and enabled to repopulate a clean and free planet. Whitaker also works out how to reverse time, so that soon none of humanity apart from their own chosen specimens will ever have existed. Finch tries to frame and discredit the Doctor, whom he knows will not support their plans, and the Doctor soon twigs that an over-zealous Yates is the UNIT mole. Sergeant Benton lets the Doctor escape, for which Finch threatens a court martial. The Doctor uses his freedom to track down more monsters, but when he is recaptured the Brigadier asserts his authority and takes the Doctor into UNIT custody rather than the regular army’s. Sarah has meanwhile escaped from the fake spaceship having learnt its true nature, but is apprehended by Finch, who tracks her down and returns her to Whitaker’s custody. While she is away Mark works out that the ship is a fake too and exposes this to the other passengers, but he is not believed. When Sarah is returned to the ship she and Mark use the fake airlock to convince Ruth and the others of the depth of the deception Shortly afterward Finch and Yates reveal their hands to the Doctor, Benton and the Brigadier, and reveal the nature of their plans. The Doctor and the Brigadier get away once more and head back to the base, evading dinosaurs en route, where they confront Grover and Whitaker. The duped environmentalists from the fake spaceship also appear, along with Sarah, and demand an explanation. In the ensuing fight Whitaker and Grover are transported back through the Timescoop to the Golden Age they sought to bring to modern Britain. Back at UNIT HQ, the Brigadier confirms to the Doctor that the crisis is over, but there are still some human casualties to deal with. Finch will face a court martial while Yates is being offered the chance to resign and given extended sick leave. The Doctor reflects that people like Grover may have had good motivations in wanting to fight pollution and environmental degradation, but they took their schemes too far and endangered all mankind and its civilisation. He decides it is time for a holiday and offers to take Sarah Jane to the holiday planet of Florana. [edit] Continuity This section does not cite any references or sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (April 2011) Sarah Jane Smith refers to her encounter with real dinosaurs in a conversation with Rose Tyler during the episode "School Reunion". The Seventh Doctor also mentions the events of this story to Ace in The Happiness Patrol. A clip on the website of The Sarah Jane Adventures refers to the events of this story as having been explained as mass hallucinations caused by a contaminated water supply. An alternative version of the events of this serial is mentioned in the Big Finish Doctor Who Unbound audio play Sympathy for the Devil. [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions)Archive "Part One" 12 January 1974 25:29 11.0 16mm black and white engineering print "Part Two" 19 January 1974 24:43 10.1 PAL 2" colour videotape "Part Three" 26 January 1974 23:26 11.0 PAL 2" colour videotape "Part Four" 2 February 1974 23:33 9.0 PAL 2" colour videotape "Part Five" 9 February 1974 24:30 9.0 PAL 2" colour videotape "Part Six" 16 February 1974 25:34 7.5 PAL 2" colour videotape [1][2][3] Working titles for this story included Bridgehead from Space and Timescoop. The first episode has the story title contracted to Invasion in an attempt to conceal the central plot device. However this was undermined by the BBC listings magazine Radio Times who gave the full story title. In the original novelisation, no reference is made to the "Whomobile" and the Doctor uses a military motor bike with electronic scanning equipment attached to it. Malcolm Hulke protested against the use of the title Invasion of the Dinosaurs, preferring the original working title of Timescoop, and felt the contraction for the first episode was silly, especially because the Radio Times listing used the full title. In a response letter after transmission script editor Terrance Dicks pointed out that all the titles used for the project had originated in the Doctor Who production office. He agreed that the contraction to Invasion was a decision he now regretted but noted that "Radio Times are a law unto themselves". Locations used in London included: Westminster Bridge, Whitehall, Trafalgar Square, Haymarket, Covent Garden, Southall and Wimbledon Common [edit] Missing Episodes & Archive All episodes of this story bar episode 1 exist on their original PAL colour master tapes, with the first episode only existing as a monochrome 16mm film print. There is a longstanding fan myth that the tape of episode 1 was erased by mistake, having been confused with an episode of the Patrick Troughton serial The Invasion. In reality, BBC Enterprises issued instructions to wipe all six episodes of Invasion of the Dinosaurs in August 1974, just six months after the story's transmission; for reasons unknown, however, only episode 1 was actually junked. As far as the BBC was concerned, the story had been wiped in its entirety; researchers for the 1976 documentary Whose Doctor Who found that none of the episodes was listed as existing in the BBC library.[4] The surviving film recording of Episode 1 is the only telerecording of a Season 11 episode known to exist. A black-and-white film print exists of the film sequences from part one. This includes one scene of a scared scavenger stealing money from a dead milkman's satchel omitted from the transmitted version, this would have been part of the deserted London montage. The black-and-white prints were used as practice for the film editor to make cuts before they cut the colour negatives. Colour 35mm film sequences from Episode five also exist. Episode 3's first edit (also known in the BBC as a 71 edit) also exists, without sound effects or music on the soundtrack. [edit] Cast notes John Bennett would later return to Doctor Who as Li H'sen Chang in The Talons of Weng-Chiang. Peter Miles has also appeared in Doctor Who in other roles in Doctor Who and the Silurians and Genesis of the Daleks. Martin Jarvis had earlier appeared as Hilio in The Web Planet and would later appear as the Governor of Varos in Vengeance on Varos. Carmen Silvera had previously appeared in The Celestial Toymaker. [edit] Reception After the episodes were broadcast, many children viewers of the show complained that the Tyrannosaurus Rex was actually an Allosaurus.[5] Doctor Who: The Television Companion (by Howe and Walker, BBC Publishing, 1998) quotes a contemporary review (from a fanzine) that describes the dinosaur special effects thus: "After escaping they [the Doctor and Sarah] came up against the first dinosaur and, oh dear, shades of Basil Brush! A glove puppet nervously skiing about London streets didn't exactly fill me with fright..." [edit] In print A novelisation of this serial, written by Malcolm Hulke, was published by Target Books in February 1976 as Doctor Who and the Dinosaur Invasion. In 1993 it was reprinted with the title Doctor Who - Invasion of the Dinosaurs. The novelisation features a prologue about the dinosaurs and ends with the Doctor consulting the Book of Ezekiel to determine the final fate of the Golden Age time travellers. An unabridged reading of the novelisation by actor Martin Jarvis was released on CD in November 2007 by BBC Audiobooks. Doctor Who book Doctor Who and the Dinosaur Invasion Series Target novelisations Release number 22 Writer Malcolm Hulke Publisher Target Books Cover artist Chris Achilleos ISBN 0-426-10874-4 Release date 19 February 1976 Preceded by ' Followed by ' [edit] VHS and DVD release This was the final complete story to be released by BBC Worldwide on VHS, in 2003. The story is to be released on DVD in the UK on 9 January 2012 alongside the 1975 Tom Baker story The Android Invasion, together forming the U.N.I.T Files box set.[6] The DVD will feature a restored black-and-white version of Episode 1 as the default and also a 'best-endeavours' attempt at colour recovery of this episode as a branched-extra feature.[7] In contrast to other wiped colour episodes from the Pertwee era where the missing colour information had been inadvertently recorded on the surviving black and white film copies as a sequence of visual artifacts/dots or chroma dots, in the case of Episode 1 of this story this information was found to be incomplete, and only the red and green colour signal information was recoverable, requiring the missing blue signal information to be obtained via other means. The new colour version of Episode 1 featured on the DVD thus employs approximated blue colour information, and although the outcome is not up to normal DVD quality, it gives an impression of what the episode would have looked like when originally broadcast.[8] [edit] References ^ Shaun Lyon et al. (2007-03-31). "Invasion of the Dinosaurs". Outpost Gallifrey. Retrieved 2008-08-30.[dead link] ^ "Invasion of the Dinosaurs". Doctor Who Reference Guide. Retrieved 2008-08-30. ^ Sullivan, Shannon (2007-08-07). "Invasion of the Dinosaurs". A Brief History of Time Travel. Retrieved 2008-08-30. ^ Molesworth, Richard Wiped! Doctor Who's Missing Episodes, Telos Publishing Ltd, Sept 2010 ^ "Doctor Who in the BBC" ^ "Doctor Who: U.N.I.T Files Box Set (DVD)". Retrieved 29 December 2011. ^ http://www.doctorwhonews.net/2011/08/dwn010911000112-double-invasion-due-in.html ^ http://www.tvshowsondvd.com/news/Doctor-Invasion-of-the-Dinosaurs-and-Android-Invasion/15889 [edit] External links Invasion of the Dinosaurs at BBC Online Invasion of the Dinosaurs at Doctor Who: A Brief History Of Time (Travel) Invasion of the Dinosaurs at the Doctor Who Reference Guide Fan reviews Invasion of the Dinosaurs reviews at Outpost Gallifrey Invasion of the Dinosaurs reviews at The Doctor Who Ratings Guide Target novelisation Doctor Who and the Invasion of the Dinosaurs reviews at The Doctor Who Ratings Guide On Target — Doctor Who and the Invasion of the Dinosaurs



  • TDP 224: Doctor Who Confidential Replacement Service

    3 January 2012 (1:08pm GMT)
    Episode Duration: 0 days, 0 hours, 11 minutes and 6 seconds

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    with thanks to the official bbc site



  • TDP 223: The Doctor, The Widow and The Wardrobe

    29 December 2011 (12:50pm GMT)
    Episode Duration: 0 days, 0 hours, 17 minutes and 25 seconds

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    From Wikipedia, the free encyclopedia224 – "The Doctor, the Widow and the Wardrobe"Doctor Who episodeCastDoctor    Matt Smith (Eleventh Doctor)ProductionWriter     Steven MoffatDirector     Farren Blackburn[1]Executive producer(s)         Steven Moffat    Piers Wenger    Caroline Skinner[2]Series     Specials (2011)Length     60 minOriginally broadcast     25 December 2011[3]Chronology← Preceded by     Followed by →"The Wedding of River Song"     Series 7"The Doctor, the Widow and the Wardrobe" is an episode of the British science fiction television series Doctor Who, in which the Doctor visits Earth and an alien forest. The episode was shown in the United Kingdom on Christmas Day on BBC One,[4] BBC America in the United States[5] Space in Canada,[6] and on ABC1 in Australia.[7] It is the seventh Christmas special since the show's revival in 2005.The episode features Claire Skinner, Bill Bailey, Arabella Weir and Alexander Armstrong. A sneak preview was aired on 18 November 2011 for Children in Need.[8]Contents [hide]     1 Plot        1.1 Prequel        1.2 Episode        1.3 Continuity    2 Production        2.1 Cast notes    3 References    4 External links[edit] Plot[edit] PrequelOn 6 December, a prequel to the episode was released online.[9] The Doctor is seen on a spaceship holding a red button which, when he lets go, will cause the space ship to explode. While holding the button, he has phoned the TARDIS to speak to Amy Pond asking her to rescue him, although he does not have his co-ordinates. Amy cannot fly the TARDIS, and she is not on the TARDIS. The Doctor wishes Amy a Merry Christmas before letting go of the button, and the spaceship explodes.[10][edit] EpisodeDuring the Christmas season of 1938, the Doctor finds himself on a damaged alien spacecraft in Earth's orbit. He escapes the exploding ship and the fall to Earth by rapidly donning an impact space suit, though in his haste, the helmet is put on backwards. On crashing to Earth, he is found by Madge Arwell, wife of Reg and mother of two children, Lily and Cyril. She helps the Doctor, stuck and unable to see while in the impact suit, to his TARDIS, and the Doctor promises to repay her for her kindness.Three years later, during World War II, Reg is reported killed in action when the Lancaster Bomber he was piloting disappeared over the English Channel. Madge is told this via telegraph just before Christmas, but decides not to tell her children, hoping to keep their spirits up through the holiday. Madge and the children evacuate London to a relative's house in Dorset, where they are greeted by the Doctor, calling himself "the Caretaker"; Madge does not recognise him from their previous encounter.The Doctor has prepared the house specially for the children and the holiday; though the children are pleased, Madge privately explains about Reg's death to the Doctor and insists he not overindulge the children. During the first night, Cyril is lured into opening a large glowing present under the Christmas tree, revealing a time portal to a snow-covered forest. The Doctor shortly discovers Cyril's absence and follows him with Lily; the two eventually track Cyril down to a strange lighthouse-like structure. Madge, finding her children missing, soon follows them into the forest, but is met by three miners in space suits from the planet Androzani Major.At the lighthouse, Cyril is met by a humanoid creature made of wood; it places a simple band of metal around his head like a crown. Lily and the Doctor arrive, followed by another wood creature, but find that they have rejected Cyril as he is "weak", as is the Doctor. The Doctor concludes that the life forces of the trees in the forest are trying to escape through a living creature, the crown acting as an interface. Meanwhile, Madge, holding the miners at gunpoint, is taken back to their excavation walker and told that the forest of the planet they are on is scheduled to be melted by acid rain within minutes, killing anything within it. The miners are teleported away safely before the rain starts after helping Madge to locate where her children are.Madge, using the little knowledge she knows of flying a plane from Reg, directs the walker to the lighthouse and safely reunites with her children as the acid rain starts. The wood creatures identify her as "strong", and the Doctor realises they consider her the "mothership", able to carry the life force safely. Donning the band, Madge absorbs the life force of the forest, allowing her to direct the top of the lighthouse as an escape pod away from the acid rain and into the time vortex. To get them home, the Doctor directs her to think of memories of home, allowing Madge to revisit her fond memories of Reg, shown on screens within the pod. She realises that she will have to recall the moment of Reg's death, but the Doctor forces her to continue to do so; Lily and Cyril come to learn the truth as they witness his last moments aboard the Lancaster bomber.Soon, the escape pod safely leaves the time vortex, landing just outside the house in Dorset, and the life force of the forest have converted themselves to ethereal beings within the time vortex. The Doctor steps outside while Madge starts to explain Reg's death to Lily and Cyril, but he returns to interrupt her and to tell her to come outside. There stands Reg and his Lancaster; he had followed the bright light of the escape pod into the time vortex and came out safely along with the pod at Dorset. The family has a tearful reunion as the Doctor watches.As Madge and her family turns to celebrate Christmas, the Doctor attempts to slip away, but Madge catches him, and as she sees the TARDIS realises that he is the man in the space suit from three years back. She insists on him staying for Christmas dinner, but when the Doctor reveals he has other friends out there that believe he is dead, Madge convinces him to go to see them at Christmas. The Doctor offers Madge his help if she ever needs it again.Later, the Doctor arrives outside Amy and Rory's home, two years since he left them there. Amy pretends to be angry at him for leaving them the way he did, but explains that River Song told them about his faked death, and Rory reveals that they have been setting a place for him at their Christmas dinner table every year. Having remarked earlier in the episode how "humany-wumany" it is to cry because of happiness, the Doctor finds himself shedding a tear of happiness in reaction to Rory's remark, and grins in wonder, and then steps inside to join them for dinner.[edit] Continuity    The three tree harvesters are from Androzani Major in the year 5345, a planet already featured in the serial The Caves of Androzani.    The Doctor also mentions the Forest of Cheem, which appeared in the Ninth Doctor episode The End of the World. He also mentioned that one of them fancied him, which was Jabe Ceth Ceth Jafe, who sacrificed her life for him.    Amy Pond tells the Doctor that two years have passed since Lake Silencio ("The Impossible Astronaut"/"The Wedding of River Song").[edit] ProductionThe Lincolnshire Aviation Heritage Centre's preserved Lancaster bomber Just Jane, used in the programmeThe BBC announced in September 2011 that production had started for the special and filming was due to be complete by mid October 2011.[11] However, filming was disrupted on 30 September due to a 24-hour protest at BBC Wales because of compulsory redundancies.[12] The story is partly inspired by The Lion, the Witch and the Wardrobe (from The Chronicles of Narnia) by C. S. Lewis.[13] C. S. Lewis died the day before the very first episode of classic Doctor Who aired. Filming of some scenes involving Alexander Armstrong took place in and around the Lancaster bomber 'Just Jane' at the Lincolnshire Aviation Heritage Centre on 3 October 2011.[14] External footage of the lighthouse building took place in the Forest of Dean, Gloucestershire.[15][edit] Cast notesAlexander Armstrong previously appeared in Doctor Who episodes "The Stolen Earth" and "Journey's End" as the voice of Mr Smith, an alien computer, his character from The Sarah Jane Adventures.Arabella Weir previously appeared as an alternate incarnation of the Third Doctor in the Doctor Who Unbound audio drama Exile.[16]Claire Skinner is placed in the opening titles instead of Karen Gillan and Arthur Darvill, whose appearance in the episode was not reported before broadcast. Gillan and Darvill are, however, credited above Skinner in the episode's end credits.[edit] References    ^ Golder, Dave (21 September 2011). "UPDATE: Doctor Who Christmas Special Director Revealed". SFX. Retrieved 15 December 2011.    ^ "Steven Moffat on the New Exec". BBC. 21 July 2011. Retrieved 21 July 2011.    ^ Seale, Jack (29 November 2011). "Christmas TV: scheduling confirmed for Doctor Who, Strictly and Downton". Radio Times. Immediate Media. Retrieved 29 November 2011.    ^ "Doctor Who: Christmas Day at 7:00pm". BBC. 29 November 2011. Retrieved 15 December 2011.    ^ "Doctor Who Christmas Special" (Press release). BBC America. Retrieved 15 December 2011.    ^ "Doctor Who: The Doctor, The Widow and the Wardrobe - December 25th at 9pm ET!". Space. Retrieved 28 December 2011.    ^ http://www.abc.net.au/tv/doctorwho/christmas2011/    ^ Golder, Dave (27 October 2011). "Doctor Who Christmas Special Clip During Children in Need". SFX. Retrieved 29 October 2011.    ^ "Adventure Calendar 2011". BBC. 1 December 2011. Retrieved 15 December 2011.    ^ "The Prequel to The Doctor, The Widow and The Wardrobe" (Video). BBC. 6 December 2011. Retrieved 15 December 2011.    ^ "Christmas Special: The Stars! The Story!". BBC. 20 September 2011. Retrieved 15 December 2011.    ^ Jeffery, Morgan (30 September 2011). "'Doctor Who' Christmas special filming disrupted by BBC Wales strike". Digital Spy. Retrieved 30 September 2011.    ^ "Doctor Who Christmas special cast to include Bill Bailey and Claire Skinner". Metro. 21 September 2011. Retrieved 22 September 2011.    ^ "Doctor Who Christmas Special role for Lincolnshire Aviation Heritage Centre". Skegness Standard. Retrieved 30 November 2011.    ^ who "Look what's landed for Dr Who Xmas special!". The Forester. 22 September 2011. Retrieved 26 December 2011.    ^ "Doctor Who Unbound — Exile". Big Finish. Retrieved 25 October 2011.



  • TDP 222: Yule/Christmas Special

    25 December 2011 (9:13am GMT)
    Episode Duration: 0 days, 0 hours, 4 minutes and 19 seconds

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    A secret meeting at the bbc... recorded for you... the true future about doctor Who Confidential



  • TDP 221: Sarah Jane Smith @ Big Finish 1.4 Ghoat Town

    20 December 2011 (9:02pm GMT)
    Episode Duration: 0 days, 0 hours, 14 minutes and 22 seconds

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    2 November, 2001. A worried scientist, working alone in his laboratory, has finally isolated the perfect pitch, but he’s beginning to become concerned about the purpose of “Project CIA.” His doubts have come too late, however, as a familiar figure enters the lab and a struggle ensues. Some time later, Yolande Benstead is woken by a hammering at her door; a bedraggled, terrified figure has stumbled to her home through the storm, and he has no idea who he is... Synopsis (drn: 56'42") Following the recent sarin gas incident, Sarah and Josh have decided they need a holiday, and thus they’re off to Romania to look up an old friend of Sarah’s. As Josh tries to overcome his fear of flight, Sarah admits to him that she’s finally taken the step of selling her aunt’s house and market garden in Moreton Harwood. Juno Baker sorted out the details, the money has been deposited into her “Marie Samuels” account, and her belongings are waiting to be unpacked in her new flat, which used to belong to the late Claudia Coster. But all that can wait; now she and Josh are on their way to a small town in Romania, where Yolande Benstead retired when her brand of journalism became too controversial for her nervous editors. As it happens, the village is currently hosting an international peace conference, and Sarah wants to see this historic event first-hand. Sarah and Josh take a taxi to Yolande’s home, a creepy Carpathian chateau which Josh compares to something out of Scooby-Doo. Yolande is delighted to see Sarah again, and after Josh and Sarah get unpacked and settle in, dinner is served and Sarah and Yolande catch up. There are no televisions in the house; Yolande is too far out to get a good signal, and she keeps abreast of the news via the papers and an old wireless in one of the bedrooms. She lives alone apart from her servant “Dmitri”, who turned up on her doorstep six months ago with no memory. Yolande has tried to help him remember who he is, but she fears tat he’s experienced something so traumatic that he may never remember what happened to him. She feels sure, however, that he is completely harmless. Sarah and Josh retire for the night in separate rooms, but Josh tells Sarah to give him a shout if anything spooky happens. Sarah scoffs and retires to her room, which comes complete with a stuffed grizzly bear and the old wireless set which Yolande mentioned. However, her sleep is broken when the clock strikes three by an eerie, low-pitched hum, and by the terrifying shrieks and wails of a spectral apparition. Josh arrives to find Sarah screaming hysterically, and as she recovers, she claims to have seen a ghost... The next day dawns bright and sunny, but Sarah is still shaken and can’t believe she actually saw a ghost. She tries to snap out of her mood by going for a walk around the village with the grumbling Josh. Meanwhile, Yolande speaks with Dmitri and tries again to find out who he is, but he seems particularly agitated today and insists that he can remember nothing. All he knows is that something unbearable happened to him -- and last night he hears a sound which he believes he’s heard before. Josh and Sarah split up upon reaching the village; Sarah wants to explore the town, but Josh just wants a pint after the exhausting three-mile hike. Sarah finds her way to a local museum, where she meets another expatriate Brit, Christian Ian Abbotly. Abbotly won’t or can’t tell her what he does for a living, leading her to conclude he’s involved with the peace conference in some way, but he does offer her his business card and invite her to share a cup of coffee. While Sarah spends a pleasant afternoon in Abbotly’s company, Josh catches a taxi back to the house and finds Dmitri helping Yolande with the gardening. He also tries to find out what Dmitri knows about last night’s strange events, but gets no further than Yolande; however, he does get the strong impression that Dmitri is hiding something, perhaps even from himself. That night, Yolande invites two more friends to dinner: Jack McElroy, the American delegate to the peace conference, and his young wife Candy. The five of them spend a very pleasant evening together, and it’s well past midnight by the time Jack and Candy take their leave. Candy is devoted to her husband, and Sarah considers him a very lucky man. But that night his luck runs out. As the clock strikes three, Sarah sees the same apparitions she did the previous night, but this time they’re not quite as terrifying as before... but in the McElroy’s home, Candy is literally frightened to death while preparing for bed. The next day, Sarah and Josh learn of Candy’s death. Jack is in a state of shock, and Sarah, furious, vows to learn the truth. Sarah and Josh return to Yolande’s home, where Yolande is trying to calm the agitated Dmitri; last night, he actually managed to write something down on a piece of paper, until the sounds came and frightened the memory out of him again. Yolande finally admits to Sarah that things like this have been going on for months, but she’s wary of investigating; even after spending six years in the village, she is still regarded as an outsider, and if she calls in the police because she’s seen a ghost, she’ll never be accepted. This is the real reason she invited Sarah to stay with her. Sarah and Josh return to the village to investigate, and while there Josh meets Abbotly. He doesn’t get along with the smug ex-pat and retreats to the bar, but Sarah accepts Abbotly’s invitation to dinner. Abbotly excuses himself as Josh returns with further information; it seems that quite a few delegates have seen apparitions similar to those which killed Candy, and the conference is being disrupted as a result. Is the entire village haunted? Sarah decides to get positive proof one way or the other, and has Josh wire up her bedroom with audio and video recording equipment. Yolande is reluctant to risk Sarah’s life, but allows her to try this experiment anyway. That night at 3 a.m. the apparitions return, and this time Josh and Yolande see them as well when they burst into Sarah’s room to rescue her. Thunder rolls as they flee to safety, while elsewhere in the house, the terrified Dmitri is confronted by a very familiar figure. Yolande hears something like a muffled thunderclap and investigates, to find that Dmitri has been shot and killed. The next day, Josh finds that the video equipment has burned out; they’ll need to rent another player to find out what’s been recorded. In the meantime, Sarah has another lead; Dmitri’s murder definitely implies he’s involved with whatever’s happening, and before he died he wrote down the name of a university department. Josh and Sarah drive to the university, where they finally learn Dmitri’s true identity; he was once known as Doctor Mikhail Berberova, and he was a professor in the physics department. Sarah and Josh question the department head, Professor Vodancski, who is shocked to learn of Berberova’s death. Berberova was doing brilliant work in the field of sonics until he vanished two years ago, apparently resigning his position to work on a top-secret project which he referred to in his notes as “Project CIA”. Josh can’t quite believe what he’s become involved with, but for Sarah the pieces are starting to fit together. When she and Josh return and play back the video from last night, Sarah isn’t surprised to find that there’s nothing unusual on the tape; the spectres which so terrified her, Josh and Yolande simply weren’t there. Ordering Josh and Yolande to call the police if anything happens to her, Sarah prepares to keep a dinner date -- but first she and Josh pay one more visit to Jack McElroy to see if Sarah’s suspicions are justified. In the room where Candy died, Sarah finds an old radio receiver, just like the wireless set in her own guest room. Sarah visits Abbotly at his home, and questions him about the peace conference, claiming that she’s heard it’s not going as smoothly as hoped. Abbotly evades her questions and leaves to fetch some more wine, and as soon as he’s gone Sarah searches the room -- and finds a tape with Berberova’s voice, a record of his notes and his personal doubts about Project CIA. Abbotly catches Sarah listening to the tape and holds her at gunpoint, admitting that he’s been using Berberova’s work to disrupt the peace conference but refusing to tell her who he’s working for. As Sarah suspected, Berberova had isolated certain low-frequency electromagnetic fields which affected people’s perceptions, creating the illusion of supernatural visitations and generating fear within their minds. Once his work was complete, Abbotly turned the ghost-wave on him, and eventually murdered him to keep him silent. He now prepares to shoot Sarah, but at the last moment Josh arrives, overpowers him and seizes the gun. Like Sarah, he worked out the truth when he realised that “CIA” stood for “Christian Ian Abbotly.” Sarah survived despite the old radio receiver in her room because Yolande’s house was too far out to receive a strong signal. With Jack’s guidance, the delegates agree to resume the conference after some time off; Abbotly’s mysterious employers have failed to disrupt the cause of international peace.



  • TDP 220: Sarah Jane Smith @ Big Finish 1.3 Test of Nerve

    16 December 2011 (4:00am GMT)
    Episode Duration: 0 days, 0 hours, 7 minutes and 30 seconds

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    Cast: Elisabeth Sladen (Sarah Jane Smith); Jeremy James (Josh Townsend); Sadie Miller (Natalie Redfern); Robin Bowerman (Harris); Caroline Burns-Cook (Claudia Coster); Juliet Warner (Ellie Martin); Mark Donovan (DI Morrison); Roy Skelton (James Carver); Alistair Lock (Newsreader) Writer: David Bishop Recorded: 23 February 2002 Director: Gary Russell Released: 5 September 2002 Music: Davy Darlington No. of Discs: 1 Sound Design: Davy Darlington Duration 59' 12" Cover Art: Lee Binding Production Code: SJ03     ISBN: 1-903654-94-7 Synopsis Sarah Jane Smith receives a mysterious gift with a cryptic message. The London Underground will suffer an horrific terrorist attack during rush hour unless Sarah can find and stop those responsible. As rush hour draws closer, the terrifying reality of the threat becomes all too apparent. One friend is murdered and another abducted. Sarah must be willing to sacrifice everyone and everything she holds dear to save the city. This is one deadline she cannot miss!



  • TDP 219: Smith Yr 2 Box Set Review

    12 December 2011 (6:00am GMT)
    Episode Duration: 0 days, 0 hours, 9 minutes and 52 seconds

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  • TDP 218: Confidetial Update

    9 December 2011 (10:52pm GMT)
    Episode Duration: 0 days, 0 hours, 5 minutes and 15 seconds

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    Doctor Who Confidential Still Canselled



  • TDP 217: Sarah Jane Smith @ Big Finish 1.2 The Tao Connection

    16 November 2011 (9:12am GMT)
    Episode Duration: 0 days, 0 hours, 17 minutes and 6 seconds

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    Cast:    Elisabeth Sladen (Sarah Jane Smith); Jeremy James (Josh Townsend); Sadie Miller (Natalie Redfern); Caroline Burns-Cook (Claudia Coster); Juliet Warner (Ellie Martin); Mark Donovan (DI Morrisson); Moray Treadwell (Will Butley); Steven Wickham (Mr. Sharpe); Jane McFarlane (Nurse Jepson); Robert Curbishley (Read); Wendy Albiston (Meg Hawkins); Toby Longworth (Wong Chu); Maggie Stables (Mrs Lythe)Writer:    Barry Letts     Recorded:    27 February 2002Director:    Gary Russell     Released:    8 August 2002Music:    Davy Darlington     No. of Discs:    1Sound Design:    Davy Darlington     Duration    73' 18"Cover Art:     Lee Binding     Production Code:    SJ02            ISBN:    1-903654-93-9SynopsisThe body of an old man is found floating in the Thames ­ although the DNA of the corpse corresponds to an 18-year old friend of Josh and Ellie. Sarah Jane heads towards West Yorkshire in a bid to discover what killed the man, why someone is kidnapping homeless teenage boys and whether there is a link between that and the retreat of philanthropist Will Butley which hosts The Huang Ti Clinic. Sarah discovers that there is more to ancient Dark Sorcery than she may have otherwise believed.



  • TDP 216: Sarah Jane Smith @ Big Finish 1.1 Comeback

    15 November 2011 (12:00am GMT)
    Episode Duration: 0 days, 0 hours, 15 minutes and 46 seconds

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    Reprinted from Wiki Pedia with thanks and respect Sarah Jane Smith: Comeback is a Big Finish Productions audio drama based on the long-running British science fiction television series Doctor Who. It stars Elisabeth Sladen reprising her role as Sarah Jane Smith. Contents  [hide]  1 Plot 2 Cast 3 Trivia 4 External links [edit] Plot Six months after the last part of her investigative television series for Planet 3 Broadcasting went out, Sarah Jane Smith is running scared. Meeting new friend Josh Townsend, she finds herself investigating mysterious events in the village of Cloots Coombe. [edit] Cast Sarah Jane Smith - Elisabeth Sladen Harris - Robin Bowerman Mr Venables - Alistair Lock Josh Townsend - Jeremy James Bank robber - Matthew Brenher Bank robber - David John Mr Hedges - Nicholas Briggs Natalie Redfern - Sadie Miller The Squire - David Jackson Rev. Gosforth - Peter Sowerbutts Ellie Martin - Juliet Warner Maude - Patricia Leventon [edit] Trivia Another employee of Planet 3 Broadcasting is Francis Currie. Sadie Miller (Natalie Redfern) is the real life daughter of Elisabeth Sladen (Sarah Jane Smith). In the opening scene, Sarah Jane Smith refers to three characters who appeared in the 1981 spin-off special K-9 and Company: her aunt Lavinia Smith (who has very recently died), Brendan Richards (who is said to be in San Francisco) and Juno Baker. [edit] External links Big Finish Productions - Sarah Jane Smith: Comeback Sarah Jane Smith: Comeback at the Doctor Who Reference Guide Autobiography Elisabeth Sladen: The Autobiography was released posthumously on 7 November 2011 by Aurum Press Ltd.[154] The BBC will be releasing an audio CD version of the book on 1 December 2011. [155]



  • TDP 215: YOU AND WHO now on pre order

    11 November 2011 (8:34am GMT)
    Episode Duration: 0 days, 0 hours, 12 minutes and 50 seconds

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    You and Who is now available to pre-order(with a provisional publishing date of December 12th 2011)from the Hirst Books website:http://www.hirstpublishing.com/You_and_Who_edited_by_JR_Southall/p384445_4969072.aspxThe legend Babelcolour gives a reading on his YouTube channel:http://www.youtube.com/watch?v=yefWXQNHdZ8&feature=youtube_gdata_playerIt looks like there'll be an 'official launch' at the Hirst Books Christmas Event in Newbury, on Saturday 10th December, where I'll be signing copies of You and Who, hopefully alongside other, more respectable Hirst authors, such as Michael Troughton and John Leeson, potentially - but not Colin Baker, alas, who'll be appearing in panto in Mansfield that day! More news as and when.“It's a wonderful idea, and I'll be sure to buy the book.”Robert Shearman(author The Chimes of Midnight, Dalek, Tiny Deaths, Love Songs For the Shy and Cynical)You and Who is the definitive volume on what it means to be a Doctor Who fan.The book has been written almost entirely by previously unpublished authors, from the ages of six to sixty, and comprises more than sixty-six essays on the subject of how and why it is that we have come to love Doctor Who.Whether it be a tale of meeting the sixth Doctor, building up a huge library of VHS tapes, or discovering the programme through satellite channel repeats, there's a story in here that almost any fan will recognise as their own.Beautifully written, filled with warmth and generosity, witty and delightful, You and Who is a book that no Doctor Who fan should be without.Available 1 12 2011 from Hirst Publishing.The proceeds will be donated to Children in Need.- J.R. Southall So, here is the contents page! I've arranged the order of the submissions into that which I think best serves the material (and the authors), and I've tried to ensure that no essays too similar sit right next to one another in the book - unless I've specifiaclly wanted them to do so (there were a couple of instances of this). Wow! If your name's on this list, this must be pretty exciting stuff...5     Introduction11     Spoilers! by Cameron Sinclair Harris16     Dear Doctor, by Chris Orton19     The Taking of Planet Wilf (Part One), by Andrew Philips24     Teatime and an Open Mind, by Stuart Humphryes28     The Complete History of Doctor Who (1963 – 1989), by Jonathon Lyttle41     The “Matt Smith” Generation, by Abby Dorey44     An Unearthly Show, by J.R. Southall49     I Was a Teenage Time Lord, by Rob Irwin54     Voted Most Quotable Show Ever, by Mike Morgan56     I Am a Doctor Who Fan, by Mark Hevingham61     Loving the Hated, by Matthew Kresal65     A Fireplace and a Rug, by Will Brooks68     The Life and Times of a Whovian, by Daniel J McLaughlin72     The Third Era, by Julio Angel Ortiz76     Still Seeking Susan, by Richard Kirby79     Further Reading, by Stephen Candy81     The Trip of a Lifetime, Indeed! by Larry Mullen84     Good Old Tom-Boy! by Dez Skinn87     The Doctor, Me and Everyone Else, by Adam Ray90     After All, That’s How It All Started! by Andrew Clancy97     “Don’t Worry, He’ll Just Regenerate!” by Daniel Peat100     Getting a First Look Through Repeats, by Joseph Channon102     Every Child Should See a Doctor, by Vince Stadon106     Who On 2 (Or, How I Fell in Love With an Old, Dead Thing), by Nicholas Blake116     The Unconventional Hero, by Rik Moran120     Tears Before Bedtime, by Greg Dunn123     Mission to the Unknown, by Andrew Curnow127     All Thanks to Patrick... by Paul Butler129     Police Public Call Box – Out of Order, by Robert Morrison138     A Prescription for Nostalgia, by Kristan Johnson147     Now Here’s a Funny Idea... by Nicholas Peat150     Shaping a Childhood, by Amanda Evans152     A Special Time, by Richard Angell154     Loving Who, by Cindy A. Matthews157     Doctor Who and My Ongoing Quest to Like All Things, by Tom Henry161     Infinite Dimensions in Space and Time: When the TARDIS Landed in Mexico, by Fernanda Boils164     Through the Wilderness, by Dave Workman166     Why Doctor Who is Like Christmas! by Nicola J. Johnson169     “Do You Want to Come With Me?” by Grant Webb172     A Madman With a Box Opens My Box, by Michael Russell176     The Day I Met the Doctor, by Simon Hart179     Who, Where and When, by Alex Storer184     Choices, by Michael M. Gilroy-Sinclair186     An American on Gallifrey, by Nicholas A. Tosoni190     That Battered Blue Box, by Lucy Horn193     Growing Up With the Doctor, by Antony Cox198     The Day the Music Died, by Tony Green202     Time and Again, by John G. Wood206     Stranger in Space, by Greg Walker208     Doctor Who is Responsible for Everything! by Mikael William Barnard214     Why I Like Doctor Who, by Andrew Bowman215     What’s Wrong With It, by Eamon Jurdzis218     Me and Who, by Ben Jones223     1993 Was the Year of the Tin, by Lissa Levesque229     A Death in the Family, by Brendan Jones234     Just Vinegar, Please, by Emma Lucy Whitney238     We Walk in Eternity, by Matthew Crossman240     Take Home and Keep, by Michael Bellamy243     The Daisyest Daisy, by Jef Hughes246     Genesis of My Enlightenment, by Neil Thomas252     “I Just Do the Best I Can,” by Andrew Orton256     I Think I’m Rather More Expendable than You Are, by Christopher Bryant260     Whose Time Is It Anyway?, by Paul Driscoll262     The Taking of Planet Wilf (Part Two), by Andrew Philips269     The Doctor’s An Alien – So Am I, by Steven Ray270     It’s Got Daleks In It! by Andrew Tomlinson274     I Love Doctor Who, by Elizabeth Tomlinson



  • TDP 214: The Nicola Brynat Interview DWPA/Whoovers 3 - 2011

    8 November 2011 (8:21am GMT)
    Episode Duration: 0 days, 0 hours, 32 minutes and 22 seconds

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    Taken from http://www.nicolabryant.net Nicolas own site Nicola is probably best known to the public for her work in Television. Her first professional role was as the American companion Peri in Doctor Who opposite Peter Davison and Colin Baker. "I grew up in a small Surrey village just outside Guildford. My parents, Sheila and Denis had two daughters. I came along first and then three years later, my little sister Tracy arrived. Both sets of grandparents and many aunts and uncles all lived in the same village. It was a great way to grow up. It gave both my sister and I such freedom. Only once you reached your teens did the cosiness start to feel a little claustrophobic but that's all a part of growing up. I started dance classes at the age of 3 and piano a year later. When friends visited we would spend the day choreographing little shows that we would perform that evening for our long suffering parents. All I knew was that I wanted to be a dancer. I wanted to be on stage. I always wanted to go to ballet school and although at age 10 I auditioned and was accepted into several schools I couldn't go because I suffered so badly from asthma, which ran in the family. I was so upset by this that my mother got me involved in a local amateur dramatics company and I soon started to fall in love with acting. Once I had completed my formal education I auditioned for all the London drama schools eventually accepting a scholarship to the Webber Douglas Academy of Dramatic Art. It was in my final year at Webber Douglas that a production of the American musical "No, No, Nanette" was staged. We all had to audition for the parts and I got the role of Nanette, much to everyone's surprise, including my own. Weeks later I had completed my diploma at Webber Douglas and I was out in the big wide world of professionals, searching for work. At that time of course there was the catch 22 situation that you needed to work to get your equity card but you couldn't get work without an equity card. To make matters worse there were very few jobs that would give you a card. Well, to cut a long story short, Terry Carney called me to audition for the part of "Peri" the new American companion in Doctor Who. I was incredibly lucky to get that chance and after 3 months of auditions in which the producer John Nathan-Turner saw literally hundreds of girls from the States and Canada, I finally got the part. It was a wonderful time, in which I made a lot of friends and worked with some amazing people. I then spent nine months in the West End with Patrick McNee at the Savoy Theatre in the thriller "Killing Jessica" directed by Bryan Forbes. After a leading role in the West End and playing the companion in Doctor Who my career was well and truly launched. Since then I’ve been lucky enough to have had a very varied career, travelling the world and working with some wonderfully talented people in various mediums; stage, television, audio and film. This year I have made appearances in the soon to be released TV series 'Love in Hyde Park'; in the sit-com 'My Family'; and the controversial drama documentary on Princess Diana’s inquest, 'There are Dark Forces'.



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    8 November 2011 (8:07am GMT)
    Episode Duration: 0 minutes and 0 seconds

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    8 November 2011 (7:22am GMT)
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  • TDP 213: Frazer Hines DWPA interview podcast whoovers 3 - 2011

    4 November 2011 (8:51am GMT)
    Episode Duration: 0 days, 0 hours, 24 minutes and 47 seconds

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    Presenting the  Frazer Hines DWPA  interview podcast recorded at whoovers 3 - 2011 Biog taken from his own site http://www.thespeakersagency.com/speakerprofile/189/Frazer%20Hines/ Frazer (born in Horsforth, Yorkshire) is a British actor best known for his roles as Jamie McCrimmon in the BBC science fiction television series Doctor Who, and Joe Sugden in Emmerdale Farm (later just Emmerdale). At the age of eight, after studying acting at the Corona Academy, he made his acting debut. He later appeared in the first Hammer horror film X The Unknown (1955) and then Charlie Chaplin's A King in New York (1957) followed by The Weapon, starring Lizabeth Scott, in the same year. By the end of the 1950s he had appeared in twelve films. In 1960 he appeared in the eight-part serial The Young Jacobites for the British Children's Film Foundation. His television roles included Jan in The Silver Sword (1957-8), Tim Birch in Emergency Ward 10 (1963-4), and Roger Wain in Coronation Street (1965). In Doctor Who he played the part of Jamie McCrimmon, a companion of the Second Doctor, from 1966 to 1969 as well as reappearing in The Five Doctors (1983) and The Two Doctors (1985). After his three-year stint as Jamie he resumed the life of a jobbing actor (appearances include The Last Valley (1970) with Michael Caine and Omar Sharif, and Zeppelin (1971) with Michael Yorke) until he was cast in the new soap opera Emmerdale Farm as Joe Sugden in 1972 — a role he played until 1994. In between making episodes of Emmerdale, as it was renamed in the 1980's, he has continued a career in the theatre and made occasional appearances in other TV shows. Hines was a noted amateur horse jockey, and still maintains a great interest in horseracing through his breeders club at Newmarket. Other interests include cricket, fine dining, women and wine. Hines has recorded linking narration for many Second Doctor serials which no longer exist in video form; the soundtracks, along with Hines' narration, have been released on CD by BBC Audio. He has also appeared in several of Big Finish's Doctor Who audio plays. Among his many theatre credits are twenty eight consecutive pantomimes in which he has played everything from Buttons to Fleshcreep. He is an accomplished after dinner speaker and co-owns a record company in Australia with his nephew Clive.



  • TDP 212: SJS5.3 The Man Who Never Was

    1 November 2011 (2:01pm GMT)
    Episode Duration: 0 days, 0 hours, 12 minutes and 43 seconds

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    1 November 2011 (12:00am GMT)
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  • TDP 211: SJSA 5.2 The Curse of Clyde Langer

    18 October 2011 (5:15am GMT)
    Episode Duration: 0 days, 0 hours, 9 minutes and 4 seconds

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    The Curse of Clyde Langer is a two-part story of The Sarah Jane Adventures which will broadcast on CBBC on 10 and 11 October 2011.[1] It is the second story of the fifth and last series. Contents  [hide]  1 Plot 1.1 Part One 1.2 Part Two 2 Cast Notes 3 Reception 4 References 5 External links [edit] Plot [edit] Part One At school, Clyde shows Rani The Silver Bullet, a comic he made. While Sarah Jane has a talk with Mr. Chandra on Sky's first day at school, a strange storm interrupts the meeting, when fish begin to fall out of the sky. According to Mr Smith, it is normal for the weather to be raining fish though the fish that day was abnormally large. Thinking it might be related to an old superstition involving a totem pole, the gang visits a museum that just opened an exhibition of totem poles and other such items. Before the entrance, a homeless woman begs for money, which Clyde gives to her, stating it probably wasn't her fault she is out in the streets. While in the museum, Clyde gets a splinter from an old Mojave totem pole. Dr Madigan explains the legend of the totem pole. Hetocumtek was a vicious warrior who fell out of the skies and tried to enslave the people on the Mojave plains. The Native American medicine men tricked the warrior, imprisoning him inside the totem pole. Sarah Jane suspects that Hetocumtek is both a warrior god and an alien. Having detected no alien signs of any kind the gang leaves. That night, Clyde finished his comic and signs his name on it before falling asleep. He fails to notice that his name on all of his documents, including his comic, begins to mysteriously glow orange. Walking to Sarah Jane's house, Clyde shows her The Silver Bullet. She at first takes interest in his comic. At the mention of his name, Clyde's name glows orange in Sarah Jane's eye. Suddenly, Sarah Jane takes a dislike of Clyde as she orders him to leave her house. At the front of the Chandra's residence, Clyde tries to tell Rani and Haresh his problem he had with Sarah Jane only to face the same conflict when Haresh says his name as it glows in their eyes. Haresh then expels him from school. Getting ready for her first day of school, Sky enters the attic. Sarah Jane tells her she will return to the museum to see if there are any connections between the totem pole and the fish incident. When she mentions Clyde to Sarah Jane, she is instructed to stay away from him. Unaffected by the curse, Sky notices the sudden hatred Sarah Jane has for Clyde. At the park, Clyde is treated kindly by Steve until his name is said. Barely escaping from Steve and his gang who was chasing after him, he enters the museum. Asking Dr Madigan about curses, Sarah Jane enters the museum where she advises her to keep away from Clyde. Dr Madigan, who said his name, orders the security guards to throw him out. Clyde returns home where he sees his mum with an envelope addressed to him. Realizing what has happened, he begs her to let him stay after she called the police to capture him. Finally escaping, he walks out of Bannerman Road. Out in the streets in the middle of the rain, the homeless woman he helped offers to assist him as she holds out her hand. [edit] Part Two While his friends all turn on Clyde as a result from the curse, he meets a mysterious girl on the streets that helps him through the hardship of losing his friends and loved ones. She introduces herself as Ellie. Fearing the curse will do the same to her, Clyde introduces himself as Enrico Box. Ellie tells him about the Night Dragon, how people mysteriously disappears because of the Night Dragon. At the museum, lightning bursts out of the totem pole. Sarah Jane was called in to investigate the suspicions. Scanning, Sarah Jane receives detections of alien energy. She then sees one of the faces' eyes on the pole glow orange. Meanwhile, Sky at school notices how Sarah Jane and Rani hates Clyde but both fails to think of a reason why. Sarah Jane suddenly tears up in the attic although she doesn't know why. The same thing occurs to Rani later in the car as well as Clyde's mum when Sky visits her. All of them feel as if they are missing a person in their life yet they do not realize who it is. Clyde and Ellie visits Mystic Mags, who tells them the Night Dragon is coming and that it will take one of them. She also foresees something else that has put a mark on Clyde, a curse. The totem pole back at the museum begins to cause the weather to rain and thunder heavily as the faces begins to become alive. Within the rain, Clyde and Ellie connects with each other, keeping themselves warm by burning The Silver Bullet. Back in the attic, Sarah Jane and Rani share their tearing experiences. Sky, after being informed that Hetocumtek is getting stronger, discovers that Clyde activated the warrior god when he receives a splinter, creating the curse. She realizes that as long as Clyde is out in the streets, the alien warrior god will get stronger. Sky also sees that his name is the key to stopping Hetocumtek. She manages to convince Sarah Jane and Rani to say his name repeatedly to break the curse upon them. Clyde draws a portrait of Ellie and shows it to her. She then kisses him and tells him she will be back, leaving to get coffee. Sarah Jane and the gang arrives, bringing Clyde to the attic, though it was without choice. There, Mr Smith transports the totem pole to the attic where it begins to fight back, creating lightning and destruction. Clyde, holding onto the pole, shouts, "My name is Clyde Langer!" disintegrating the pole. Clyde, welcomed back by his friends and family, tries to search for Ellie. He asks many people only to find they do not know where or who she is. Clyde suggests they use Mr Smith to track her, but Rani points out her name on a sign, indicating that Ellie took the name. A man there saw Ellie board a truck named "Night Dragon Haulage". He explains that the truck driver occasionally would drive some people to other places for a better life. At night in his room, Clyde reminisces about Ellie as he stares at his portrait of her. [edit] Cast Notes Jocelyn Jee Esien previously appeared as Carla Langer in The Mark of the Berserker and The Empty Planet. Angela Pleasence appeared in the Doctor Who episode "The Shakespeare Code" as Elisabeth I. Sara Houghton is the daughter of Doctor Who writer Don Houghton. [edit] Reception Charlie Jane Anders of io9 thought this story to be as good as stories in the parent show Doctor Who.[2] [edit] References ^ "The Sarah Jane Adventures – The Curse of Clyde Langer" (Press release). BBC Press Office. Retrieved 2011-10-06. ^ Anders, Charlie Jane (12 October 2011). "The Rare Sarah Jane Adventures Episode That's As Good As Doctor Who". io9. Retrieved 14 October 2011. [edit] External links The Curse of Clyde Langer on TARDIS Index File, an external wiki "The Curse of Clyde Langer: Part 1" at the Internet Movie Database "The Curse of Clyde Langer: Part 2" at the Internet Movie Database



  • TDP 210: Doctor Who (Twice) on BBC Points of View

    10 October 2011 (7:02am GMT)
    Episode Duration: 0 days, 0 hours, 9 minutes and 34 seconds

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    Doctor Who Has been mentioned on BBC Points of View Twice in two weeks. heres my thoughts... Contact the Points of View team by email: pov@bbc.co.uk Telephone: 0370 908 3199 (calls are charged at local rate, mobile tariffs will vary) Or write to us at POV, BBC Birmingham, Birmingham, B1 1AY You can also send your opinions via video-phone or webcam. Send your video submissions to pov@bbc.co.uk.



  • TDP 209: SJSA 5.1 Sky and The Upcoming S4 DVD

    10 October 2011 (6:26am GMT)
    Episode Duration: 0 days, 0 hours, 8 minutes and 32 seconds

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    Reprinted from Wikipedia with thanks and respect Sky (The Sarah Jane Adventures) From Wikipedia, the free encyclopedia 25 – Sky The Sarah Jane Adventures story Cast Starring Elisabeth Sladen – Sarah Jane Smith Daniel Anthony – Clyde Langer Anjli Mohindra – Rani Chandra Sinead Michael – Sky Alexander Armstrong – Mr Smith Others Tommy Knight – Luke Smith Mina Anwar – Gita Chandra Ace Bhatti – Haresh Chandra Cyril Nri – The Shopkeeper (uncredited) Christine Stephen-Daly – Miss Myers Gavin Brocker – Caleb Paul Kasey – The Metalkind Chloe Savage, Ella Savage, Amber Donaldson, Scarlet Donaldson – Baby Sky Floella Benjamin – Professor Celeste Rivers Peter-Hugo Daly – Hector Will McLeod – Voice of the Metalkind Production Writer Phil Ford Director Ashley Way Script editor Gary Russell Producer Brian Minchin Phil Ford (co-producer) Executive producer(s) Russell T Davies Nikki Wilson Production code 5.1 and 5.2 Series Series 5 Length 2 episodes, 25 minutes each Originally broadcast 3 & 4 October 2011 Chronology ← Preceded by Followed by → Goodbye, Sarah Jane Smith The Curse of Clyde Langer Sky is a two-part story of The Sarah Jane Adventures which was broadcast on CBBC on 3 and 4 October 2011.[1] It is the first story of the fifth and last series. Contents  [hide]  1 Plot 1.1 Part One 1.2 Part Two 1.3 Continuity 1.4 Production 1.5 Notes 2 References 3 External links [edit] Plot [edit] Part One A meteor crashes in the middle of a junk yard to reveal a metal man. Meanwhile, Sarah Jane discovers a baby on her doorstep in the middle of the night who can create power surges. Sarah Jane calls Rani and Clyde over for them to help her and after Clyde shows his paternal side, Sarah Jane and Rani travel to the site of the meteor crash. There they are met by Professor Celeste Rivers who investigates the site with them. Sarah Jane and Rani find a homeless man who saw the metal man and describes him to them; they then discover that the metal man is heading to Bannerman Road. Meanwhile an alien woman named 'Miss Myers' appears at a nuclear power station and discovers that there was a power surge in Bannerman Road. She makes her way to the Chandras' residence and Gita announces that Sarah Jane has just fostered a baby, as Gita had seen Sarah Jane earlier. Miss Myers makes her way to the garden where Clyde and the baby named Sky are to discover that the metal man is about to attack them. Miss Myers saves Clyde and Baby Sky and takes them to the Power Station. Miss Myers reveals that she is Sky's mother and is also an alien. Sarah Jane and Rani return to the house to discover that Clyde and Sky have gone. Mr Smith locates Clyde at the power station and Sarah Jane and Rani make their way to the station. They find Clyde, Sky and Miss Myers who reveals that her species, the Fleshkind, are fighting a war against the Metalkind. She also reveals that Sky is a weapon who will put an end to the war and as she says this the metal man walks in. Sky then transforms from a baby into a twelve-year-old girl. [edit] Part Two At Miss Myers' command, Sky unintentionally attacks the metal man with a burst of energy. Miss Myers reveals that Sky was made and "grown" in a Fleshkind laboratory as a weapon to destroy the Metalkind. Sarah Jane and the gang escapes with Sky before Miss Myers could get ahold of her. Miss Myers then tells the metal man he would help her get Sky and has him wired up. Sky, who is still experiencing the world and words around her, is brought into the attic where Mr Smith scans her. He concludes that Sky's metamorphosis was caused by her synthetic DNA and was done to maximize her effectiveness as a bomb. Full activation would not only destroy the Metalkind but Sky herself as well. Although there is no cure for the energy from the Metalkind's presence would activate Sky's power, she can still be "defused". However, only Miss Myers can disarm her genetic trigger. Sky agrees to go there, stating that she might die anyway. Back at the power station, Sarah Jane tells Sky to stay with Clyde and Rani. With the absence of Sarah Jane at the time, Sky escapes, running inside the factory, trying to help Sarah Jane. Meanwhile, Sarah Jane, who is taken to Miss Myers, learns that the damaged metal man is wired up to the nuclear core in order for him to act as a homing device. Miss Meyers also reveals she reprogrammed his mind as he swears veangance on all flesh kind, including Earth's inhabitants, thus bringing their war to Earth. Believing that the Metalkind will be destroyed upon their arrival on Earth, she activates the calling of the Metalkind. Downstairs, Sarah Jane meets up with Sky, who tells her she must save Earth and goes up to the nuclear core room. Sarah Jane then orders Clyde and Rani to shut down the nuclear reactor in the control room before heading after Sky, whose activation started from the presence of the metal man and Metalkind's portal opened by Miss Myers. In the control room, Clyde and Rani discover the Nuclear Rod Regulation System and removes the rods based on the order of the visible spectrum. They were successful in closing the reactor as the portal closes with a large power outage. The energy from the portal backlashed on Sky, destroying her genetic programming as a bomb. Miss Myers doesn't want the child anymore for she is no longer a weapon. The metal man, who reveals that he saved some of the portal's energy, breaks loose and uses the energy as he takes Miss Myers with him. Sarah Jane explains Sky's appearance to Gita and Haresh back at Bannerman Road, telling them the adoption agency had a mixup. Some traces of Sky's electric powers are still present. In the attic, Sarah Jane finds the Shopkeeper and the Captain, previously met in Lost in Time. He reveals it was him who placed infant Sky on her doorstep. The Shopkeeper, answering Sarah Jane's question of their existence, tells her that he and the Captain are "servants of the universe". He then gives Sky the decision to leave with him in which she declines and stays with Sarah Jane as her adopted daughter. He then disappears before Sarah Jane could ask him any further. She then says they will find out who he is soon.... [edit] Continuity The Shopkeeper and his parrot, The Captain, previously appeared in Lost in Time. Rani suggests that the Doctor was the one who left Sky on Sarah Jane's doorstep. Rani met the Tenth Doctor in The Wedding of Sarah Jane Smith, and the Eleventh Doctor in Death of the Doctor. Miss Myers intends for her daughter to be used against the Metalkind. The idea of a child being used as a weapon from birth first appeared in "A Good Man Goes to War", with the Silence and Madame Kovarian kidnapping the infant Melody Pond and turning her into a weapon to kill the Doctor. Rani tells Sky about how Luke was created by aliens to invade the Earth while Clyde tells Sky about when they fought the Bane, both shown in the pilot episode "Invasion of the Bane". [edit] Production This was the first story to be aired following the death of Elisabeth Sladen. [edit] Notes The ending credits for part one has mistakenly been put onto part 2 ending credits Luke Smith (Tommy Knight) and Baby Sky did not appear in part 2 and The Shopkeeper from Lost in Time was uncredited. [edit] References ^ "The Sarah Jane Adventures – Sky" (Press release). BBC Press Office. Retrieved 2011-09-15. [edit] External links Sky (TV story) on TARDIS Index File, an external wiki "Sky: Part 1" at the Internet Movie Database "Sky: Part 2" at the Internet Movie Database This Doctor Who-related article is a stub. You can help Wikipedia by expanding it.



  • TDP 208: The Wedding of River Song

    7 October 2011 (6:27am GMT)
    Episode Duration: 0 days, 0 hours, 18 minutes and 0 seconds

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    Taken from Wikipedia with thankks and respect. The Wedding of River Song From Wikipedia, the free encyclopedia 223 – "The Wedding of River Song" Doctor Who episode Cast Doctor Matt Smith (Eleventh Doctor) Companions Karen Gillan (Amy Pond) Arthur Darvill (Rory Williams) Alex Kingston (River Song) Others Frances Barber – Madame Kovarian Simon Fisher-Becker – Dorium Maldovar Ian McNeice – Emperor Winston Churchill Richard Hope – Dr Malokeh Marnix Van Den Broeke – The Silent Nicholas Briggs – Voice of the Dalek Simon Callow – Charles Dickens Sian Williams – Herself Bill Turnbull – Himself Meredith Vieira – Herself Niall Greig Fulton – Gideon Vandaleur Sean Buckley – Barman Mark Gatiss – Gantok[1](credited as Rondo Haxton) Emma Campbell-Jones – Dr Kent Katharine Burford – Nurse Richard Dillane – Carter William Morgan Sheppard – Canton Delaware Production Writer Steven Moffat Director Jeremy Webb Executive producer(s) Steven Moffat Piers Wenger Beth Willis Series Series 6 Length 45 mins Originally broadcast 1 October 2011 Chronology ← Preceded by Followed by → "Closing Time" 2011 Christmas special "The Wedding of River Song" is the thirteenth and final episode of the sixth series of the British science fiction television series Doctor Who, and was first broadcast on BBC One, BBC America and Space on 1 October 2011. Contents  [hide]  1 Plot 1.1 Prequel 1.2 Continuity 1.3 Outside references 2 Production 2.1 Cast notes 3 Reception 4 References 5 External links [edit] Plot The Doctor, aware of his death at the fixed point of time on 22 April 2011 at Lake Silencio, attempts to track down the Silence to learn why he must die. He encounters the Teselecta shapeshifting robot and its miniaturised crew who are currently posing as one of the members of the Silence; through them, the Doctor is led to the living head of Dorium Maldovar, one of the Doctor's allies taken by the Order of the Headless Monks. Dorium reveals that the Silence is dedicated to avert the Doctor's "terrifying" future, warning him that "On the fields of Trenzelor, at the fall of the Eleventh, a question will be asked - one that must never be answered. And Silence must fall when the question is asked." The Doctor continues to refuse to go to Lake Silencio until he discovers his old friend, Brigadier Lethbridge-Stewart, has passed away. The Doctor then accepts his fate. To avoid crossing his own time stream, he gives the Teselecta crew the envelopes to deliver to Amy, Rory, River Song, Canton Everett Delaware III, and a younger version of himself, inviting them to witness his death. As shown in "The Impossible Astronaut", the Doctor joins his friends at Lake Silencio and then approaches the astronaut, now known to be a younger version of River Song trained to kill the Doctor by the Silence and Madame Kovarian. River does not want to kill him but is unable to fight the suit's control. The Doctor shows River her future self, sentenced to Stormcage prison for killing him, as evidence that her killing him is inevitable and that he forgives her for it. River, in the astronaut suit, surprises the Doctor by draining the suit's weapons systems and averting his death, despite his warning against interfering with a fixed point. Time becomes "stuck", and all of Earth's history begins to happen all at once, fixed at 5:02 p.m. on 22 April 2011. In a time-confused London, Winston Churchill takes the Doctor, his "soothsayer", out from his locked cell to ask him about the stuck time. The Doctor explains the preceding events, but notices they have lost track of time and tally marks are appearing on his arms, indicating the presence of the Silence. After they observe a nest overhead, they are rescued by Amy and an a number of her soldiers. Due to the effects of the crack in her bedroom, Amy is cognisant of the altered timeline, though she has failed to notice that her trusted captain is Rory. Amy takes the Doctor to "Area 52", a hollowed-out pyramid among the Giza Necropolis, where they have captured over a hundred Silence and Madame Kovarian. River is also there, aware her actions have frozen time and refusing to allow the Doctor to touch her, an event that would cause time to become unstuck. They all wear "eyedrives"—eye patches identical to the one worn by Madame Kovarian that function as external memories, thus enabling them to remember the Silence. They soon come to realise that this was a trap arranged by Kovarian, as the Silence begin to escape confinement and overload the eyedrives, torturing their users. The Doctor and River escape to the top of the pyramid while Amy and Rory fight off a wave of Silence and Amy realises who Rory is. Madame Kovarian discovers her own eyedrive is being overloaded; she dislodges it, but Amy forces it back in place with the intention of killing her, explaining that this is revenge for her taking Melody away. Amy and Rory regroup with River and the Doctor. River tries to convince the Doctor that this frozen timeline is acceptable and that he does not have to die, but the Doctor explains that all of reality will soon break down. The Doctor marries River on the spot, whispers something in her ear, declaring that he had just told her his name. He then requests that River allow him to prevent the universe's destruction. The two kiss, allowing reality to return to normal. At Lake Silencio, River kills the Doctor. Some time later, Amy and Rory are visited by River, shortly after the events of "Flesh and Stone" in River's timeline. When Amy explains that she had recently witnessed the Doctor's death and regrets killing Kovarian, River reveals that the Doctor lied when he said he told her his name, instead saying "Look into my eye". The Doctor had in fact enlisted the Teselecta to masquerade as him at Lake Silenco, with the Doctor and his TARDIS miniaturised inside it ever since. The three celebrate the news that the Doctor is still alive. Elsewhere, the Doctor takes Dorium's head back to where it was stored; the Doctor explains that his perceived death will enable him to be forgotten. As the Doctor leaves, Dorium warns him that the question still awaits him, and calls it after him: "Doctor who?" [edit] Prequel A prequel to this episode was aired after the previous episode, "Closing Time". It was the fifth prequel in the series, the first four being for the episodes "The Impossible Astronaut", "The Curse of the Black Spot", "A Good Man Goes to War" and "Let's Kill Hitler". The prequel shows Area 52, with a clock stuck at the time of the Doctor's death, Silence kept in stasis and River Song wearing an eye patch in the same fashion as Madame Kovarian.[2] As all of this is happening, there is a voice-over of the children, the same as that from "Night Terrors" and the conclusion of "Closing Time". They sing "Tick tock / goes the clock" three times, and then "Doctor, / brave and good, / he turned away from violence. / When he / understood / the falling of the silence." [edit] Continuity Several scenes from the episode reuse footage from "The Impossible Astronaut" leading up to and immediately following the Doctor's death. The Doctor tells Dorium Maldovar, "I've been running all my life, why should I stop?", a precursive echo of his early, pre-death dialogue in "The Impossible Astronaut": "I've been running all my life...and now it's time to stop". Following the death of actor Nicholas Courtney, the Doctor learns in this episode that Brigadier Lethbridge-Stewart has died peacefully in a nursing home.[3] He last appeared in Doctor Who in Battlefield, and the character's final appearance came in The Sarah Jane Adventures story Enemy of the Bane. When listing all the things he could do with the TARDIS' ability to travel in time, the Doctor suggests visiting Rose Tyler in her youth (which Jack Harkness admitted in "Utopia" to having done) to help her with her homework, attending all of Jack Harkness' stag parties in one night (several of his marriages are mentioned or alluded to in Torchwood episodes "Something Borrowed" and Children of Earth), and returning to Queen Elizabeth I (met in "The Shakespeare Code", and mentioned in "The End of Time, Part I", "The Beast Below" and "Amy's Choice"). When the Doctor awakens in Amy's rail car office, he tries to remind her of the crack in her wall ("The Eleventh Hour") and fiddles with one of her TARDIS models ("The Eleventh Hour", "Let's Kill Hitler"). Amy's sketches include a Cyberman's face ("The Pandorica Opens") a Dalek ("Victory of the Daleks", "The Pandorica Opens", "The Big Bang"), herself seated in the Pandorica ("The Pandorica Opens", "The Big Bang"), a Silurian ("The Hungry Earth", "Cold Blood", "A Good Man Goes to War"), herself wielding a cutlass and sporting a tricorn hat ("The Curse of the Black Spot"), a Smiler's face ("The Beast Below"), a vampire girl ("The Vampires of Venice"), the first time she met the Doctor ("The Eleventh Hour"), Rory and another centurion ("The Pandorica Opens"), a side of the Pandorica ("The Pandorica Opens", "The Big Bang"), a Weeping Angel's face ("The Time of Angels", "Flesh and Stone", "The God Complex"), and the TARDIS. Winston Churchill and River Song describe Cleopatra as, respectively, "a dreadful woman but excellent dancer" and "a pushover". River posed as Cleopatra in "The Pandorica Opens". The Fourth Doctor claimed in The Masque of Mandragora to have learned swordsmanship from a captain in Cleopatra's bodyguard. Mickey Smith implied in "The Girl in the Fireplace" that the Doctor had had some romantic history with Cleopatra and that he affectionately called her 'Cleo'. River Song states that she used her hallucinogenic lipstick on President Kennedy; she used the lipstick on guards and Romans in "The Time of Angels" and "The Pandorica Opens". A Silent calls Rory "the man who dies and dies again". Rory dies in "Cold Blood" and appears to die in "Amy's Choice" and "The Doctor's Wife". In reference to the Doctor telling River his name, she reprises the line "Rule One - The Doctor lies" from "The Big Bang" and "Let's Kill Hitler". In "Silence in the Library"/"Forest of the Dead", River whispers something in the Doctor's ear that makes him trust her, which the Doctor states just before her death was "my name" and that "There's only one reason I would ever tell anyone my name". The Doctor also refers to the events and conversation shortly before her death in "Forest of the Dead", stating "You, me, handcuffs - must it always end this way?" when he is handcuffed in the pyramid and reversing part of his final exchange with her in the Library during their conversation by Lake Silencio ("Time can be rewritten" / "Don't you dare!", with the first line spoken by the Doctor in the Library and River by the lake). The episode's main plot centers around the damage caused by River when she tries to re-write a fixed point in time. The Doctor tries to do this himself in "The Waters of Mars" but fails when Adelade kills herself in order to keep history the same. Fixed points in time have also been mentioned in "The Fires of Pompeii" and "Cold Blood". [edit] Outside references Charles Dickens describes his upcoming Christmas special featuring ghosts from the past, present and future, alluding to A Christmas Carol. [edit] Production [edit] Cast notes Within the alternate London several previous characters reappear, including Charles Dickens (Simon Callow) from "The Unquiet Dead", Winston Churchill (Ian McNeice) from "Victory of the Daleks", and the Silurian doctor Malohkeh (Richard Hope) from "Cold Blood". William Morgan Sheppard is credited for his brief appearance in the background of the Doctor's death scene, reprised from "The Impossible Astronaut". Mark Gatiss previously played Professor Richard Lazarus in the episode "The Lazarus Experiment", and provided the uncredited voice of Danny Boy in "Victory of the Daleks" and "A Good Man Goes to War"[4] along with a number of roles in audio dramas based on the show. He has also written for the revived series of Doctor Who. He is credited in this episode under the pseudonym "Rondo Haxton", an ode to the American horror actor Rondo Hatton. American television hostess Meredith Vieira recorded her report of Churchill's return to the Buckingham Senate in front of a green screen while filming a segment for The Today Show’s "Anchors Abroad" segment.[5] [edit] Reception Dan Martin of the Guardian noted that the episode "moves along the bigger, 50-year story and effectively reboots the show. After seven years of saving the Earth/universe/future of humanity," the show now has new impetus. Martin stated that the revelation that silence will fall when the oldest question in the universe is asked - "Doctor Who?" - will safeguard the programme for future generations.[6] Gavin Fuller of the Telegraph called the revelation of the Doctor escaping death by using the Teselecta a cop-out and likened it to serials of the thirties where scenes were cut and shown later to create a cliffhanger. However Fuller praised the episode as visually clever and noted that the question "Doctor Who?" harkens back to 1963 and the original theme of the show. Fuller concluded by surmising that Moffat is obviously plotting story arcs in the episode, hinting that the question will be asked at the end of the Doctor's eleventh incarnation.[7] Neela Debnath of the Independent stated that the series finale was a brainteaser which refused to tie up loose ends neatly. Debnath comments that Moffat is trying to return to the epic story telling that the series once had, spreading it over several series rather than episodes. Concluding, Debnath noted that the episode was underwhelming in terms of drama but overwhelming in terms of information.[8] [edit] References ^ BBC - BBC One Programmes - Doctor Who, Series 6, The Wedding of River Song ^ BBC - Doctor Who - The Prequel to The Wedding of River Song ^ Dowel;, Ben (10-01-2011). "Doctor Who tribute to Brigadier actor Nicholas Courtney". The Guardian. Retrieved 1 October 2011. ^ PBJ - Artists - Mark Gatiss ^ Today Show "Anchors Abroad" ^ Doctor Who: The Wedding of River Song – series 32, episode 13 | Television & radio | guardian.co.uk ^ Doctor Who final episode: The Wedding of River Song, review - Telegraph ^ http://blogs.independent.co.uk/2011/10/03/review-of-doctor-who-%e2%80%98the-wedding-of-river-song%e2%80%99/ [edit] External links Wikiquote has a collection of quotations related to: Eleventh Doctor "The Wedding of River Song" at the Internet Movie Database The Wedding of River Song on TARDIS Index File, an external wiki "The Wedding of River Song" at the BBC Doctor Who homepage



  • TDP 207: Colony In Space

    2 October 2011 (11:03am GMT)
    Episode Duration: 0 days, 0 hours, 14 minutes and 8 seconds

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    From Wikipedia with thanks Colony in Space is a serial in the British science fiction television series Doctor Who, which was first broadcast in 6 weekly parts from April 10 to May 15, 1971. Contents [hide] 1 Synopsis 1.1 Continuity 2 Production 2.1 Cast notes 3 Broadcast and reception 4 In print 5 VHS and DVD releases 6 References 7 External links 7.1 Reviews 7.2 Target novelisation [edit] Synopsis Three Time Lords meet at an observatory and discuss the theft of confidential files relating to "the Doomsday Weapon." They begrudgingly realise that only one man can help them — and the Doctor, accompanied by Jo, is temporarily released from his exile and sent in the TARDIS to the desert planet of Uxarieus in the year 2472. There he finds an outpost of human colonists living as farmers. The colony is not a success — the land seems unusually poor and recently they are being besieged by representatives of rapacious mining corporations, and more recently, ferocious reptiles. The colony's governor, Robert Ashe, makes them welcome, and explains the colonists fled a year ago to the planet to escape the overcrowding and pollution on Earth. Two colonists die in a reptile attack that night, and the next morning a man named Norton arrives at the settlement, claiming that he is from another colony that was wiped out by the reptiles. While the Doctor is investigating the dome of the dead colonists he is surprised by a mining robot controlled by Caldwell, a mineralogist for the IMC. Caldwell invites the Doctor to talk to his bosses and hear their side of the story. His superior, Dent, is a ruthless mining engineer, who has been using the mining robot to scare and now kill the colonists - something which Caldwell finds repellent. Dent knows the planet is rich in rare minerals and wants it for IMC and his greedy troops agree that this should be done at any cost. The original inhabitants of the planet, known to the colonists as primitives, have a truce with the colonists - but this is tested when Norton kills the colony's scientist and blames it on a primitive, whom he insists are hostile. Later, Norton is seen communicating with Captain Dent, implying that he is in fact a spy sent from IMC to further disrupt the colonists and not the sole survivor of a similar colony as he claimed. The Doctor meanwhile returns to the central dome of the colonists, having evaded an IMC attempt to kill him, and explains to Ashe that the miners are behind the deaths. An Adjudicator from Earth is sent for to deal with the complex claims over the planet - and when he arrives it turns out to be the Master. In this alias he determines that the mining company's claim to the planet is stronger. The Doctor and Jo have meanwhile ventured to the primitive city. From images on cave walls they interpret it was once home to an advanced civilisation that degraded over time. In the heart of the city, in a room filled with massive machines and a glowing hatch, they encounter a diminutive alien known as the Guardian. It warns them that intruding into the city is punishable by death, and lets them go, but warns them not to return. The Master's adjudication is heard by a returning Doctor and Jo. Still in the Adjudicator's guise he tells Ashe that an appeal will fail unless there are special circumstances, such as historical interest and is intrigued when Ashe tells him about the primitive city. By this ploy he finds out more about the planet and the primitive city while Ashe is drawn away from the Doctor, who begins to lose his credibility with the colonists. The Master then manipulates the Doctor into accompanying him to the primitive city. The situation between colonists and miners has meanwhile reached flashpoint with a pitched battle between them. Dent and his forces triumph and he stages a false trial of Ashe and Winton, the most rebellious of the colonists, sentencing them to death but commuting the sentence if all the colonists agree to leave the planet in their damaged old colony ship which first brought them to Uxarieus. Inside the city, the Master tells the Doctor that the primitives were once an advanced civilisation. Before their civilisation fell apart, they built a super-weapon that was never used - and he wants to claim this weapon for himself. The room with the machinery in the city is the heart of a weapon; so powerful that the Crab Nebula was created during a test firing. The Doctor rejects the Master's overture to help him rule the galaxy using the weapon, stating that absolute power is evil and corrupting. The Guardian appears, demanding an explanation for the intrusion. The Master explains that he's come to restore their civilisation to its former glory. The Doctor argues against him, and the Guardian recalls that the weapon led his race to decay, and its radiation is ruining the planet. It instructs the Doctor to activate the self-destruct, which he does. The city begins to crumble, and the Guardian tells them they must leave before it is too late. While the Doctor and the Master flee the decaying city, they find Caldwell and Jo, and the four get out before the city explodes. The colonists' ship has meanwhile exploded on take-off as Ashe predicted it would. However, the colony leader was the only one to die. He piloted the ship alone to save his people. Winton and the colonists now emerge from hiding and kill or overpower the IMC men, with Caldwell having switched sides to support the colonists. Amid the confusion, the Master manages to make his escape. With the battle over, the Doctor explains that the radiation from the weapon was what was killing their crops but this limiting factor has now been removed. Earth has agreed to send a real Adjudicator to Uxarieus, and Caldwell has decided to join the colonists. He tells them that he can help them with their power supply. The Doctor and Jo return to the TARDIS, which returns to UNIT Headquarters mere seconds after it left. Having accomplished what the Time Lords intended, the Doctor is once again trapped on Earth. [edit] Continuity This is the first time since season six that the Doctor travels to another planet in the TARDIS. Excepting a brief CSO shot of one wall in Terror of the Autons, this is also the first time that the inside of the Master's TARDIS (a redress of the Doctor's TARDIS set) is shown. [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions)Archive "Episode One" 10 April 1971 24:19 7.6 PAL colour conversion "Episode Two" 17 April 1971 22:43 8.5 PAL colour conversion "Episode Three" 24 April 1971 23:47 9.5 PAL colour conversion "Episode Four" 1 May 1971 24:20 8.1 PAL colour conversion "Episode Five" 8 May 1971 25:22 8.8 PAL colour conversion "Episode Six" 15 May 1971 25:22 8.7 PAL colour conversion [1][2][3] Working titles for this story included Colony. Script editor Terrance Dicks has frequently stated that he disliked the original premise of the Doctor being trapped on Earth, and had meant to subvert this plan as soon as he felt he could get away with it. He recalls in a DVD documentary interview (on the Inferno release) having had it pointed out to him by Malcolm Hulke that the format limited the stories to merely two types: alien invasion and mad scientist, and says he'd immediately responded, "Fuck Me! You're right!" (on the The Invasion release). The story is one of the first to use the show for social commentary - in this instance, the dangers of colonialism.[4] [edit] Cast notes See also Celebrity appearances in Doctor Who. Bernard Kay appears as Caldwell. This is his fourth and final appearance on the series. Director Michael Briant spoke the commentary accompanying a propaganda film watched by the Doctor on the IMC spaceship in Episode Two. This was a late cast change, and was originally intended for Pat Gorman – who was subsequently still credited on Episodes One and Two as 'Primitive and Voice'. [edit] Broadcast and reception 16mm colour film trims of location sequences for the story still exist and short clips from this material was used in the BBC TV special "30 years in the Tardis" (1993). [edit] In print A novelisation of this serial, written by Malcolm Hulke, was published by Target Books in April 1974 as Doctor Who and the Doomsday Weapon. This was the first serial of the 1971 series to be so adapted; as a result, Hulke breaks continuity by having Jo Grant introduced to the Doctor for the first time, even though on television her introduction was in Terror of the Autons (and this would be reflected in the later novelisation of that serial). There is another extensive Malcolm Hulke prologue as an elderly Time Lord describes the Doctor-Master rivalry to his assistant and learns of the theft of the Doomsday Weapon files. There have been Dutch, Turkish, Japanese and Portuguese language editions. An unabridged reading of the novelisation by actor Geoffrey Beevers was released on CD in September 2007 by BBC Audiobooks. Doctor Who book Doctor Who and the Doomsday Weapon Series Target novelisations Release number 23 Writer Malcolm Hulke Publisher Target Books Cover artist Chris Achilleos ISBN 0-426-10372-6 Release date April 1974 [edit] VHS and DVD releases Although the PAL mastertapes had been wiped NTSC copies were returned to the BBC in 1983 from TV Ontario in Canada. In November 2001, this story was released together with The Time Monster, in a VHS tin box set, entitled The Master. A new transfer was made from the converted NTSC to PAL videotapes but no restoration work was carried out for this release. The story has been scheduled for release on DVD in the UK on 3 October 2011. The single disc release will contain four seconds which were missing from VHS & US masters of the story and which restores two lines of dialogue.[5] [edit] References ^ Shaun Lyon et al. (2007-03-31). "Colony in Space". Outpost Gallifrey. Archived from the original on 2006-03-24. Retrieved 2008-08-31. ^ "Colony in Space". Doctor Who Reference Guide. Retrieved 2008-08-31. ^ Sullivan, Shannon (2007-07-05). "Colony in Space". A Brief History of Time Travel. Retrieved 2008-08-31. ^ Butler, David (2007). Time and Relative Dissertations in Space: Critical Perspectives on Doctor Who. Manchester University Press. ISBN 978-0-7190-7682-4. ^ Marcus (21 July 2011). "Colony in Space DVD release for October". The Doctor Who News Page. Retrieved 22 July 2011. [edit] External links Colony in Space at BBC Online Colony in Space at Doctor Who: A Brief History Of Time (Travel) Colony in Space at the Doctor Who Reference Guide [edit] Reviews Colony in Space reviews at Outpost Gallifrey Colony in Space reviews at The Doctor Who Ratings Guide [edit] Target novelisation Doctor Who and the Doomsday Weapon reviews at The Doctor Who Ratings Guide On Target — Doctor Who and the Doomsday Weapon



  • TDP 206: BBC Scrap Doctor Who Confidential

    29 September 2011 (10:55am GMT)
    Episode Duration: 0 days, 0 hours, 4 minutes and 34 seconds

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    reprinted from the guardian news page he BBC is to axe Doctor Who Confidential, the BBC3 spin-off from its sci-fi drama, as part of the corporation's ongoing cuts programme. Doctor Who Confidential, which features behind-the-scenes footage from the making of Doctor Who as well as interviews with the cast and crew, has aired in an early evening slot on BBC3 since 2005, when the corporation revived the main series with Christopher Eccleston as the ninth Time Lord. However, with the corporation facing budget cuts of up to 20% across its output as part of its Delivering Quality First initiative, BBC controller Zai Bennett has chosen to axe the show at the end of its current series. Bennett is understood to be pursuing a strategy of focusing investment on original commissions in post-watershed time slots. Since taking over, he has decommissioned shows including Ideal, Hotter Than My Daughter, Coming of Age and long-running sitcom Two Pints of Lager and a Packet of Crisps. Speaking last month at the MediaGuardian Edinburgh International Television Festival, Bennett said: "It's about focusing my budget on 9pm and 10.30pm; those are the time slots that count. Budgets are tight, so we have to be sensible with the money we have." Mark Thompson, the BBC director general, will unveil the corporation's cost-cutting strategy – the outcome of the DQF process – on 6 October. It is thought to include proposals to exploit greater "synergies" between BBC1 and BBC3, with the digital channel acting as a "nursery slope" for its terrestrial cousin. BBC3 will also fill a greater proportion of its 7pm to 9pm slots with repeats of BBC1 shows. A spokeswoman for the BBC said: "Doctor Who Confidential has been a great show for BBC3 over the years but our priority now is to build on original British commissions, unique to the channel."



  • TDP 205: Closing Time

    24 September 2011 (7:00pm GMT)
    Episode Duration: 0 days, 0 hours, 18 minutes and 33 seconds

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    from wikipedia. "Closing Time" is the twelfth episode of the sixth series of the British science fiction television series Doctor Who, and was first broadcast on BBC One, BBC America and Space on 24 September 2011. Contents [hide] 1 Plot summary 1.1 Continuity 2 Production 2.1 Cast notes 3 Broadcast and reception 3.1 Critical reception 4 References 5 External links [edit] Plot summary Nearly two hundred years have passed for the Doctor after leaving Amy and Rory in "The God Complex"; and the Doctor is on a farewell tour as he knows he has one more day in his relative time before his death (depicted in "The Impossible Astronaut"), saying goodbye to his past companions. He stops by Craig ("The Lodger"), finding he is living with his girlfriend Sophie, moved into a new home, and now raising their baby, Alfie. Craig, tending to Alfie alone while Sophie is away for the weekend, suspects the Doctor is investigating something alien. As the Doctor leaves, he notices an strange electrical disturbance in the area, and decides to investigate. Craig, while at a new department store with Alfie, discovers the Doctor working in the toy department. The Doctor reveals that he has traced the electrical disturbances to the store and using the job to allow him to investigate more. The Doctor and Craig enter a lift and find themselves teleported to a Cyberman spacecraft, but the Doctor manages to reverse the teleporter and disables it. As Craig returns home, the Doctor sees Amy and Rory shopping, but stays out of their sight. The Doctor continues to follow rumours of a store clerk's disappearance and of a "silver rat". With Craig's help, the Doctor enters the store and catches a Cybermat, which has been siphoning small amounts of energy to the spacecraft. The Doctor also encounters a malfunctioning Cyberman in the building's basement, and is curious how it arrived in the store. At Craig's house, while the two are distracted, the Cybermat reactivates, but they are able to stop it, and the Doctor reprograms the unit to track down the Cybermen signal. The Doctors leaves on his own to locate the Cybermen at the store, but Craig shortly follows, bringing Alfie along. The Doctor finds the spaceship actually sits below the store, underground, accessed by a tunnel from a changing room. The ship has been slowly siphoning energy from the store's power lines, reactivating its crew. The Doctor is captured by the Cybermen, who tell him that their ship crashed long ago, but with this new energy, will soon have enough power to convert the human race. Craig, leaving Alfie with a store clerk, follows the Doctor into the tunnel, and is also captured and placed into a conversion machine. The Doctor reveals his own impending death and urges Craig to fight, but the conversion appears to be complete until Alfie's cries over the closed-circuit television echo in the ship. Craig fights the conversion, sending the rest of the Cybermen into overload as they painfully experience the emotions they have repressed. The Doctor and Craig escape via the teleporter as the ship explodes, the blast contained by the cavern. The Doctor slips away unseen, but Craig returns home to find that the Doctor has used time travel to clean the mess from the previous night. The Doctor tells Craig that Alfie now has a much higher opinion of his dad. The Doctor leaves just before Sophie returns. Nearby, the Doctor tells the TARDIS he knows this is his last trip in her and offers some parting words to a small group of children. In the far future, River Song, recently made a Doctor of Archaeology, reviews eyewitness accounts from those children, and also notes the date and location of the Doctor's death. She is interrupted by Madame Kovarian and agents of The Silence; Kovarian tells River that she is still theirs, and will be the one to kill the Doctor. They place her in an astronaut's suit and submerge her in the lake to await the Doctor. [edit] Continuity Two hundred years have passed for the Doctor since the events of "The God Complex", taking him to the age his older self was in "The Impossible Astronaut".[2] Multiple events in the episode correspond to those of "The Impossible Astronaut": the Doctor takes from Craig's home the "TARDIS blue" envelopes he uses to bring Amy, Rory, River, Canton Delaware and his younger self to Lake Silencio; Craig gives him the Stetson hat he wears at the start of that episode[3]; and the "impossible astronaut" is confirmed to be River Song. The Cybermen, like those in "A Good Man Goes to War", do not bear the Cybus Industries logo on their chests. Cybermats are shown for the first time in the revived series. In the classic series, they appeared in Tomb of the Cybermen, The Wheel in Space and Revenge of the Cybermen.[3] The Doctor stops by to see Craig before he dies, as the Tenth Doctor popped in on his former companions before regenerating in The End of Time.[4][5] The Doctor claims to be able to "speak 'baby'", as he did in "A Good Man Goes to War". The Doctor expresses his dislike for Craig's "redecorated" house in a variation of lines spoken by the Second Doctor in The Three Doctors and The Five Doctors, and Craig explains to the Doctor that the reason his house looks different is that it is a different house from the one he had in "The Lodger"; Craig also remarks that he has inspected the upstairs level, alluding to the false story shown in "The Lodger".[6] The Doctor echoes himself in the classic series serial Revenge of the Cybermen when he recites the mini-poem "Not a rat, a Cybermat" from the novelization of Revenge of the Cybermen.[7][8] Amy appears in an ad for Petrichor perfume, with the tagline, "For the girl who's tired of waiting." The concept of petrichor was used as a psychic password in "The Doctor's Wife" and means "the smell of dust after rain".[6][9] The Doctor frequently refers to Amy as "the girl who waited". [edit] Production Writer Gareth Roberts said in an interview that he was considering bringing the character of Craig back when James Corden was cast and he saw his performance, saying that "it already felt like he was one of the Who family". It was also his idea to bring back the Cybermen, because there were no other returning monsters in the series and he thought "there should be a sense of history about the Doctor's final battle to save Earth before he heads off to meet his death".[2] [edit] Cast notes This episode marks Lynda Baron's third involvement with Doctor Who, having provided vocals for the "Ballad of the Last Chance Saloon", heard in The Gunfighters, and appeared in Enlightenment as Wrack. The accompanying Doctor Who Confidential to "Closing Time" is entitled "Open All Hours" in honour of Baron's role in the sitcom of the same name.[6] BBC Radio 1 DJ Greg James appears in a non-speaking cameo role, as a man shopping for lingerie.[10] [edit] Broadcast and reception "Closing Time" was first broadcast in the United Kingdom on BBC One on 24 September 2011[11] and in the United States on BBC America on the same date.[12] It achieved overnight ratings of 5.3 million viewers, coming in second for its time slot behind All-Star Family Fortunes.[13] [edit] Critical reception The episode received generally positive reviews, with critics praising the comic interplay between Smith and Corden. Jack Pelling of Celluloid Heroes Radio praised Roberts' deftly crafted comic script, and described it as "one of the most enjoyable episodes of Doctor Who in recent years".[14] Dan Martin of The Guardian questioned the decision to air a standalone episode as the penultimate show of the series, calling "Closing Time" "something of a curiosity" as well as writing positively about "Smith and Cordon’s Laurel and Hardy double act".[3] Gavin Fuller of The Daily Telegraph awarded the episode three out of five stars, comparing Smith's performance favourably to that of Patrick Troughton.[15] Neela Debnath of The Independent said it was an "intriguing change of pace" and succeeded with "great comedic moments" and the "brilliant chemistry between the Doctor and Craig". She praised Corden for excelling after his "average" performance in "The Lodger".[16] Patrick Mulkern, writing for Radio Times, thought that the ending was an "emotional overload...but what better way to deal with the emotionally deprived Cybermen?" He was pleased with the "sweet cameo" from Amy and Rory and the "tense coda" with River Song and Kovarian.[17] IGN's Matt Risley rated the episode 7.5 out of 10, praising the chemistry between Smith and Corden as well as Smith's interaction with the baby, but was disappointed with the Cybermen, who he said "never really delivered on the threat or horror fans know they're capable of".[18] SFX magazine reviewer Rob Power gave the episode three and a half out of five stars, saying it "[worked] wonders" as a light-hearted episode before the finale and with "properly bad" Cybermen. Though he thought the Cyberman lacked "real menance" and Craig escaped in a "cheesy way", he considered the main focus to be on the Doctor's "farewell tour" and praised Smith's performance. He thought that the moments of "sad-eyed loneliness and resignation" added weight to "what would otherwise have been a paper-thin episode". He also praised the ending for bringing things together for the finale, though he thought the final scene with River Song felt "a little tacked-on".[9] [edit] References ^ "Open All Hours". Gareth Roberts. Doctor Who Confidential. BBC. 24 September 2011. No. 12, series 6. 4:52 minutes in. "The Doctor allows Craig to come along and play the part of his companion [...]" ^ a b "An interview with Gareth Roberts". BBC. 17 September 2011. Retrieved 18 September 2011. ^ a b c Martin, Dan (24 September 2011). "Doctor Who: Closing Time – series 32, episode 12". The Guardian. Retrieved 24 September 2011. ^ The End of Time. Russell T Davies (writer), Euros Lyn (director). Doctor Who. BBC. BBC One. 25 December 2009–1 January 2010. No. 4, season Specials (2008–10). ^ The Eleventh Doctor tells Jo Grant in Death of the Doctor that he visited her and each of his companions. ^ a b c "Closing Time - Fourth Dimension". BBC. Retrieved 25 September 2011. ^ Anders, Charlie Jane (24 September 2011). "Doctor Who: the Godfather of Soul". io9. Retrieved 25 September 2011. ^ Novelisation of Revenge of the Cybermen by Terrance Dicks ^ a b Power, Rob (24 September 2011). "Doctor Who "Closing Time" TV Review". SFX. Retrieved 25 September 2011. ^ "Doctor Who Confidential: Open All Hours". BBC. 22 September 2011. Retrieved 23 September 2011. ^ "Network TV BBC Week 39: Saturday 24 September 2011" (Press release). BBC. Retrieved 25 September 2011. ^ "Season 6: Episode 12 "Closing Time"". BBC America. Retrieved 25 September 2011. ^ Golder, Dave (25 September 2011). "Doctor Who "Closing Time" Overnight Ratings". SFX. Retrieved 25 September 2011. ^ Pelling, Jack (24 September 2011). "Review: Doctor Who- Closing Time". Celluloid Heroes Radio. Retrieved 24 September 2011. ^ Fuller, Gavin (24 September 2011). "Doctor Who: Closing Time, BBC One, review". The Telegraph. Retrieved 25 Septembe 2011. ^ Debnath, Neela (25 September 2011). "Review of Doctor Who 'Closing Time'". The Independent. Retrieved 25 September 2011. ^ Mulkern, Patrick (24 September 2011). "Doctor Who: Closing Time review". Radio Times. Retrieved 25 September 2011. ^ Risley, Matt (25 September 2011). "Doctor Who: "Closing Time" Review". IGN. Retrieved 25 September 2011. "Closing Time (Doctor Who)" at the Internet Movie Database



  • TDP 204: The God Complex

    19 September 2011 (6:22am GMT)
    Episode Duration: 0 days, 0 hours, 11 minutes and 16 seconds

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    reprinted from wikipedia with thanks and respect The God Complex From Wikipedia, the free encyclopedia 221 – "The God Complex" Doctor Who episode Cast Doctor Matt Smith (Eleventh Doctor) Companions Karen Gillan (Amy Pond) Arthur Darvill (Rory Williams) Others Sarah Quintrell — Lucy Hayward Amara Karan — Rita Dimitri Leonidas — Howie Spragg Daniel Pirrie — Joe Buchanan David Walliams — Gibbis Caitlin Blackwood — Amelia Pond Dafydd Emyr — PE Teacher Spencer Wilding — The Creature Rashad Karapiet — Rita's Father Roger Ennals — Gorilla Production Writer Toby Whithouse Director Nick Hurran Producer Marcus Wilson Executive producer(s) Steven Moffat Piers Wenger Beth Willis Series Series 6 Length 50 mins Originally broadcast 17 September 2011 Chronology ← Preceded by Followed by → "The Girl Who Waited" "Closing Time" "The God Complex" is the eleventh episode of the sixth series of the British science fiction television series Doctor Who, and was first broadcast on BBC One, BBC America and Space on 17 September 2011. Contents [hide] 1 Plot summary 1.1 Continuity 2 Production 3 Outside references 4 Broadcast and reception 4.1 Critical reception 5 References 6 External links [edit] Plot summary The TARDIS, while traveling to a new planet, arrives in what appears to be a 1980's Earth hotel, but the Doctor recognizes it as an alien structure specifically designed to take that appearance. They soon meet a group of four, humans Rita, Howie, Joe, and the alien Gibbis, each who had previously been taken from their routine lives and found themselves in the hotel. The four explain that there is a minotaur-like beast in the hotel that consumes others. It does this by enticing them to enter one of the many rooms in the hotel which contains their greatest fears, upon which they become brainwashed to "praise him" and allow themselves to be taken, their bodies left without any signs of life; many others have experienced this, and photos of them and their fears cover many of the hotel's walls. The hotel is inescapable — its doors and windows walled up — and its halls and rooms can change on a whim. The Doctor, Amy, and Rory soon find the TARDIS has also disappeared, and the Doctor warns them from opening any door they are drawn to, for fear of being possessed. As the Doctor tries to ascertain the situation, Joe, already possessed, has been drawn away from the group and is killed by the beast. Howie soon becomes possessed after entering a room against the Doctor's warnings. The remaining group set up a trap to lure the beast into the hotel's parlor using Howie's voice, upon which the Doctor questions the trapped creature and learns it is in agony wishing for its end. The Doctor realises the hotel is really a prison for the creature, and the "fears" in each room are harmless illusions. Howie escapes from the group, allowing the beast to escape and chase him down, killing him before the Doctor can save him. While exploring more of the hotel, both Amy and the Doctor are separately lured to look into two specific rooms, facing their own fears. Rita soon follows the fate of Joe and Howie. The Doctor, Amy, Rory, and Gibbis regroup, and the Doctor surmises that the other three believed that some higher fate controlled their lives. The hotel and its rooms were, by design, meant to challenge their faith by fear to allow the beast to possess them. The Doctor identifies that Gibbis has survived due to the extreme cowardice of his species, while Rory lacks any such faith to be broken. However, the Doctor realises that it is Amy's faith in him that is being challenged; Amy soon becomes possessed like the others. As the beast comes for Amy, the Doctor and the others grab her and take her to the room of her entrancement. Inside, they find the illusion of young Amy, Amelia, still waiting for the return of her "raggedy Doctor" ("The Eleventh Hour"). The Doctor asserts to Amy that he is "not a hero" but "just a mad man with a box" to break her faith in him; her faith broken, the beast outside the door collapses on the floor. As they watch, the hotel is revealed to be part of a large simulation; the Doctor identifies themselves aboard an automated prison spaceship, and the beast as a relative of the Nimon, a creature that feeds off the faith of others. The ship's automated systems had provided it "food" by bringing aboard creatures who had a strong faith. The Doctor identifies Amy's faith in him as the cause of their arrival on the ship. The beast mutters that "death would be a gift" for the Doctor before it passes away. The Doctor finds his TARDIS nearby, offering Gibbis a lift home. He then takes Amy and Rory back to their home on Earth, believing it best for the two to stop traveling with him for fear that their faith in him would lead to their deaths. The Doctor sets off alone in the TARDIS, contemplating these recent events. [edit] Continuity Several references to past alien species are displayed throughout the wall of photos of the past victims of the beast: Tritovore, Silurian, Sontaran, Judoon, Cat Nun, and the Daleks are referenced as the nightmare faced by one of the late guests. The Doctor identifies the beast as being from a species who are close relatives to the Nimon, previously a foe in the serial The Horns of Nimon and audio drama Seasons of Fear; and the group witnesses two illusions of Weeping Angels, from the episodes "Blink", "The Time of Angels", and "Flesh and Stone".[1] Though the audience is not shown the contents of the room that the Doctor is lured to open, the sound of the TARDIS' cloister bell can be heard.[2] This episode is the third time in the television series where the Doctor has forced his companions to leave the TARDIS, following Susan Foreman and Sarah Jane Smith.[3] Young Amelia, played by Gillan's cousin Caitlin Blackwood, is shown waiting for her "raggedy Doctor" to return from the episode "The Eleventh Hour". The Doctor, being forced to break Amy's faith in him, repeats a previous event in The Curse of Fenric where the Seventh Doctor is forced to break Ace's faith in him.[4] [edit] Production Toby Whithouse originally pitched the episode for the previous series with the idea of a hotel with shifting rooms.[5] Showrunner Steven Moffat thought that there were too many instances in which the characters were running through corridors in that series, so Whithouse wrote "The Vampires of Venice" instead and "The God Complex" was pushed to the next series.[6] The idea to have a Minotaur be the monster came from Whithouse's love for Greek mythology.[5] David Walliams, who plays Gibbis in this episode, previously appeared in the Fifth Doctor audio drama Phantasmagoria where he played two separate characters.[7] [edit] Outside references The hotel and setting has been compared to Stanley Kubrick's film, The Shining, using similar composition such as long corridor shots.[8][9] [edit] Broadcast and reception "The God Complex" was first broadcast in the United Kingdom on BBC One on 17 September 2011[10] and on the same date in the United States on BBC America.[11] Overnight ratings showed that 5.2 million viewers watched the episode on BBC One, beaten by direct competition All-Star Family Fortunes on ITV1. This made Doctor Who third for the night behind The X Factor and Family Fortunes. The episode was ranked number 1 on BBC's iPlayer the day after it aired service and also was popular on social networking site Twitter, where the phrase "Amy and Rory" trended the night it aired.[12] [edit] Critical reception The episode received generally positive reviews from critics. Jack Pelling of Celluloid Heroes Radio praised look of the episode, describing it as "stylishly directed by Nick Hurran, whose use of Dutch camera angles and Hitchcock zooms gave the episode an impressive, cinematic quality."[13] Gavin Fuller of The Daily Telegraph awarded the episode 3 and a half stars, stating that "the surreal tone to the episode, helped camouflage the fact that the plot made very little sense."[14] Dan Martin of the Guardian was surprised by the exits of Amy and Rory stating that "since the reboot they've been big, climactic, end-of-the-universe tragedies." Martin also praised Karen Gillan for her performance and stated that her exit was "the kind of ending that would have been nice for Sarah-Jane, really." Martin also praised Smith's Doctor stating that we start to see the darkside more, particularly directed at himself and stronger than Tennant's portrayal. The main part of the episode Martin felt that it was "like a runaround bolted on to make way for the ending." Continuing to add that as has already been shown in this series the formula is not a recipe for success. Martin sums up the episode though by describing it as funny and thoughtful.[1] [edit] References ^ a b Martin, Dan (2011-09-17). "Doctor Who: The God Complex – series 32, episode 11". The Guardian. Retrieved 2011-09-17. ^ Queenie Le Trout (2011-09-17). "Queenie's TV Highlights: The Queen's Palaces, Torchwood and Doctor Who". ATV Today. Retrieved 2011-09-17. ^ Anders, Charlie Jane (2011-09-17). "Doctor Who: The Hero Takes A Fall". io9. Retrieved 2011-09-17. ^ Brew, Simon (2011-09-17). "Doctor Who series 6 episode 11 review: The God Complex". Den of Geek. Retrieved 2011-09-17. ^ a b "An Interview With Toby Whithouse". BBC. 10 September 2011. Retrieved 11 September 2011. ^ Golder, Dave (25 July 2011). "Toby Whithouse on Doctor Who "The God Complex"". SFX. Retrieved 11 September 2011. ^ "Doctor Who - Phantasmagoria". Big Finish. Retrieved 2011-09-11. ^ Phillips, Keith (2011-09-17). "“The God Complex”". A.V. Club. Retrieved 2011-09-17. ^ Mulkern, Patrick (2011-09-18). "“Doctor Who: The God Complex”". Radio Times. Retrieved 2011-09-18. ^ Network TV BBC Week 38: Saturday 17 September 2011 (Press release). BBC. Retrieved 18 September 2011. ^ "Season 6: Episode 11 "The God Complex"". BBC America. Retrieved 18 September 2011. ^ Golder, Dave (18 September 2011). "Doctr Who "The God Complex" Overnight Ratings". SFX. Retrieved 18 September 2011. ^ Pelling, Jack. "TV Review: Doctor Who- The God Complex". The God Complex. Celluloid Heroes Radio. Retrieved 17 September 2011. ^ http://www.telegraph.co.uk/culture/tvandradio/doctor-who/8768248/Doctor-Who-The-God-Complex-BBC-One-review.html [edit] External links Wikiquote has a collection of quotations related to: Eleventh Doctor The God Complex on TARDIS Index File, an external wiki "The God Complex" at the Internet Movie Database "The God Complex" at the BBC Doctor Who homepage



  • TDP 203: The Blesssing Explained

    14 September 2011 (6:32am GMT)
    Episode Duration: 0 days, 0 hours, 1 minutes and 16 seconds

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    Here is the explanation of the Blessing as seen in Torchwood Miracle Day



  • TDP 202: Day Of The Daleks

    12 September 2011 (9:00pm GMT)
    Episode Duration: 0 days, 0 hours, 9 minutes and 8 seconds

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    Taken from wikipedia with thanks and respect ay of the Daleks is a serial in the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from 1 January to 22 January 1972. Contents [hide] 1 Synopsis 2 Plot 2.1 Continuity 3 Production 3.1 Cast notes 4 In print 5 VHS, Laserdisc and DVD release 6 References 7 External links 7.1 Reviews 7.2 Target novelisation [edit] Synopsis Rebels from a future Earth conquered by the Daleks travel to the 20th Century to prevent that from happening. But will their actions prevent that future, or make it inevitable? [edit] Plot This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (June 2011) Sir Reginald Styles, a British diplomat trying to organise a peace conference to avert World War III, is in his study at the government-owned Auderly House when a soldier dressed in grey camouflage and wielding a futuristic looking pistol bursts in and holds him at gunpoint. However, before the guerrilla can fire, he vanishes, leaving Styles to shakily tell his secretary he has been visited by a ghost. As the conference is of vital international importance, UNIT is called in. The Chinese have pulled out of the conference and Styles will be flying to Peking to try to persuade them to rejoin, and nothing must interfere with the conference's success. However, when the Third Doctor, Jo and the Brigadier go over to Auderly House, Styles denies ever seeing the "ghost", even though the Doctor notes the presence of muddy footprints in the study. The guerrilla reappears on the grounds in a vortex-like effect, but he is intercepted by two huge humanoid aliens, Ogrons, who attack him and leave him for dead. UNIT soldiers discover the severely injured guerrilla and take him to the hospital while the Doctor examines his weapon and a small black box that was found in a nearby tunnel system. Styles leaves for Peking, while the Doctor discovers that the pistol, which is an ultrasonic disintegrator, is made of Earth materials, not alien, and that the box is a crude time machine, complete with a miniature dematerialisation circuit. As he tries to activate it, the vortex effect appears again and the guerrilla vanishes from the ambulance. The temporal feedback circuit on the time machine also overloads — as the Doctor explains to the Brigadier, it has blown a fuse. Since everything seems to be centred on Auderly House, the Doctor decides to spend the evening there. The night passes without incident, but in the day, three guerrillas appear from the time vortex — Anat, a woman who is in command of the mission, along with two men, Boaz and Shura. They come across a UNIT patrol and disintegrate the two soldiers while making their way to the house. In the study, the Doctor tries to reactivate the time machine, causing an alert to be sounded in the 22nd Century. Shura enters the house, but the Doctor subdues him with some Venusian karate. Shura begs the Doctor to turn off the box, as in the future, a human Controller reports to the Daleks that the machine has been activated. The Daleks command that once the spacetime coordinates of the box are confirmed, whoever is using that device must be exterminated. In the present, Anat and Boaz enter with Jo as their prisoner and demand that the machine be deactivated. The Doctor complies, and the conversation makes it apparent that the guerrillas believe that he is Styles, whom they are apparently here to assassinate. The Doctor shows them a newspaper to convince them otherwise, and Anat demands to know who the Doctor is. When Captain Mike Yates and Sergeant Benton enter the house to search for the missing patrol, the guerrillas usher the Doctor and Jo into the cellar where they tie them up. Finding the Doctor and Jo gone, Yates contacts the Brigadier, who tells them to search the grounds again. In the future, the Daleks order the Controller to send troops to the frequency they detected earlier, and activate a time vortex magnetron, so that anyone travelling between the two time zones will be drawn to the Controller's headquarters. In the past, Anat sends Shura to contact the future for more orders, but Shura only manages to retrieve a bomb from near the tunnel before being attacked by Ogrons. He is wounded, but manages to stumble away. In the cellar, Jo asks the Doctor why, if the guerrillas wanted to kill Styles, they do not just travel back to the previous day to try again, and the Doctor says that this is due to the "Blinovitch Limitation Effect". Before he can explain further, they are ushered back up to the study — the Brigadier is calling on the house phone. The Doctor is forced to pretend over the telephone that everything is fine at Auderly House. The Brigadier tells the Doctor that Styles has convinced the Chinese to rejoin the conference and that the delegates will arrive the next day. The Brigadier asks for reassurance that everything is all right, and the Doctor tells him it is, but the Brigadier gets suspicious when the Doctor asks him to also "tell it to the Marines." The Brigadier decides to go to the house and see for himself. Jo frees herself from her bonds and threatens to destroy the box the first guerrilla used, but Anat and Boaz tell her that it only worked for that person. Suddenly, the time vortex effect activates and Jo vanishes into the future, appearing in the Controller's headquarters due to the vortex magnetron. There, the Controller ingratiates himself with Jo, who tells him everything, including the exact time and location where she came from. The Daleks use this information and send a Dalek supported by Ogrons to the present, where they attack the house. Anat and Boaz fire back, and flee towards the tunnels. The Brigadier arrives just in time to gun down an Ogron, and the Doctor commandeers his jeep in pursuit of the two guerrillas. In the tunnels he meets a Dalek, and runs away, finding Anat and Boaz just as they activate their time machines, and is swept up in the same vortex. In the 22nd Century version of the tunnels, the Doctor and the guerrillas are separated when Ogrons pursue them. The Doctor climbs out of the tunnels onto the surface, where he sees a Dalek order Ogrons to exterminate some rebels. When the Controller informs the Daleks that Jo mentioned a "Doctor", the Daleks react violently, declaring that the Doctor is an enemy of the Daleks and must be exterminated. The Doctor stumbles into what appears to be a factory, and sees humans being used as slave labour, guarded by other humans. He is captured by an Ogron, and is being interrogated when the factory manager comes in and persuades the interrogator to let him speak to the Doctor. When they are alone, the manager asks the Doctor which guerrilla group he comes from, but the Doctor says he is not part of any group. Before any further conversation can take place, the Controller arrives, and takes the Doctor to see Jo. The manager contacts the guerrillas, who have made it back to their base with their leader, a man named Monia. The manager tells them of the Doctor, but he is discovered by an Ogron and killed. Monia decides that they must rescue the Doctor, because he seems to be the only man the Daleks are afraid of. After an abortive escape attempt, the Doctor is strapped down to a Dalek mind analysis device, where images of the Second and First Doctors confirm to the Daleks that he is indeed their sworn enemy. The Controller bursts in, saying that using the mind analysis device will kill the Doctor. They should keep the Doctor alive for information on the rebels, and he will question the Doctor personally. The Daleks gloat to the Doctor that they have discovered time travel, invaded Earth again, and changed the course of history. The Doctor calls the Controller a traitor, and the Controller explains that at the end of the 20th Century, a hundred years of devastating worldwide wars began, killing 7/8ths of the population and forcing the rest to live in little more than holes in the ground. It was during this period that the Daleks invaded, conquering the world and using it for raw materials to fuel the expansion of their empire. Some humans cooperated — the Controller's family have been officials for three generations. The Doctor calls them a family of quislings. The rebel guerrillas attack the Controller's base and rescue the Doctor. Monia is about to shoot the Controller but the Doctor tells him not to — the Daleks would have used somebody else in any case. The rebels take the Doctor back to their hideout and tell him the rest of the story. Styles organised the peace conference, and when Auderly House was blown up, everyone was killed. The rebels believe that Styles engineered the whole thing, and caused the century of war that followed. That was why they used Dalek-derived time travel technology to travel to the past, to kill Styles before he could destroy the peace conference. They used the tunnels because that is the only common location shared by the two time zones. The Doctor is sceptical, believing Styles to be stubborn but basically a good man. When the Doctor finds out that the rebels brought a bomb made of dalekanium with them, a powerful and unstable explosive that will affect even Dalek casings, he realises that the rebels are caught in a predestination paradox. They will cause the very explosion they went back in time to prevent, and create their own history. Indeed, back in the 20th Century, Shura has found his way into Auderly House and plants the bomb in the cellar. The Doctor and Jo make their way back to the tunnels so they can travel back and stop Shura, only to run into an ambush the Controller has set up. The Doctor convinces the Controller that he has the means to stop the Daleks even before they have begun, and the Controller lets him go, only to be betrayed by the interrogator and exterminated by the Daleks. The Daleks send a strike force to the 20th Century to ensure their version of the future is preserved, and attack as the delegates arrive at the house. In the ensuing battle between the Daleks, Ogrons and UNIT, the Brigadier evacuates the delegates. The Doctor, back in the present, makes his way down to the cellar to try to convince Shura not to activate the bomb; Auderly House is empty, it will all have been for nothing. However, once Shura hears that the Daleks are entering the house, he tells the Doctor and Jo to leave — he will take care of the Daleks. The Brigadier tells his men to fall back to the main road as the Daleks search the house for delegates. Shura detonates the bomb, destroying the house and everything in it. The Doctor tells Styles that it is now up to him to make the conference a success. Styles assures the Doctor it will be, because they know what will happen if they fail. The Doctor, nodding at Jo, says that they know too. [edit] Continuity The Blinovitch Limitation Effect is never explicitly laid out, but the Doctor cites it as a means to explain why a time traveller cannot redo his own actions. Dalekanium is presented in this serial as an unstable explosive in the alternate future. In The Dalek Invasion of Earth, Dortmun also calls the material that Dalek casings are made of dalekanium. This is continued in "Evolution of the Daleks". To explain the return of the Daleks after their "final end" (as stated by the Second Doctor in The Evil of the Daleks), lines were scripted to reveal that the humanised Daleks had lost the civil war seen in Evil, placing this story after Evil in the Daleks' own chronology. However, this scene was ultimately not filmed. The Doctor, in an unusual instance, is seen to both hold and use a gun to eliminate an enemy, in this case an Ogron, near the end of episode 2. [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions)Archive "Episode One" 1 January 1972 23:36 9.8 PAL 2" colour videotape "Episode Two" 8 January 1972 23:52 10.4 PAL 2" colour videotape "Episode Three" 15 January 1972 24:18 9.1 PAL 2" colour videotape "Episode Four" 22 January 1972 24:17 9.1 PAL 2" colour videotape [1][2][3] Working titles for this story included The Ghost Hunters and Years of Doom.[3] The production team only had three Dalek props available for use during the production of this serial, so only three Daleks appear on screen at any one time. One of the Daleks is painted gold so only two regular casings are seen in shot. Film editing is used to attempt the illusion of more than three Daleks. As originally written, the serial revolved around the Ogrons instead of the Daleks. It was planned to bring the Daleks back at the end of the season, in a serial called The Daleks in London by Robert Sloman. This plan was dropped when the production staff realised that the show would not have a hook to entice viewers (after the Third Doctor's introduction in Season 7 and that of the Master in Season 8), and Sloman's serial was allegedly shaping up to be too similar to The Dalek Invasion of Earth. Instead, writer Louis Marks was asked to alter his serial to include the Daleks. Early in the first episode, there is a scene where the Doctor and Jo are working on the TARDIS console in the Doctor's lab. A mistake by the Doctor causes another Doctor and Jo to briefly appear at the entrance to the lab. Originally the serial was to end with a scene where the Doctor and Jo went back to the lab, and saw their earlier selves working at the TARDIS console. However, the last episode was overrunning and director Paul Bernard decided to cut the scene, which he personally disliked. Script Editor Terrance Dicks tried to persuade Bernard to put it back in, but Bernard refused and producer Barry Letts agreed that it should be cut. Dicks would later restore the scene in his novelisation of the story. It should be noted that this story features the TARDIS console once more outside of the TARDIS itself, as in The Ambassadors of Death and Inferno. Osterley Park was originally proposed as the setting and location for Day of the Daleks. The name was changed to Auderly in the finished programme, and renamed Austerly in the novelisation. Terry Nation, who penned the first story The Daleks in 1963, was given an on-screen credit at the end of all four episodes of this story as having originated them. [edit] Cast notes Scott Fredericks later played Max Stael in Image of the Fendahl. [edit] In print The novelisation of this serial, by Dicks, was published by Target Books in April 1974. There have been Dutch, Turkish, Japanese, Polish and Portuguese language editions. A Brazilian edition, separate from the Portuguese version, was published with the title Doutor Who e a Mudança da História (Doctor Who and the Change in History). Doctor Who book Doctor Who and the Day of the Daleks Series Target novelisations Release number 18 Writer Terrance Dicks Publisher Target Books Cover artist Chris Achilleos ISBN 0-426-10380-7 Release date April 1974 [edit] VHS, Laserdisc and DVD release The story was first released on VHS and Betamax in an omnibus format in 1986 (with the story mistitled as The Day of the Daleks on the VHS box art) and re-released in episodic format in 1994. The previous omnibus edition VHS remained as the release for the United States and Canada. This story was released on Laserdisc twice, first in an omnibus format in the US in 1992, and later in episodic format in the UK in 1996. A DVD release has been confirmed for 12 September 2011.[4] [edit] References ^ Shaun Lyon et al. (31 March 2007). "Day of the Daleks". Outpost Gallifrey. Archived from the original on 18 May 2008. Retrieved 31 August 2008. ^ "Day of the Daleks". Doctor Who Reference Guide. Retrieved 31 August 2008. ^ a b Sullivan, Shannon (17 May 2005). "Day of the Daleks". A Brief History of Time Travel. Retrieved 20 December 2006. ^ http://www.doctorwhonews.net/2010/10/day-of-daleks-on-dvd-in-2011.html [edit] External links Day of the Daleks at BBC Online Day of the Daleks at Doctor Who: A Brief History Of Time (Travel) Day of the Daleks at the Doctor Who Reference Guide [edit] Reviews Day of the Daleks reviews at Outpost Gallifrey Day of the Daleks reviews at The Doctor Who Ratings Guide [edit] Target novelisation Doctor Who and the Day of the Daleks reviews at The Doctor Who Ratings Guide On Target — Doctor Who and the Day of the Daleks [hide]v · d · eDoctor Who season 9 serials Day of the Daleks • The Curse of Peladon • The Sea Devils • The Mutants • The Time Monster [show]v · d · eDoctor Who: Dalek television stories [show]v · d · eDoctor Who: UNIT television stories [show]v · d · eNovels and novelisations featuring Daleks



  • TDP 201: The Girl Who Waited

    10 September 2011 (6:30pm GMT)
    Episode Duration: 0 days, 0 hours, 8 minutes and 55 seconds

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    Notes to follow Sorry the dvd reviews are behind. they have been recorded but I have no room on my lybsyn account.



  • TDP 200: Torchwood Miracle Day Ep 9 and Ep 10 Review (Contains Spoilers for UK)

    10 September 2011 (2:00am GMT)
    Episode Duration: 0 days, 0 hours, 9 minutes and 36 seconds

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    TDP 200: Torchwood Miracle Day Ep 9 and Ep 10 Review (Contains Spoilers for UK) Notes to follow



  • TDP 199: Night Terrors and Torchwood Miracle Day Ep 8

    7 September 2011 (7:14am GMT)
    Episode Duration: 0 days, 0 hours, 18 minutes and 59 seconds

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    Reprinted from Wiki Pedia with all due respect "Night Terrors" is the ninth episode of the sixth series of the British science fiction television series Doctor Who, and was first broadcast on BBC One and BBC America on 3 September 2011. Contents [hide] 1 Synopsis 1.1 Continuity 2 Production 3 Broadcast 4 Critical reception 5 References 6 External links [edit] Synopsis The Doctor decides to make a "house call" after his psychic paper receives a message from George, a frightened 8-year-old child, asking his help in getting rid of the monsters in his bedroom. On arrival at a council estate on present-day Earth, the Doctor, Amy, and Rory split up to try to locate the child. The Doctor, taking the guise of a social services worker, finds the right flat, and meets George's father, Alex, while his mother Claire is working a night shift. Through Alex's photo album, the Doctor learns that George has been frightened all his life, fearing many of the sounds and people around the flat and is helped to cope by various habits, including metaphorically placing his fears within his wardrobe. Meanwhile, Amy and Rory, while taking the lift down, suddenly find themselves in what appears to be an eighteenth-century house, but shortly discover most of the furnishings are wooden props. Other residents of the estate appear in the house, but are caught by life-sized peg dolls that laugh and sing like children, and transform the residents into more dolls. Amy and Rory witness one transformation and try to flee, but Amy is caught and becomes a doll herself, joining the others in chasing Rory. The Doctor, suspecting that the wardrobe is containing the evil that George fears, opens it to find its contents are simply clothes and toys, including a doll house. The Doctor suddenly recalls from Alex's photo album that Claire did not appear pregnant in the weeks leading up to George's supposed birth, causing Alex to remember the fact that Claire was unable to have children. The Doctor asserts that George is a Tenza child, an empathic alien who took on the form of Alex and Claire's desired child through a perception filter, and has the ability to literally lock away his fears within the wardrobe. George begins to panic from this revelation and the Doctor and Alex are pulled into the wardrobe, joining Rory in the dollhouse. As the dolls descend on the three, the Doctor calls out to George to face his fears; George is able to open the wardrobe and appears in the dollhouse, but the dolls turn to advance on him. The Doctor realises that George is still frightened that Alex and Claire plan to send him away, having mistakenly interpreted a conversation they had earlier that night; Alex rushes through the dolls to embrace George as his son. They all soon find themselves back at the estate, restored to normal. Claire returns the next morning to find George no longer scared while Alex and the Doctor make him breakfast. After being thanked, the Doctor rejoins his companions to set off for their next adventure. [edit] Continuity The Doctor refers to "Snow White and the Seven Keys to Doomsday", "The Three Little Sontarans" and "The Emperor Dalek's New Clothes" as being among his childhood nursery stories, referencing the 1974 stage play Seven Keys to Doomsday[1] and the Sontarans and the Emperor Dalek, two of the series' recurring monsters. He also repeats his predilection for tea and Jammie Dodgers from another Gatiss-written episode, "Victory of the Daleks". He expresses his irritation that his sonic screwdriver still does not have "a setting for wood," a criticism also made by Rory in "The Hungry Earth" and "The Curse of the Black Spot" and by Donna Noble in "Silence in the Library". Rory states "we're dead again" after dropping down the lift shaft, referring to his previous deaths in "Amy's Choice", "Cold Blood", "The Curse of the Black Spot" and "The Doctor's Wife", and Amy's in "The Pandorica Opens". The episode's final shot continues the story arc for the second half of the series, showing the Teselecta file on the Doctor's date of death from "Let's Kill Hitler". [edit] Production The life-size dolls in "Night Terrors" are based on the peg dolls of Germany and the Netherlands. Mark Gatiss told Radio Times that he had always been scared of dolls, and was surprised that Doctor Who had never used them before. He was especially interested in peg dolls, which he said were "the stuff of proper nightmares".[2] In order to achieve a greater variety of stories in the first half of series 6 "Night Terrors" was moved to the second block of episodes, having been filmed as episode four.[3] This necessitated minor changes to the episode, including the removal of a sequence featuring Madame Kovarian.[1] [edit] Broadcast The episode achieved an overnight figure of 5.5m viewers, with an audience share of 25.9%, and Doctor Who was the fourth most-watched programme for Saturday [edit] Critical reception Reception to the episode has been largely positive[4]. Assignment X gave a positive review "There’s plenty of tension to be had in awaiting the arrival of the episode’s central creatures – the creepiest dolls you will ever see. In fact, the horrific, bone-crunching transformation of human beings into dolls may trump the gas mask zombies as one of the most unsettling body horror moments in modern DOCTOR WHO. Amy’s scene is probably the most affecting, although it’s slightly undercut by the knowledge that she’s going to be all right."[5] Crave Online gave a positive review saying "This episode was reminiscent of "Fear Her," from the second season of the revived "Doctor Who." But "Night Terrors" fared a little bit better because it didn't rely on Jamie Oram's George to be anything more than a scared little boy. Matt Smith carried the day with another impressive outing as the Doctor. I think the key to Smith's tenure as the Doctor has been the sheer manic energy he throws into his performances. Some online commentators are already suggesting that the writer, Mark Gatiss might be the next showrunner after Steven Moffat."[6] Dan Martin of the Guardian also commented on the suggestions of Gatiss as a future showrunner, commenting that the episode was an improvement on Gatiss' previous two episodes ("The Idiot's Lantern" and "Victory of the Daleks"). He complimented it overall as "a classy, creepy episode of retro Doctor Who" in comparison to "Let's Kill Hitler", though he saw its plot as over-similar to "The Empty Child" and other episodes written by Steven Moffat[7]. [edit] References ^ ab"Night Terrors - The Fourth Dimension". BBC. Retrieved 3 September 2011. ^Jones, Paul (19 August 2011). "Doctor Who: Mark Gatiss on new episode Night Terrors". Radio Times. Retrieved 29 August 2011. ^"Episodes shuffle for the 2011 series...". Doctor Who Magazine (430): 7. 9 Feb 2011 (cover date). ^http://www.buzzfocus.com/2011/09/04/doctor-who-season-6-episode-9-review-night-terrors/ ^http://www.assignmentx.com/2011/tv-review-doctor-who-series-6-night-terrors-review-1/ ^http://www.craveonline.com/tv/reviews/173724-doctor-who-609-night-terrors ^http://www.guardian.co.uk/tv-and-radio/tvandradioblog/2011/sep/03/doctor-who-night-terrors End of the Road (Torchwood) From Wikipedia, the free encyclopedia 39 – "End of the Road" Torchwood episode Cast Starring John Barrowman – Captain Jack Harkness Eve Myles – Gwen Cooper Mekhi Phifer – Rex Matheson Alexa Havins – Esther Drummond Kai Owen – Rhys Williams Bill Pullman - Oswald Danes Others Lauren Ambrose - Jilly Kitzinger[1] Candace Brown - Sarah Drummond Sharon Morgan - Mary Cooper Marina Benedict - Charlotte Willis John de Lancie - Allen Shapiro Wayne Knight - Brian Friedkin Paul James - Noah Teddy Sears - Blue-Eyed Man Nana Visitor - Olivia Colasanto Megan Duffy - Claire Constance Wu - Shawnie David Desantos - Agent Baylor Nayo K Wallace - Wilson Production Writer Ryan Scott Jane Espenson Director Gwyneth Horder-Payton Producer Kelly A. Manners Brian Minchin (UK unit) Executive producer(s) Russell T Davies Julie Gardner Jane Tranter John Shiban (co-executive) Vlad Wolynetz (co-executive) Production code 108 Series Miracle Day Length 55 minutes Originally broadcast 26 August 2011 (US) 1 September 2011 (UK) Chronology ← Preceded by Followed by → "Immortal Sins" "The Gathering" "End of the Road" is the eighth episode of the fourth series of British science fiction television series Torchwood, and was first broadcast in the United States on Starz on 26 August 2011. Contents [hide] 1 Plot summary 2 Reception 3 References 4 External Links [edit] Plot summary The Torchwood team arrives at the Colasanto estate led by Olivia Colasanto, Angelo's granddaughter. At the estate, Jack finds Angelo, now an old man and in a coma, having lived that long trying to find out about the secrets of immortality. Olivia reveals that the ones responsible for the Miracle are called "The Families", the three mob bosses who bought Jack when he was captured in 1928 and were able to create the miracle, in some manner related to his blood. Jack explains that his immortality doesn't work like that, but the Miracle is real, and a lot of his blood was taken while he was imprisoned. Angelo initially tried to join the alliance with The Families due to their common goal, but Angelo was rejected because they frowned on his homosexuality. While Olivia explains this, a CIA team led by Brian Friedkin captures everyone in the mansion. Friedkin is trying to cover up The Families and his treason. Rex explains that he set Friedkin up, so that he could expose him to the CIA at large. Using the I-5 contact lenses, he transmits Friedkin gloating straight onto a monitor in front of their superior, Allen Shapiro. With their names cleared, Jack and Gwen decide to work with the CIA in order to find the whereabouts of The Families, and stop the Miracle. But one of their only leads is destroyed when Friedkin kills himself with a bomb along with Olivia. Jack then takes some time to say goodbye to his former lover, as alarms go off around him announcing that Angelo's just died. In annoyance he turns off the machines, until he realizes that unlike everyone else on the planet, the rules for the miracle do not apply to Angelo either; as he dies in front of Jack. In Dallas, Texas, Oswald asks Jilly to get him a prostitute on a whim, claiming he wants something normal in this new world. Jilly gets a new intern, unaware that she is a CIA agent. When the prostitute arrives at Oswald's room, she is surprised to learn that Oswald just wants to have dinner with her. She rejects his offer and tells him that as a celebrity, he is worshiped, but as a man, he's still hated for what he did and soon will become a "Category 0". Demanding answers, Jilly reveals that there is a new law that is being worked on that will classify criminals like Oswald as Category 0s and send them to the modules. Angered that PhiCorp used him for their plans and intended to abandon him once they were done with him, Oswald batters Jilly and runs away. Later, Jilly is met by a representative of The Families, who shoots the CIA mole. The mole's identity was revealed by another Family agent (and presumably member) within the CIA, Charlotte Wills, who happens to be a former teammate of Esther and Rex. After a one-question job interview, he takes Jilly to meet The Families. Esther gets in contact with her sister, who's currently in a secure mental facility, and finds out to her horror that her sister wants to volunteer herself and her children to become "Category 1". In desperation, Esther ignores Jack's pleading not to reveal a critical detail she noticed about Angelo's room (the floor). After removing the floor panelling, a mysterious device is discovered. After Shapiro orders Gwen to be deported, Jack explains it's a null field transmitter, which interferes with the morphic field he previously postulated was behind the Miracle. Although he claims to be broadly unfamiliar with the technology, he is forced to help disable it so it can be taken to Langley. Jack modifies the Null Field to target sound, so he can converse with Rex and Esther without being overheard. Jack explains the reason for his reticence: he is trying to protect humanity from technology they should not have access to, due to the damage to the timeline. He also explains that the tech is alien, and that it came from the Torchwood Hub. It was buried in the ruins as shown in the third series, but Angelo had people salvage the transmitter, preparing for the miracle. It's suggested that Jack is mortal because Angelo used the device to target him as well through his blood. Jack begs Rex and Esther to help him escape, to help save the shining future he's seen. He takes a critical piece of the technology so nobody can replicate it. On the way out, an agent shoots Jack and sees Esther helping. Rex knocks the agent unconscious, and Esther drives a wounded Jack away. The episode closes with Esther begging Jack to reply, as she drives not knowing where to go, while at the same time Gwen is on the plane leaving the US for the UK. [edit] Reception The HD Room gave a positive review "Cryptkeeper Angelo did more for the plot progression of the arc in Torchwood: Miracle Day 'End of the Road' than every line that has come out of Rex's mouth up to this point. Jilly's flip out was a long time coming and didn't disappoint and again, the writing is subtle and effective, like watching Ali fight. All in all, 'End of the Road' is another great episode that allowed all the players, even Mekhi Pfifer as Rex, to showcase their skills as actors/actresses. Tons of questions are answered, and tons more presented. The giant ball that is Torchwood: Miracle Day's story arc is now rolling at full speed."[2] Den of Geek gave a positive review "The beauty of Miracle Day is that there are so many things going on that, if one element isn’t working for you, there’s something else not far away." "The three families, though, is just one of the balls that this episode was attempting to juggle, with sizeable success I should add. Esther, played impressively as always by Alexa Havins, is facing the tragedies and difficulties within her own family. If we follow the usual path of Torchwood, that suggests she’s got a horrific decision at some point to face, and just two episodes in which to make it. Rex, meanwhile, hints at what’s troubling him, in that his days might be numbered the minute the miracle is reversed. Which, presumably, it will be. Will he, and many others, just instantly die? That might make for a haunting final episode? We also get Jilly Kitzinger coming out of the shadows of Oswald Danes, and more importantly, being recruited by the three families. What, exactly, do they want her to do? Whatever it is, lots more Lauren Ambrose in the final two episodes would be very, very welcome. I still think the more focussed work in Immortal Sins has provide the highlight of the series to date. But I also liked that End Of The Road was so keen to tell so much story. Credit to Star Trek veteran John De Lancie, who eats up every minute of screen time he’s allowed. His contribution is a welcome one. And given that few showrunners can put together a momentous penultimate episode to a series as Russell T Davies, I, for one, can’t wait for next week…"[3] In the UK the episode was watched by 3.5 million viewers, a 15% audience share.[4] Dan Martin states that after weeks on end of the same episode, Miracle Day seems to finally becoming into it's own with a tidal wave of answers. Most of the answers are however nonsense but viewers positively embrace it. The series still has two hours left but it finally feels like it's moving on, with Martin hoping that we the audience may see some aliens before long. While the return of Jilly and Oswald sets things up nicely for the conclusion of their story arc.[5] [edit] References ^ "Torchwood: Miracle Day - Episode 8". BBC. Retrieved 26 August 2011. ^ http://www.thehdroom.com/news/Torchwood-Miracle-Day-Episode-8-End-of-the-Road-Review/9450 ^ http://www.denofgeek.com/television/1036246/torchwood_miracle_day_episode_8_review_end_of_the_road.html ^ http://www.guardian.co.uk/media/2011/sep/02/itv-911-doc-bbc1-torchwood?INTCMP=SRCH ^ http://www.guardian.co.uk/tv-and-radio/tvandradioblog/2011/aug/27/torchwood-television



  • TDP 198: Whooverville 3 (2011)

    6 September 2011 (7:10am GMT)
    Episode Duration: 0 days, 0 hours, 12 minutes and 27 seconds

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    Saturday 3rd September - Whooverville 3 An unofficial convention for Doctor Who fans, presented by The Whoovers. That's right - Get ready for an invasion of Daleks, Cybermen, et al as Derbyshires very own Doctor Who convention returns in September 2011 for the 3rd installment and this time: it's right in the centre of Derby...at The Quad in Derby Market Place!Guests confirmed so far (in alphabetical order)... Barbara Shelley (Courtesy of our friends at Tenth Planet Events) - Sorasta ('Planet of Fire' - 1984) Frazer Hines - Jamie McCrimmon ('66-'85) Ian McNeice* (Courtesy of our friends at Tenth Planet Events) - Winston Churchill ('Victory of the Daleks' & 'The Pandorica Opens' - 2010) John R Walker - Too many Doctor Who appearances to list!!! Maurice Roeves - Stotz ('The Caves of Androzani' - 1984) Nicola Bryant - Perpugilliam "Peri" Brown ('84-'86) Sarah Sutton - Nyssa ('81-'83) Stephen Calcutt (Courtesy of our friends at Tenth Planet Events) - Several Doctor Who appearances Tristan Peatfield - Production Designer Amy's Choice (2010) * Please note - Barbara, Ian and Stephen are sponsored guests courtesy of Tenth Planet Events. Although they will be charging for autographs, it will still be free to meet them. Our thanks go to Derek at Tenth Planet Events for so generously providing us with this bonus for attendees at Whooverville, and for all the other help that he continues to give us. The Podcasters will be there again too, as will our friend Derek and his Tenth Planet team, who will again be bringing some extra sponsored guests, including 'Planet of Fire' guest star & Hammer Horror 'legend' Barbara Shelly. Tickets cost £35 (adults), £15 (aged 5-15), £85 (family ticket, 2 adults, 2 children) and can be bought now from the QUAD either in person or online from The Quad website or by phone from the box office on 01332 290606



  • TDP 197: Lets Kill Hitler and Torchwood Ep 7

    1 September 2011 (3:33am GMT)
    Episode Duration: 0 days, 0 hours, 14 minutes and 13 seconds

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    reprinted from wikipedia with thanks and respect "Let's Kill Hitler" is the eighth episode of the sixth series of the British science fiction television series Doctor Who, and was first broadcast on BBC One, Space and BBC America on 27 August 2011. It is the second episode of a two-part story,[1] continuing stories from "A Good Man Goes to War".[2] It features alien time traveller the Doctor (Matt Smith) and his companions Amy Pond (Karen Gillan) and her husband Rory Williams (Arthur Darvill), plus their daughter and the Doctor's sometimes-assistant River Song (Alex Kingston). Contents [hide] 1 Plot 1.1 Prequel 1.2 Synopsis 1.3 Continuity 2 Production 3 Broadcast and reception 3.1 Critical reception 4 References 5 External links [edit] Plot [edit] Prequel On 15 August 2011, the BBC released a short "prequel" to "Let's Kill Hitler", written by Steven Moffat.[3] This procedure had previously been done earlier in the series to give a short introduction to "The Impossible Astronaut", "The Curse of the Black Spot" and "A Good Man Goes to War".[4] In the prequel, Amy calls the Doctor and leaves a message for the Doctor on the TARDIS' answer phone, begging him to find her child, Melody. Though Amy knows Melody will grow up to be River Song, she does not want to miss seeing her grow up. As she ends her message, it is revealed that a very upset Doctor was listening but did not pick up the phone, even though Amy had pleaded for him to.[5][6][7] [edit] Synopsis In modern-day Leadworth, Amy and Rory create a crop circle to gain the Doctor's attention. He arrives with his TARDIS, but they are soon joined by Mels, Amy and Rory's childhood friend who knows of Amy's "raggedy Doctor" and was responsible for Amy and Rory's relationship; Amy had subsequently named her daughter Melody after Mels. On the run from the police, Mels brandishes a gun and coerces them to escape in the TARDIS and "kill Hitler". Inside, she fires the gun, hitting the central console which fills the time machine with a poisonous gas and sends it out of control. Back in 1938 Berlin, "Justice Vehicle 6019", a Teselecta[8] robot manned by a human crew from the future miniaturised inside it and able to take on the appearance of other humans, is seeking to deliver justice on war criminals like Adolf Hitler. They do this by using the Teselecta's weapons to torture the criminal, near the end of their timeline. Having taken on the appearance of a Wehrmacht officer to meet with Hitler, they are surprised when the TARDIS crashes into Hitler's office. Hitler, already panicked, fires on the Teselecta, but his aim is poor and strikes Mels. As Rory locks Hitler in a cupboard, the TARDIS crew finds Mels regenerating, becoming the woman they know as River Song—Melody as a grown woman. River, having been trained by her captors to kill the Doctor, makes several attempts but the Doctor has taken precautions to nullify these. Instead, River kisses him and before disappearing into the streets of Berlin, reveals that her lipstick is a poison that will kill the Doctor within the hour and prevent his regeneration. The Doctor orders Amy and Rory to follow River, passing her his sonic screwdriver, while he returns to the TARDIS to try to discover a cure. The Teselecta, aware that the Doctor's death on 22 April 2011 is a "fixed point in time" ("The Impossible Astronaut"), instead follow Amy and Rory in chasing down River, having identified her as their most wanted war criminal, responsible for the Doctor's death. Amy and Rory chase River to a café at the Hotel Adlon, but the Teselecta arrives, bringing them aboard as allies, and takes on Amy's appearance, allowing the robot to get close to River to attack her. Before they can complete the attack, the TARDIS materialises; the Doctor, spurred on by the TARDIS' "voice interface" hologram of Amy's younger self, Amelia, has found time to dress for the period and stops the attack, now aware of the Teselecta's nature. The captain speaks to the Doctor, informing him that River has been trained to kill him by the Silence, a religious order that believes that "when the oldest question hidden in plain sight" is asked, silence will fall across the universe. When the crew refuse backing down from attacking River, Amy uses the sonic screwdriver to turn the robot's "antibodies"—its security robots—against the crew. The crew power down the robot and are teleported away by a mothership, leaving Amy and Rory to face the antibodies. The Doctor finds himself too weak from the poison's effects to pilot the TARDIS to rescue his companions; River is inspired by the Doctor's sympathy, and finds herself guided by the TARDIS itself to pilot the ship, and rescues Amy and Rory in time. On returning to the café, the Doctor whispers something in River's ear before he passes away. River asks Amy who River Song is; Amy uses the Teselecta to show River her form stored in the robot's database of who she is to become. With this, River sacrifices her remaining regenerations to bring the Doctor back to life, and passes out. The Doctor, Amy, and Rory take her to a hospital in the far future, leaving the TARDIS-shaped diary as a gift by her bedside, and depart. Later, River is shown becoming an archaeologist so she can find the Doctor herself. Aboard the TARDIS, the Doctor has discovered the date of his death from the records aboard the Teselecta, but does not reveal this knowledge to Amy or Rory. [edit] Continuity This episodes alludes to several previous elements of the River Song character, several which include ontological paradoxes. River reveals herself as the young girl seen regenerating at the end of "Day of the Moon" before she became Mels, short for Melody; Mels' name would used in turn by Amy to name her daughter. River's ability to regenerate is a result of being a "child of the TARDIS", from the infusion of Time Lord DNA into Melody during her conception aboard the TARDIS on Amy and Rory's wedding night as described in "A Good Man Goes to War".[9] Later, when regenerating into the form of River Song, she learns of this name from the Doctor and Amy. River's TARDIS-coloured diary, which the Doctor and his companions have seen in River's relative future, is given to her anew by the Doctor. The Doctor further introduces River to the concept of "spoilers" of her future timeline, a phrase River has used in previous adventures. River's aptitude with flying the TARDIS, taught to her by the machine itself, is alluded to from "The Time of Angels" where River explains she "had lessons from the very best" (which the Doctor has assumed referred to himself).[10] During the moments after her initial regeneration into the River Song form, River reenacts the iconic scene between Mrs Robinson (Anne Bancroft) and Benjamin (Dustin Hoffman) from the movie The Graduate, calling out to the Doctor "Hello, Benjamin".[11] The Doctor likens River to Mrs Robinson in "The Impossible Astronaut".[12] The Teselecta crew consider River a wanted dangerous criminal; River has been shown to be imprisoned in her personal future in "The Time of Angels" for killing "the best man she ever knew".[13] In the episode's epilogue, River is shown asking Professor Candy of Luna University to become an archaeologist as to find the Doctor; previous episodes that take place later in River's personal timeline show that she has acquired these degrees. Both the professor and the university appeared previously in Steven Moffat's 1997 Doctor Who short story Continuity Errors, which showed Candy as having himself conducted research concerning the Doctor. The concept of "fixed points in time" has been explored before, including the episodes "The Fires of Pompeii" and "The Waters of Mars". The supposed "state of temporal grace" within the TARDIS was previously alluded to by the Fourth Doctor during The Hand of Fear. Like River giving up her remaining regenerations for the Doctor, the Doctor has been shown prepared to do this to save his companions during the Fifth Doctor serial, Mawdryn Undead. While bringing up the voice interface aboard the TARDIS, the Doctor is shown holograms of his former companions Rose Tyler (Billie Piper), Martha Jones (Freema Agyeman) and Donna Noble (Catherine Tate).[14] He rejects these, as they all cause him guilt, eventually settling on the young Amelia. She also appears in flashback scenes from Amy's past interacting with a younger Mels and Rory, revisiting the various toys and props Amelia created of her "raggedy Doctor" shown throughout series 5. The Amelia hologram refers back to "fish fingers and custard", a phrase used between Amelia and the Doctor during "The Eleventh Hour" and "The Impossible Astronaut". The Silence are revealed not to be a species as shown in "The Impossible Astronaut" and "Day of the Moon", but a religious order who believe silence will fall when "the oldest question in the universe" is asked.[15] They are also revealed to be responsible for training Melody to assassinate the Doctor. The Eleventh Doctor wears his secondary jacket, a long dark-green military overcoat, for the first time in this episode.[11] [edit] Production The read-through for "Let's Kill Hitler" took place on 21 March 2011.[12] The opening scene in the cornfield were the last shots filmed of the series on 11 July 2011.[12][16] The Temple of Peace in Cardiff used in the episode for the German dinner party, was also used for Karen Gillan's first Doctor Who appearance, when she played a Soothsayer in "The Fires of Pompeii".[17] Exterior shots of the Hotel Adlon were filmed outside Southampton Guildhall. One scene involving the Teselecta (disguised as a German soldier) chasing Amy and Rory on motorcycles through Berlin was cut from filming due to budget issues. AT&T, who wanted to advertise in the United States broadcast of the episode on BBC America as a tie-in to their "Rethink possible" slogan, brought the idea of using a motion comic to create a bridging scene within the advertising break where this scene would have been placed. AT&T and BBC America worked with Moffat and Senior to create the 60 second scene, which was animated by Double Barrel Motion Labs. The scene will be included in all international home video releases of the episode, though lacking the AT&T branding used on the initial broadcast.[18] [edit] Broadcast and reception "Let's Kill Hitler" was first broadcast on 27 August 2011 on BBC One in the United Kingdom.[19] Internationally, it was broadcast in America on sister station BBC America on 27 August[20] as well as on Space in Canada.[21] Overnight ratings showed that the episode was watched by 6.2 million viewers on BBC One, the second most viewed show of the day behind The X-Factor and the second most-viewed Doctor Who episode in Series 6 behind "The Impossible Astronaut". The episode also came in a number one on the BBC iPlayer service the day after it aired.[22] The episode also received an Appreciation Index of 85.[23] [edit] Critical reception The episode received generally positive reviews from critics. Dan Martin, writing for The Guardian, was more pleased with "Let's Kill Hitler" as an opener than "A Good Man Goes to War" as a finale, and said it was "an energetic, timey-wimey tour de force with with gags and flourishes like the car and the crop circles that still maintained a strong sense of what it was about". He also commended Alex Kingston's performance, saying that "she got to steal her every scene even more completely than usual, masterfully swerving the episode into a properly emotional final act".[14] Michael Hogan of The Daily Telegraph gave the episode four out of five stars, praising it for being "jam-packed full of ideas, twists, turns and wibbly-wobbly time-bending stuff" and "giddily thrilling entertainment, albeit rather exhausting". He also praised the way it allowed Rory to "finally find his niche".[11] Writing for The Independent, Neela Debnath praised the lighter mood and "great slapstick moments". Though she thought the identity of Mels was "obvious to everyone but the characters", she said that Toussaint-White was "excellent" and that "it was shame that she regenerated so early on because she brought a different energy to the character".[15] Radio Times reviewer Patrick Mulkern, unlike Debnath, admitted that Mels' true identity "took [him] completely by surprise". He thought that a plot hole was generated in terms of what Melody did in between regenerating in 1969 and joining Amy and Rory, still as a child, 20 years later, but said that "the episode moves too fast for such quibbles to stick, and it is hilarious".[24] Ken Tucker of Entertainment Weekly called it "a marvelously energetic, funny, clever, noble mid-season start" and praised the acting of Smith, Gillan, Darvill, and particularly Kingston, as well as the emotion that developed in the episode.[25] IGN's Matt Risley gave the episode a score of 9 out of 10, saying that it was "arguably Moffat's most unashamedly fun Time Lord romp yet". While he praised the humour, plot, and character development, he was critical of the Teselecta; though they "score[ed] high on the sci-fi kitsch factor" they were "anything but memorable".[26] SFX magazine critic Richard Edwards gave "Let's Kill Hitler" five out of five stars, thinking it "has to rank among the cleverest Who episodes Moffat has ever written". While he praised Kingston's performance, he wrote that "it's Matt Smith who steals the show, in one of his finest performances as the Doctor...he's utterly magnificent, whether acting the joker, or living out 32 minutes (ish) of death scene. The mix of optimism...and sadness is a tricky thing to pull off, yet Smith does it in a quintessentially Doctor way".[27] Keith Phipps of The A.V. Club graded the episode as a B+, saying that he was "a bit divided". He praised Moffat's River Song arc, which made "the mind [reel]...in a good way", as well as the dialogue and "big concepts". On the other hand, he did not think the Teselecta's mission was developed and "as characters they seem kind of bland". What "really [troubled]" him was that it did not have the "impact" of some previous episodes and he thought it unlikely that Amy and Rory were willing to quickly accept that they were meant to raise their daughter as a school friend.[13] Gavin Fuller of The Daily Telegraph said the Moffat "delivered a pacy romp" and praised the concept of the Teselecta, but was disappointed with the "wasted opportunity" of the setting. He thought that the setting offered "great dramatic potential" but was "little more than window dressing for the story". He thought that using Hitler as a comic relief "struck a wrong note given the nature of the man and the regime he led" and that it was "an odd way to treat such an historically significant character". He was also critical of Moffat's "seeming keenness to kill the regular cast in some way, shape or form".[28] Entertainment Weekly's Tucker thought that it "didn't need Hitler to be an excellent [Doctor Who] episode".[25] Assignment X gave a negative review of the episode: "Matt Smith is wonderful as always and I love his new coat. And there ends the positive part of this review."[29] Jim Shelley of The Daily Mirror also was negative about the episode, especially towards Alex Kingston, who appeared to be acting while "the rest of the cast play their parts perfectly ­naturally".[30] [edit] References ^ "News Flash!: Matt's Back!". Doctor Who Magazine (428): 5. 15 Dec 2010 (cover date). ^ BBC (16 August 2011). "Steven Moffat talks about the new series of Doctor Who". Press release. Retrieved 17 August 2011. ^ "Avaliable Monday: The Prequel to Let's Kill Hitler". BBC. 12 August 2011. Retrieved 27 August 2011. ^ "The Prequels". BBC. 27 June 2011. Retrieved 27 August 2011. ^ Marshall, Rick (15 August 2011). "Let's Kill Hitler prequel teases Doctor Who midseason premiere". Yahoo! News. Retrieved 27 August 2011. ^ Edwards, Richard (15 August 2011). "Let's Kill Hitler Prequel Online". SFX. Retrieved 27 August 2011. ^ "Prequel to Let's Kill Hitler". BBC. Retrieved 27 August 2011. ^ "Let's Kill Hitler". BBC. 17 August 2011. Retrieved 17 August 2011. ^ "A Good Man Goes to War". Steven Moffat (writer), Peter Hoar (director). Doctor Who. BBC. BBC One. 4 June 2011. No. 7, series 6. ^ "The Time of Angels". Steven Moffat (writer), Adam Smith (director). Doctor Who. BBC. BBC One. 24 April 2010. No. 4, series 5. ^ a b c Hogan, Michael (27 August 2011). "Doctor Who, Let's Kill Hitler, BBC One, review". The Daily Telegraph. Retrieved 28 August 2011. ^ a b c "Let's Kill Hitler - The Fourth Dimension". BBC. Retrieved 28 August 2011. ^ a b Phipps, Keith (27 August 2011). "Let's Kill Hitler". The A.V. Club. Retrieved 28 August 2011. ^ a b Martin, Dan (27 August 2011). "Doctor Who: Let's Kill Hitler - series 32, episode 8". The Guardian. Retrieved 28 August 2011. ^ a b Debnath, Neela (27 August 2011). "Review of Doctor Who 'Let's Kill Hitler'". The Independent. Retrieved 28 August 2011. ^ "On Location with the Cast and Crew". BBC. 27 August 2011. Retrieved 28 August 2011. ^ "River Runs Wild". Doctor Who Confidential. BBC. BBC Three. 27 August 2011. No. 8, series 6. ^ Hampp, Andrew (2011-08-26). "AT&T to Help Tell the Story of 'Doctor Who'". Ad Age. Retrieved 2011-08-29. ^ BBC. "Network TV BBC Week 35: Saturday 27 August 2011". Press release. Retrieved 28 August 2011. ^ "Season 6: Episode 8 Let's Kill Hitler". BBC America. Retrieved 28 August 2011. ^ "Doctor Who Midseason Premiere Announced!". Space. 29 July 2011. Retrieved 28 August 2011. ^ Golder, Dave (28 August 2011). "Doctor Who "Let's Kill Hitler" Overnight Ratings". SFX. Retrieved 28 August 2011. ^ "Let's Kill Hitler: Appreciation Index". Doctor Who News Page. 29 August 2011. Retrieved 30 August 2011. ^ Mulkern, Patrick (27 August 2011). "Doctor Who: Let's Kill Hitler". Radio Times. Retrieved 28 August 2011. ^ a b Tucker, Ken (28 August 2011). "'Doctor Who' mid-season premiere review: 'Let's Kill Hitler' was a great lark through time and space". Entertainment Weekly. Retrieved 28 August 2011. ^ Risley, Matt (27 August 2011). "Doctor Who: "Let's Kill Hitler" Review". IGN. Retrieved 28 August 2011. ^ Edwards, Richard (27 August 2011). "Doctor Who 6.08 "Let's Kill Hitler" Review". SFX. Retrieved 28 August 2011. ^ Fuller, Gavin (27 August 2011). "Doctor Who: Let's Kill Hitler - a wasted opportunity?". The Daily Telegraph. Retrieved 28 August 2011. ^ http://www.assignmentx.com/2011/tv-review-doctor-who-series-6-lets-kill-hitler/ ^ Shelley, Jim (29 August 2011). "Doctor Who's plots are getting lost in space...". The Daily Mirror. Retrieved 30 August 2011. [edit] External links Wikiquote has a collection of quotations related to: Eleventh Doctor "Let's Kill Hitler" at the Internet Movie Database "Let's Kill Hitler" at the BBC Doctor Who homepage



  • TDP 196: Torchwood Miracle Day Ep6

    20 August 2011 (6:12pm GMT)
    Episode Duration: 0 days, 0 hours, 8 minutes and 33 seconds

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    reprinted from wikipedia with repect and thanks "The Middle Men" is the sixth episode of the fourth series of British science fiction television series Torchwood, and was broadcast in the United States on Starz on 12 August 2011. Contents [hide] 1 Plot summary 2 Reception 3 References 4 External links [edit] Plot summary In the pre-credits sequence, PhiCorp CEO Stuart Owens (Ernie Hudson) attempts to investigate PhiCorp constructions sites in Shanghai but his hired investigator(Eric Steinberg) jumps off a high-storey building to end consciousness rather than tell him the horror of what is really going on. Jack later confronts Owens and learns from him that the PhiCorp is as much a pawn as any other player in the system, and that whoever orchestrated the miracle has been working towards it for a very long time. He also learns of another term relating to the miracle which Owens' team of investigators have uncovered: "the blessing", dating back to the 1990s. In San Pedro, Rex finishes his video message contained along with the footage of Dr. Juarez's incineration, and Esther begins to suspect something has happened to Dr. Juarez. Rex attempts to pass himself off as a soldier working at the San Pedro Overflow Camp but is unsuccessful and captured. Juarez's killer, camp director Colin Maloney (Marc Vann), briefly considers using Rex's video to expose the death of Dr. Juarez and become a hero, but then attempts to kill Rex. Esther finds them and is forced to strangle Maloney. With assistance from soldier Ralph Coltrane (Fred Koehler), who had been complicit in Juarez' murder, they are able to escape the compound with the footage. They release it, causing a public outcry, but do not affect the government's stance on Overflow Camps and the life and death category system. In Wales, Gwen manages to break her father out of the Overflow Camp as Rhys runs over the gates with Geraint in the back of his truck. With the Torchwood contact lenses, Gwen publicly broadcasts a message explaining the purpose of the Overflow Camps shortly before blowing up the Modules (where people are incinerated) at the Cardiff facility. However, touching down again in Los Angeles she is unable to make contact with Rhys. A mysterious phonecall at the LAX white privacy phone tells her to put on her lenses, where she receives a message directly to her line of sight from the conspirators behind Miracle Day: they have her mother, husband and child, and to set them free she must deliver Jack. [edit] Reception Assignment X described the episode as "lackluster", stating, "This story seems to excel in examining all the permutations of its premise in society – such as the intriguing “45 Club” early in this episode – but the further it goes in following the actual plotline with the Torchwood team and their investigation, the more frustrating it gets as a viewing experience".[1] [edit] References ^ http://www.assignmentx.com/2011/tv-review-torchwood-miracle-day-the-middle-men-review-1/ [edit] External links The Middle Men on TARDIS Index File, an external wiki



  • TDP 195: Torchwood Miracle Day Ep 5 - The Categories of Life

    18 August 2011 (10:50am GMT)
    Episode Duration: 0 days, 0 hours, 11 minutes and 11 seconds

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    The Categories of Life reprinted From Wikipedia, the free encyclopedia with respect and thanks "The Categories of Life" Torchwood episode Cast Starring John Barrowman – Captain Jack Harkness Eve Myles – Gwen Cooper Mekhi Phifer – Rex Matheson Alexa Havins – Esther Drummond Kai Owen – Rhys Williams Bill Pullman – Oswald Danes Others Lauren Ambrose – Jilly Kitzinger Arlene Tur – Vera Juarez William Thomas – Geraint Cooper Sharon Morgan – Mary Cooper Tom Price – PC Andy Frederick Koehler – Ralph Coltrane Teddy Sears – Blue Eyed Man Marc Vann – Colin Maloney Daniel Adegboyega – Guard Brad Bell – Nurse Chris Charles Carpenter – News Reporter Jim Conway – Man Jonathan Dane – Handsome Man Teresa Garza – Spanish Newscaster Brendan Hughes – Pidgeon Joelle Elizabeth Jacoby – Excited Teenager Liz Jenkins – Rachel Ria Jones – Pushy Woman Masami Kosaka – Japanese Newscaster Eve Mauro – Maria Candido Francine Morgan – Stressed Woman Stuart Nurse – Thomason Tracy Pfau – Pale Woman Caroline Whitney Smith – Paramedic Vito Viscuso – Angry Man Randa Walker – Candice Production Writer Jane Espenson Director Guy Ferland Producer Kelly A. Manners Brian Minchin (UK unit) Executive producer(s) Russell T Davies Julie Gardner Jane Tranter Jane Espenson (co-executive) Vlad Wolynetz (co-executive) Production code 105 Series Miracle Day Length 55 minutes Originally broadcast 5 August 2011 Chronology ← Preceded by Followed by → "Escape to L.A." "The Middle Men" "The Categories of Life" is the fifth episode of the fourth series of British science fiction television series Torchwood, and was first broadcast in the United States on Starz on 5 August 2011 and in the UK on 11 August. Contents [hide] 1 Plot summary 2 Reception 3 References 4 External links [edit] Plot summary The government panels are cancelled after PhiCorp and the world's governments implement a categorization system regarding life. Those who should have died and are brain-dead are assigned Category 1 status, and those who have persistent injuries/diseases are to be given Category 2 while Category 3 status are normal people who have no or minor injuries. Category 1s and 2s are sent to Overflow Camps which resemble concentration camps where there are hidden modules not appearing on satellite footage, and Torchwood suspects that these modules have a dark purpose. Appalled by growing governmental control over life and death, Vera travels to California to assist Torchwood. As he survived a fatal injury, Rex investigates a camp in California as a Category 2 patient while Esther sneaks in and administratively assigns Rex a Category 1 status and smuggles him a camera to film evidence. Using her medical panel credentials, Vera attempts to inspect the treatment of Category 1 patients and discovers that many conscious people are being assigned Category 1 status, essentially being declared non-living by the government. Vera threatens to prosecute Colin Maloney, the man overseeing the overflow camp after she sees the inhumane conditions which conscious Category 1 patients are enduring. He panics and shoots her. To cover up his actions, he and soldier Ralph Coltrane transport her to one of the modules and place her inside. Elsewhere, Jack tries to convince Oswald to use his fame to expose PhiCorp's advanced knowledge of the Miracle, but Oswald goes ahead with his pro-PhiCorp televised speech to a packed stadium. Meanwhile, Gwen returns to Wales to rescue her father from an Overflow Camp. During the escape attempt, her father suffers another heart attack and the doctors later give him Category 1 status, which Gwen struggles to challenge. When her husband Rhys reveals to her that the camp's personnel are taking Category 1 patients to the "burn unit", Gwen deduces that the modules are in fact incinerators used to burn the Category 1 patients. This is grimly confirmed when, back in the California Overflow Camp, Maloney activates the incinerator on the module containing Vera. Rex comes across Vera but cannot free her, and is forced to watch her being burned alive, reluctantly video recording her agony. [edit] Reception Writing for the Guardian, Dan Martin describes this episode as the episode in which "Miracle Day finally realised its potential". For Martin, the success of the episode is based on the fact that it revolves around "looking at humanity through a camera contact-lens, darkly". He concludes by opining that although this episode is set in a world completely different to our own this episode has greater verisimilitude than those previous.[1] AfterElton's Heather Hogan also praised the writing of the episode, stating that although she knew in advance that Vera was going to die, the ending left her with her mouth "completely agape". Hogan felt that the use of Nazi imagery relating to the in-universe use of the final solution was particularly unsettling. She questions whether this is making the show too dark, but ultimately concludes that the reverses applies, as Miracle Day now has her full attention, stating that the final scenes will continue to haunt her.[2] Writing for entertainment site io9 Charlie Jane Anders also praises the set-up of the episode, stating that it illuminates a basic truth about the perils of rationing healthcare. She also praises the way some of the failures of the protoganists (particuarly Vera and Gwen) play into the episode, stating that "'The Categories of Life' exposes human vanity in the way that only a script by Jane Espenson could".[3] [edit] References ^ Martin, Daniel (6 August 2011). "Torchwood: Miracle Day – episode five". The Guardian. Retrieved 6 August 2011. ^ Hogan, Heather (8 August 2011). ""Torchwood" Gets Even Darker With a "Final Solution"". AfterElton. Retrieved 10 August 2011. ^ Anders, Charlie Jane (7 August 2011). "Torchwood ensures you’ll never think about Death Panels the same way again". io9. Retrieved 10 August 2010. [edit] External links



  • TDP 194: The Sun Makers

    10 August 2011 (10:00pm GMT)
    Episode Duration: 0 days, 0 hours, 15 minutes and 22 seconds

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    The Sun Makers From Wikipedia, the free encyclopedia 095 – The Sun Makers Doctor Who serial "An ongoing insurrectionary situation would not be acceptable to my management." Cast Doctor Tom Baker (Fourth Doctor) Companions Louise Jameson (Leela) John Leeson (Voice of K-9 Mk. I) Others Henry Woolf — The Collector Richard Leech — Gatherer Hade Jonina Scott — Marn Roy Macready — Cordo David Rowlands — Bisham William Simons — Mandrel Adrienne Burgess — Veet Michael Keating — Goudry Carole Hopkin — Nurse Derek Crewe — Synge Colin McCormack — Commander Tom Kelly — Guard Production Writer Robert Holmes Director Pennant Roberts Script editor Robert Holmes and Anthony Read (both uncredited) Producer Graham Williams Executive producer(s) None Production code 4W Series Season 15 Length 4 episodes, 25 minutes each Originally broadcast 26 November–17 December 1977 Chronology ← Preceded by Followed by → Image of the Fendahl Underworld The Sun Makers is a serial in the British science fiction television series Doctor Who, which was first broadcast in four weekly parts from 26 November to 17 December 1977. Contents [hide] 1 Synopsis 2 Plot 2.1 Continuity 3 Production 3.1 Cast notes 4 Outside references 5 In print 6 VHS and DVD releases 7 References 8 External links 8.1 Reviews 8.2 Target novelisation [edit] Synopsis In the far future, the planet Pluto is habitable, heated by several miniature suns. However, the heat is available only to the ruling classes, the working population being oppressed by the ruthless, bureaucratic and omnipresent Company. When the Doctor and Leela arrive, they help to initiate a rebellion from the Undercity, and stop the evil company's plans once and for all. [edit] Plot The inhabitants of Pluto in the far future are taxed to desperation, not least the functionary Cordo, who is so overwhelmed by the size of his tax bill that he decides to take his own life by jumping from the roof of one of the vast Megropolis tower blocks. He is interrupted by the arrival of the Doctor and Leela from the TARDIS, who save him from his chosen fate, and discover that false suns have been created around Pluto to provide the ability for some of mankind to live. However, the Company which owns the suns and all the buildings on Pluto is using its economic stranglehold over mankind to extort ever growing taxes through an extreme form of usury. The Doctor is concerned at this economic and social structure, where each Megropolis is ruled by a taxation Gatherer, and the entire operation on the planet reports to a malevolent Collector. Some citizens have rejected this social order and choose to live in the dark tunnels of the Undercity. The Doctor, Leela and Cordo venture there and encounter the renegades of the undercity, a vicious bunch of thieves and drop-outs led by the brutal Mandrel. He tells the Doctor that he must use a stolen consume-card to obtain money from a cashpoint or else Leela will be killed. The Gatherer of Megropolis One, Hade, has been alerted to the arrival of the TARDIS. He uses an electronic tracker to follow K9, who has now departed the craft in search of his master. K9 finds the Doctor and Cordo at a cashpoint where the Gatherer sees them and suspects they must be arms dealers. He orders his private guard, the Inner Retinue, to deal with them. When the Doctor tries the stolen card he is overpowered by a cloud of noxious gas and falls unconscious. When the Doctor awakes he finds himself restrained in a Correction Centre alongside a similarly incarcerated man named Bisham. They are likely to be tortured, but the Doctor is as concerned for Leela, whom Mandrel threatened to kill if the Doctor did not return. Leela has defended herself though, and Cordo, who evaded capture, returns to the Undercity with news of the Doctor’s capture. This serves to increase Leela’s standing with the thieves and the threat over her life diminishes. The Doctor’s lot improves too when he is released for questioning by Gatherer Hade, but Hade is playing a game of double bluff. He has the Doctor released but orders his movements tracked, believing the Doctor will lead him to the heart of a conspiracy against the Company. Not knowing about this change in fortunes, Leela, Cordo and K9 attack the Correction Centre to try and rescue the Doctor. He has left, but they do succeed in freeing Bisham. As they depart the Centre they find all their possible travel routes blocked by Inner Retinue troopers. Leela leads her friends in an attack on the guards, but she alone is injured in a skirmish and falls from a troop transporter they have commandeered. The Doctor has returned to the Undercity to find a very agitated Mandrel, who refuses to believe he could have been simply released after such a crime. Once more Cordo returns, this time with Bisham and K9, and defuses the situation when he explains what has happened to Leela. He also uses a stolen blaster to force Mandrel to stop threatening the Doctor. He asserts control and persuades the Undercity dwellers to start a revolution against the Company. Their first target will be the main control area where the Company engineers that PCM, a pacifying drug which helps keep the population servile, is being added to the air supply. Mandrel and his gang are also persuaded to start destroying the monitors throughout the Megropolis and to start spreading the message of revolt. Leela is now presented to the Collector himself, an odious humanoid in a life-support wheelchair who is even more obsessed with money than Gatherer Hade, who fawns all over him. The Collector deduces from interrogating Leela that Hade’s conspiracy theory was unfounded and orders that Leela will be steamed to death in a public execution. He is especially pleased at a public steaming and arranges immediate publicity, unaware of the revolt spreading through the Megropolis. The Doctor heads off to rescue Leela from the steamer, but is running out of time. The Doctor manages to save Leela in the nick of time, but the microphones set up to relay her death screams instead relay the sound of Mandrel warning the Doctor of how little time he has left to rescue her. The Collector is incensed and even more troubled when the revolution starts spreading even more quickly. Gatherer Hade is thrown to his death from the top of his Megropolis, and his normally dutiful underling, Marn, joins the revolution. Leela and the Doctor head for the Collector’s Palace, and there he sabotages the computer system. The Collector arrives and is challenged by the Doctor, who discovers the being is a Usurian from the planet Usurius. He is really a seaweedlike being like a sentient poisonous fungus. The Doctor denounces his operation on Pluto, which consumed Mars as well as the population were moved from Earth. Before the Collector can implement a plan to gas the population of Pluto, Cordo and the lead rebels arrive and help the Doctor defeat the remaining members of the Inner Retinue. The Collector checks his computer to find the Doctor’s input has resulted in projected bankruptcy, and the shock of this causes the Collector to revert to his natural state in a compartment at the base of his wheelchair. The Doctor seals him in to be sure the threat is over, and he and Leela depart with K9, leaving Cordo, Mandrel and the others to contemplate recolonising the Earth. [edit] Continuity Part Two contains a rare false cliffhanger, where Cordo, Bisham, Leela and K-9 spot an oncoming guard vehicle and Cordo says, "It's no good, they've seen us." The reprise at the beginning of Part Three omits Cordo's remark, and continues with Leela ordering K-9 to hide, allowing it to easily disable the guards. Leela refers to her tribe, the Sevateem, seen in The Face of Evil. The Company computer correctly guesses the etymology of the name. The Usurians are aware of the Time Lords and Gallifrey, having graded the former as "Grade 3" in their "latest market survey." [edit] Production Serial details by episode EpisodeBroadcast dateRun timeViewership (in millions) "Part One" 26 November 1977 24:59 8.5 "Part Two" 3 December 1977 24:57 9.5 "Part Three" 10 December 1977 24:57 8.9 "Part Four" 17 December 1977 24:57 8.4 [1][2][3] [edit] Cast notes Michael Keating also appeared in the audio play The Twilight Kingdom as Major Koth and in Year of the Pig as Inspector Chardalot. See also List of guest appearances in Doctor Who. Louise Jameson stated in the DVD commentary of the story and on the commentary for The Talons of Weng-Chiang that The Sun Makers was her favourite serial. [edit] Outside references Robert Holmes intended the serial to be a satire of his own experiences with the Inland Revenue services. However, much of the political content was toned down by order of producer Graham Williams, who feared it would be controversial among viewers. Many of the letters and numbers used to denote the labyrinth of corridors in the city, for example P45, allude to well-known tax and Governmental forms. The actor who played the Gatherer had deep bushy eyebrows, very reminiscent of the then-Chancellor of the Exchequer, Denis Healey. However, Holmes presented the villains of the piece as working for a private corporation rather than a government. Near the end of Part Two, when prompted by Mandrel for a story, the Doctor begins, "Once upon a time, there were three sisters ..." mirroring the same story he started telling Sarah Jane Smith near the end of Part Three in The Android Invasion. The Doctor refers to Galileo Galilei in passing, saying "Galileo will be pleased." When one of the rebels rhetorically asks the Doctor, "What have we got to lose?" he replies, "Only your claims!" This is a playful paraphrase of the famous slogan derived from the last lines of The Communist Manifesto. K-9 refers to Pluto as "the ninth planet." It was regarded as such at the time the programme was written and broadcast; in 2006, Pluto lost that distinction when it was downgraded to the status of dwarf planet. In this episode, Leela and the Doctor are identified as "terrorists." In real life, Leela's character was partially based on Palestinian terrorist Leila Khaled.[4][5] [edit] In print A novelisation of this serial, written by Terrance Dicks, was published by Target Books in November 1982. Dicks chose to tone down the scene in which revolutionaries cheer as they hurl one of their former oppressors from a roof, reducing the apparent horror so that the rebels concerned feel that their actions have gone "a bit too far". Doctor Who book Doctor Who and the Sunmakers Series Target novelisations Release number 60 Writer Terrance Dicks Publisher Target Books Cover artist Andrew Skilleter ISBN 0-426-20059-4 Release date 18 November 1982 [edit] VHS and DVD releases This story was released on VHS in July 2001. The Sun Makers was released on region 2 DVD 1 on August 2011.[6] [edit] References ^ Shaun Lyon et al. (2007-03-31). "The Sun Makers". Outpost Gallifrey. Archived from the original on 2008-07-31. Retrieved 2008-08-30. ^ "The Sun Makers". Doctor Who Reference Guide. Retrieved 2008-08-30. ^ Sullivan, Shannon (2007-08-07). "The Sun Makers". A Brief History of Time Travel. Retrieved 2008-08-30. ^ Sullivan, Shannon Patrick. "The Face of Evil". A Brief History of Time (Travel). Retrieved 2007-03-18. ^ Viner, Katharine (2001-10-26). "'I made the ring from a bullet and the pin of a hand grenade'". The Guardian. Retrieved 2007-03-18. ^ "Sun Makers goes Solo". 28 January 2011. Retrieved 29 January 2011. [edit] External links The Sun Makers at BBC Online The Sun Makers at Doctor Who: A Brief History Of Time (Travel) The Sun Makers at the Doctor Who Reference Guide [edit] Reviews The Sun Makers reviews at Outpost Gallifrey The Sun Makers reviews at The Doctor Who Ratings Guide [edit] Target novelisation On Target — Doctor Who and the Sunmakers



  • TDP 193: Torchwood Miracle Day Ep 4

    10 August 2011 (9:12pm GMT)
    Episode Duration: 0 days, 0 hours, 15 minutes and 17 seconds

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    taken with thanks from wikipedia Plot summary Dr. Vera Juarez and several doctors visit an abandoned hospital that is being used to handle the extra surplus of patients but much to Vera's frustration, the plan is a failure as there are too many patients admitted to the hospital and they don't have enough equipment to handle them. Meanwhile, Ellis Hartley Monroe, a Mayor and member of the Tea Party starts a campaign call "Dead is Dead", which aims to segregate the undying from the public until death finally comes for them. Oswald, Jilly and PhiCorp do not like this since her popularity might derail Oswald's and threaten PhiCorp plans. When Ellis makes a speech near the hospital where the extra patients are being sent, Oswald makes a bold move by entering the hospital and meeting the patients there, thus making the press immediately focus on him. Inside, Oswald tells the patients that they all deserve equal medical treatment and that people like Ellis are trying to take their rights away for them as they don't consider them human anymore. He promises to fight on their behalf and instantly the patients, the press and the public call Oswald a hero much to Ellis's frustration. The secret organization that controls PhiCorp drugs and kidnaps Ellis to a car compactor, where they tell her "The Families" will eliminate anyone who poses a threat to them before her car is crushed in the compactor, trapping Ellis inside. After obtaining information from the PhiCorp's servers, Torchwood learns that PhiCorp are building "Overflow Camps" around the world where extra patients will be sent. However, Rhys calls Gwen that her father is being sent to one of these camps as well and by the time Gwen tells him stop them, her father has already been taken away. [edit] Reception Den of Geek gave the episode a positive review saying "Come the end of Escape To L.A., it feels as if most of Miracle Day’s key themes are now firmly established, even if the detail is yet to come. And the episode is an interesting one. It doesn’t have the lovely smaller moments that really set Dead Of Night apart, and we still think that episode three is the peak of the series to date. But, episode four? It's still strong, and it's still worth tuning in to see."[1]



  • TDP 192: Torchwood Miracle Day Ep 3 Dead of Night

    28 July 2011 (7:00pm GMT)
    Episode Duration: 0 days, 0 hours, 12 minutes and 35 seconds

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    Dead of Night (Torchwood) reprinted From Wikipedia, the free encyclopedia with thanks and respect 34 – "Dead of Night" Torchwood episode Cast Starring John Barrowman – Captain Jack Harkness Eve Myles – Gwen Cooper Mekhi Phifer – Rex Matheson Alexa Havins – Esther Drummond Kai Owen – Rhys Williams Bill Pullman – Oswald Danes Others Lauren Ambrose – Jilly Kitzinger Arlene Tur – Vera Juarez Wayne Knight - Briam Friedkin Dillon Casey - Brad Richard Gilliland - Congressman Morganthall Tasha Ames - Carla Thea Andrews - Local Reporter Richard Augustine - George Sayer Daryl Crittenden - Young Man Mitchell Edmonds -Senior TV Anchor Matt Eyde - Atlanta Cop Mary Garripoli - Woman Tourist Ted Mattison - Phi-Corp Rep Jason Medwin - Sunroof Screamer George Murdock - Preacher Brian Treitler - Dr. Murphy Randa Walker - Candice Perlmutter Maurice Webster - Cop Michelle Wong - Nurse David Youse - Dr. Rosenbloom Production Writer Jane Espenson Director Billy Gierhart Producer Kelly A. Manners Executive producer(s) Russell T Davies Julie Gardner Jane Tranter Doris Egan (co-executive) Vlad Wolynetz (co-executive) Production code 4.3 Series Miracle Day Length 54 mins Originally broadcast 22 July 2011 Chronology ← Preceded by Followed by → "Rendition" "Escape to L.A." "Dead of Night" is the third episode of the fourth series of British science fiction television series Torchwood, and was broadcast in the United States on Starz on 22 July 2011, in Canada on Space on 23 July 2011, and will be broadcast in the United Kingdom on BBC One on 28 July 2011. Contents [hide] 1 Plot summary 2 Sex scene censorship controversy 3 Reception 4 References 5 External links [edit] Plot summary Rex (Phifer) and Esther (Havins) have joined Torchwood out of necessity. The team successfully acquire the phone from CIA director Friedkin (Wayne Knight), through which Friedkin received mysterious orders to exterminate Torchwood. The team follow leads and uncover a stockpile of painkillers at the pharmaceutical corporation PhiCorp, indicating they knew the Miracle was going to happen. At a loose end, Jack (Barrowman) takes the night off and picks up a man in a bar, and Rex seeks solace in his surgeon, Vera Juarez (Arlene Tur). Juarez tells Rex that PhiCorp representative Jilly Kitzinger (Lauren Ambrose) has invited her along to an important meeting tomorrow; Rex recruits Juarez to listen in for Torchwood, while Gwen goes on mission with the special Torchwood contact lenses and steals information from Kitzinger's computer. The meeting turns out to be a seminar, where Congressman Morganthall announces plans to make painkillers legal to purchase without prescription. At Torchwood HQ, Rex and Esther receive a mysterious phonecall from Friedkin's anonymous superiors and figuring their base has been compromised, realise that Torchwood must now leave D.C. Released murderer Oswald Danes (Bill Pullman) struggles to fit in the real world, and after being assaulted by police officers accepts Kitzinger's earlier offer of representation. He attends a select board meeting at PhiCorp. PhiCorp award him personal security on the condition he promotes their new painkiller legislation on national television to his growing following. Suspicious of Danes, Jack confronts him at the TV station. Jack gets Danes to admit that he does not feel forgiveness, but also that he enjoyed the rape and murder of his 12-year-old victim; Jack realises from this speech that Danes has a deathwish that is being denied him. Danes' security assaults Jack and releases him onto the streets just as Danes tells the world about the need for PhiCorp's painkiller legislation. [edit] Sex scene censorship controversy "Dead of Night" features a concurrent gay and straight sex scenes; the straight sex scene features Rex and Vera (Mekhi Phifer and Arlene Tur), and the gay scene features John Barrowman and guest actor Dillon Casey, playing bartender Brad. Gay mens' website AfterElton.com enthusiastically reported on Casey's casting in March;[1] the casting side for Brad, released in December 2010, had assuaged fears that Jack would be "de-gayed" by American network Starz.[2] Barrowman later told Access Hollywood reporters that the gay sex scene the series would feature would be more explicit than previous shots of its kind in Torchwood, because Starz as a US premium cable network allowed the show to "push the envelope a little bit more".[3] For airings in the UK, the BBC (a public broadcast network) edited the scene because it was deemed inappropriate for the primetime slot. However, a BBC spokesperson stated that the edit would not affect the story in any way.[4] Barrowman however, responded by saying that sex scenes in the show were not gratuitous did form a part of the plot.[5] This section requires expansion. [edit] Reception The A.V. Club's Zack Handlen awarded "Dead of Night" a B- rating. He felt that the episode did not have any truly tense scenes compared to previous episode "Rendition". While he celebrated that the "two-fer sex scene" was unusual for mainstream science fiction, Handlen felt it "didn't make for gripping television", and felt Jack's hook-up was at least more believable than the prospect of a Rex/Vera romance. Though he gave the episode a relatively high rating, and was optimistic for Miracle Day as a series, Handlen's concluding paragraph stated "an episode like this isn't a good sign".[6] Los Angeles Times reviewer Todd VanDerWerff wrote "With every week it’s on the air, Torchwood: Miracle Day continues to expand its scope"; his reviewer was largely positive but marked with criticisms. He felt "the episode's mid-section was where it was flabiest", referring to Gwen's contact with Rhys and the lovemaking scenes. Like Handlen, he remarked on the believability of the Rex/Vera pairing, saying "It made sense for later in the episode that Rex and Vera had hooked up (since it gave her stronger motivation to work with Torchwood), but in the moment, it seemed ludicrously convenient." Like Handlen, VanDerWerff didn't find the American public's reaction to Danes believable either. However, his summary said "All in all, this was a "putting the pieces in place" kind of episode, and though some of the pieces were moved quite inelegantly -– again, the Rex and Vera hook-up -– much of whether this episode stands out as the start of a decline or a brief hiccup will be determined by where the pieces go from here."[7] This section requires expansion. [edit] References ^ Jensen, Michael (5 March 2011). "Exclusive! Meet Brad, Captain Jack's One Night Stand on "Torchwood: Miracle Day!"". AfterElton.com. Retrieved 23 July 2011. ^ Jensen, Michael (12 December 2010). ""Torchwood" Casting One Night Stand for Captain Jack". AfterElton.com. Logo Online. Retrieved 23 July 2011. ^ 8 April 2011, Morgan. "'Torchwood' star: 'New series not toned down'". Digital Spy. Retrieved 23 July 2011. ^ Wrightman, Catriona (19 July 2011). "'Torchwood' sex scene cut from UK broadcast". Digital Spy. Retrieved 23 July 2011. ^ Wrightman, Catriona (20 July 2011). "John Barrowman: 'Torchwood sex scenes aren't gratuitous'". Digital Spy. Retrieved 23 July 2011. ^ Handlen, Zack (22 July 2011). ""Dead of Night"". A.V. Club New York. The Onion. Retrieved 23 July 2011. ^ VanDerWerff, Todd (23 July 2011). "'Torchwood' recap: I'm buying stock in Phicorp". Los Angeles Times. Retrieved 23 July 2011.



  • TDP 191: Torchwood Miracle Day Ep2

    21 July 2011 (8:00pm GMT)
    Episode Duration: 0 days, 0 hours, 8 minutes and 4 seconds

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    RE PRINTED HERE FROM WIKIPEDIA Synopsis As Rex brings the Torchwood team to America, problems arise on the plane. CIA operatives are plotting to remove them, and poison the only mortal man; Captain Jack Harkness. Gwen, Rex along with the help of a Doctor create an antidote using only items found on a plane. Meanwhile, Oswald Danes is appearing on News Talk Shows and is becoming a trend on many online social networks after breaking down on national television. Plot Rex has Jack and Gwen boarded on a plane headed to Washington, D.C. with fellow CIA agent Lyn Peterfield escorting them. However Gwen's husband Rhys and their daughter Anwen are forced to stay in the UK. Back in Washington, D.C., because no one can die due to the Miracle, Dr. Vera Juarez has her hospital staff focus on treating the least wounded first so they can get them out quickly and have enough beds to treat newer patients. After his release, Oswald is being interviewed on a local talk show but doesn't say much since there is a campaign to have him returned to prison and anything he might say might be used against him. But when the reporter shows him a picture of the girl he murdered, Oswald starts to break down and cries, apologizing to the girl and revealing he was too scared to apologize to the victim's mother, which earns him sympathy from some viewers. As he's about to leave the TV station, PR agent Jilly Kitzinger congratulates him on his interview and offers him to be his agent but he declines, after which a TV staff tells Oswald that Oprah Winfrey wants to do an interview with him. Meanwhile, Vera attends a medical conference where doctors are trying to figure out the Miracle but when a Doctor tweets that his hospital needs more antibiotics, Vera realizes because nobody is dying, people who were suppose to died have become living incubators for bacteria which allows it to grow and become resistant to antibiotics. What's worse, the Miracle is not true immortality as people still aged and grow old. With fears that supplies will dwindle as the undying grows, Vera suggest hospitals needs more painkillers to handle this situation. Later, Vera meets Jilly who actually works for a pharmaceutical company called PhiCorp and convinces Vera they can work together as she can help her. When Director Brian Friedkin suspects Esther and Rex may know too much about Torchwood, he has their security clearances deleted, frames them as spies working for China and orders Lyn to kill Jack with an arsenic pill. However, Esther manages to escape before the CIA catches her and tries to warn Rex. Back on the plane, Jack realizes that he's being poisoned which both Gwen and Rex apprehend Lyn. As Jack is slowly being killed by the arsenic, Rex calls Vera for help. With the help of her fellow doctors at the medical conference and the air stewards on their plane, Rex and Gwen successfully creates an antidote and administers it to Jack. When Jack, Gwen, Rex and Lyn arrive at the airport, they are accompanied by a group of CIA agents, unaware that they are under orders by Friedkin to arrests the three and free Lyn. However, Esther manages to warn Rex which him, Jack and Gwen subdues the agents including Rex twisting Lyn's neck and escape. By the time they come out of the airport, they are greeted by Vera with Rex's painkillers and Esther who is their getaway driver. After Rex gets his painkillers, he, Jack, Gwen and Esther are about to go until Lyn, still with a twisted neck, tries to stop them but because of her condition, they leave her alone and drive off. Broadcast This episode was broadcast on Starz in the US on Friday 15th July. It is due to air on BBC 1 on Thursday 21st of July. International broadcasters in Canada and Australia received the show on Saturday 16th July, where it was broadcast on Australia's UKTV network. Entertainment Weekly reported that this episode on Starz was watched by "1.4 million this weekend, down about 30 percent from last week's debut."[1]  Reception Chris Swanson from WhatCulture gave the episode 4 stars and said "I liked this episode. It wasn’t exactly action-packed or anything like that, but it did feature some nice moments, like a conversation between Gwen and Jack about how dangerous being around him is (shades of similar conversations on Doctor Who)." "I also very much liked that they are continuing to examine the logistics of exactly what would happen in a situation like this. Interestingly, no one has yet suggested mandatory birth control, but we do see discussions about the fact that the entire medical industry would have to change from a life-saving position to one that’s more about pain management."[2] References ^ Hibberd, James (July 18, 2011). "'Torchwood' ratings dip for second episode". Inside TV (Entertainment Weekly). Retrieved July 19, 2011. ^ Swanson, Chris (July 18, 2011). "TV Review: TORCHWOOD MIRACLE DAY, 4.2 – “Rendition”". WhatCulture!.



  • TDP 190: Torchwood Miracle Day Ep 1 - The New World

    14 July 2011 (8:00pm GMT)
    Episode Duration: 0 days, 0 hours, 16 minutes and 52 seconds

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    REPRINTED FROM WIKIPEDIAA WITH THANKS AND RESPECT The New World" is the first episode of the fourth series of British science fiction television series Torchwood, and was broadcast in the United States on Starz on 8 July 2011 and in Canada on Space on 9 July 2011. It will be broadcast in the United Kingdom on BBC One on 14 July 2011. Contents [hide] 1 Plot 1.1 Synopsis 1.2 Continuity 2 Production 2.1 Cast notes 3 Reception and Broadcast 4 References 5 External links [edit] Plot [edit] Synopsis In Kentucky, convicted pedophile and murderer Oswald Danes (Bill Pullman) is due to be executed by a lethal concoction of drugs. However, the execution fails. At the start of "Miracle Day", a mysterious email is sent to members of the intelligence agencies in the US, bypassing the usual security protocols and containing only the word "Torchwood". CIA agent Rex Matheson (Mekhi Phifer) is fatally injured in a car crash whilst receiving information on Torchwood from Esther Drummond (Alexa Havins), and is taken to a Washington DC hospital. There he is treated by surgeon Vera Juarez (Arlene Tur), who informs Esther that Rex has survived, and also that no-one has died in the past 24 hours at any US hospital. This information leads to the discussion of the "miracle" on International news and social networking sites. It is revealed that individuals can still become sick and injured, but continue to live regardless. As Esther investigates the remaining files on Torchwood in the CIA archives, Jack Harkness (John Barrowman) appears in the US to deal with Esther, after erasing all online mentions of Torchwood. After saving her from an assassin who later blows up the CIA archives, Jack gives Esther an amnesia pill, and she subsequently forgets about her encounter with Jack, though her memories of Torchwood itself are triggered by a file brought to her by CIA agent Noah Vickers. Oswald meets a representative of the Governor of Kentucky who has come to apologize for any pain Oswald suffered during his failed execution. But Oswald demands that he should be released since he technically already served his sentence or else he will sue the State for breaching his Eighth and Fifth Amendments rights for unlawful imprisonment and unnecessary pain. Realizing the lawsuit would cost millions for the State, the Governor reluctantly release Oswald due to Force majeure much to public anger. In Wales former Torchwood operative and young mother Gwen Cooper (Eve Myles) is called out of exile by her old collegaue Andy Davidson (Tom Price), who informs her that her father Geraint (William Thomas) has had two heart attacks, but not died. Gwen is persuaded not to investigate the strange events any further by her husband Rhys (Kai Owen). However, CIA agent Rex Matheson links Torchwood with the worldwide miracle and with Esther's help tracks Gwen down using the phonecall data from Davidson's phone. Upon arriving at Gwen's seaside house, a helicopter arrives with the intention of killing Gwen. Gwen fights off the helicopter, and escapes with the help of Jack who has arrived to watch out for her. The remaining members of Torchwood escape to Roald Dahl Plass, the site of the original Torchwood Institute, where Jack reveals that he hasn't healed from an injury sustained at the CIA archives, and therefore is assumed to be mortal, just as the entire populace is now Immortal. Gwen discusses what actions they should take, but is interrupted by the arrival of the South Wales Police force and Rex's announcement that he is renditioning Torchwood to the United states. [edit] Continuity Jack flashes counterfeit credentials to gain access to the bomber's autopsy. He claims to be an FBI agent named Owen Harper, a reference to his late Torchwood colleague whose own extensive collection of false identity cards was shown in "Ghost Machine". The temporal setting of "Everything Changes" and "Day One" is established when Esther reads that Gwen Cooper joined the Torchwood Institute in October 2006. The CIA officers make several mentions of 456 level security, a reference to the aliens (the 456) that are encountered in Torchwood: Children of Earth. As the team sit in Roald Dahl Plass, they note that it and the Water Tower have been rebuilt since the demolition in Torchwood: Children of Earth. [edit] Production [edit] Cast notes [edit] Reception and Broadcast The episode recieved positive reviews. Crave Online said it's good to see John Barrowman easily step back into his iconic character,they gave the episode 8 out of 10.[1] When premiered on SPACE in Canada, the episode drew in nearly a million viewers with an average of 432,000, the highest the channel has ever had for a show.[2] Overall, the first episode of "Miracle Day" was entertaining and intriguing enough to justify Torchwood's new lease on life. [edit] References ^ http://www.craveonline.com/tv/reviews/170849-torchwood-miracle-day-101-the-new-world ^ "The New World: Canadian Ratings". Doctor Who News Page. 2011-07-12. Retrieved 2011-07-13. [edit] External links The New World on TARDIS Index File, an external wiki



  • TDP 189: Torchwood - House of the Dead - Lost Tales 3

    13 July 2011 (10:59am GMT)
    Episode Duration: 0 days, 0 hours, 5 minutes and 8 seconds

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    REPRINTED FROM BBC PRESS SITE WITH THANKS AND RESPECT The brewery have called 'time' and it's the last night at The House of the Dead - the most haunted pub in Wales. Barry the barman has invited renowned psychic, Mrs Wintergreen, to hold a special seance to mark the occasion, and there's a big crowd hoping for the chance of seeing their deceased loved ones for one last time. But when Jack arrives on the scene, he's determined to stop them. Ianto is puzzled by Jack's behaviour, and Gwen is suspicious. Why is Jack acting so strangely? Then the ghosts start arriving - and all hell breaks loose. By James Goss. Cast: Captain Jack Harkness ... John Barrowman Gwen Cooper ... Eve Myles Ianto Jones ... Gareth David-Lloyd Mrs Wintergreen ... Rosalind Ayres Barry ... Bradley Freegard Mr Jones/Tony ... John Francis Harries Helen ... Lucy Davis Ness ... Moira Quirk Late Arrival ... Shelley Rees Recorded at The Invisible Studios, by Mark Holden and mixed at BBC Wales by Nigel Lewis. A BBC/Cymru Wales production, directed by Kate McAll.



  • TDP 188: Torchwood - Submission - Lost tales 2

    12 July 2011 (10:16am GMT)
    Episode Duration: 0 days, 0 hours, 6 minutes and 19 seconds

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    REPRINTED FROM BBC PRESS SITE  WITH THANKS AND RESPECT In Ryan Scott's episode, Torchwood are chasing aliens down the M4, when Jack accidentally blows a hole in the Severn Bridge, and the SUV hits the water. Whilst submerged John, Gwen and Ianto hear a strange noise, which, back at the Hub they realise is a cry for help. They track the cry to its source which turns out to be the deepest part of the Ocean - the Mariana Trench. Ianto rings old Torchwood flame, Carlie Roberts, who's an expert in marine geology, and Jack pulls strings with the US government to get them all on board the USS Calvin, an Arleigh Burke class destroyer, which is heading for the Trench. From there they board the Octopus Rock, the only submarine built to withstand the pressure at that depth, and follow the signal. But when the Submarine crashes, the team are left at the mercy of a hungry alien. Cast: Captain Jack Harkness ... John Barrowman Gwen Cooper ... Eve Myles Ianto Jones ... Gareth David-Lloyd Carlie Roberts ... Erin Bennett Sam Doyle ... Angelo Tiffe Captain Cudlow ... John Francis Harries Henry Goddard ... John Lee Recorded at The Invisible Studios, by Mark Holden and mixed at BBC Wales by Nigel Lewis. A BBC/Cymru Wales production, directed by Kate McAll. Broadcast Tue 12 Jul 2011 14:15 BBC Radio 4ss



  • TDP 187: Torchwood - The Devil and Miss Carew - Lost tales 1

    11 July 2011 (10:40am GMT)
    Episode Duration: 0 days, 0 hours, 9 minutes and 36 seconds

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    REPRINTED FROM BBC PRESS SITE WITH THANKS AND RESPECT The Devil and Miss Carew Listen: Next on: Today, 14:15 on BBC Radio 4 Synopsis Martin Jarvis and Juliet Mills join the regular cast for this latest Torchwood adventure by Rupert Laight. When Rhys's elderly Uncle Bryn has a heart attack while listening to the shipping forecast, it seems like another routine death at Ivyday Nursing Home. But when Rhys and Gwen go to collect the old man's effects, Gwen's suspicions are roused by another elderly resident. The conversation is cut short, though, by a fire alarm, one of many consequences of the mysterious power cuts that are sweeping the nation. Gwen has a hunch that something is wrong and her search leads her to Miss Carew, a suspiciously fit and strong octogenarian who, despite having supposedly terminal heart disease, has left Ivyday and gone back to work at the Computer firm she used to run. Miss Carew has been offered a deal by Fitzroy, a wandering alien with an aversion to electricity who is looking for a home. It's a deal that Miss Carew can't refuse. But the consequences for planet Earth are unthinkable. Cast: Captain Jack Harkness ... John Barrowman Gwen Cooper ... Eve Myles Ianto Jones ... Gareth David-Lloyd Rhys Williams ... Kai Owen Fitzroy ... Martin Jarvis Miss Carew ... Juliet Mills Sian ... Hayley J Williams Uncle Bryn ... James Walsh Old Lady ... Shelley Rees Rupert Laight is one of the writers of The Sarah Jane Adventures Recorded at The Invisible Studios, by Mark Holden and mixed at BBC Wales by Nigel Lewis. A BBC/Cymru Wales production, directed by Kate McAll. Broadcast Mon 11 Jul 2011 14:15 BBC Radio 4



 
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